I suppose that shouldn't be a surprise to me, but I didn't know. That
makes some sense though. It seems almost impossible for most people to
make money making music these days.
It would have been great to be a producer during the 90's. I bought a
lot of vinyl then too.
It's remarkable how limited a lot of electro vinyl releases would seem
to be currently. It looks like releases of just 100-250 records for even
the most well known artists. Good releases have some rarity, yet demand
is not what it was either.
On Fri, 20 Mar 2015, at 06:32 AM, Philip McGarva wrote:
On 20/03/2015 16:02, 313-digest-h...@hyperreal.org wrote:
I'd go further and offer commercial rights to remix projects. The
details of that would need to be discussed but in principle I would
welcome commercial remixes that were authorised by me and I would not
expect a share of royalties. I've no idea if that sort of arrangement
exists already, but folk in the business should be able to figure it out
if there's an interest.
Steve
No royalties IS the business arrangement :^(
