RE: [313] Sonar meet up
I'll be there from tuesday 11th. Hey Collin, I'm looking forward to meet you there!! my mobile phone no is 609 125 183. If any of you wants to meet or need anything while you are staying ther just give me a call (+34 if calling from out of spain) cheers - Original Message - From: Collin Chen [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, June 02, 2002 4:13 AM Subject: [313] Sonar meet up HI all, I will be heading to Snar this year. May i know who else on the list will be heading there? I will be in Barcelona on 12 JUne night. Your techno friend from SIngapore, Collin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] groovetech site up then down and all shaken
I can use it, but when I try to check out my cart contents dissapear - Original Message - From: Berislav [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Wednesday, April 03, 2002 11:47 AM Subject: [313] groovetech site up then down and all shaken does somebody have any infromation what is going on with groovetech site. its in mess and can do anything about it, for some time i had message that acces is forbiden , and now its unusable b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT search for label
Hi all, Sorry for the OT self-promotion, this will only happen once and I apologize in advance. Since there are not many record labels in Spain, and we don't have one of our own (yet), my partner and I were considering the posibility of releasing some of our music in record labels from around the world. Once again, sorry, but it feels really bad to see your tracks gather dust and I can't think of a better place than this to give it a try. Right now we have about 30 or so unreleased tracks that range from house to techno, all of them produced in the last 4 or 5 months. If any of you is interested, you can check out some of our previously released productions. A list with some of them below: LabelRef.Artist Title Dist.Year Options01 Xpansul Daweed Xpansul DaweedPrime 2001 Audiodrome 06 ErgotErgot Prime 2000 Audiodrome 11 Ergot DaweedErgot meets Daweed Prime 2001 Isoghi 01 Backspin Boyz Backspin's Back Prime 2001 Complex 01 Unknown Introspection E.P. Integrale2000 Syl:Label 03 The Crawl-crew Crawl E.P.Integrale2000 Grauertag 01 Various--- Atlas 2002(forthcoming) So, as I said, If you run a label and have an interest and a serious chance to consider publishing any of the new tracks or colaborate in any matter, feel free to contact me privately so I can send a demo cd. Thanks a lot David (daweed)
[313] (OT) paging robin porter
Hi, sorry for the OT. I'm trying to contact Ronbin Porter. I can't get into inmigrant webpage, and lately there have been some changes in the domain.. and some of my mails bounce. Anybody has a working e-mail adress for him? Please respond privately. Thanks in advance daweed
[313] re: about the members
sex: not much, but I try age: 26 born in madrid, spain also live there occupation(s): producer (mainly techno house + anything in between)labels: audiodrome,options, grauertag, syl:label, complex resident dj at soma experimental club, madrid graphic designer (flyers and so) web developer and e-marketing for a consultancy company my messages haven't made it to the list for about 2 months now :((
Re: [313] Biofeedback replacing DJs / Neil Stephenson's Ideas
there's a guy here in spain who uses flocks of about 500 sheep running around with different cowbells hang. Not the same thing, but the result is pretty impressive :P stellac (sp?) an australian based performance artist in the 80s used biofeedback. he would place electrodes on himself that would generate Stelarc. He's also done some other strange things, like mapping those same electrical impulses to an Internet ping-map so that the speed of his twitching was determined by the ping from his location to various places. Another project involved wiring half of his body to transmit and half to receive, and mirror-imaging this wiring on a dancer across the continent. The two then performed a piece together. Interesting fellow, if a bit on the strange side. Josh - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] technology vs. art
humans are slow and briliant, machines are stupid and fast, together they can achieve great things... Albert Einstein (well... it's not exactly that way, but that's the point :P) CONGRADULATIONS! you just made me feel stupid. didn't Mr. Kasparov beat the computer in the second round, or is that just a myth? if technology is art, then why are people shelling out tons of cash for a painting by a monkey??? the way i look at it is, ahhmmm, one persons trash is another persons treasure. there is no sense arguing what art is, because some one out there thinks that the george forman grill is a work of art (especailly them new colored ones that look like an iMac). It is all in - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Youngsters info
http://www.theyoungsters.net/ nice guys as well Mensaje citado por: John Osselaer [EMAIL PROTECTED]: Does anybody know of any online articles and/or info on the French group The Youngsters? I got their latest album which is pretty good and I would like to know more about them. Thanks in advance, John _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] record info
I just got a record called SCIENCE PROJECT. its just one track, with vocal samples and it says somewhere it's distributed by distant. any info on the producer? thnx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Eno on his soapbox
btw, last week in a party in spain aquaviva's final scratch crashed, and he ended up doing a normal set with trevor rockliffe's records... or that's what they told me - Original Message - From: Gerald [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, October 29, 2001 6:26 PM Subject: [313] Eno on his soapbox - with all the recent hullabaloo about Finalscratch... Thought i'd throw this into the pot. Article spotted on another mailing list, i thought some of you might be interested in. G Matt Tudor wrote: Interesting read: New Eno Music Gets 'Generative' Brian Eno, the electronic and ambient music pioneer, thinks today's computer-crafted tunes are lame. With software like Acid, Logic, Cubase and ProTools, musicians now have on the desktop a seemingly limitless ability to cut up, affect, loop and rearrange sounds. Altering the tempo, pitch and feel of a beat has become almost as easy as changing the font in this sentence. But that's not necessarily a good thing, Eno said. http://www.wired.com/news/culture/0,1284,47670,00.html?tw=wn20011027 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] fuel to the fire : was hawtin hawtin everywhere
For me , a techno live show would me djing my own records. I am a producer and a DJ, I am not a performer. One of the reasons that led me to techno and house production was that performing skills didn't influence the music as much as in other styles (same thing happens with image, and I think this two facts are related) In other words, good thing about electronic music is that it comes from your heart and your mind right to the computer, with much less skill involved than, let's say, opera or pop. When I produce I program almost everything, I even record filter sweeps and so. To perform live I have to put everything in the computer (I'm not moving my whole studio) and the result is much worse than the original. What I've done sometimes is to record a live set at the studio and just play it, and I don't think it's cheating. Let's forget about the pop/rock stereotype, electronic music is different daweed - Original Message - From: John Osselaer [EMAIL PROTECTED] To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, October 24, 2001 5:49 PM Subject: RE: [313] fuel to the fire : was hawtin hawtin everywhere True, the only indication i had during Todd Sines' live pa that he was changing something up on his laptop was when he started wiggling his ass and bobbing his head ... and he was doing a lot of that! Maybe bigger and better cooler looking external controllers are the way forward since it solves both problems. (setting up/crowd satisfaction and understanding) --- Another way to enhance that could be projecting what is being done on a large screen although I can imagine some artists may have problems with such an 'indepth view'. J -Pete -Original Message- From: Jayson B. [mailto:[EMAIL PROTECTED] Sent: Wednesday, October 24, 2001 10:48 AM To: 313@hyperreal.org Subject: RE: [313] fuel to the fire : was hawtin hawtin everywhere This puts the audience much more in the dark in terms of what is actually happening on stage but it's just as live nonetheless (and easier to setup!). see, and this is something i actually disagree with. I think it is *very* important for the audience to recieve visual cues to the music. Its how they can start to understand what's going on. Since most people don't own studio equipment, or know people who own studio equipment, they don't fully understand the concept unless there are strong visual cues (i do this and the music does that). Now, i understand the HUGE popularity of laptop live pa's right now with the artists. it IS so much easier to setup. But i guess i feel its sacrificing too much for ease of use. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: [313] fuel to the fire : was hawtin hawtin everywhere
so. To perform live I have to put everything in the computer (I'm not moving my whole studio) and the result is much worse than the original. WHY DO IT THEN ? That's my point, the reason a lot of electronic music producers do lives is because people are used to go see live artists, and they expect performing skills. This is the type of skill i refer to hen I compare it to pop or opera. Midi is there so you don't have to be a pianist in order to record a melody What I've done sometimes is to record a live set at the studio and just play it, and I don't think it's cheating. YOUR NOT THE ONLY ONE WHO DOES THIS , SOME PEOPLE MARKET 'RECORDED LIVE ' SETS THIS WAY ..HEY THEY WHERE BREATHING AT THE TIME RIGHT? Let's forget about the pop/rock stereotype, electronic music is different daweed __ Your favorite stores, helpful shopping tools and great gift ideas. Experience the convenience of buying online with [EMAIL PROTECTED] http://shopnow.netscape.com/ Get your own FREE, personal Netscape Mail account today at http://webmail.netscape.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] santos rodriguez
I want to know who Santos Rodriguez is too! For a while I thought it was bicknell, but I'm not so sure now - Original Message - From: Phonopsia [EMAIL PROTECTED] To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org Sent: Saturday, October 20, 2001 4:41 PM Subject: Re: [313] santos rodriguez - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, October 20, 2001 7:54 AM Subject: [313] santos rodriguez Little question: is this guy producing under some aliases? Because cosmic id 001 is the only relase from santos rodriguez i´ve heard from (and I like it a lot). Great question. I've been dieing to know this for a while too. Tristan -- http://ampcast.com/phonopsia - Music http://phonopsia.tripod.com - Mixes, pics, thought, travelogue info http://www.metatrackstudios.com [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RV: [313] santos rodriguez
santos is actually Grain...He works in Big Apple Reocrds in Croydon, UK with John Kennedy from the Lost Recordings crew. Very nice guy..also known as Grain of the richie Haw3tin Decks FX etc and also known as Morgan Reno. How do I knwo this well there good friends of mine. Please can you post this to help others. Thanks -Original Message- From: daweed [mailto:[EMAIL PROTECTED] Sent: 22 October 2001 10:30 To: 313@hyperreal.org Subject: RE: [313] santos rodriguez I want to know who Santos Rodriguez is too! For a while I thought it was bicknell, but I'm not so sure now - Original Message - From: Phonopsia [EMAIL PROTECTED] To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org Sent: Saturday, October 20, 2001 4:41 PM Subject: Re: [313] santos rodriguez - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, October 20, 2001 7:54 AM Subject: [313] santos rodriguez Little question: is this guy producing under some aliases? Because cosmic id 001 is the only relase from santos rodriguez i´ve heard from (and I like it a lot). Great question. I've been dieing to know this for a while too. Tristan -- http://ampcast.com/phonopsia - Music http://phonopsia.tripod.com - Mixes, pics, thought, travelogue info http://www.metatrackstudios.com [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] santos rodriguez
yeah, that makes sense - Original Message - From: Toby Frith [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, October 22, 2001 10:56 AM Subject: Re: [313] santos rodriguez I believe this EP is produced by Arthur Smith who also produces under the moniker of Grain Morgan Reno. Although he strongly denies it, the B sides of the EP bear a very similar resemblance to the 3rd Grain EP on Fatcat. www.bleep43.co.uk - Original Message - From: Phonopsia [EMAIL PROTECTED] To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org Sent: Saturday, October 20, 2001 3:41 PM Subject: Re: [313] santos rodriguez - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, October 20, 2001 7:54 AM Subject: [313] santos rodriguez Little question: is this guy producing under some aliases? Because cosmic id 001 is the only relase from santos rodriguez i´ve heard from (and I like it a lot). Great question. I've been dieing to know this for a while too. Tristan -- http://ampcast.com/phonopsia - Music http://phonopsia.tripod.com - Mixes, pics, thought, travelogue info http://www.metatrackstudios.com [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RV: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
I am not from detroit and I am a techno dj, also a producer. btw, a drum machine or a synth IS a computer, in case you didn't know - Original Message - From: [EMAIL PROTECTED] To: Subject Detroit [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Monday, October 22, 2001 8:37 AM Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH! How advanced is a piece of equipment that can finally do today what certain Detroit Djs could do 12 years ago? Where is the progress in TALENT? All this does is make it easier for djs who lack the ability to do it by hand. Instead of raising the bar, they lowering it and trying to step over. word! I totally agree! computers are totally ruinging electronic music! I mean, where's the TALENT in pushing some buttons, or twisting a knob? whatever happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY THE DRUMS, or LEARN THE GUITAR? That's what techno music is about, RAW SKILL. anything that makes it easier for someone to express tehmselves creatively, like say a computer, is a CRUTCH. it's BULLSHIT. it should be MOCKED. How can some foolish upstart who's not even from detroit, some moron canadian, possibly think he can start calling himself a so-called tecno dj when he uses a COMPUTER? I for one, am shocked an appalled! who's up for a turntable jam session! come to my house in belleville, only in detroit! back and proud, jeff mills - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] R: [313] micro house
I set up his live set in madrid last may, was with him and his group for a couple days, and was amazed by his vision of music. His records are conceptual, I mean they follow a concept, like in senor coconut kraftwerk remixed with latin rythms. The live was made with an orchestra of about 10 people, and him with 2 MPC2000... Awesome!! - Original Message - From: Gwendal Cobert [EMAIL PROTECTED] To: 'daweed' [EMAIL PROTECTED] Sent: Friday, October 05, 2001 10:27 AM Subject: RE: [313] R: [313] micro house yep - and Lisa Carbon too, and Atom Heart, and Erik Satin, and... it seems like everytime I dig another recording by him, he's got himself another alias, and tackles a new genre - but I never found a bad record from him, it's always interesting, tongue-in-cheek, and there's some homogeneity too - same rhythms for example, no wonder he made his Senor Coconut records, he was after that kind of south-american rhythms long before... Gwendal Is that Uwe Senor Coconut / Lasieg Bendthaus? In acse you know other stuff by Uwe Schmidt, you'll notice he always use a couple of weird, glitch sounds, whatever style he's into - i this release he develops a lot around that, mixes it with gospel-like samples that come up sometimes unexpectedly... the album is a grower - don't let the first listen repel you Gwendal | Geez'n'Gosh album My Life With Jesus | | i saw that today...do you reccommend it? what *genre* is it? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] R: [313] micro house
I set up his live set in madrid last may, was with him and his group for a couple days, and was amazed by his vision of music. His records are conceptual, I mean they follow a concept, like in senor coconut kraftwerk remixed with latin rythms. The live was made with an orchestra of about 10 people, and him with 2 MPC2000... Awesome!! - Original Message - From: Gwendal Cobert [EMAIL PROTECTED] To: 'daweed' [EMAIL PROTECTED] Sent: Friday, October 05, 2001 10:27 AM Subject: RE: [313] R: [313] micro house yep - and Lisa Carbon too, and Atom Heart, and Erik Satin, and... it seems like everytime I dig another recording by him, he's got himself another alias, and tackles a new genre - but I never found a bad record from him, it's always interesting, tongue-in-cheek, and there's some homogeneity too - same rhythms for example, no wonder he made his Senor Coconut records, he was after that kind of south-american rhythms long before... Gwendal Is that Uwe Senor Coconut / Lasieg Bendthaus? In acse you know other stuff by Uwe Schmidt, you'll notice he always use a couple of weird, glitch sounds, whatever style he's into - i this release he develops a lot around that, mixes it with gospel-like samples that come up sometimes unexpectedly... the album is a grower - don't let the first listen repel you Gwendal | Geez'n'Gosh album My Life With Jesus | | i saw that today...do you reccommend it? what *genre* is it? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Uwe Schmidt / Senor Coconut
In his set in madrid the only person from chile was the singer, and he lived in NY, I guess he did have trouble to get the rest out of chile. The other musicians were from germany, belgium, also french. They also played in Bilbao and Barcelona, and guess who went to play with them in barcelona... Florian Schneider from Kraftwerk!!(that ended up with rumors about kraftwerk being upset with those latin remixes) - Original Message - From: Gwendal Cobert [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, October 05, 2001 10:48 AM Subject: [313] Uwe Schmidt / Senor Coconut Glad to hear that - last thing I knew, he couldn't get his musicians out of their native Chile because of passport problems... I've got to check if the tour goes to Paris ! Gwendal I set up his live set in madrid last may, was with him and his group for a couple days, and was amazed by his vision of music. His records are conceptual, I mean they follow a concept, like in senor coconut kraftwerk remixed with latin rythms. The live was made with an orchestra of about 10 people, and him with 2 MPC2000... Awesome!! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Hawtin Magda
uh here we go again, get ready for 12.597 posts on hawtin! just kidding :P I saw him about a month ago, but it wasn't minimal (I guess it wasn't promotion for the record) but also a bit boring, tracks like the bells, orange, user, ben sims... quite standar - Original Message - From: Gary Girard [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, October 03, 2001 12:49 PM Subject: [313] Hawtin Magda ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Hi there, haven't posted to the list for quite some time as I've had very little to say about Ritchie Hawtin That's a cue for a Richie debate if ever I heard one : ) I caught both Magda Hawtin's set's at The End last w/e. I went in open-minded as I'd never heard Magda before and had only heard Hawtin about 4 times previously. After all the debate about weather or not Magda can DJ I found that she is quite good at mixing (no mistakes) but I didn't really enjoy her selection. I didn't know any of the tracks but they seemed to be average to me (Dry was the term a friend used.) Hawtin played a 6 hour set. To be honest I found it quite boring. I've enjoyed previous sets from him but this just seemed to be one minimal track blended smoothly into another minimal track. There seemed to be a lack of variety, nothing that really stood out. Where was the madness? Where was the darkness? How about some deck skills? What about the funk? It was all too serious (cold clinical.) I think Professor Hawtin needs to spend less time in the studio and maybe even go out for a dance one night to remember what it's like to be the other side of the DJ booth. I'm going to hear him again at Atomic Jam alongside Luke Slater this month so he's got another chance to impress, I just hope he can prove me wrong. GG - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Kenny Larkin
Kenny an Derrick ar doing a 4-deck set in madrid with dj Xpansul (madrid) in november. I've heard they are goung to be playing quite a lot in europe Jonny McIntosh wrote: I know this was asked in the last 6 months or so, but any news on what Kenny Larkin is up to? There were rumours, if I recall, that he's given up on music for his comedy. And other rumours that an LP was imminent. He DJed in the Netherlands a few times recently, the last time less than a month ago (he opened his set with Arne Weinberg - Snowflake, yay!), so I don't think he's given up on music. Otto PS I think his new album will be released together with Derrick May's new one. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] top 5's mix
what format is .pls extension? sound wrote: the 313 list has turned to garbage in a matter of 3 days have a listen to the 313 top 5's mix by Amazing Arnold @ Nort Route: http://www.nortroute.net/playlists/playlist_313.asp. the exact opposite of garbage i think. rob _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Ben Sims
OT, sorry, Anyone knows where I can get a good quality picture of Ben Sims (or maybe the killabyte logo)? I need to make the flyers for a party in madrid. thnx a lot - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] madonna
Yes, I remember seeing that 12, the cover was similar to the one in the LP. It might have come out just for europe. In fact, if it wasn't for the cover, I would't have guessed I't was a madonna remix (sounded like like slater though) Mensaje citado por: Brian Dillard [EMAIL PROTECTED]: at least one of the slater remixes was available on a commercial cd single. i think it was british but could have been e.u. or japan. brian -Original Message- From: Jussi Lehtonen [mailto:[EMAIL PROTECTED] Sent: Tuesday, August 28, 2001 7:27 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: [313] madonna On Tue, 28 Aug 2001 [EMAIL PROTECTED] wrote: I don't know if it was in this list or in techno.ca, but I remember a long discussion thread about 2 years ago, when Luke Slater remixed Madonna... back then a lot of people said Luke had sold out. it seems things are different today Yes, it was quite a debate. Those remixes never made it to the public, only a few promos are around, right? Luke Slater was most likely _asked_ to make them, or maybe he offered them to Maverick... I also remember a discussion about UR / Sony affair.. It's a bit of a different situation when a record ompany decides to release a cover version of your track without even asking your permission. J -- Jussi Lehtonen [EMAIL PROTECTED] www.netppl.fi/~sandman Do not allow yourself to be programmed. For once, in your life, take control. Take control. - UR - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] time trap teknik (was new order)
I just got a couple EPs by Mr.G and G Flame, both are tech-house dancefloor- wise, but in my opinion, very groovy...specially the Aplpha: G Flame Demand Alpha Mendo (Mr G Remixes)Everybody I Got Him Get Groovy Mensaje citado por: Cyclone Wehner [EMAIL PROTECTED]: Easy, Colin quit a couple of years ago. The Advent is now just Cisco. Cisco's past is in engineering, he was with RS years ago working with the likes of CJ Bolland. something that i never quite understood. if you look on the liner notes, most of the tracks are credited to cisco ferreira only. anyone who has more insight on the way they worked together or could direct me to any interviews/articles? for the techno tracks, i agree. they definitely had more funk back than. but for the electro stuff...the release on electrix earlier this year is one of my favourite records of 2k1 so far. anyone know if there's any material comming out from the advent in the near future? peter - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - Fin del Mensaje reenviado - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] track ID
anybody knows about a track with a vocal sample that says Play to the music or so, and a bossa-samba type guitar, all in a tango/siesta/maya style? somebody asked me today and I have no clue. You can listen to the song in: http://www.groovetech.com/PhoenixData/SilverStream/Pages/srvltRecMed? RecordedMediaID=48120 from time 1:36:30 ahead thanx in advance - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Live shows
also not 313, St. Germain...no comments New Order - Manchester (maybe not 313, but amazing) Ooooh to hear Blue Monday (and the rest) live! :) Strand and Shake - DEMF 2001 What a man! Do You Yahoo!? Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk or your free @yahoo.ie address at http://mail.yahoo.ie - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] madonna
I don't know if it was in this list or in techno.ca, but I remember a long discussion thread about 2 years ago, when Luke Slater remixed Madonna... back then a lot of people said Luke had sold out. it seems things are different today I also remember a discussion about UR / Sony affair.. Mensaje citado por: dj revolver [EMAIL PROTECTED]: She may be too concerned with producing superstar commercial pop music than promoting the world's ultimate groove detroit techno. But I agree, that would be a great album Back to Detroit - remixed or produced by Detroit techno artists. From: Sean Deason [EMAIL PROTECTED] To: 'alex' [EMAIL PROTECTED], Sean Deason [EMAIL PROTECTED], 'Dan Kurzius' [EMAIL PROTECTED], 313@hyperreal.org Subject: [313] madonna Date: Tue, 28 Aug 2001 08:36:18 -0400 since we're on the unlikely subject of Madonna; I like the last 2 albums very much. in fact the Ray of Light album would make a great William Orbit album if Madonna would just stop singing all over the music :^) but it annoys me that since she *so* electronica and techno-y these days she hasn't acknowledged the Detroit roots of electronica or even tapped one of the numerous Detroit artists to do a remix. Have none of her handlers ever mentioned to her that her alleged hometown had a *huge* role in the creation of the music style she's ripping off these days? I think that with her influence, she could do a lot for the local techno scene by just acknowledging it. sean -Original Message- From: alex [mailto:[EMAIL PROTECTED] Sent: Tuesday, August 28, 2001 8:12 AM To: Sean Deason; 'Dan Kurzius'; 313@hyperreal.org Subject: RE: [313] how was madonna??? LOL ab Today, Snowhite was turning 18. The 7 Dwarfs always where very educated and polite with Snowhite. When they go out work at mornign, they promissed a *huge* surprise. Snowhite was anxious. Suddlently, the door open, and the Seven Dwarfs enter... -Original Message- From: Sean Deason [mailto:[EMAIL PROTECTED] Sent: Tuesday, August 28, 2001 9:46 PM To: 'Dan Kurzius'; 313@hyperreal.org Subject: RE: [313] how was madonna??? WHAT!?? Madonna is a Michigan native!? but she sounds soBritish.? -Original Message- From: Dan Kurzius [mailto:[EMAIL PROTECTED] Sent: Tuesday, August 28, 2001 12:35 AM To: 313@hyperreal.org Subject: RE: [313] how was madonna??? I caught the kraftwork reference as well. on a side note i just saw Sade tonight. i can't even begin to put into words how good the show was. two hours of pure amazement! bummed it's a work night, feel like I should be out hearing some pumping house tracks to keep the vibe going. a can't miss if you have a chance to see her. dK -Original Message- From: Robert Fleck [mailto:[EMAIL PROTECTED] Sent: Tuesday, August 28, 2001 12:06 AM To: 313@hyperreal.org Subject: RE: [313] how was madonna??? Music also started with Trans Europe Express instead of it's regular beat. -Original Message- From: Vince Woolums [mailto:[EMAIL PROTECTED] Sent: Monday, August 27, 2001 7:40 PM To: 313@hyperreal.org Subject: Re: [313] how was madonna??? Well I got to listen to a bit on a radio rebroadcast. It sounded good! Anyone else catch the Stardust bassline/track during Holiday?? Odd that since she's a Michigan native no one mentioned this event until after the fact. Vince - Original Message - From: dj revolver [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, August 27, 2001 3:38 PM Subject: [313] how was madonna??? (me bored at work/list dead) Did anyone attend Madonna concerts this weekend? - details? _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail:
Re: [313] madonna
You are right, two completely diferent situations... but my point is, does techno need of pop stars to be promoted... do we want to get out of the underground that way ? (or even get out at all) Mensaje citado por: Jussi Lehtonen [EMAIL PROTECTED]: On Tue, 28 Aug 2001 [EMAIL PROTECTED] wrote: I don't know if it was in this list or in techno.ca, but I remember a long discussion thread about 2 years ago, when Luke Slater remixed Madonna... back then a lot of people said Luke had sold out. it seems things are different today Yes, it was quite a debate. Those remixes never made it to the public, only a few promos are around, right? Luke Slater was most likely _asked_ to make them, or maybe he offered them to Maverick... I also remember a discussion about UR / Sony affair.. It's a bit of a different situation when a record ompany decides to release a cover version of your track without even asking your permission. J -- Jussi Lehtonen [EMAIL PROTECTED] www.netppl.fi/~sandman Do not allow yourself to be programmed. For once, in your life, take control. Take control. - UR - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
