For me , a techno live show would me djing my own records.

I am a producer and a DJ, I am not a performer. One of the reasons that led
me to techno and house production was that performing skills didn't
influence the music as much as in other styles (same thing happens with
image, and I think this two facts are related)

In other words, good thing about electronic music is that it comes from your
heart and your mind right to the computer, with much less skill involved
than, let's say, opera or pop.

When I produce I program almost everything, I even record filter sweeps and
so. To perform live I have to put everything in the computer (I'm not moving
my whole studio) and the result is much worse than the original.

What I've done sometimes is to record a "live set" at the studio and just
play it, and I don't think it's cheating.

Let's forget about the pop/rock stereotype, electronic music is different


daweed
----- Original Message -----
From: John Osselaer <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>;
<[email protected]>
Sent: Wednesday, October 24, 2001 5:49 PM
Subject: RE: [313] fuel to the fire : was "hawtin hawtin everywhere"


>
> >
> >True, the only indication i had during Todd Sines' live pa that he was
> >changing something up on his laptop was when he started wiggling his ass
> >and
> >bobbing his head ... and he was doing a lot of that!
> >
> >Maybe bigger and better cooler looking external controllers are the way
> >forward since it solves both problems. (setting up/crowd satisfaction and
> >understanding)
>
> ---> Another way to enhance that could be projecting what is being done on
a
> large screen although I can imagine some artists may have problems with
such
> an 'indepth view'.
>
> J
> >
> >-Pete
> >
> >
> >
> >-----Original Message-----
> >From: Jayson B. [mailto:[EMAIL PROTECTED]
> >Sent: Wednesday, October 24, 2001 10:48 AM
> >To: [email protected]
> >Subject: RE: [313] fuel to the fire : was "hawtin hawtin everywhere"
> >
> >
> >
> >
> > >This puts the audience much more in the dark in terms of what is
> > >actually
> > >happening on stage but it's just as live nonetheless (and >easier to
> > >setup!).
> >
> >
> >see, and this is something i actually disagree with.  I think it is
*very*
> >important for the audience to recieve visual cues to the music.  Its how
> >they can start to understand what's going on.  Since most people don't
own
> >studio equipment, or know people who own studio equipment, they don't
fully
> >understand the concept unless there are strong visual cues ("i do this
and
> >the music does that").  Now, i understand the HUGE popularity of laptop
> >live
> >
> >pa's right now with the artists.  it IS so much easier to setup.  But i
> >guess i feel its sacrificing too much for ease of use.
> >
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