Re: (313) NY event sites
never underestimate the power of the Village Voice: www.villagevoice.com/issues/0410/romano.php - Original Message - From: KC Austin [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Tuesday, March 09, 2004 4:25 PM Subject: (313) NY event sites sorry for the sorta OT, but does anyone know of any current site/forum/whatever that has the current happening, esp. 313 related events going on in NY? naughtybooth used to have pretty much everything, but's it's gone.. i thought www.rhythmism.com was it, but the beltran thing tonight and the kompakt night on Saturday at volume aren't on there.. -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm
Re: (313) Karl O'Connor
Thank god someone mentioned it: http://www.efamedien.com/index.php?content=http://www.efamedien.com/katalog/auswahl.php3?AZ=OSparte=7,23,22,31 - Original Message - From: Garrett McGrath <[EMAIL PROTECTED]>Date: Tue, 17 Feb 2004 17:02:15 -0800 To: "T.J.Johnson" <[EMAIL PROTECTED]>Subject: Re: (313) Karl O'Connor absolutely essential imo is regis - penetration (lino030) and the karl o'connor (regis) peter sutton (female) album on tresor, againstnature (tresor147) On Feb 17, 2004, at 4:06 AM, T.J.Johnson wrote: -- ___Sign-up for Ads Free at Mail.com http://www.mail.com/?sr=signup
RE: (313) tresor meets apple
IMHO - It's a piece of crap recorded sometime between 1993-1995 that took him ages to finally release. - Original Message - From: Cobert, Gwendal [EMAIL PROTECTED] Date: Tue, 10 Feb 2004 10:13:31 -0600 To: 313@hyperreal.org Subject: RE: (313) tresor meets apple Tresor still pushes boundaries it has to be admitted, towards that thin line between disturbing noise and music: E.g. that Mover - 'Frontal Frustration' LP. In what sense ? haven't even heard of that record Gwendal -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm
Re: (313) Trainspotting
Who me? Never!! I haven't once obsessed about his majesty Mills. - Original Message - From: Jason Brunton [EMAIL PROTECTED] Date: Mon, 19 Jan 2004 23:59:59 + To: [EMAIL PROTECTED] Subject: Re: (313) Trainspotting Weird! That very film is playing right now on Channel 4 (UK). Trainspotter is an amusing derogatory term used to describe people who are more interested in the nuances and details of said pastime than the actual music itself- obsessions with labels, original pressings. catalogue numbers ad finitum. It comes from the act of Trainspotting- an actual hobby where train enthusiasts stand in train stations and record the numbers of different trains and their types and compare notes. I think most of us on the 313 could be described as trainspotters at one time or another :) Jason -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm
(313) Trainspotting
Sorry for asking this again... I totally swear someone had mentioned what these tracks were but it completely slips my mind: http://www.discogs.com/forums/topic.php?topic_id=24370 -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm
(313) fa: Chocalate Industries, Ersatz Audio, Nature + loads of pics
All of these fine releases are in there as well... so don't be put off by the obvious names: Click here for hyperlink: http://tinyurl.com/betq The Low Pitched Killers - Prone One (Prone 01) Sutekh Twerk - Deadpan Escapement (Belief Systems 004) Perspects - Desire Efficiency (Ersatz Audio 10) Bob Brown - Series: Primary (Yellow) (Framework Music 002) Passarani 2099 - Ancient Technology (Nature 2113) Nukleus - CopaCabanaCableCar EP (Nilix 001) Tez - Cricket Hooligan EP (Nilix 002) Umo Detic - Fahrenheit (Oak Lawn 136) Sprawl - Voices + Beats (Plasmek 008) W.Y.S.I.W.Y.G. - EP (Syncretic 001) Inigo Kennedy - Bend Your Ears (Asymmetric 04) Inigo Kennedy - Five Ways To Move (Asymmetric 05) Inigo Kennedy - Until Six Arrives (Asymmetric 06) The East Coast Art Solution - Finger Assault EP (Atak 03) The East Coast Art Solution - Ultra Beat (Atak 05) Ibrahim Alfa - Getrank Und Drugen E.P. (Currently Processing 004) Jasper - The Escape (Cytrax 10) Tomito Satori - Man Alive EP (Exhibit 07) Reducer - Reducer EP (Instillation 005) Mono - Orlake (Mono 02) Frank Hunter - King Of Bass (The Advent Remix) (Mono 07) Olga + Jozef - 2 (Olga+Jozef 2) Olga + Jozef - 7 (Olga+Jozef 7) Tony Thomas - Red Frame 1 (Red Frame 01) Anthony Thomas - Solar Enemy (Red Frame 05) Cold Dust - Test Site (Red Seal 01) Various Artists - Use Their Systems (Remains 02) Fangshi - Music Is Our Bomb EP (Paul Damage Remix) (Round Records 008) Various Artists - Galactic Equator (SCSI-AV 004) Various Artists - Taigatrommel EP (Taigatrommel 01) User - 006A (00A 006) Ralph Terrorist - Sampleur Et Sans Reproche (Altitude Records 04) Surgeon - Learning (Dynamic Tension Records 002) Versatile Virus - Part 2 (Fieber 15) Global - 03 (Global Records 03) Andreas Kremer - Die Geheimniskrämer EP (Holzplatten 34) Andreas Kremer - Krem De La Krem (Holzplatten 38) Yamaoka - Tightrope (Kazumi 08) Agoria - EP (Kubik 01) Ibrahim Alfa - Decode Yourself EP (Mosquito 015) Paul Mac - Blank Below (Stimulus Recordings 006) Function - Reinforced (Limited Pressing) (Synewave 42) Tresor III - Compilation (Tresor 97) UMF - 4 (Universal Music Floor 04) Danilo Vigorito - Imaginary Boy EP 1 (Zenit 09) Kareem Mes - Mikoyan (Zhark 6) Huren - Kaltbrüchig Acideath (Zhark 7) -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm
Re: (313) best downloaded mix 2003 ???
Mover Hypnotizer - Frontal Frustration Release Party Live @ Tresor, Berlin [250103] Nearly a year has past and I still sit back and take this one in deep breaths. It's a mere 295 min. (almost 5 hours worth of classic dark muddy techno from 1990-2002). This is too say you won't be hearing cheesy sped-up gabber crap like so many people have recently come to expect from these Hamburg transplants. An absolutely absorbing burst of eclectic yet whitty techno tunes you'd have to search high and low to locate - let alone trainspot. -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm
RE: (313) best downloaded mix 2003 ???
It's been offline for quite sometime... Best place would be to dig it up on slsk but I warn ya' it would take a seriously long ass time to d/l for those with only a dial-up connection. all good things are hard to find... - Original Message - From: Robert Taylor [EMAIL PROTECTED] Date: Fri, 9 Jan 2004 18:05:16 - To: DJ Nikadeemas [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: (313) best downloaded mix 2003 ??? What's the use without a link? (Please) -Original Message- From: DJ Nikadeemas [mailto:[EMAIL PROTECTED] Sent: Friday, January 09, 2004 6:02 PM To: 313@hyperreal.org Subject: Re: (313) best downloaded mix 2003 ??? Mover Hypnotizer - Frontal Frustration Release Party Live @ Tresor, Berlin [250103] Nearly a year has past and I still sit back and take this one in deep breaths. It's a mere 295 min. (almost 5 hours worth of classic dark muddy techno from 1990-2002). This is too say you won't be hearing cheesy sped-up gabber crap like so many people have recently come to expect from these Hamburg transplants. An absolutely absorbing burst of eclectic yet whitty techno tunes you'd have to search high and low to locate - let alone trainspot. -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. # -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm
Re: (313) fast forward show?
ditto here matey!!! I love Opera 6.05 It only took me about 15 min. to d/l all 12 mixes (473mb)simultaneously.- Original Message - From: Sam MacCutchan <[EMAIL PROTECTED]>Date: Sun, 7 Dec 2003 15:42:38 -0500 To: 313@hyperreal.org Subject: Re: (313) fast forward show? Are you guys using internet explorer? Do you have quicktime installed? I found that when I was using IE it appeared to load very very slowly, I got busy doing something else and forgot about the window. Then it finished and started playing using the quicktime plugin. Try copying and pasting the link into another window and see if it gives you the option to download it. Unfortunately you can't right click and do save as from the flash interface. I ended up using a different web browser (Opera) to download them. -Sam -- ___Sign-up for Ads Free at Mail.com http://www.mail.com/?sr=signup
Re: (313) Kraftwerk US dates
New York, NY, USA - Hammerstein Ballroom - 13.06.1998 Detroit, MI, USA - State Theatre - 11.06.1998 Chicago, IL, USA - Riviera Theatre - 10.06.1998 Los Angeles, CA, USA - The Palladium - 08.06.1998 San Francisco, CA, USA - Warfield Theatre - 07.06.1998 http://www.kraftworld.hpg.ig.com.br/concerts/1998Tour.htm - Original Message - From: Michael Mitchell [EMAIL PROTECTED] Date: Mon, 24 Nov 2003 10:40:30 -0800 (PST) To: 313@hyperreal.org Subject: Re: (313) Kraftwerk US dates last time they came to the states i think it was 98 they played in NYC limelight ??? not sure Detroit @ the State Chicago can't remember LA @ the Pladium i think?? SF @ the Warfield -- ___ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm
Re: (313) Interview/Surgeon
Best question yet. I totally concur with you sir. - Original Message - From: "Cyclone Wehner" <[EMAIL PROTECTED]>Date: Tue, 28 Oct 2003 12:24:12 +1100 To: 313 Detroit 313@hyperreal.org Subject: Re: (313) Interview/Surgeon Why does he have such a chip on his shoulder. :) -- From: Garrett McGrath <[EMAIL PROTECTED]> To: Martin <[EMAIL PROTECTED]>, 313 313@hyperreal.org Subject: Re: (313) Interview/Surgeon Date: Tue, 28 Oct 2003 12:17 PM ask about how much work is going into customizing the tracks he plays out now (via final scratch). sounds like a lot. are the recent BMB shows live or just surgeon/dj, regis/live? if they are in fact live, this is the first time he's done that, no? ; what's up with dynamic tension? did the recent dissolution of integrale affect (him beyond having to find new distribution)? dj-surgeon.com update..? mp3 mixes etc? speaking of, would the full recording of his set at ATP this summer ever be available? favorite place to play? tell him to tell karl that he needs a website. or at least downwards does. --- Martin <[EMAIL PROTECTED]>wrote: Afternoon 313ers - I'm interviewing Surgeon this week, thought I'd ask you peeps if there's anything you like me to ask him... Thanks in advance -- Martin Dust Parkhead House 26 Carver Street Sheffield & gt; S1 4FS f: +44 (0) 114 241 3701 e: [EMAIL PROTECTED] - Club - http://www.dustclub.com Community - http://www.littledetroit.net Label http://www.dustscience.net - NOTE: This E-mail is private and confidential to the named recipients. Any information provided is given in good faith. However, unless specifically stated to the contrary, Dust, accepts no liability for the content of this E-mail, or for the consequences of any actions taken on the basis of the information provided, unless that information is subsequently confirmed in writing. ; The unauthorised copying of any information contained in this E-mail to persons other than the named recipients is strictly forbidden. © 2003 Dust Science Limited. -- ___ Sign-up for your own personalized E-mail at Mail.com CareerBuilder.com has over 400,000 jobs. Be smarter about your job search
Re: (313) USA-based online record shops.
http://www.discogs.com/forums/topic.php?topic_id=18599 - Original Message - From: <[EMAIL PROTECTED]>Date: Fri, 17 Oct 2003 8:40:50 -0400 To: 313@hyperreal.org Subject: (313) USA-based online record shops. hi folks. now that groovetech has disappeared, i find myself looking for other US-based online shops. i'm familiar with sonicgroove, planetx, and satellite... i'd like to know if other 'listers' have online shops that they consider exemplary in service and selection. don't get me wrong... i'm enamored with the vast selection of import shops like smallfish and rushhour, but the exchange rates and shipping fees can get outta hand sometimes. cheers, lrh -- ___ Sign-up for your own personalized E-mail at Mail.com CareerBuilder.com has over 400,000 jobs. Be smarter about your job search
RE: (313) classic Italian records
some additional info can be found via: http://www.discogs.com/forums/topic.php?topic_id=16139 http://www.cybernetic-broadcasting.net/playingnow.html - Original Message - From: "rob" <[EMAIL PROTECTED]>Date: Wed, 1 Oct 2003 11:22:34 +0100 To: 313@hyperreal.org Subject: RE: (313) classic Italian records Got bored and found this --http://www.italo.neostrada.pl/english/emojastrona2.html Although more 80's focused it does have pictures of the records might help ya! (not really my bag so sorry if a bit off target) BTW. I go to Lake Garda quite a lot and it's so quiet there that I and can hardly believe that 25+ years ago, the scene there helped to spark Detroit techno but ya live and learn I guess!! -- ___ Sign-up for your own personalized E-mail at Mail.com CareerBuilder.com has over 400,000 jobs. Be smarter about your job search
Re: (313) Track ID
Well, you are correct about it being repressed. Try a good dozen or so times thanks in part to the supply and demand factor of old schoolers in the UK (mid 90's) and the breaks popularity of Florida state. I saw this first hand in the shipping/ receiving department at Watts (circa '95/96) where a skid would flow in from Henry Street (yes, the label responsible for Kenny Dope's "The Bomb" by the contagious Bucketheads) and be desolved by mid afternoon to just about every corner of the planet. I'd have to say the main reason was simply the popularity of that annoying sample stolen by Urban Takeover's mainman, Mickey Finn who dropped the nasties on the flipside cut, "Boom Box". It's just too bad things didn't go better for Fourth Floor/ EXperimental/ Fokus which all seemed to lose steam around '94 when house really took over Northcott and Silvio only pushed the hits. - Original Message - From: MM <[EMAIL PROTECTED]>Date: Fri, 05 Sep 2 003 11:36:38 -0700 To: Eric Scuccimarra <[EMAIL PROTECTED]>Subject: Re: (313) Track ID alright i figured this out for you i don't have it anymore ,but i just asked my super secret record source lol... which lucky for me happens to be my older brother... Artist: Biting Back Title: She's Breaking Up Label: Focus UK Records it got re-pressed in like 93 ...it was real rare but someone was responsible for re-pressing it i think it was yeno or spun who got it re-pressed...its a yellow label and i think the actual track your talking about is on the B sideit's focus #2 i believe. hope this helps... michael www.renegaderhythms.com Eric Scuccimarra wrote:Don't have a sample for this one... There was this old West Coast breaks track tha t was big in the early 90s... All of the West Coast DJs used to play it. Had a sample that went something like "dance with your speaker til your hearing blow. Anyone know what this is? Thanks. -- ___ Sign-up for your own personalized E-mail at Mail.com CareerBuilder.com has over 400,000 jobs. Be smarter about your job search
Re: (313) Bjork Recommendations...
WRONG the best mix by far was LFO's stomp mix of Hyperballad: http://www.discogs.com/release/64854 - Original Message - From: DJ Entropy <[EMAIL PROTECTED]>Date: Fri, 05 Sep 2003 19:42:13 -0400 To: Phonopsia <[EMAIL PROTECTED]>,tuneintuition <[EMAIL PROTECTED]>, 313@hyperreal.org Subject: Re: (313) Bjork Recommendations... The best Bjork remix, imo, is Alec Empire's remix of BacheloretteTotally insane. On Sat, 6 Sep 2003 00:39:09 +0100, Phonopsia <[EMAIL PROTECTED]> wrote:Don't forget Underworld's remix of 'Human Behavior'. It's very nice - pre-Underworld-gone-sh*t. There was also a Sabres of Paradise mix that had a '4/4' pattern, but relatively slow, at about 105 bpm. Can't recall which track it was - something off the first album. Probably my favorite Bjork remix (my copy was stolen, so apologies for lack of details). It was really f*cking good. It came off of a 6 track CD with remixes from Black Dog as well. An excellent CD. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -- -DJ Entropy (bhpc, elemental compounds, planet muzik, ingrooves, boston) *supporting Pure Hardcore since 1987* *being a RavePainTM since 1995* *Save electronic Music - buy a guitar* http://www.djentropy.com http://www.elementalcompounds.com http://www.planetmuzik.net http://www.ingrooves.com http://www.ishkur.com/features/suckysites/index.htm -- ___ Sign-up for your own personalized E-mail at Mail.com CareerBuilder.com has over 400,000 jobs. Be smarter about your job search
(313) NYTimes.com Article: Metro Briefing: New York *CLUBS*
Metro Briefing: New York August 22, 2003 MANHATTAN: DEPORTATION FOR CLUB OWNER Peter Gatien, former owner of the nightclubs the Limelight and the Tunnel, has been ordered to leave the country. At a hearing on Wednesday, Judge Elizabeth Lamb of the Executive Office of Immigration Review, part of the Justice Department, ordered Mr. Gatien deported. Mr. Gatien, who pleaded guilty in 1999 to tax evasion, was born in Canada. He was ordered removed under a clause in immigration law that says any immigrant convicted of an aggravated felony can be deported. His lawyer, Benjamin Brafman, did not return repeated telephone calls. Mr. Gatien was acquitted in 1998 of charges that he turned his nightclubs into drug dens. But he and his wife pleaded guilty in January 1999 to state tax evasion charges. The clubs were sold in 2001. (AP) http://www.nytimes.com/2003/08/22/nyregion/22MBRF1.html?ex=1062576204ei=1en=aa0047aa00c9fa2f oohh p.s.: I have some Unit Moebius records on eBay below http://tinyurl.com/betq -- __ Sign-up for your own personalized E-mail at Mail.com http://www.mail.com/?sr=signup CareerBuilder.com has over 400,000 jobs. Be smarter about your job search http://corp.mail.com/careers
Re: (313) New Kraftwerk album, my 1st impression...
It's funny you should mention this since I was part of the minority that slammed this album for what it's worth: http://www.bbc.co.uk/music/classicpop/reviews/kraftwerk_france.shtml I was highly disappointed to say the least what with the nostalgic sound that doesn't seem to progress any further than ex-frontman Karl Bartos Wolfgang Flür's transcendental flourishing from the mid seventies which made Kraftwerk so prolific. Mr. Jones, NYC - Original Message - From: Southern Outpost [EMAIL PROTECTED] Date: Tue, 19 Aug 2003 08:56:04 +1000 To: 313 313@hyperreal.org Subject: (313) New Kraftwerk album, my 1st impression... Probably setting myself up for a serving here, but I was really disappointed with the new Kraftwerk album. It seemed to be devoid of all that intricate percussion and rhythms of previous albums and more of an exploration into soft synth patches. They have definitely stripped back on this album. Maybe I should listen to it again, but my first impression isn't the best. Peace, Patrick. -- __ Sign-up for your own personalized E-mail at Mail.com http://www.mail.com/?sr=signup CareerBuilder.com has over 400,000 jobs. Be smarter about your job search http://corp.mail.com/careers
Re: (313) origins of Italo Disco
http://snurl.com/1yom http://snurl.com/1yoo - Original Message - From: [EMAIL PROTECTED] Date: Mon, 4 Aug 2003 12:15:29 +0100 To: 313@hyperreal.org Subject: (313) italo I was thinking. The origins of techno are pretty well documented right? and we see, from what we read hear, where some of the sounds/ideas/structures come from. e.g. 'No UFO's', or 'Sharevari', or 'Clear' all had electronic music come out before them, from which you can deduce that certain ideas or whatever were taken from. (P-Funk/Kraftwerk/Italo/Chicago/Disco) But, I was thinking - what came before Italo Disco? where on earth did some of those producers get some of their ideas from? It was early days, synths and drum boxes were just coming on to the market, and were barely affordable, but the prices were coming down. Anyone know anything about this? I picked up a copy of that Vangelis Bladerunner thing on the car boot sale yesterday, and its fairly clear that the Italo 'Hypnosis' versions were covers/dancefloor remakes of this. So, did the italo guys remake alot of stuff does anyone know? Did alot of their ideas come form electronic classical/experimental stuff? supposedly also Italy's 'cosmo' scene was pretty wild, someone said to me they were doing/playing loads of wild stuff before Mr Hardy picked it up. round about '79/'80/'81 onwards anyone know any more, or any info on the net anywhere? I'd be interested to know. ta! Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup CareerBuilder.com has over 400,000 jobs. Be smarter about your job search http://corp.mail.com/careers
Re: (313) Vestax or Technics
I think you're searching for track #8 which clocks in at 123 bpm's on http://www.discogs.com/release/58853 that features the lovely guitar loop from Nirvana's Teen Spirit - Original Message - From: lisa [EMAIL PROTECTED] Date: Sun, 27 Jul 2003 17:48:33 -0400 To: Sakari Karipuro [EMAIL PROTECTED] Subject: Re: (313) Vestax or Technics lol! that's great :) altho' ... remember that old song nine is a classic by Ace the Space? that sounded pretty neat slowed wAy down (like -4 to -8 range). lisa Sakari Karipuro wrote: not to diss anyone personally, there is ABSOLUTELY no need for pitch above +4% or less than -2%. if you come into such situation you don't have enough records with you. sakke -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup CareerBuilder.com has over 400,000 jobs. Be smarter about your job search http://corp.mail.com/careers
Re: (313) Best lines to the DJ (Covering your records up)
I have to admit I've been practicing thissince '92 as Iused a Gluestick to cleanly paste die-cut centerpieces fromClub Magazine, High Society and Hustler to all my records. I'vehad numerouspositive feedback over the years concerning this trademark of mine which eventually led to the creation of Waxdoctor Industries from Eugene, Oregon that donned the "Selector Protector" . The Worlds only removable reusable record label concealer. It had its fare share of interest for a time do to Patent Pending but I did manage to get my employer at the time (Watts Music) to distribute this to our customers. p.s. anyone who's into: µ-Ziq, Jega, Hymen or RS check my current auctions whichI promise do not have porn stuck to them by any means. http://tinyurl.com/betq - Original Message - From: Fred Heutte <[EMAIL PROTECTED]>Date: Wed, 16 Jul 2003 12:48:02 -0700 To: 313@hyperreal.org Subject: Re: (313) Best lines to the DJ I haven't seen this for years, but some DJs would tape over the record labels to stop the constant trainspotting (and sometimes set stealing) that was going on when this scene was really breaking out in a big way. fred -- ___ Sign-up for your own FREE Personalized E-mail at Mail.com CareerBuilder.com has over 400,000 jobs. Be smarter about your job search
Re: (313) Ongaku 002 - Daniel Pommer - Genetic Waste
Yes, I own it as well as the double 10 remix pack on Delirium Red from '95 and no I will never part with either one. - Original Message - From: Ryan Snowden [EMAIL PROTECTED] Date: Wed, 2 Jul 2003 15:37:06 +0100 To: '313' 313@hyperreal.org Subject: (313) Ongaku 002 - Daniel Pommer - Genetic Waste Has anyone got this EP? -- Ryan Snowden Warthog Games UK Tel: +44 (0) 161 491 5131 Fax: +44 (0) 161 610 3033 www.warthog.co.uk -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup CareerBuilder.com has over 400,000 jobs. Be smarter about your job search http://corp.mail.com/careers
Re: (313) Cartridges for SL1200's
Having grown up with belt driven, linear tracking and the ever popular direct drive tables that are customary for us deejays Id have to give it to the classiest styli of them all: stanton 680 http://www.stantonmagnetics.com/alpha44/load.asp?page=680hp http://www.stantonmagnetics.com/alpha44/load.asp?page=680elII Not once has this little baby ever failed me when playing those awful miss-presses were so accustomed to getting as advance white labels which always seem to catch the ominous glitch in manufacturing, like audible bass drops and the ever sad mastering flaw of tightly woven grooves that would make any other normal styli that isnt cut as razor sharp as the 680 to skip right over it. Call me a dinosaur but I still believe in Stanton after all these years and numerous trials on every imaginable cartridge forged outta the RD labs around the globe. -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup CareerBuilder.com has over 400,000 jobs. Be smarter about your job search http://corp.mail.com/careers
(313) sale ends Friday...
Scorn Surgeon item # 2538696506 Lassigue Bendthaus item # 2538696314 plus many other things check my eBay seller ID: mr_mammal -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup CareerBuilder.com has over 400,000 jobs. Be smarter about your job search http://corp.mail.com/careers
(313) sharing the gift of music
http://tinyurl.com/betq -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup
(313) Win a cheap date with Lory D !!!
http://tinyurl.com/betq -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup
Re: (313) Kompakt
http://www.redbullmusicacademy.com/index.php?mod=PageMod.showComponentcomponent_id=10 -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup
(313) Pardon my ignorance, just what are Broken Beats?
http://c8.com/praxis/records.html http://c8.com/praxis/news.html http://www.klangstabil.com/hymen/argentum/y705/y705.html http://www.isolaterecords.com/vsnaresinterview.html -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup
(313) Thirty Somethings
This is a question for the thirty somethings out there who were once subscribers to Mix Mag back in 1990... Does anyone happen to know somebody with a copy (preferably the mp3) of the Colin Faver Kiss FM Mastermix (from I believe the October '90 issue) which is labeled the 'Warp Megamix'? p.s. trust me I've searched via slsk and kazaa (no one has it) -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup
(313) Get the Pioneer DJM-500 Pro DJ Mixer here!!
I could've sworn Dave Clarke was up to no good after seeing the 22min. .avi from Impulz (17 FEB 2001) in Holland where he choreographed the fine sampling and effects features most others deejays tend to leave out of there sets. If you're at all interested in seeing this performance which was filmed impeccably thanks to TMF. do the math slsk: djnikadeemas -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup
Re: (313) dave clarke live (most impressive)
I was mildy impressed to say the least hearing Dave drop Liaisons Dangereuses - Los Ninos Del Parque whilst seemlessly transitioninginto Echo Park's - Suicide Commando. - Original Message - From: "::)" <[EMAIL PROTECTED]>Date: Sat, 1 Mar 2003 21:15:41 -0500 To: 313@hyperreal.org Subject: (313) dave clarke live http://www.mpiii.com/sites back up. -Joe jinjin_a_gogo: i wonder what he's listening to in those bigass headphones while's he's spinning this shxt for us -- ___ Sign-up for your own FREE Personalized E-mail at Mail.com
(313) Re: looking for Beau Mot Plage or Axis 11
I pray you never overlooked track 13 on Bpitch Control 016CD/LP - Original Message - From: Andrew [EMAIL PROTECTED] Date: Wed, 12 Feb 2003 16:39:55 - To: 313@hyperreal.org Subject: Re: (313) t-1000 interview (techno rant) Yes, I agree. I'm always looking for the next Beau Mot Plage, or indeed Axis 11. That's the great thing about this list, it keeps you in touch... -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup
(313) Tresor 198
Pardon my opinion, I don't find Marc's latest creation to be very 313 in the slightest way especially after so many people proclaimed his classic attempts to be regulatory submissions of Mr. Pennington's rather ingenious* nocturnal diary. The desired effect is created and lavished upon with its gross aroma of sadistic distorted effects and over-melancholic traits suggesting his more formable years as studio henchmen in Frankfurt at the young age of twenty-three. This intoxicating album lives up to his moniker without fail and will surely keep Tresor in good standing with the unmentionables of the extreme underground. Happy Holidays!! *MS13 Suburban Knight - The Art Of Stalking / The Worlds -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup Meet Singles http://corp.mail.com/lavalife
Re: (313) has anyone.... [correction]
Sonic Groove proprietors: Adam (X) Mitchell Heather (Heart) Lotruglio ___ 313@hyperreal.org Sonic Groove is a great dance music shop, owned by none other than Frankie Bones, in the West Village of Manhattan. They've been there for years, I don't think you'd have any problems. e Scatalogics 3240 46th ST #2B Astoria, NY 11103 www.scatalogics.com From: [EMAIL PROTECTED] Date: Fri, 18 Oct 2002 14:32:39 +0100 To: 313@hyperreal.org Subject: (313) has anyone Memo from Alex Bond of PricewaterhouseCoopers Start of message text ever ordered a record from this place? http://www.sonicgroove.com/ Is it OK? They have something that I have been looking for, for ages Oooh I'm bored today. (again) - End of message text -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup
RE: (313) Vladisalv Delay
Who cares he's just a hairless 25yr old Finn, if you really wanna bash on someone please consider Erol Alkans. http://www.incursion.org/features/delay.html http://www.kompaktkiste.de/delay.htm p.s. JB I still feel his Luomo guise sucks no matter how many copies I may have bought and sold or were rotated at Body Soul!! - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] Date: Fri, 4 Oct 2002 14:37:06 +0100 To: Placid [EMAIL PROTECTED], [EMAIL PROTECTED] Org 313@hyperreal.org Subject: RE: (313) Vladisalv Delay Placid, Response to (some of) your friend's points - it wd have been nice had they contributed them themselves! We don't bite here! this was a concert/performance, and was billed as such, so why should we expect to be excited by what's on the stage? it's the sound that should be concentrated upon, not the two ugly blokes making it. - In some places (as I noted) it was in fact billed in the club section of publications: I mentioned the London Guide, in the Guardian Newspaper. But nevertheless, a concert is was what I was expecting and a concert I can get with. On the other hand this was an audience watching intense men working on their pcs. Is this a new frontier in concert performance? I doubt it. During the performance, I suggested to my friend that it would have been just as feasible and perhaps more enjoyable to experience the performance at another venue, with the music streamed via ISDN or something. Being at that place during the 'show' seemed pretty pointless to me. The exhortation by the woman who introduced the event, implying that visits to the lavatory would be frowned upon didn't help. However - I was with friends who saw Stockhausen perform with a similar format using not much (I think) not much more than himself and a laptop. In that case, the audience were encouraged to shut eyes or concentrate on a small dot of projected light, whilst the auditorium was darkened - which I think would make sense. So yes, under some circumstances, I'd have to concede that minimal visual performance would be acceptable to me ... leading modern art galleries? a largin' it, hands in the air, laser extravaganza? Clearly that's ridiculous - only a fool wd expect such. I don't think that's what you're implying. i enjoyed listening to all three of the acts, for different reasons. ...parlane's piece emerged from the silence and slowly built, layer upon ...it was intimate and affecting. Entirely subjective. Similarly, it's entirely subjective that I found his performance dull due to it's almost literal monotonousness - a composition of near-autistic flatness. the accusation of 'randomness' is one i've come across before, and which, quite frankly, i find boring and lazy. Sorry if my dislike of VDelay bores you! However, it's again my personal opinion. You saw order or some pattern which pleased you, I didn't see any meaningful pattern, such as there was displeased me. I can't accept the accusation of laziness: I engaged my critical and evalutive faculties for over two hours in order to understand what all the musicians were attempting to do, as I did when I made a very long and I hope at least reasonably thought through post of my own thoughts to this list - as I am doing now! I cannot see why because I don't agree with you that makes me lazy - maybe that's your view because of lazy thinking! it was delay himself who was taking the decisions as to when and how he chose to play and layer the sounds he produced. there must be intention in theses actions, thus rendering the random accusation useless. it may have been difficult to listen to but by no means impossible. First part does not disprove the idea that he was making it up as he goes along - 'random'. Second part, again you enjoyed it, I didn't. Maybe 'random' is good. In that particular instance for me, it didn't work. I hated it. Ken -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Friday, October 04, 2002 6:33 PM To: [EMAIL PROTECTED] Org Subject: Re: (313) Vladisalv Delay In response to the vladislav delay criticism... A friend wrote... hmm... well. that's an opinion. and s/he's welcome to it. i, on the other hand, had a great time. mainly, i guess, beacause i knew exactly what to expect. and so should anyone who attended, given the blurb on the tate's website, where the words 'contemporary' and 'experimental' feature in the first sentence. i mean, what else were we to expect from one of the world's leading modern art galleries? a largin' it, hands in the air, laser extravaganza? this was a concert/performance, and was billed as such, so why should we expect to be excited by what's on the stage? it's the sound that should be concentrated upon, not the two ugly blokes making it. i enjoyed listening to all three of the acts, for different reasons. parlane's piece emerged from the
RE: (313) Vladisalv Delay
Who cares he's just a hairless 25yr old Finn, if you really wanna bash on someone please consider Erol Alkans. http://www.incursion.org/features/delay.html http://www.kompaktkiste.de/delay.htm p.s. JB I still feel his Luomo guise sucks no matter how many copies I may have bought and sold or were rotated at Body Soul!! - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] Date: Fri, 4 Oct 2002 14:37:06 +0100 To: Placid [EMAIL PROTECTED], [EMAIL PROTECTED] Org 313@hyperreal.org Subject: RE: (313) Vladisalv Delay Placid, Response to (some of) your friend's points - it wd have been nice had they contributed them themselves! We don't bite here! this was a concert/performance, and was billed as such, so why should we expect to be excited by what's on the stage? it's the sound that should be concentrated upon, not the two ugly blokes making it. - In some places (as I noted) it was in fact billed in the club section of publications: I mentioned the London Guide, in the Guardian Newspaper. But nevertheless, a concert is was what I was expecting and a concert I can get with. On the other hand this was an audience watching intense men working on their pcs. Is this a new frontier in concert performance? I doubt it. During the performance, I suggested to my friend that it would have been just as feasible and perhaps more enjoyable to experience the performance at another venue, with the music streamed via ISDN or something. Being at that place during the 'show' seemed pretty pointless to me. The exhortation by the woman who introduced the event, implying that visits to the lavatory would be frowned upon didn't help. However - I was with friends who saw Stockhausen perform with a similar format using not much (I think) not much more than himself and a laptop. In that case, the audience were encouraged to shut eyes or concentrate on a small dot of projected light, whilst the auditorium was darkened - which I think would make sense. So yes, under some circumstances, I'd have to concede that minimal visual performance would be acceptable to me ... leading modern art galleries? a largin' it, hands in the air, laser extravaganza? Clearly that's ridiculous - only a fool wd expect such. I don't think that's what you're implying. i enjoyed listening to all three of the acts, for different reasons. ...parlane's piece emerged from the silence and slowly built, layer upon ...it was intimate and affecting. Entirely subjective. Similarly, it's entirely subjective that I found his performance dull due to it's almost literal monotonousness - a composition of near-autistic flatness. the accusation of 'randomness' is one i've come across before, and which, quite frankly, i find boring and lazy. Sorry if my dislike of VDelay bores you! However, it's again my personal opinion. You saw order or some pattern which pleased you, I didn't see any meaningful pattern, such as there was displeased me. I can't accept the accusation of laziness: I engaged my critical and evalutive faculties for over two hours in order to understand what all the musicians were attempting to do, as I did when I made a very long and I hope at least reasonably thought through post of my own thoughts to this list - as I am doing now! I cannot see why because I don't agree with you that makes me lazy - maybe that's your view because of lazy thinking! it was delay himself who was taking the decisions as to when and how he chose to play and layer the sounds he produced. there must be intention in theses actions, thus rendering the random accusation useless. it may have been difficult to listen to but by no means impossible. First part does not disprove the idea that he was making it up as he goes along - 'random'. Second part, again you enjoyed it, I didn't. Maybe 'random' is good. In that particular instance for me, it didn't work. I hated it. Ken -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Friday, October 04, 2002 6:33 PM To: [EMAIL PROTECTED] Org Subject: Re: (313) Vladisalv Delay In response to the vladislav delay criticism... A friend wrote... hmm... well. that's an opinion. and s/he's welcome to it. i, on the other hand, had a great time. mainly, i guess, beacause i knew exactly what to expect. and so should anyone who attended, given the blurb on the tate's website, where the words 'contemporary' and 'experimental' feature in the first sentence. i mean, what else were we to expect from one of the world's leading modern art galleries? a largin' it, hands in the air, laser extravaganza? this was a concert/performance, and was billed as such, so why should we expect to be excited by what's on the stage? it's the sound that should be concentrated upon, not the two ugly blokes making it. i enjoyed listening to all three of the acts, for different reasons. parlane's piece emerged from the
RE: (313) Vladisalv Delay
Who cares he's just a hairless 25yr old Finn, if you really wanna bash on someone please consider Erol Alkans. http://www.incursion.org/features/delay.html http://www.kompaktkiste.de/delay.htm p.s. JB I still feel his Luomo guise sucks no matter how many copies I may have bought and sold or were rotated at Body Soul!! - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] Date: Fri, 4 Oct 2002 14:37:06 +0100 To: Placid [EMAIL PROTECTED], [EMAIL PROTECTED] Org 313@hyperreal.org Subject: RE: (313) Vladisalv Delay Placid, Response to (some of) your friend's points - it wd have been nice had they contributed them themselves! We don't bite here! this was a concert/performance, and was billed as such, so why should we expect to be excited by what's on the stage? it's the sound that should be concentrated upon, not the two ugly blokes making it. - In some places (as I noted) it was in fact billed in the club section of publications: I mentioned the London Guide, in the Guardian Newspaper. But nevertheless, a concert is was what I was expecting and a concert I can get with. On the other hand this was an audience watching intense men working on their pcs. Is this a new frontier in concert performance? I doubt it. During the performance, I suggested to my friend that it would have been just as feasible and perhaps more enjoyable to experience the performance at another venue, with the music streamed via ISDN or something. Being at that place during the 'show' seemed pretty pointless to me. The exhortation by the woman who introduced the event, implying that visits to the lavatory would be frowned upon didn't help. However - I was with friends who saw Stockhausen perform with a similar format using not much (I think) not much more than himself and a laptop. In that case, the audience were encouraged to shut eyes or concentrate on a small dot of projected light, whilst the auditorium was darkened - which I think would make sense. So yes, under some circumstances, I'd have to concede that minimal visual performance would be acceptable to me ... leading modern art galleries? a largin' it, hands in the air, laser extravaganza? Clearly that's ridiculous - only a fool wd expect such. I don't think that's what you're implying. i enjoyed listening to all three of the acts, for different reasons. ...parlane's piece emerged from the silence and slowly built, layer upon ...it was intimate and affecting. Entirely subjective. Similarly, it's entirely subjective that I found his performance dull due to it's almost literal monotonousness - a composition of near-autistic flatness. the accusation of 'randomness' is one i've come across before, and which, quite frankly, i find boring and lazy. Sorry if my dislike of VDelay bores you! However, it's again my personal opinion. You saw order or some pattern which pleased you, I didn't see any meaningful pattern, such as there was displeased me. I can't accept the accusation of laziness: I engaged my critical and evalutive faculties for over two hours in order to understand what all the musicians were attempting to do, as I did when I made a very long and I hope at least reasonably thought through post of my own thoughts to this list - as I am doing now! I cannot see why because I don't agree with you that makes me lazy - maybe that's your view because of lazy thinking! it was delay himself who was taking the decisions as to when and how he chose to play and layer the sounds he produced. there must be intention in theses actions, thus rendering the random accusation useless. it may have been difficult to listen to but by no means impossible. First part does not disprove the idea that he was making it up as he goes along - 'random'. Second part, again you enjoyed it, I didn't. Maybe 'random' is good. In that particular instance for me, it didn't work. I hated it. Ken -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Friday, October 04, 2002 6:33 PM To: [EMAIL PROTECTED] Org Subject: Re: (313) Vladisalv Delay In response to the vladislav delay criticism... A friend wrote... hmm... well. that's an opinion. and s/he's welcome to it. i, on the other hand, had a great time. mainly, i guess, beacause i knew exactly what to expect. and so should anyone who attended, given the blurb on the tate's website, where the words 'contemporary' and 'experimental' feature in the first sentence. i mean, what else were we to expect from one of the world's leading modern art galleries? a largin' it, hands in the air, laser extravaganza? this was a concert/performance, and was billed as such, so why should we expect to be excited by what's on the stage? it's the sound that should be concentrated upon, not the two ugly blokes making it. i enjoyed listening to all three of the acts, for different reasons. parlane's piece emerged from the
[313] Re: Hymen, Six Shooter, Broken Beats and IDM....
http://cgi.ebay.com/ws/eBayISAPI.dll?MfcISAPICommand=ViewItemitem=899040670 -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] anything in NY this weekend?
TERMiNAL - Grand Opening - Friday 08/02/02 - LONG ISLAND... From: [EMAIL PROTECTED] -- DRIFT MAGAZINE, in association with 1200s.com DAT RECORDS cordially invite you to experience ... ...the T E R M i N A L sessions the advancement of electronic music indie culture PREMIER GRAND OPENING - FRIDAY, AUGUST 2nd 2002 TERMiNAL 231 POST AVE. WESTBURY, NY www.terminalbeats.com 1.877.873.3302 Music... - SWINGSETT (Ism Records / TestPress Sundays) Broken Beat : DnB : Trip Hop - HERSHE KISS (DrubPlanet) Breaks : Downtempo : Illbient : Dub - LASIX (Homegrown NYC) Techno : Tech House - MISJIF (PhasedFour) Intelligent Breaks : DnB - RICHIE LUVV (Centro-Fly / Cream / Britney Spear's Place!) House : Tech House : Tribal - OPTIC (DAT Records / 1200s.com) Techno : Electro : Industrial : Synthpop : PUNK! LIVE PA's Special Guest DJs TBA!!! --- $5 Cover b4 Midnight / $7 After / $3 with AREA 2 Ticket Stub 21+ (Sorry, no exceptions!) CHEAP ASS DRINKS ALL NIGHT, so be prepared to get TANKED!!! DRESS CODE - Plastic, Rubber, Metal, Levi's, Nothing, Thongs, We Don't Care! SEXUALITY - Breeders, Fags, Hags, Dykes, Bi, Jacko's, Whatever! REMINDER TERMINAL will be hosting indie electronic music based events Monday thru Friday 10pm-4amish - MONDAYs - AGONY Tormentor Friends play the SICKEST ROCK EVER!!! Spinning everything... PUNK | GOTHIC | GLAM | METAL | HARD | INDIE | SPEED | DEATH | CLASSICS and more... Weekly guest DJs Bands play in ROCKSTAR MODE. - TUESDAYs - TWEAK LIVE PA's by some of Long Island's most talented artists dropping all that is ELECTRONICA - NOISE - BREAKBEAT - TECHNO - DUB - 2STEP - IDM - TRIP HOP - AMBIENT - HARDCORE - ILLBIENT - DRUMnBASS - HOUSE and it's all LIVE!!! OPTIC keeps the crowd movin' between sets. - WEDNESDAYS - ROTTERDAM RELAY It's a 4 on the Floor TECHNO ASSAULT with Resident's... OPTIC - LASIX - NOLAN - BRIAN DUNN throwing down the sick beats alongside weekly national int'l guest DJs. NOT FOR THE FAINT or WEAK ASS PUNKS! - THURSDAYS - DRUM'ATISE Our weekly breakbeat sessions - TAKING NO PRISONERS. OPTIC, MISJIF and weekly guests terrorize the house with the ILL 2Step, DnB, Intelligent Breaks, BrokenBeat, IDM... all night. Weekly guests include SWINGSETT, CASSiEN, DELMAR, CHRISTIAN BRUNA, BEAU, 9X, KECH, WICKET, EDGEY, GARON, and more TBA!!! - FRIDAYS - DEBAUCHERY Calling ALL CREATURES of the NIGHT... Optic and his den of beasts entice your senses with the very latest and greatest in Goth, Glam, Indie, Punk, Electro, Synthpop, Darkwave, Industrial. FETISH GEAR HIGHLY RECOMENDED! Chains Rubber a PLUS!! -- here's what some of you had to say FINALLY, SOMETHING GREAT TO DO IN LONG ISLAND ON A WEEKDAY!! - some guy who emailed us. YOU MEAN TECHNO WITH NO KIDDY RAVERS SITTING ON THE FLOOR!!! I'M THERE! - some girl who posted something on some message board somewhere. YOU GUYS SUCK. I HOPE YOUR PLACE BURNS DOWN - some cheesy Progressive Vocal House Pop Trance DJ from Ibiza. - So, don't miss the GRAND OPENING PARTY THIS FRIDAY, AUGUST 2nd. Be A Part of LONG ISLAND HISTORY!! -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup Get 4 DVDs for $.49 cents! plus shipping processing. Click to join. http://adfarm.mediaplex.com/ad/ck/990-1736-3566-59 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] anything in NY this weekend? Starts at 7:30pm
http://thingstocome.com/flyers/cbgbttc02.html -- __ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup Get 4 DVDs for $.49 cents! plus shipping processing. Click to join. http://adfarm.mediaplex.com/ad/ck/990-1736-3566-59 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
