Re: Another Mix Site
Nicely done. Thanks, needed some fresh sounds for work this morning. On Wed, Dec 2, 2015 at 7:02 AM, <3...@coke-smyth.net> wrote: > Thanks Arturo, just in time for Christmas ;-) > > C > > On 2015-11-30 21:04, Arturo Lopez wrote: > >> Hey 313ers, >> >> Ive launched a site for a lot of the sorts of sounds some of you might >> be interested in; if you are in the mood please check us out: >> >> http://www.art-and-artifice.com/ [1] >> >> Just mixes, no B.S. >> >> First episode from me and #2 from the always fantastic Andrew Duke. >> Ive got more in the pipe and will be releasing new content down the >> line from myself and some people you might know. If any of you 313 >> people are interested in contributing we are always looking for more >> great sounds. >> >> Thanks! >> -Arturo >> >> >> >> Links: >> -- >> [1] http://www.art-and-artifice.com/ >> > >
(313) Robert Henke of Monolake Interview on Self-Titled
interview with album preview: http://www.self-titledmag.com/2012/04/19/the-self-titled-interview-robert-henke-of-monolake/
(313) Girogio Moroder's Metropolis
I'm wondering if seeing Giorgio Moroder's 1984 version of Metropolis is worth it? It's making the rounds here in Michigan later in October. I've seen the Jeff Mills' one, which was fantastic and had no idea there was a Moroder one at all. Which then makes me wonder what people think are some of the best electronic scored films?
(313) Stacey Pullen Mixcloud
Fabrice 14: Stacey Pullen on mixcloud: http://www.mixcloud.com/fabric/fabric-14-stacey-pullen-30-min-radio-mix/#utm_source=notificationutm_medium=emailutm_campaign=new_uploadutm_term=cloudcast_linkutm_content=html
Re: (313) It's been a while ...
Awesome, nicely done. On Mon, Sep 12, 2011 at 1:27 PM, balis...@bprince.com wrote: Yo guys, Not sure how many here will remember me, but I used to post a bit. I kind of dropped out of the music thing after my EP on Melodika came out in - geez - I think it was 2005. Got a job in LA that demanded entirely too much of my time, so the tunes ended up on the backburner for a while. Anyhow, I'm dipping my toes back in the techno waters, fully aware that I'm still pretty rusty: http://soundcloud.com/brianprince/miss-mercury It's download-enabled, on the off-chance you like it. Any feedback is welcome. I'll try not to fall off the face of the Earth for a while ... - bp http://www.bprince.com
(313) Record Time in Ferndale, MI Closing
Sad. On my way to work on National Public Radio: Record Time in Ferndale, Michigan will close. Inventory will be moved to Roseville store. According to the owner Mike Himes, digital downloads have had an impact. More in Freep: http://www.freep.com/apps/pbcs.dll/article?AID=/20071203/BUSINESS06/712030380
Re: (313) Tickets for DEMF
No need to buy tickets in advance. You can get them from Record Time locally here in Michigan. Or from wanttickets.com I believe. -- Original message -- From: Matt Chester [EMAIL PROTECTED] Hiya, Do the actual tickets for getting into the festival have to be bought in advance? If so does anyone know when / where they're available? Cheers! M.
(313) OT: Online Electronic Music Guide---A good laugh for a Friday
http://www.di.fm/edmguide/edmguide.html
Re: (313) what's up with the festival?!?!?!
Well, in regards to tourism, Detroit is changing. Having worked in economic development (more on the creative marketing end), progress is always slow. However, Detroit is making progress. There are signs all over the place from grass roots organizations like Detroit Synergy to the techno artists we love to the big corporations like General Motors and Compuware locating to Detroit to the redevelopment of the Book Cadillac building. Change is there and I think it's the younger generations that will continue to inspire the bigger pocketbooks to invest in the community. Detroit is also rebranding itself, focusing on that younger spirit. See: http://www.prnewswire.com/cgi-bin/stories.pl?ACCT=104STORY=/www/story/01-31-2007/0004517248EDATE= I also like the fact thatthe Shrinking Cities exhibit has finally made its way here. These are important events that stir change, much like the first DEMF. Let's continue on that positive vibe!!! -- Original message -- From: Joel Gajewski [EMAIL PROTECTED] Yeah, I don't think those numbers were ever accurate. I remember parking at the Ren Cen, which is next door to Hart Plaza, all three days the first two years. If there were an extra 1 million people in Detroit, a city of about 1million, I think that parking would have been a bit tighter. Thinking about Detroit's tourism, or lack thereof, it's never been a strong point. Almost everyone that meet that has never lived there, refers to it as the armpit of the universe. :( As a former local, it has a lot of character, but I can see how visits might be scared off. If I remember correctly, wasn't Derrick scrambling at the end to confirm those artists? I don't remember any of the fests being particularly well-sorted in advance of the weekend. *shrugs Joel - Original Message From: robin [EMAIL PROTECTED] To: Aidan O'Doherty [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Friday, February 2, 2007 5:08:49 AM Subject: Re: (313) what's up with the festival?!?!?! Aidan O'Doherty wrote: DEMF 2000: 1.1 to 1.5 million (over-estimated) DEMF 2001: 1.7 million DEMF 2002: 1.7 million Movement 2003: 630,000 Movement 2004: 150,000 Fuse-In 2005: 44,920 Hmmm I'm not sure how accurate any of those figures is, apart from maybe the last one where they had control over who came in and out of the site. robin...
Re: (313) what's up with the festival?!?!?!
Can't comment personally on Compuware. I'm sure there is a level of dissatisfaction with all places and certainly I wouldn't absolve General Motors either. Big business is big business, but a part of what's needed for Detroit to come back too, right? I don't want to launch into politics or anything like that nor am I naive about it either. Just hoping for a thriving Detroit rather than a dead one ;). Guess I'm encouraged that people want the same thing. -- Original message -- From: Matt Kane's Brain [EMAIL PROTECTED] On Feb 2, 2007, at 12:09, [EMAIL PROTECTED] wrote: Compuware Oy, I wouldn't be so happy about that. Several of my coworkers escaped form there with some nice stories :) -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED]
(313) Electronic Video Art
This is a pretty sweet surreal video. http://ny.beam.tv/beamreels/reel_player.php?reel=PdnyzcDdVKamp;reel_file=wKWdtCShjvamp;fs=1
(313) Detroit Hustle
Can anyone help me with finding Detroit Hustle? Who did it and if there's anywhere online I can take a listen?
(313) Re: The Island
I really enjoyed the film as well, though it was somewhat predictable. What I enjoyed most was the cinematography and that Detroit was so recognizable, even with the CGI enhancements to make it look futuristic. It was Detroit, but in the movie it was supposed to be LA. Har! That's why I love playing Midnight Club 3 Dub Edition too. They did a great job translating the streets of Detroit to a game and you can't go wrong when you're racing with UR as your driving music! On 08/15/2005 07:49 PM, turn' [EMAIL PROTECTED] wrote: I was sceptical . but really enjoyed the film. Might have to revisit it, now that I know it was filmed in Detroit. I thought it was based very closely on George Lucas first film THX-1138 .. with some modern evolution of the concept. But yea, totally surprised by the film, after expecting it to be another sci-fi wet biscuit .. all flash and no pants. Compared to alot of recent sci-fi attempts I felt the island was quite strong, telling a decent story in a managable fashion. I think it could stand the test of several viewings. .simon theREALmxyzptlk wrote: Cyclone Wehner wrote: Has anyone seen this sci-fi movie? I know it was shot in Detroit and from the promo clips I've seen Detroit features quite prominently (albeit no Belle Isle)? Is it any good? ;) My wife and I went because there wasn't much out and we wanted to see a movie she hadn't seen - I rarely get to go to movies, so what the hey. The acting was decent (Obi Wan, Boromir and Steve Buscemi!), and it had an interesting premise. Can't recall, but I think it's a Michael Bay film. Lots of action sequences. What I found fun was the way the action sequences were shot (nice cinematography). The best way I can describe it is that instead of focusing the flight of the cars in the air in the obligatory 'cars flying through the air' scenes - which are ubiquitous in action films these days - there was a lot of up-in-it focus on the crash down in that sort of you are there in the middle of it crazed confusion/movement which reminded me of Ridley Scott's battle scenes in Gladiator. The problem in most films of this ilk is that it's easy to tell who the expendables are pretty quickly and also how things are going to turn out. I wouldn't beat a path to the theater for it, but I wasn't angry I'd seen it or anything. I'd say it will fare better on the big screen than it does as a rental. It all depends on if you like futuristic action films, I guess. Not a bad ride, all said.
(313) Shopping Time
Ok. Haven't been on the list in awhile. But it's Record Time's anniversary sale, so can folks recommend any must have records?
(313) Sounds Like Techno
Pretty cool site: http://www2.abc.net.au/arts/soundsliketechno/swf/default.asp#Scene_1
Re: (313) Re: what's the most people are willing to pay for rekkids?
Question. With all this talk about what you'd pay for a record, is there a resource in print or online, like Goldmine, that would place a value? Or is this just a totally underground territory? Where does one place $300 value on a record in this genre? From: [EMAIL PROTECTED] Date: Mon, 5 Jul 2004 10:28:58 -0400 (EDT) To: Toby Frith [EMAIL PROTECTED] Cc: robin [EMAIL PROTECTED], Ken Odeluga [EMAIL PROTECTED], placid [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: (313) Re: what's the most people are willing to pay for rekkids? I'm not sure of the media deteriorating per se, but I will give a short description of popular methods of CD-R and CD-RW techniques. Basically, we're dealing with teh same sort of principle as vinyl, accept the laser in a CD player or CD rom is reflected off of the reflective material in the CD that is different heights and widths (although it's read a bit differently than on vinyl [from what i hear - this is the part i'm not so familiar with]). The burning process actually involves the CD burner hitting a recordable CD that has a reflective material with dye on it. This dye is manipulated by the laser so that can make the pits and grooves (although extremely small) so that it can be read by another. I would assume that if this dye is cheap enough (or in some cases the actual metal film is in itself manipulated by the laser) it could be concluded that over use the normal type laser could affect the pits and grooves and therefore affect the sound. I've not heard of this, tho, so I won't try to substantiate or disprove. cheers, dense On Mon, 5 Jul 2004, Toby Frith wrote: Interesting point about file retention. I read somewhere that a lot of cheaper CD-Rs only last for about 2 - 3 years before the quality slowly disintegrates. Not sure how, but I'm sure some tech people could source that. I mean, how much would you pay for a hard drive of say, 100 gigs worth of music that in essence could be duplicated in a very short time?
(313) Free Movement Gear
For those that attended Movement, here's your chance to win free Movement shirts, CDs, etc. and help the festival and the birthplace of techno, Detroit. Fill out the survey and let Movement organizers know about your visit to tha big D! Help them organize a better festival for next year by telling them about you. Go to: www.digitalresearch/movementmusic
RE: (313) Free Movement Gear
The survey is solely for the benefit of Movement and Michigan. There is no commercial, corporate agenda. The survey will help folks put on a better event next year. Thanks to everyone for helping. It'll help Movement keep going for years to come. The last page states this: We have received your completed questionnaire. Thank you for taking the time to complete this survey conducted by Davidson-Peterson Associates on behalf of the Movement Festival and the Michigan Office of Tourism. -Original Message- From: lisa [mailto:[EMAIL PROTECTED] Sent: Thursday, June 03, 2004 12:30 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Free Movement Gear I took the survey - the original link didn't work (it needed a .com after the digitalresearch part) - http://www.digitalresearch.com/movementmusic I am curious, who commissioned this survey? Was it Derrick company? The survey results could be very useful to build a case for keeping this thing alive. Hopefully the data collected will be used for purposes of good and not evil ;) Lisa [EMAIL PROTECTED] wrote: For those that attended Movement, here's your chance to win free Movement shirts, CDs, etc. and help the festival and the birthplace of techno, Detroit. Fill out the survey and let Movement organizers know about your visit to tha big D! Help them organize a better festival for next year by telling them about you. Go to: www.digitalresearch/movementmusic
Re: (313) Peacefrog Shattered Dreams Now Available
Looks like it's no longer available from the Web site. Anyone willing to sell me theirs? For all those waiting and haven't noticed: Shattered Dreams is now available on the Peacefrog site. Brent
Re: (313) Which mail order shop stocks Deep Chord Records releases?
Record Time On Thursday, July 17, 2003, at 12:46 PM, Collin Chen wrote: Hi all, May i know which US record shops stocks up Deep Chord Records releases? Regards, Collin Chen
