RE: [313] metro times article - rant

2002-05-24 Thread plaztikjezuz


 hopefully next year she won't be involved.
 
only if there is a god, and this god you pray to at starbuckks.

scotto


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Re: [313] metro times article - rant

2002-05-23 Thread Fred Heutte
I'm concerned about this idea that this year's lineup just makes the 
DEMF into a daytime rave.  Would it be good to have more experimental/
IDM in the lineup?  Maybe yes -- or maybe not *this* year.  Maybe *this*
year it ought to be more about movement and getting your groove on, and
as a dance-oriented DJ I have *no problem* with defending that point of
view, which is just as valid as the idea that the more experimental and
innovative side needs the spotlight.  In fact, both viewpoints are valid,
and so in the end moving the center of gravity between them at the festival
from year to year is the right approach.

Again, let's give some credit to Carol Marvin for letting a set of
experienced people, a Delphi Court if you will, help do the lineup
selections.  Any list will generate complaints and disagreements, but
I bet when it's all over we will see that this year's lineup has its own
merits, because the reality is, at the literal end of the day, the music
is more powerful than anyone's agenda.  

If Carol Marvin had picked some sidekick to select the lineup in secret, 
and they had the typical aspirations to being a self-anointed Big Wheel in
musical inner circles -- which is how this sort of thing usually goes -- 
then we would have plenty of reason to kick back.  Instead, what we got is
an admirable group of selectors, followed by a predictably incompetent 
implementation of the recommended list by PCM.  And even so, the lineup is 
going to showcase some great music.  

(Sooner or later, though, the city has to face up to the fact that you can't 
burn everyone in town and keep the festival going.  The comments from Kevin 
Saunderson ought to make *everyone* sit up and pay serious attention.)

In the end, though, Carl's quote at the end of the MT article is exactly
right.  He had the vision all along: the festival should be *everyone's*
festival.  And so far, no matter what Carol Marvin may think, it still is.

phred




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Re: [313] metro times article - rant

2002-05-23 Thread Peter Leidy

props to lisa for saying what the other papers cant say due to contractual
obligations or just plain stupidity.

i like this quote from Dan Sordyl because it cuts to the chase of the
matter:

You've got to give Carol Marvin credit for making this happen against all
odds. The first year they pulled this off, she busted her ass to make this
happen. But you can't go alienating the music scene. You can't alienate
the people that have been performing and promoting this music in this city
for years.

I personally dont care if carol is a bitch, if she doesnt pay her phone
bill, if she's out to make a buck- whatever. But when she comes out
of nowhere, takes over something very special and deeply rooted in the
local music community, and then completely disregards the voice of that
community- this is very uncool. i vote for impeachment :)

see y'all in a few days

-p


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Re: [313] metro times article - rant

2002-05-23 Thread Thomas D. Cox, Jr.
- Original Message -
From: Fred Heutte [EMAIL PROTECTED]


 I'm concerned about this idea that this year's lineup just makes the
 DEMF into a daytime rave.  Would it be good to have more experimental/
 IDM in the lineup?  Maybe yes -- or maybe not *this* year.  Maybe *this*
 year it ought to be more about movement and getting your groove on, and
 as a dance-oriented DJ I have *no problem* with defending that point of
 view, which is just as valid as the idea that the more experimental and
 innovative side needs the spotlight.  In fact, both viewpoints are valid,
 and so in the end moving the center of gravity between them at the
festival
 from year to year is the right approach.

im not trying to get argumentative here, but the lineup is definitely rave
friendly, much more so than the previous years'. especially jokers like
frankie bones, heather heart, and adam x. their relationship to techno music
is weak at best IMO. and as unpopular as my next opinion might be, i think
people like marco corola, green velvet,  alan oldham, dave clark, and dj
krust appeal to a ravier crowd, based on the venues they play that i know of
and the kinds of music they play. i missed the last 2 DEMFs because of work,
and i really wanted to go this year, and the first lineup announced this
year had some things i really wanted to see that i couldnt see at a rave
locally, like drexciya, dj shadow, frankie knuckles, and juan atikins. of
those, only juan is still playing. but even before they dropped off, i was
unhappy that it wasnt as good as past lineups. and when those people dropped
off, it left me with very little incentive to go, considering that alot of
the people play at raves locally. it takes away from the specialness. id
like to see dan bell, carl craig, aril brikha, safety scissors, kit clayton,
UR, shake, recloose, jeff mills, drexciya, john tejada, etc, stuff thats
very detroit and doesnt come to raves around me. ive been kicking myself for
2 years now because i couldnt go to that first one, and i know alot of these
people played then. but that doesnt mean they cant be booked again.

 Again, let's give some credit to Carol Marvin for letting a set of
 experienced people, a Delphi Court if you will, help do the lineup
 selections.  Any list will generate complaints and disagreements, but
 I bet when it's all over we will see that this year's lineup has its own
 merits, because the reality is, at the literal end of the day, the music
 is more powerful than anyone's agenda.

i dont know, obviously since i wasnt at the first 2, i cant compare, but i
know how much those lineups made me almost want to cry because they were so
great, and this one just didnt do the same for me. i still should go, but i
do need to make some money so im not going to, ill be working instead.

tom

~
Thomas D. Cox, Jr. AKA Kevlar Moneyclips
CEO http://www.steelcitysoul.com
Record Reviews http://www.ukgarageworldwide.com/
Blood-Clot DeeJay http://www.strikefm.co.uk/
~



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RE: [313] metro times article - rant

2002-05-23 Thread ani
the lineup is something that will always make some people unhappy.  i think
the panel was a good idea (much better than carol/pcm picking artists).

my problem with the whole thing is this:  if the festival is the *detroit
electronic music* festival, how come i can't walk into a tent and buy an
ersatz audio record?  and i have doubts about the integrity of someone who
claims to be a fan of the music and then uses it to help huge corporate
sponsors reach their market audience.  that should be a small part of the
festival, not the main focus. (no pun intended)

btw: does anyone know who the music retailer is down there this year?  i
know record time is not doing it.

ani

: : -Original Message-
: : From: Fred Heutte [mailto:[EMAIL PROTECTED]
: : Sent: Thursday, May 23, 2002 12:29 AM
: : To: 313@hyperreal.org
: : Subject: Re: [313] metro times article - rant
: :
: :
: : I'm concerned about this idea that this year's lineup just makes the
: : DEMF into a daytime rave.  Would it be good to have more experimental/
: : IDM in the lineup?  Maybe yes -- or maybe not *this* year.
: : Maybe *this*
: : year it ought to be more about movement and getting your groove on, and
: : as a dance-oriented DJ I have *no problem* with defending that point of
: : view, which is just as valid as the idea that the more experimental and
: : innovative side needs the spotlight.  In fact, both viewpoints
: : are valid,
: : and so in the end moving the center of gravity between them at
: : the festival
: : from year to year is the right approach.
: :
: : Again, let's give some credit to Carol Marvin for letting a set of
: : experienced people, a Delphi Court if you will, help do the lineup
: : selections.  Any list will generate complaints and disagreements, but
: : I bet when it's all over we will see that this year's lineup has its own
: : merits, because the reality is, at the literal end of the day, the music
: : is more powerful than anyone's agenda.
: :
: : If Carol Marvin had picked some sidekick to select the lineup
: : in secret,
: : and they had the typical aspirations to being a self-anointed
: : Big Wheel in
: : musical inner circles -- which is how this sort of thing
: : usually goes --
: : then we would have plenty of reason to kick back.  Instead,
: : what we got is
: : an admirable group of selectors, followed by a predictably incompetent
: : implementation of the recommended list by PCM.  And even so,
: : the lineup is
: : going to showcase some great music.
: :
: : (Sooner or later, though, the city has to face up to the fact
: : that you can't
: : burn everyone in town and keep the festival going.  The
: : comments from Kevin
: : Saunderson ought to make *everyone* sit up and pay serious attention.)
: :
: : In the end, though, Carl's quote at the end of the MT article is exactly
: : right.  He had the vision all along: the festival should be *everyone's*
: : festival.  And so far, no matter what Carol Marvin may think,
: : it still is.
: :
: : phred
: :
: :
: :
: :
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: : To unsubscribe, e-mail: [EMAIL PROTECTED]
: : For additional commands, e-mail: [EMAIL PROTECTED]
: :
: :
: :



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Re: [313] metro times article - rant

2002-05-23 Thread Dan Sicko

I hear you Fred.

I just have trouble with the polarized grouping of dance and IDM 
styles.  There were all kinds of other genres and styles represented 
in the first two festivals. Ones you could dance to, too.


Lumping everything but house and techno into IDM seems a bit 
convenient, and gives them an angle to defend the line-up as it 
stands.


-d


At 9:28 PM -0700 5/22/02, Fred Heutte wrote:

I'm concerned about this idea that this year's lineup just makes the
DEMF into a daytime rave.  Would it be good to have more experimental/
IDM in the lineup?  Maybe yes -- or maybe not *this* year.  Maybe *this*
year it ought to be more about movement and getting your groove on, and
as a dance-oriented DJ I have *no problem* with defending that point of
view, which is just as valid as the idea that the more experimental and
innovative side needs the spotlight.  In fact, both viewpoints are valid,
and so in the end moving the center of gravity between them at the festival
from year to year is the right approach.

Again, let's give some credit to Carol Marvin for letting a set of
experienced people, a Delphi Court if you will, help do the lineup
selections.  Any list will generate complaints and disagreements, but
I bet when it's all over we will see that this year's lineup has its own
merits, because the reality is, at the literal end of the day, the music
is more powerful than anyone's agenda. 


If Carol Marvin had picked some sidekick to select the lineup in secret,
and they had the typical aspirations to being a self-anointed Big Wheel in
musical inner circles -- which is how this sort of thing usually goes --
then we would have plenty of reason to kick back.  Instead, what we got is
an admirable group of selectors, followed by a predictably incompetent
implementation of the recommended list by PCM.  And even so, the lineup is
going to showcase some great music. 


(Sooner or later, though, the city has to face up to the fact that you can't
burn everyone in town and keep the festival going.  The comments from Kevin
Saunderson ought to make *everyone* sit up and pay serious attention.)

In the end, though, Carl's quote at the end of the MT article is exactly
right.  He had the vision all along: the festival should be *everyone's*
festival.  And so far, no matter what Carol Marvin may think, it still is.

phred




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Re: [313] metro times article - rant

2002-05-23 Thread Dan Sicko

At 10:09 AM -0400 5/23/02, Dan Sicko wrote:

I hear you Fred.

I just have trouble with the polarized grouping of dance and IDM 
styles.  There were all kinds of other genres and styles represented 
in the first two festivals. Ones you could dance to, too.


excuse me, party and IDM ... to quote the article.

-d

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Re: [313] metro times article - rant

2002-05-23 Thread Cyborg K
I think they are being a little over-dramatic calling it a daytime 
rave, although I certainly do have a fear that PCM would like to present it 
this way.  Having straight up dance music in NO WAY makes an event a rave, 
as anyone who's gone to a dress up invite only loft party in Detroit or 
Chicago or Kalamazoo etc should know.  Besides we'd get all trance and prog 
house if it was a rave, not the Detroit and Chicago techno and house sounds, 
which we all know did not come out of raves.  (As far as the lack of IDM, 
I could insert a rant about how stupid the term IDM is here, and how just 
because music is esperimental does not mean it's a successful esperiment!  
But plenty of things classified under these labels are really good). On the 
other hand, one must consider that perhaps people who are tired from 
partying don't WANT to dance all day starting at 12 noon, the idea of having 
some music you can sit and chill to and enjoy makes sense during a daytime 
festival, I mean are people supposed to take amphetamines or something so 
they have they energy to dance for three days and nights in a row?  
Ridiculous.  And as much as it's nice to showcase that raw techno and house 
sound that I certainly love, I see no reason why a festival this big 
shouldn't be diverse in musical offerings--something that can expand 
people's horizons.  Personally, I'm on a limited budget as a DJ; I want to 
play out and so I really do have to stick to mostly buying techno and house 
dance records--but I'd love a chance to maybe hear some groups that do 
something quite different.
What is more to the point, for me, is not the opposition between 
Dance/IDM music but rather getting a line up that represents the 
international electronic scene, and GIVES PEOPLE A REASON TO FLY IN FROM 
TOKYO, or send journalists if we are talking about an international musc 
mag.  It is this kind of vision that Carl Craig had that PCM does not seem 
to share, it's the cosmopolitan idea that this festival can really be 
something on the world scene.  Not exploiting Detroit but believing that 
Detroit can rise and become something really great.


?dave


Original Message Follows
From: Fred Heutte [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] metro times article - rant
Date: Wed, 22 May 2002 21:28:50 -0700

I'm concerned about this idea that this year's lineup just makes the
DEMF into a daytime rave.  Would it be good to have more experimental/
IDM in the lineup?  Maybe yes -- or maybe not *this* year.  Maybe *this*
year it ought to be more about movement and getting your groove on, and
as a dance-oriented DJ I have *no problem* with defending that point of
view, which is just as valid as the idea that the more experimental and
innovative side needs the spotlight.  In fact, both viewpoints are valid,
and so in the end moving the center of gravity between them at the festival
from year to year is the right approach.

Again, let's give some credit to Carol Marvin for letting a set of
experienced people, a Delphi Court if you will, help do the lineup
selections.  Any list will generate complaints and disagreements, but
I bet when it's all over we will see that this year's lineup has its own
merits, because the reality is, at the literal end of the day, the music
is more powerful than anyone's agenda.

If Carol Marvin had picked some sidekick to select the lineup in secret,
and they had the typical aspirations to being a self-anointed Big Wheel in
musical inner circles -- which is how this sort of thing usually goes --
then we would have plenty of reason to kick back.  Instead, what we got is
an admirable group of selectors, followed by a predictably incompetent
implementation of the recommended list by PCM.  And even so, the lineup is
going to showcase some great music.

(Sooner or later, though, the city has to face up to the fact that you can't
burn everyone in town and keep the festival going.  The comments from Kevin
Saunderson ought to make *everyone* sit up and pay serious attention.)

In the end, though, Carl's quote at the end of the MT article is exactly
right.  He had the vision all along: the festival should be *everyone's*
festival.  And so far, no matter what Carol Marvin may think, it still is.

phred




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