[arr] water dream

2005-09-11 Thread ashwin
hey folks, 
 Yesterday in my dream I saw trailer of Water there were no songs 
shown only bgm and some scenes and the audio release date to be some 
time in Oct. though I dont remember exactly when. I think my Rahmania 
has reached a very high level. May b I've become very obsesed with 
his upcoming Water. Just thought I'd share this with you.
ash







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[arr] Re: Melbourne Concert - Song List

2005-09-11 Thread chandra182000
hi, 
 I feel you are the lucky person to go for the show. Can you tell me 
who sang following songs

 Aahista Aahista (Swades) - New singer (not sure who it was)
 and also song from BOYS ie Sa re ga ma

I think he should be the singer Selected from Super singer, and also 
sang a song for Ah AAh ie. mayilaegae. 

How was it.

Chand






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[arr] Re: Aa Aah - A Flop Show

2005-09-11 Thread Kumar
Friends,

I've seen Ah Aah yesterday at Mayajaal and  I felt those Good songs 
were wasted with bad picturisation.  On top of that S.J Suryah dance 
movements were pathetic.  Especially for "Mayilirageh", I simply cant 
sit and watch it on screen, Too good melody has been destroyed by 
Suryah. Throughout the movie SJ's acting is not acceptable at all. 
Also he's unchanged with the criticism as a Pervert. First half of 
the movie is full of  Double meaning or direct dialogues. So better 
to see with friends than watching it with family (even though SJS has 
mentioned in an interview that this movie is for the age group of 6 
to 60).

But still there are some +ve things in the movie

1. Santhanam's cameo on comedy
2. Nila - new actress is so cute and almost looks like Simran even in 
the body language. (SJS too mention in  a dialogue "she is Half 
simran") 
3. Urvasi - SJ scene
4. All songs are fantastic if you close your eyes and just listen.

Over all its a OKAY kind of movie!  Could have done better!

Cheers!
Kumar R

--- In arrahmanfans@yahoogroups.com, "sureshmechnit" 
<[EMAIL PROTECTED]> wrote:
> check out my revu
> 
> http://ursmusically.blogspot.com/2005/09/aa-aah-movie-review.html






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[arr] Aa Aah - A Flop Show

2005-09-11 Thread sureshmechnit
check out my revu

http://ursmusically.blogspot.com/2005/09/aa-aah-movie-review.html




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[arr] Re: Melbourne Concert - '3D effects' review + other misc. details

2005-09-11 Thread rakesh_953
Just read through some bits of what I wrote and realised that perhaps
I was unfairly critical of the 3D effects.  Let me just say that
overall the 3D effects were quite good. I would much rather have the
3D format kept than just some random lighting at the background.  For
a first time effort by ARR's team, the 3D effects definitely had its
share of excellent moments and will surely get better.  Watchout for
the Fanaa and Ghanan 3D effects, they were definitely outstanding!!

Regards,
Rakesh



--- In arrahmanfans@yahoogroups.com, "rakesh_953" <[EMAIL PROTECTED]> wrote:
> Melbourne Concert -  '3D effects' review  + other misc. details
> 
> The heavily promoted '3D concert' opened with a bang during the
> opening number 'Fanaa'.  As ARR rendered the song, we could see
> several 'star wars' like special effects on the large screen through
> our 3D glasses.  It started off with a fly over view of the 'Earth'
> (similar to the view from the Space Shuttles') and then a fly over
> across some other planet (cant remember exactly), then finally we had
> some star wars like space crafts flying all over the screen.  It
> looked nice on screen.  
> 
> The 3D effects used for the 'Ghanan Ghanan' Lagaan piece was also very
> apt - rain clouds moving on screen, rain pouring down, the dry desert,
> etc.  It was nice.
> 
> The 3D theme for Thee Thee (Thiruda Thiruda) was a pair of fish
> quickly swimming under water.  The speed of the fish's swim tried to
> match the pace of the song.  It was not brilliant, but good enough.
> 
> The 3D effects on screen for the other songs were average to poor. 
> There was just some random patterns on screen which didn't really look
> 3D so no one bothered to wear the 3D glasses for most part of the show.
> 
> To summarise, the 3D effects were nice for the opening number 'Fanaa'
> (I liked the solar system fly-over kind of effects, but not the Star
> Wars X-Wings flying around), the 'Ghanan Ghanan' Rain Clouds 3D theme
> was very nice, Thee Thee had decent 3D effects, but the rest of the
> performances did not have matching 3D effects which was a
> disappointment.  If you keep in mind that it's a new attempt by ARR,
> then you'll enjoy it, but dont go in with very high hopes for 3D
effects.
> 
> 
> Other Misc. Details
> ===
> 
> Film Director Shankar was present at the concert.  He was sitting in
> the VIP area and AR Rahman mentioned to the crowd that Shankar had
> come down to Melbourne to watch his concert for the first time.
> 
> The all time concert favourite, 'Dil Se Re', was not sung by ARR ! I
> thought this song would definitely be performed but it wasn't! 
> Instead, ARR sang numbers from Ah Aah, Yuva, Bombay & Swades.
> 
> All the singers were very much 'in key'.  Alka rendered Saanwariya and
> O Re Chori perfectly, as did Sadhna, Hariharan, Chitra, etc for their
> numbers. They were almost flawless!  AR Rahman sang Aararai Kodi (Ah
> Aah) extremely well, his vocals were also very good in Fanaa, Kabhi
> Neem Neem (Yuva), Kehna Hi Kya(Bombay) and Humma Humma.  The only
> strong that AR Rahman sounded off-key was in 'Yeh Jo Des Hai Tera', it
> was good but didn't quite match up to the recorded version.
> 
> 'O Re Chori' (Lagaan) was performed as an 'unplugged' version, with
> ARR on the piano and Alka Yagnik signing the main chorus in minor
> variations.  Since there were no other backing instruments other than
> ARR's piano, the song's beautiful melody stood out along with Alka's
> amazing vocal skills.
> 
> 'Hariharan' was simply amazing in his 'unplugged' rendition of 'Nila
> Kaigirathu' from Indhira.  Sadhan Sargman was also great with her
> unplugged 'Udhaya Udhaya' (the melody came out very well).
> 
> When ARR perfomed the poverty athem, someone in the crowd came out
> with the great idea of using the backlight on their mobile phone to
> wave as if it were a candle.  It didn't take long before the whole
> crowd were waving their mobile phones (with the backlights on) and it
> looked beautiful !  Do try this out when you attend the concert!!
> 
> AR Rahman's band was fairly small (I remember his LA concert had a
> very large band of performers), but still the band pulled out an
> amazing performance.
> 
> Kailash Kher performed all of Sukhwinders Singh's usual numbers
> (Chaiyya Chaiyaa, Chinamma Chilakamma, etc).  Kailash was a suitable
> replacement and measured up very well.
> 
> Chitra did a great job with Jiya Jale and it was comparable to Lata's
> great rendition of the number!
> 
> Udit's replacement was some member from the chorus (not sure of his
> name, possibly a new singer), he was good in his renditions of Aahista
> Aahista, Yuh Hi Chala Chal, etc, but it would be unfair to compare him
> to Udit, because Udit is so far ahead in his singing capabilities.  
> 
> These two girls from the Chorus (not sure of their names, possibly
> from Channel V's Super Singer competition??), were amazing in their
> performaces of Rangeela Re, Sa Re Ga Me, etc.  T

[arr] Re: Ah Aah movie

2005-09-11 Thread avyayan
SJS has done it again! Smut passed off as entertainment. It's not bad,
though I felt New was better - the first half was terrific though. And
despite the several dialogue mutes, the audience seemed to know what's
being said and were having a hearty laugh. This film is STRICTLY for
adults. 

SJS knows how to picturise Rahman's music. Thazhuvudu Nazhuvudu was
the highlight, with the rest being superb to good. The use of graphics
is cheesy, but in the context of the movie, rather fun. Great way to
reduce the budget.

The background score was just stunning - a very international flavour!
I could watch the movie again just for this. I do wish he would
release a score CD - it's one of the best I've heard in a Tamil film,
and IMHO, was better than AE/Yuva.


--- In arrahmanfans@yahoogroups.com, Kunal Rajan <[EMAIL PROTECTED]> wrote:
> Hi guys,
> 
> Ah Aah released and the movie is running to packed houses everywhere.
> The general audience response is that the movie is average. but i
> liked the movie a lot. everybody has worked hard in the movie. The
> BGMs are wonderful. The instrumental of mailiragey and thigu thigu are
> wonderful. But the highlight BGM is the illusion theme music. The
> humming is wonderful.
> 
> Anyway good effort and a movie that is definitely worth watching. Much
> Different from the normal movies releasing today,
> 
> Kunal.





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[arr] Melbourne Concert - '3D effects' review + other misc. details

2005-09-11 Thread rakesh_953
Melbourne Concert -  '3D effects' review  + other misc. details

The heavily promoted '3D concert' opened with a bang during the
opening number 'Fanaa'.  As ARR rendered the song, we could see
several 'star wars' like special effects on the large screen through
our 3D glasses.  It started off with a fly over view of the 'Earth'
(similar to the view from the Space Shuttles') and then a fly over
across some other planet (cant remember exactly), then finally we had
some star wars like space crafts flying all over the screen.  It
looked nice on screen.  

The 3D effects used for the 'Ghanan Ghanan' Lagaan piece was also very
apt - rain clouds moving on screen, rain pouring down, the dry desert,
etc.  It was nice.

The 3D theme for Thee Thee (Thiruda Thiruda) was a pair of fish
quickly swimming under water.  The speed of the fish's swim tried to
match the pace of the song.  It was not brilliant, but good enough.

The 3D effects on screen for the other songs were average to poor. 
There was just some random patterns on screen which didn't really look
3D so no one bothered to wear the 3D glasses for most part of the show.

To summarise, the 3D effects were nice for the opening number 'Fanaa'
(I liked the solar system fly-over kind of effects, but not the Star
Wars X-Wings flying around), the 'Ghanan Ghanan' Rain Clouds 3D theme
was very nice, Thee Thee had decent 3D effects, but the rest of the
performances did not have matching 3D effects which was a
disappointment.  If you keep in mind that it's a new attempt by ARR,
then you'll enjoy it, but dont go in with very high hopes for 3D effects.


Other Misc. Details
===

Film Director Shankar was present at the concert.  He was sitting in
the VIP area and AR Rahman mentioned to the crowd that Shankar had
come down to Melbourne to watch his concert for the first time.

The all time concert favourite, 'Dil Se Re', was not sung by ARR ! I
thought this song would definitely be performed but it wasn't! 
Instead, ARR sang numbers from Ah Aah, Yuva, Bombay & Swades.

All the singers were very much 'in key'.  Alka rendered Saanwariya and
O Re Chori perfectly, as did Sadhna, Hariharan, Chitra, etc for their
numbers. They were almost flawless!  AR Rahman sang Aararai Kodi (Ah
Aah) extremely well, his vocals were also very good in Fanaa, Kabhi
Neem Neem (Yuva), Kehna Hi Kya(Bombay) and Humma Humma.  The only
strong that AR Rahman sounded off-key was in 'Yeh Jo Des Hai Tera', it
was good but didn't quite match up to the recorded version.

'O Re Chori' (Lagaan) was performed as an 'unplugged' version, with
ARR on the piano and Alka Yagnik signing the main chorus in minor
variations.  Since there were no other backing instruments other than
ARR's piano, the song's beautiful melody stood out along with Alka's
amazing vocal skills.

'Hariharan' was simply amazing in his 'unplugged' rendition of 'Nila
Kaigirathu' from Indhira.  Sadhan Sargman was also great with her
unplugged 'Udhaya Udhaya' (the melody came out very well).

When ARR perfomed the poverty athem, someone in the crowd came out
with the great idea of using the backlight on their mobile phone to
wave as if it were a candle.  It didn't take long before the whole
crowd were waving their mobile phones (with the backlights on) and it
looked beautiful !  Do try this out when you attend the concert!!

AR Rahman's band was fairly small (I remember his LA concert had a
very large band of performers), but still the band pulled out an
amazing performance.

Kailash Kher performed all of Sukhwinders Singh's usual numbers
(Chaiyya Chaiyaa, Chinamma Chilakamma, etc).  Kailash was a suitable
replacement and measured up very well.

Chitra did a great job with Jiya Jale and it was comparable to Lata's
great rendition of the number!

Udit's replacement was some member from the chorus (not sure of his
name, possibly a new singer), he was good in his renditions of Aahista
Aahista, Yuh Hi Chala Chal, etc, but it would be unfair to compare him
to Udit, because Udit is so far ahead in his singing capabilities.  

These two girls from the Chorus (not sure of their names, possibly
from Channel V's Super Singer competition??), were amazing in their
performaces of Rangeela Re, Sa Re Ga Me, etc.  The new talent show
cased at the concert was of very high quality.  I was expecting an
average concert due to the lack of key singers, but somehow everyone
managed to do such an excellent job that it didn't feel so bad, infact
it was excellent!






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[arr] Colourful concert

2005-09-11 Thread Gopal Srinivasan
A.R. Rahman
Reviewer Jessica Nicholas
September 12, 2005


Colourful concert: The Bollywood extravaganza cast onstage at the Rod Laver 
Arena on Saturday
night. From left, Chitra, Sadhana Sargam, Alma, Madhushree, Alka Yagnik, 
Kailash Kher, A.R.
Rahman, Shankar Mahadevan, Hariharan and Blaaze sing the concert finale.

Colourful concert: The Bollywood extravaganza cast onstage at the Rod Laver 
Arena on Saturday
night. From left, Chitra, Sadhana Sargam, Alma, Madhushree, Alka Yagnik, 
Kailash Kher, A.R.
Rahman, Shankar Mahadevan, Hariharan and Blaaze sing the concert finale.
Photo: John Kumar

Rod Laver Arena,
September 10

Milling outside the Rod Laver Arena before A. R. Rahman's show on Saturday, I 
felt like a
rather drab moth surrounded by butterflies. Richly coloured saris, embroidered 
kurtas and
sequinned scarves floated around me, as an audience of mainly Indian 
expatriates gathered in
anticipation of this first Australian concert by one of the biggest names in 
Bollywood.

Inside, the atmosphere was reminiscent of a rock concert - the stage adorned 
with musical
instruments, giant screens and floodlit fabric panels, and more than 9000 fans 
erupting at the
sight of 39-year-old Allah Rakha Rahman taking the microphone.

As Rahman modestly confessed to the audience, he is not a born showman. A film 
composer whose
success has thrust him into the spotlight, he is more accustomed to creating 
music in his
high-tech studio in Chennai than performing it live in front of a roaring crowd.

But there was something very endearing about watching this slightly reticent 
individual absorb
the energy of the stadium and give it back so generously over the next four 
hours.
AdvertisementAdvertisement

Yes, four hours, with no interval. Apparently Rahman was so inspired by the 
ecstatic audience
that he actually wanted to play longer, but was constrained by venue protocol. 
So he had to
content himself with performing 40 of his best-loved compositions, almost all 
of which were
written for Bollywood films.

Not all film music thrives in a concert setting. But Rahman's music - like 
Bollywood cinema -
has a joyous, larger-than-life impact. And the composer, who also sings and 
plays keyboards,
certainly knows how to put on a show.

His "Third Dimension" tour has pulsing, floor-shaking rhythms; acoustic strings 
and folk
instruments alongside banks of digital devices; a parade of superb Bollywood 
singers performing
the songs that made them famous; twirling dancers and giant masked figures; and 
a series of
animated 3-D images (which we watched with 3-D glasses) projected onto a screen.

As a non-Indian familiar with only a handful of Bollywood songs, I did find 
four hours a bit of
a stretch. Nevertheless, it was impossible not to be awed by the seemingly 
endless stamina -
and diversity - of the performers.

But perhaps the most remarkable aspect of this hugely entertaining show is that 
it was
presented by a fledgling, volunteer-run organisation, Charities through Indian 
Arts in
Australia, whose directors undertook this mammoth tour at great personal and 
professional risk.

As for the music itself, Rahman's wonderfully imaginative approach to film 
composition -
incorporating ideas from contemporary popular music as well as classical Indian 
and European
traditions - has created a fascinating hybrid and, for millions of fans (among 
whom I now count
myself), opened up a whole new musical world.
http://www.theage.com.au/news/reviews/ar-rahman/2005/09/11/1126377200142.html?oneclick=true

"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy




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[arr] Indian music enters another dimension

2005-09-11 Thread Gopal Srinivasan
Indian music enters another dimension
September 12, 2005


Composer A.V. Rahman pushes the sound barrier, writes Philippa Hawker.

It's not every day that a theatre audience gets to don 3D glasses. But A.R. 
Rahman, one of
Indian music's most celebrated and influential composers, isn't your average 
performer.

His show features 65 singers, musicians and dancers, and combines innovation, 
dance, spectacle,
3D effects and even a cricket connection - he is from India, after all.

"It's a big experiment," he says from his studio in Chennai. The 3D effect is 
intended to give
the audience a more intense, close-up experience in a concert that will be a 
representation of
his broad musical styles. His show will include new songs and classics, 
including numbers from
his Broadway show Bombay Dreams.

Proceeds from the tour will go to Udayan, the Indian centre for children with 
leprosy that has
a celebrated Australian patron in the former Test cricket captain Steve Waugh, 
whom organisers
say is hoping to attend one of the performances.

The tour is being organised by Charindaa, a non-profit foundation set up by two 
Melbourne men,
A.V. Mohan and Mohan Krishnamoorthy, to combine charity work with the promotion 
of Indian arts
and culture in Australia.
AdvertisementAdvertisement

Rahman, 39, softly spoken and self-deprecating, has a high profile in his 
homeland. He is
constantly sought for movie soundtracks in a culture where, as he says, 
"nothing else exists".
Cinema is phenomenally popular in India, and film music is the dominant musical 
form.

As a composer, he welcomes a challenge, the expectation that he will come up 
with something
different: "The only problem," he says, "is when directors want me to replicate 
what I have
done before."

Rahman has a degree in classical music, is at home with jazz and pop, has a 
voracious interest
in musical styles, and has embraced new technology. He has built a huge 
recording studio in
Chennai and is, he says, still paying it off. He is a workaholic and his albums 
sell millions -
but in India, he points out, he is not paid royalties, just a composer's fee.

Lately, he's been broadening his scope, composing music for a Chinese film, 
Warriors of Heaven
and Earth, and working on Bombay Dreams.

The show was the brainchild of Andrew Lloyd Webber, who became a fan of 
Rahman's work after
watching some of his films on TV, and intended to weave the musical around some 
of his existing
songs. But the composer, not one to rest on his laurels, created plenty of new 
material. It ran
for six months on Broadway, "three months more than I was expecting". The Time 
film critic
Richard Corliss called it "the most vibrant, varied, new score in ages".

Another Rahman project, going into rehearsal next month, is a stage version of 
Lord of the
Rings, on which he is working with a Finnish folk group. He is also composing a 
piece for the
City of Birmingham Symphony Orchestra, having conducted them recently.

Rahman's father, who died when his son was nine, was also a film composer.

Rahman began his musical career early, supporting his family as a performer. He 
was a
successful jingle writer before he composed his first film score in 1992, for 
Roja, a Tamil
movie directed by Mani Ratnam. "I was lucky," he says. "I worked with one of 
the best directors
in India and it was a wonderful experience."

Just as this new show is a challenge for the performer, it's also a big step 
for the two men
who have organised Rahman's visit. Mohan and Krishnamoorthy share a love of 
cricket and a
commitment to the arts: Mohan is a classical music fan, while Krishnamoorthy 
has a taste for
more popular music. They and their volunteers have organised smaller-scale 
Indian musical
events in the past.

Rahman himself contributes to a number of charities - "If you can do something 
to help, why not
do it?" - but his work is the key. "Music itself," he says, "has a healing 
power."

A.R. Rahman is at the Sydney SuperDome on Saturday.

http://www.smh.com.au/news/music/indian-music-enters-another-dimension/2005/09/11/1126377204387.html?oneclick=true

"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy




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[arr] Re: HSBC Commercial Banking ad

2005-09-11 Thread Ravi d
Hey GOPS,
just b4 leaving home today to meet u guys, I was watching the trailers
in VIJAY TV in one of the trailer(the actress was the one from 7G
Raibow colony) they had used the Dacoits trail of WOHE directly. Also
Thotti   from HJ also had a glimpse of WOHE track
=
On 9/11/05, Gopal Srinivasan <[EMAIL PROTECTED]> wrote:
> Spotted this HSBC Commercial Banking ad on Discovery a while ago which uses
> the music of Varaga
> Nathikara from Sangamam. It looked like an international ad. Have spent the
> last hour searching
> the net for it, no luck :-(
> 
> "We neglect our cities at our peril. For, in neglecting them, we neglect the
> nation."
> -John F. Kennedy
> 
> 
> 
> Explore, Experience, Enjoy A.R.Rahman - The Man, The Music, The Magic.
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[arr] HSBC Commercial Banking ad

2005-09-11 Thread Gopal Srinivasan
Spotted this HSBC Commercial Banking ad on Discovery a while ago which uses the 
music of Varaga
Nathikara from Sangamam. It looked like an international ad. Have spent the 
last hour searching
the net for it, no luck :-(

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nation."
-John F. Kennedy


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Re: [arr] ayaiyo song...

2005-09-11 Thread krishna prasad



hi,
Kudos 2 ur wonderful inferences n examples of the RIPPING syndrome prevalent in the so called home 2 Indian cinema Bollywood.Don't ever coin the tag COPYING with ARR.He is the ONLY genuine MD India has ever produced.
Even the so called LEGENDS of music like RD Burman SD Burman don't deserve that status as seen from the type of rehashings they hav done 2 attain that position.
 
Finally time and again any dicussion that crops up on such subjects ultimately prove that ARR is knots above the so called legends of Indian cinema.
 
Realise the Utilmate TruthRealise A.R.Rahman
Bye
 
Anujit <[EMAIL PROTECTED]> wrote:
Hi all,lets put to rest to all these speculations.i am pasting a document from the following link(chk it for your reference):http://www.planetbollywood.com/displayArticle.php?id=090905092530it's a very intersting one and an eye opener for all of us.one thing i am sure u won't be able to do is to figure out our boss's name in this article.Hats off to the "God of Music" and that in a span of 13 years everything he composed was original or nearly original with inspirations taken and his style being integrated. Make sure u read the following article.. happy reading and this makes me a proud  ARR fan..Music…it's the basis of a unique reputation that Indian films have. Musicals are what the west likes to call our films. We're accustomed
 to seeing new audio releases every third day in India. With so much music being produced, wouldn't there be a high chance of repetition? It's safe to say that the music scene is flying high with some great tunes in the recent past. We've heard Shantanu Moitra's dazzling score in Parineeta. We heard Himesh Reshammiya lend his voice in his top-selling album, Aashiq Banaya Aapne. And we've heard Pritam re-energize our souls with the flashy soundtrack of Chocolate. Yeah, we got a lot to be proud of. What if I told you that TWO songs from EACH of those three albums were stolen? Not so proud anymore eh? It's true. Shantanu Moitra, a man who has seemed to captivate music lovers this year with Parineeta has stolen two of the seven tracks. Kaisi Paheli Zindagani was lifted straight from Louis Armstrong's 1951 track "A Kiss To Build A Dream On." And a line from Soona Mann Ka Aangan was plagiarized straight from Tagore's "Phoole
 Phoole." Himesh Reshammiya's hit soundtrack Aashiq Banaya Aapne has two lifts in it also: 1) Dillagi, which is taken straight from Pakistani pop singer Ali Zafar's "Rangeen," from his 2003 album "Huqa Pani." 2) Marjaawan is a blatant lift from Fakhir's "Marjaawan" from his 2002 album "Aatish." Oh yeah, Gela Gela (Aitraaz) was copied note for note from R. Kelly's Thoia Thoing from his 2003 album "Chocolate Factory." What's sad is the fact that our composers go on and on about cleansing our industry of plagiarism. Yet, they seem to have no problem taking tunes from right across the border! And as you will come to find out, Reshammiya isn't the only culprit in this hideous case. Pritam is known as the King of Dhoom. Well, he stole a track in there also, Shikdum. Personally my favorite piece, I was disgusted when I found out that he took it directly from from Turkish singer Tarkan's "Sikidum." And when asked
 about the word Shikdum, Sameer and Pritam never once stated the original piece. Where's the justice? In the just recently released Chocolate, yet another hot selling album, Pritam steals Zahreeli Raatein and Bheega Bheega. The former lifted from Pakistani pop band Jal's "Aadat." The latter is lifted word for word from Abrar Ul Haq's "December." As is the case throughout Filmi Music's infamous history, most of the tracks that stand out as classics in the mind's of music lovers are the ones that are plagiarized. You start to question the talent and competence of some of these composers…respect is soon lost. To add insult to injury, the originals (especially the Pakistani originals) are far better than there uncredited Hindi versions.Only a fraction of "inspired" tracks are legitimate ones. Recently, Dharma productions paid a hefty sum for the rights to recompose Pretty Woman in 2003's Kal Ho Naa Ho. If others do
 have the common sense to credit the originals, they'll simply put a name beneath the song. What's in a name? Proper acknowledgment and citations include the name of the original composer, the title of the track, the year it was composed, and to what album it belonged. A name. Ha!Just recently, there was a popular soundtrack that released with all sorts of speculation and controversy. Zeher was the name of the film. Apparently none of the songs belonged to the composers of the album (mainly Anu Malik, who is one of the kings of plagiarism). I guess that's why there's no surprise as to why the score was a success. Anyways, the original score was credited to Roop Kumar Rathod. Is that so? It turns out that two of the popular tracks, Agar Tum Mil Jao and Woh Lamhe belonged to, guess who….Pakistan. I think it was just a way for the Bhatts and Anu

[arr] Ah Aah movie

2005-09-11 Thread Kunal Rajan
Hi guys,

Ah Aah released and the movie is running to packed houses everywhere.
The general audience response is that the movie is average. but i
liked the movie a lot. everybody has worked hard in the movie. The
BGMs are wonderful. The instrumental of mailiragey and thigu thigu are
wonderful. But the highlight BGM is the illusion theme music. The
humming is wonderful.

Anyway good effort and a movie that is definitely worth watching. Much
Different from the normal movies releasing today,

Kunal.


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[arr] SHIVAJI

2005-09-11 Thread Alan Hadle .H
 its A.R.Rahman for shivaji .sujatha writes in ambalam .sujatha is
also a part of the team .finally its shankar -a.r.r-rajinikanth.



ars




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[arr] Bangalore concert tickets for outstation people

2005-09-11 Thread Gopal Srinivasan
Tickets will go on sale at select Planet M and Coffee Day outlets across the 
country. Besides,
any one with a GSM phone can get a mobile ticket by going to www.spicetele.com 
(starting 12th
Sep). The ticket will be SMSed to your phone which can be used to enter the 
concert venue by
displaying the same.

"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy


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[arr] Melbourne concert photo and report

2005-09-11 Thread Gopal Srinivasan
http://o3.indiatimes.com/rpramod/archive/2005/09/11/248964.aspx

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nation."
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Re: [arr] Ah Aah movie

2005-09-11 Thread ab prakash
H guyz

 Never worry about the movie. Go and watch it for
the BGMs . its out of da world. Movie is good(dnt evr
plan to watch it wit u r parenz), i

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[arr] How Many Films Does AR RAHMAN DID upto 2005

2005-09-11 Thread srinivasb4u_btech
plzz help me in giving link or anything else relating it. it would be
immensly help me thanking U 








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Re: [arr] Ah Aah

2005-09-11 Thread shahul hameed



ye ah aah.. is out.. movie is okie.. not a super kinda one.. the songs hav not been picturised so good.. i liked dhigu dhigu song's video.. varugiraai is not bad.. mayiliragey is totally wasted.. it comes abruptly in de narrative.. marangothiye is worse than this.. unnecessary use of graphics has spoilt the song and the dance movements are not worth mentioning.. BGM at places is too good bringing in the rite mood.. I liked the instrumental piece of dhigu dhigu with flute replacing the voice.. wow.. it was amazing.. but it comes jus for few secs.. :o( overall the movie is worth watching once.. but am gonna c it again today.. :D cos I didnt like NEW the first time.. later when i gave a second look it was quite entertaining.. 







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[arr] Ah Aah

2005-09-11 Thread Yamish . Yakoob





 
A quick question 
has Ah Aah released? How's the movie?







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[arr] Regarding the Bangalore concert !!! List of singers

2005-09-11 Thread Anees M




HariharanAlka YagnikChitraSadhana SargamShankar MahadevanMadhushree (Sujata Bhattacharya) Sivamani AnandamRajesh 'Blaaze' Raman Kailash Kher Alma (From Bosnia)
Ani (From Armenia) 
 
Hi Group,
 
Is this the final group of artists who are going to perform in Bangalore? Isn't this a bit too small comparing it to the previous concerts of Rahman ? Any idea on what happened to Udit Narayan, SPB, Karthik, Srinivas, Musthafa and Qadir khan, sukhwinder Singh etc who used to always accompany rahman ? 

 
Also, is there any plan for Rahman fans to attend the concert as a group or something? Which ticket class are you all planning to buy? Is the 3D part extended to the standing class also or is it restricted to the seating class? To be honest the seating class is a bit un affordable for me, but I would not like to miss this opportunity, as I missed the Madras concert :(. 

 
Thanks,Anees






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[arr] Melbourne Concert - The 'Ghanan Ghana' piece !

2005-09-11 Thread rakesh_953
Melbourne Concert - The 'Ghanan Ghana' piece review:

Ghanan Ghanan - This is nothing like you've heard before!!  It was
just ARR on the piano & Shankar vocalising with just two words 'Ghanan
Ghanan'.  The original lyrics of the song were NOT sung, it was just
'Ghanan Ghanan' sung in different variations to follow AR Rahman's
piano for about 5 minutes!! ARR opened the song with an incredibly
mindblowing piano prelude, and then Shankar slowly started vocalising
from low to high to very high pitch, singing only the words 'Ghanan
Ghanan' in several variations - It was simply magical and something I
will never forget!!  Shankar proved he is unmatchable vocally.  

Following the vocal variations of 'Ghanan', Shankar paused for a
moment and then said the following to introduce the second movement of
this incredible piece:  "In the film, Lagaan, the clouds come, the
village start singing, but then then the clouds go away. Now, imagine
for a moment that the clouds hadn't just gone past, but rather it
started raining. Imaginehow would A.R.Rahman have composed the
song for such a situation? Do you want to hear it?" ...the crowd
replied with a resounding "Yes!", and then, the large TV screen at the
back showed rain crowds moving along (it looked great with the 3D
glasses on), and then Shankar started vocalising again starting at low
"Ghanan Ghanan Ghanan", and then quickly raising the speed and pitch,
rapidly singing "Ghanan Ghanan" to match the mood of pouring rain. 
The melody kept varying to match the situation of rain pouring down.
It was an composition by AR Rahman & Shankar's vocal skills weree
simply superb.   It was the most incredible piece of music I have ever
heard.  I'm kicking my myself very hard for not taking a audio
recorder of some sort to the concert...folks please take along some
form of audio recording device to capture these incredible pieces
speically made for concerts!








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