[arr] Re: RAHMANJI MISSED NATIONAL AWARD :-(

2008-06-11 Thread J Ramanand
Thanks for the comments! Glad to see some of you agreed.

Vinod: after my initial assertion that Patki has composed "mile sur",
Gopal also asked if Banks had composed it. After looking up web
references [not necessarily credible, I know], I'm a little uncertain
now. Some articles say Banks did compose it, but others mention Patki
as composer. Incidentally, this link
[http://www.ashokpatki.com/jamgalasa.html] from Patki's website says
he created it, and the opening of the song plays, so at least he seems
to be claiming it. Perhaps Banks was also involved in some capacity.
I'll let you know if I find more about this.

As Madhavan pointed out, Rahman himself is probably the best source to
help us discover new voices, musicians, and music. I would have never
heard of the likes of Leigh Ann Woodard, Maryam Tollar, the Continuum,
or the now lost Shahul Hameed if it wasn't for him!

Thanks,
Ramanand


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[arr] Re: RAHMANJI MISSED NATIONAL AWARD :-(

2008-06-11 Thread J Ramanand
[Couldn't resist writing in, as I was a little surprised by some of
the comments on this topic.]

Ashok Patki, who won this year's National Award for Music, is no
greenhorn. Even though some of you may have not heard of him, he's a
veteran with several albums to his credit. I wonder how many of you,
who have dismissed the award as not being meritorious, have actually
heard the music of Antarnad (I'll readily confess I haven't, but then
I'm not saying his work is inferior).

This is not to say that the National Awards are flawless. I myself
find some of the awards in the last few years, and even this year, to
be eyebrow-raising. But I think many people will admit that most of
the awards (especially the less glamourous ones) go to fairly talented
people, even if they are not popular, or even if it wasn't their best
work.
In comparison, I (and again, I'm sure, others would agree) find that
some of the mainstream 'Bollywood' awards seem to degenerate into
fraternal backscratching. Rahman wins a lot of these awards, but no
one is silly enough to suggest lack of merit in these choices, even if
they didn't like who won the other awards in those shows. The same
courtesy should be extended to these awardees as well.

Ashok Patki's pedigree isn't diminished by our ignorance of his work,
nor is Rahman's genius shadowed by not winning an award. IIRC, I read
in this very group that Rahman was quoted as saying that the music of
Omkara was among the best that year, so some of you should have been
canvassing for that film to win, given that it was among Rahman's own
choices. (BTW, some of you have mentioned Rang De Basanti in this
context. FYI, that film was a 2005 submission, and you may recall
Naresh Iyer winning for that film last year.)

I guess a man of Rahman's stature would like us to broaden our musical
horizons, especially w.r.t Indian musicians, and not be so blinded by
affection for him. Disappointment is understandable, dismissal isn't
:-) The list of national awardees for Best Music is almost a who's who
of musical talent, especially lesser known talent, and is a good place
to begin such explorations, is it not?

Returning to Ashok Patki. His website is at http://www.ashokpatki.com,
but unfortunately no non-Marathi version seems to exist. I can't find
the music of Antarnaad online, but his "Savalee" (or "Savalii",
meaning 'shadow'), a recent Marathi film, is said to have some good
classical numbers. They can be heard at
www.musicindiaonline.com/music/hindi_bollywood/s/movie_name.9074/

And finally, most of you must have heard at least one famous creation
by Ashok Patki. That happens to be "mile sur meraa tumhaara".

happy aural adventures,
Ramanand
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[arr] English Translation of "jashn-e-bahaaraa.N"

2008-01-13 Thread J Ramanand
Hi,

this is an attempt to translate "jashn-e-bahaaraa.N", as someone had
requested. I just got a Urdu dictionary and so what better way to
break it in! :-) However, be warned that this is by no means a
"poetic" translation - I am not qualified to do that. What I have done
instead, is to provide a mainly literal translation,
sentence-by-sentence, with special mentions of some of the more
unusual words. To peel back the metaphors and to "feel" the song is
for you to do, and that is the real fun in reading poetry, right?

I am sure I have made a few errors, so would be grateful to anyone who
can point them out or offer an alternative view on some of the
translations.

I have attempted to transcribe the lyrics in ITrans, which may be a
little difficult for people not used to the scheme. If you can
disregard the ".N" and ".n" marks, you'll be fine. See [4] for
details.

=== Jashn-e-bahaaraa.N (A.R.Rahman, Javed Akhtar, Javed Ali) ===

kahane ko jashn-e-bahaaraa.N hai
("ostensibly, the season is spring"; j-e-b: the season of flowers, spring)

ishq yeh dekh ke hairaa.N hai
("love is surprised to see that...")

phool se khushabuu khafaa khafaa hai gulshan me.n
("(...that) in the garden, the fragrance is angry/upset with the flower")

chupaa hai koi ra.nj fizaa ki chilman me.n
("in the curtains/blinds (chilman) of the breeze/wind (fizaa) hides
some grief (ra.nj)")

saare sahame nazaare hai.n [1]
("all the sights and sounds are cowering/are quiet/are scared" -
sahamnaa: to be afraid)

soye soye waqt ke dhaare hai.n
("the streams of time are quiet/asleep"; dhaare: streams)

aur dil me.n koi khoi si baate.n hai.n
("and there are some thoughts lost in the heart")

kehne ko ...
--
kaise kahe, kyaa hai sitam; sochte hai.n ab yeh hum
("how do I talk about that which troubles me; I think about...";
sitam: "trouble")

koi kaise kahe woh hai yaa nahii.n hamaare
("(think about) ...how does one ask if she is indeed mine or not")

karte to hai saath safar, faasle hai phir bhi magar
("we are (alternative: travel/live) together, but a distance exists
(between us)" faasle: distance)

jaise milte nahii.n kisi dariyaa ke do kinaare
("like two banks of a river which do not meet")

paas hai phir bhi paas nahii.n, hum ko yeh Gam raas nahii.n
("she/we are apart despite being together; one cannot bear this sorrow
any more"; Gam: sorrow)

shishe ki ek diiwar hai jaise darmiyaa.N
("there is, as it were, a wall of glass between us")

saare sahame nazaare hai...
--
humne jo thaa naGamaa sunaa
("the sweet melody that one had heard")

dil ne thaa usko chunaa
("the heart had chosen that (song)")

yeh daastaa.n hame.n waqt ne kaisi sunaai
("what is this story that time (life) has narrated to me/us")

hum jo agar hai Gamagii.n, woh bhi udhar khush to nahi
("if I am stricken with grief, she too isn't happy there"; Gamagii.n: sad)

mulaakato.n me.n hai jaise ghul si gayii tanhaayii
(it is as if the meetings/encounters are blended with loneliness")

mil ke bhi hum milte nahii.n; khil ke bhi gul khilte nahi.n
("we do not meet despite meeting; the flower does not bloom despite blooming")

aa.Nkho.n mai.n hai bahaare.n dil mai khizaa.N
("the eyes can see flowers (of spring), but there is an autumn in the
heart"[2]; "khizaa.N": fall, autumn)

saare sahame nazaare hai...

===

Notes:
[1] I wasn't very sure if the word used was "sahame" or "sahan". The
latter would translate into "courtyard" which would make syntactic
sense but probably wouldn't tie in with the flow of the song, so I
went for "sahame", which is what most people seem to think it is.
[2] This is a nice touch - contrasting the seasons outside and inside.
[3] The main interpretation of this song would be this couple who,
despite being betrothed/married, have not been able to emotionally
"bond" (ghastly modern word that which I couldn't find a substitute
for). Has a nice amount of 'longing' mixed with the slightly upbeat
(to me) melody/arrangements, which reminds me of "Tere Bina" from
"Guru".
[4] http://www.aczoom.com/itrans/TRANS.TXT

===

BTW, I'd seen people discussing whether the Rabab was the string
instrument in this song. Seeing there is a credit (to Seenu) for the
Oud, could this be the Oud? (disclosure: I don't know how the Oud
sounds, but have heard that it is similar to the Rabab)


Cheers,
Ramanand

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[arr] Re: JASHN E BAHARAA LYRICS

2008-01-09 Thread J Ramanand
Nice work on the lyrics. I haven't heard the song online much, but
from what I remember, I think I note the following small corrections
in the transcription:

A. > or dil mai khoi khoi si baate hai
I think this could be "dil me.n koi khoi si baate hai.n" (literally;
*some* (koi) lost (khoi) ), unless I'm put off by Javed Ali's
pronunciation.

B. > Hum jo agar hai gamhin, woh bhi udhar khush to nahi
I think this is "ghamghiin" and not "ghamhiin". "Ghamgiin" is sad,
doleful, udaas.

[Take above comments with pinches of salt!]

BTW, the Javed Akhtar lyrics seem to have fit very well in the meter
of the song - found it impressive. all elements in the song seem to
combine well. Quite a jashn-e-bahaaraa.

Thanks,
Ramanand

> 5. JASHN E BAHARAA LYRICS
> Hum jo agar hai gamhin, woh bhi udhar khush to nahi
> mulakato mai hai jaise ghul si gai tanhayi
> mil ke bhi hum milte nahi, khil ke bhi gul khilte nahi
> aanko mai hai bahaare dil mai fiza
> Saare sahme nazare hai, soye soye waqt ke dhare hai
> or dil mai khoi khoi si baate hai
>
> kehne ko jashn-e-bahaaraa hai 
> _
>

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[arr] Re: Are Rahman's songs "too hard to sing" for the common man?

2007-02-13 Thread J Ramanand
> 14a. Are Rahman's songs "too hard to sing" for the common man?

Hi Ajit,
I've felt similarly too. There is a degree of complexity in his songs
that renders it hard to repeat using simple devices such as
hummability or quickly reproducing it on a single instrument. People
can manage snatches of it in their bathroom singing, but the overall
song is not that easy to render in quick iterations.

I think it's also to do with the fact that, as Gulzarsaab keeps
re-iterating, people like Rahman or Vishal Bhardwaj do not adhere to
the traditional structure of the film song; instead, they often lace
the song with complex patterns, which makes them novel and
interesting.

(This doesn't imply the songs are inferior in any respect or that
people cannot appreciate the songs. Or even that this is true of all
their output. But many of their songs are so multi-threaded and
multi-layered that analysis requires understanding several factors.
The genius, of course, lies in making even these complex songs
accessible, sometimes by use of a hook in the lyrics, melody, song
styles, or even in the voices.)

I don't really follow televised music competitions all that much, but
it always seems to me that Rahman songs are sung less in these
competitions, which to my mind is a simple indicator of this "hard to
sing" quality. The songs are tough to master, and often they're not
always about the singing (that is, the voice is not always the
centrepiece) Some may choose to criticise this aspect, or some may see
it as making film music more rounded and "different". But IMO, there's
no denying this.

Cheers,
Ramanand
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Re: [arr] Digest Number 3838

2007-01-22 Thread J Ramanand
Hi Durba,

I may be completely wrong here, but it could just be a set that was
put up for the song. Sabu Cyril put up a lot of wonderful sets set in
Sri Lanka in studios and on location in Kerala, and IIRC, there was
little (or maybe even no) shooting in Sri Lanka. Knowing Mani Ratnam's
penchant for carefully shooting near water(falls) , this is more
likely to have happened in India.
I did a quick little web search and retrieved
http://rajeevsnair.blogspot.com/2005/10/artist-interview-art-director-sabu.html.
This has a reference to "huge Buddha statues placed strategically on
the Chalakkudy waterfalls in neighbouring Kerala."

Maybe some of the Sri Lankan members on this group can confirm if such
a location exists and if yes, whether the song was shot on location.

Cheers,
Ramanand

> 16. [semi-ARR] Kannathil Mutthamittal location
> From: durba bhattacharjee

> 16. [semi-ARR] Kannathil Mutthamittal location
> Posted by: "durba bhattacharjee" [EMAIL PROTECTED] durba.bhattacharjee
> Date: Mon Jan 22, 2007 5:21 am ((PST))
>
> I want the name of the place where the title song of Kannathil
> Mutthamittal was shot. Was it in Sri Lanka? Can anybody tell me?
> Specially the place where there was a huge statue of Lying Buddh. It
> is kind of urgent and I really need the name of the place. I hope
> some1 in this group would be aware of that destination.
>
> Thanks and regards
>
> Durba Bhattacharjee
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[arr] Help on lyrics in the Blaaze version of "Paathshaala"

2005-12-13 Thread J Ramanand
Hi,

could someone tell me what the backing vocals/Blaaze are scatting in
the second version of "Paathshala" when they go (something like): "S--
boy, -- boy"

Couldn't figure it out and I don't think it's there on the lyrics in
the inlay cover.

Thanks,
Ramanand

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[arr] Conversations with Murtaza Mustafa

2005-08-09 Thread J Ramanand
[Apologies if this has been posted before - it was new to me. There
are quite a few incorrect facts in this, but still of interest]

An interview with Murtaza Mustafa (thanks to a friend for sending it to me):
http://mail.sarai.net/pipermail/reader-list/2005-July/005996.html

Cheers,
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[arr] Does "Provoked" have music by A.R.Rahman?

2005-07-04 Thread J Ramanand
From last Sunday's [July 3rd] Indian Express:

"By the time I returned to my compatriots, you could have Googled me
for Provoked info—from how the movie happened, Rai's role in getting
it international publicity, AR Rahman's music and the January 2006
release date."

Link: http://www.indianexpress.com/archive_full_story.php?content_id=73659

Any idea?

Ramanand
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[arr] [Semi ARR] Niladri Kumar and the zitar

2005-06-12 Thread J Ramanand
http://cities.expressindia.com/archivefullstory.php?newsid=134198&creation_date=2005-06-12

"His first taste of commercial success was with music directors
Laxmikant-Pyarelal followed by A R Rehman" (sic)

Any idea how and when?

Ramanand
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[arr] Request for "Ignited Minds"

2005-05-06 Thread J Ramanand
Hi all,

could someone please point me to where I could get the "Ignited Minds"
Rahman-Kalam song ? If it would be possible to upload it to the ftp
server, I'd be much obliged.

Thanks,
Ramanand

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