Re: [arr] Provoked Audio may not release!

2007-04-01 Thread Ramesh Raghupathy
This is most disappointing news! I hope ARR/Jag Mundhra will pass on the music 
score to them for a release.

Vij/Rano,
  Could you check with ARR to see what's happening on this regard?

If ARR is looking for more scoring projects in the West (like what he's doing 
in Golden Age; even there it is Armstrong who is leading the project) more of 
his music scores need to be released. 
What's worrying is that Eros is looking at only the songs to be the 
selling-point. When will instrumental score ever be considered sellable in 
India? 
There are instances of score releases like Black, Eklavya and Sarkar but all 
those were big projects (with the advantage of Bachchan acting and hence more 
publicity). Provoked is a small film (even with Aishwarya Rai) so I can partly 
understand Eros' unwillingness. What about foreign music labels? Or ARR's own 
upcoming label? Heck, if it is so expensive why not try an internet release on 
Itunes or something similar?

RR


- Original Message 
From: "~ [EMAIL PROTECTED] ~" <[EMAIL PROTECTED]>
To: arrahmanfans@yahoogroups.com
Sent: Saturday, March 31, 2007 7:17:25 AM
Subject: [arr] Provoked Audio may not release!

Hii
Just spoke to the Marketing Head of Eros Music...its a pity they r not thinking 
of releasing the Audio of Provoked. 
He
said there r only 2 songs (1 Eng, 1 Hindi) & the rest r bgms..but
they've not yet recd any Bgms from ARR or the director. So, they r
still waiting to decide. He said that the songs cud release as a
compilation sum time later with another movie. Thats really stupid!!! I
strongly feel, they shd rel it as an OST. The same was dun with
'Eklavya'. It had only 2 songs n others were theme music. They released
it after the film. They r not yet sure...so lets hope for the best!
For the time...lets give justice to SIVAJI...its not yet out in India...but 
soon we'll get it...
njoy
swaps

 
















  









 

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Re: [arr] TOI reviews Mangal Pandey; music faces more opprobrium

2005-08-13 Thread Ramesh Raghupathy
Nikhat Kazmi writes: 
"But the major disappointment is the music score. AR
Rahman gives us an album with no shelf life..."

The music score? One would expect critics to know the
difference between  the score (or BGM) and soundtrack.

RR

--- Gopal Srinivasan <[EMAIL PROTECTED]> wrote:

> http://photos21.flickr.com/33781372_bea33a3d89_o.jpg


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Re: [arr] The downloading debate

2005-07-27 Thread Ramesh Raghupathy
Karthik,
  You're taking the 'live with it' statement out of
context. I'm not asking anyone to accept the current
situation and adjust.  What I said was that if you
made the decision of getting the cassette, went and
bought it, then thats all you got (meaning to say, do
not download mp3).

 You are right in pointing out that we must protest in
order for them to  think about us. But the kind of
protest that you suggested (buy cassettes, download
mp3) is not the right way to go about it. We dont have
to break laws to get noticed. 

> The morality issue arises when I perhaps cannot
> afford to buy CDs and 
> opt to download it free. I strongly believe I'm
> protesting here. 

You may call it just a protest. I would call it
breaking the law. 
Despite the unfairness of the situation (over priced
cds, not enough music on cds) not being able to afford
something does not justify your obtaining it
illegally.

There have to be some forms of protests that do not
involve breaking the law. 

Jagdeep points out the huge disparity between the cost
of a blank cd and a blank cassette. I fear he's right
that audio companies are banking on revenues from cd
sales by hiking up the price to whatever they find
convenient (even thought end cost of cd may be less
than cassette).

If there was a better awareness of this in media
outlets... say if someone in this group can get a
member of the media to highlight the economics of cd
versus cassette production and talk about how we're
getting the short shrift, then that would be great
start.

RR

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Re: [arr] The downloading debate

2005-07-27 Thread Ramesh Raghupathy
Karthik,
  You raise some interesting questions here. I hope my
efforts in joining this discussion arent misconstrued
as a 'know-it-all Taran Adarsh' answering the
questions. 

> Who gets to lose when we fans download mp3s and not
> buy the original 
> CDs/ Tapes? Rahman or the music label? 

The way I understand it is that the producer sells the
audio rights to the music label that offers him the
'best' price. 
Not buying original tapes/cds would make the music
labels undergo a loss. Consequently they'd offer a
lower price next time, and hence the producer gets
lesser from the audio sales rights. That possibly
extrapolates to music composers getting lesser from
the producers the next time. 

If I'm not mistaken one recent article said that audio
sales havent been too good for the Tamil film industry
and many folks (including ARR) have reduced the rates
they charge. 

> If the music label loses, will not go to Rahman
> again? Was it his 
> mistake in the first place?

I guess a number of factors come to play here when a
music release turns to be a loss-
1)  The producer/ music label. Did they do their job
in generating enough publicity through media outlets
for the product?
2)  The composer. Did he/she deliver an album that the
public will like?
3) The movie. Some audio sales are said to pick up
after the movie is released. If the movie was a damp
squib then will it help in making the audio sales any
better after its release.

> Why do music labels force people to buy a CD, that
> can otherwise 
> accomodate a lot more, that has only 6 tracks?
> What is stopping them from innovating simple things
> - include BGMs, comment by the composer, ... extras?

Excellent point! It would be great if we could have
those extra features like film score (BGM), comments
and such. But how many folks have completed the film
score before the date of the audio release? Isnt the
audio typically released a month before the movie is?
The movie goes to post-production status around then
and I assume thats when the score, final edits, sound
mixing... is done. ARR might have completed the film
score before the audio release date but are others
doing it that way too? 

Aside from that I personally feel that much of todays
film score (am talking in general. not pinpointing
ARR) is a hodge-podge job with multiple inspirations.
I think Autograph conveniently used Horner's
Braveheart theme and a popular song (the name eludes
me at the moment but its possibly 'Every Breath You
Take'). Yuvan Shankar Raja used a nice chunk from
Ennio Morricone's Moses theme for Punnagai Poove. The
Tamil film Jithan used Joe Hisaishi's Kikujiro theme a
number of times. I guess everyone knows about Deva and
his brother ripping off Brad Fiedel's Terminator theme
not just in Baasha but also in  Bhagavathy. 

Would those who compose the score want to get into
trouble when they release those on CD and leave it for
closer scrutiny? Also not all music directors compose
the BGM as well. Would the music director like to
share space with the score composer in the audio
release?

Music comments and making-of-soundtrack would be great
but are there enough interested folks for the music
companies to include that as a regular feature? 
If the score is recorded at an orchestra in  US or
Europe then there are usually reuse fees to be paid to
the musicians union. 
Here's a link that talks abt that in more detail-
http://tinyurl.com/cqc4c

Some of the extra features may cost money to include.
Does that offset the expenses involved with the cd
production and how much revenue they expect from it?

> I usually download mp3s and buy only cassettes - for
> two reasons. To 
> play in my car and to not feel guilty
>... In the bottorrent forums that I
> usually download from, 
> I was able to see nearly 700 seeds (people who have
> downloaded fully 

Karthik, if you're the guy who's running the fabulous
ITwoFS then I'm disheartened to know that you're
illegally getting a higher quality product while
paying for something lower. You nail music-pirates at
your site while (I fear) you're guilty of some sort of
music piracy as well.   It defeats, in part, what
you're trying to say with ITwoFs. You blasted Sandeep
Chowta for crediting only some of his
rip-offs/inspirations in Pyar Tune Kya Kiya while he
left others uncredited. And now you're saying that you
paid for a cassette but got the mp3s for free!!

> tracks available in iTunes for 99 cents is available
> in many other 
> torrents and P2Ps like soulseek/ Kazaa/ eMule, for
> free! And still 
> iTunes succeeds. And how? 

The success of legal paid-for downloads is largely due
to the massive crackdown on file sharing systems.
Granted that they havent caught everyone, but the RIAA
is getting there. The fines and convictions meted out
to the pirates act as a deterrent to folks who are
potential illegal-content providers. People know that
they could get into trouble for pirated mp3. 99cents
is a terrific deal compared to a lot of headache

[arr] quick question on ARR's New

2005-07-25 Thread Ramesh Raghupathy
Could someone tell me which music company released
ARR's 'New' (tamil)? Was it Sony Music India?

Thanks,
RR

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http://www.risingthefilm.com
http://www.mangalpandeythefilm.com
Music released: Jul 14, 2005 Movie releases: Aug 12, 2005

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