Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-21 Thread Sriram Iyer
Why are you guys reacting like 'Rediff commentators'? It obviously is his 
opinion on the movie and by and large people have trashed it left, right and 
center. It isn't just Rajeev Masand who thinks the movie was bad. Many critics 
too have left the same. 

So if you liked the film - great- recommend it to your friends and family. 
Don't pick on reviewers.




--- In arrahmanfans@yahoogroups.com, shaik mahaboob shaik_mahaboob2...@... 
wrote:

 Who is bothered about Arm chair critic Masand's, one sided, biased review and 
 rating? The movie is creating waves in the entire India. He is capable of 
 reviewing only Masala Movies and not the movies of Mani and Benagal standard. 
 Let him understand the difference of commercial and art films before 
 commenting on fabulous movie like RAVAN or RAVANAN. 
 shaik mahaboob     
 
 --- On Fri, 18/6/10, Gopal Srinivasan catchg...@... wrote:
 
 From: Gopal Srinivasan catchg...@...
 Subject: [arr] Rajeev Masand: 'Raavan' is a bore of a film
 To: arrahmanfans arrahmanfans@yahoogroups.com
 Date: Friday, 18 June, 2010, 10:12 PM
 
 
 
 
 
 
 
  
 
 
 
   
 
 
 
   
   
   
 Masand: 'Raavan' is a bore of a film
 
 Rajeev Masand , CNN-IBN
 
 Posted on Jun 18, 2010 at 21:29 | Updated Jun 19, 2010 at 00:23
 
 
 
 
 
 
 
 
 83Share
 
 
 
 
 
 Free Movie Previews
 
 Watch Full-Screen, High-Res Movie Clips  Trailers - Download Free! 
 FilmFanatic. MyWebSearch. com
 
 Ads by Google
 
 Cast: Abhishek Bachchan, Aishwarya Rai
 
 Director: Mani Ratnam
 
 
 
 Sitting in your seat watching Mani Ratnam's Raavan unfold before you, is 
 like craning your neck out of your car to catch a glimpse of the wreckage in 
 a road accident on the other side. Filled with a perverse sense of curiosity, 
 you can't take your eyes off the damage.
 
 
 Alas, Raavan - despite a relatively modest running time of 2 hours and 10 
 minutes - is a crushing bore of a film, a disappointment on virtually every 
 count.
 
 In this rather literal adaptation of a slice of Hindu mythology, Ratnam casts 
 Abhishek Bachchan as feared outlaw Beera who kidnaps the local police chief's 
 feisty wife Ragini (played by Aishwarya Rai) in retaliation for a crime 
 against a loved one. The tough cop Dev (played by Tamil star Vikram) sets out 
 to get his wife back, making a journey into the dense forest, even as Beera 
 finds his heart melting for Ragini.
 
 
 Never one to paint his characters black or white, Ratnam gives both Dev and 
 Beera ambiguous character traits that make it hard to pigeonhole them as 
 entirely good or bad. So Raavan-figure Beera has a conscience that stops him 
 from having his way with Ragini although he desires her, and Ram-inspired Dev 
 is so hell-bent on achieving his goal that he will resort to deceit and 
 betrayal in order to get there.
 
 
 But what might have truly turned this film into a brave, daring effort is a 
 less 'darpok' handling of Ragini's change-of-heart towards Beera. While she 
 does soften considerably when she understands his provocation for revenge, 
 Ratnam never quite turns it into a Stockholm-syndrome situation that might 
 have made for a far stronger central conflict. As it currently stands, 
 Raavan is a predictable revenge drama that stays too safe to ever surprise 
 you.
 
 
 Despite some eye-watering camerawork and a stunning action piece in the 
 film's climax, the film -- especially its first half -- is a carelessly 
 edited mess of long scenes that make little sense when strung together. 
 Abhishek plays Beera as an eccentric, unpredictable fellow prone to sudden 
 outbursts; he channels Heath Ledger's Joker from The Dark Knight, but comes 
 nowhere close to replicating a similar sinister charm. Aishwarya, despite 
 being the film's leading lady and the very cause of the film's conflict, has 
 nothing much to do. She's left to scream and shriek and hiss and spit out her 
 dialogue while looking lovely in every frame.
 
 
 Surprisingly, AR Rahman delivers his most uninspired score in years, which 
 probably explains why Ratnam wasn't inspired enough to shoot his songs as 
 innovatively as he usually does.
 
 The director sticks so faithfully to the Ramayana that we get embarrassing 
 scenes like the one in which the suspicious husband asks his wife to take a 
 polygraph test to prove her purity. Other portions, adapted literally, 
 include the humiliation of the Surpanakha character, which is only marginally 
 better handled.
 
 
 Of the cast, it's Ravi Kissen and Govinda, who play Beera and Dev's 
 right-hand men respectively, who stand out with the film's most engaging 
 performances. Both men, particularly Ravi Kissen, make flesh-and-blood 
 characters out of their parts, investing them with sincerity and dodging 
 stereotypes at every turn. Vikram, meanwhile, oozes screen presence but is 
 shortchanged with cardboard characterization, and pretty much spends the 
 entire film chasing after Beera in slo-mo, sporting trendy Ray Bans.
 

Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-20 Thread yeshrao81
I doubt if someone else could have given a much more versatile and inspired 
score for RaavanBeera...Behne DeKhili ReKeda Kari...Ranjhathey 
are all oustanding and in their own leagueMy must have instead said the 
great music was not used very well in the filmBTW how many movie reviewers 
understand the nuances of the music while they watch the film! I have my doubts 
if Rajeev has a fine ear for music!!!

--- In arrahmanfans@yahoogroups.com, ravi ravis...@... wrote:

 There was a reviewer Khalid Mohamed who wrote reviews and belted directors. 
 But the 2 movies he did was utter disaster despite have good music. 
 Its easy to comment than deliver. 
 Dont give importance to reviews you may like or dislike but why miss 
 something just because of believing what others had to say. Every human is 
 gifted with a brain and thought to think.  
 
 --- In arrahmanfans@yahoogroups.com, haris zeenath hariszeenath@ wrote:
 
  Surprisingly, AR Rahman delivers his most uninspired score in years, which 
  probably explains why Ratnam wasn't inspired enough to shoot his songs as 
  innovatively as he usually does..
  
  --- On Sat, 19/6/10, Gopal Srinivasan catchgops@ wrote:
  
  
  From: Gopal Srinivasan catchgops@
  Subject: [arr] Rajeev Masand: 'Raavan' is a bore of a film
  To: arrahmanfans arrahmanfans@yahoogroups.com
  Date: Saturday, 19 June, 2010, 8:42 AM
  
  
    
  
  
  
  
  Masand: 'Raavan' is a bore of a film
  
  Rajeev Masand , CNN-IBN
  Posted on Jun 18, 2010 at 21:29 | Updated Jun 19, 2010 at 00:23
  
  
  
  
  
  
  
  
  83Share
  
  
  
  
  
  Free Movie Previews
  Watch Full-Screen, High-Res Movie Clips  Trailers - Download Free! 
  FilmFanatic. MyWebSearch. com
  Ads by Google
  Cast: Abhishek Bachchan, Aishwarya Rai
  
  Director: Mani Ratnam
  
  
  
  Sitting in your seat watching Mani Ratnam's Raavan unfold before you, is 
  like craning your neck out of your car to catch a glimpse of the wreckage 
  in a road accident on the other side. Filled with a perverse sense of 
  curiosity, you can't take your eyes off the damage.
  
  Alas, Raavan - despite a relatively modest running time of 2 hours and 10 
  minutes - is a crushing bore of a film, a disappointment on virtually every 
  count.
  
  In this rather literal adaptation of a slice of Hindu mythology, Ratnam 
  casts Abhishek Bachchan as feared outlaw Beera who kidnaps the local police 
  chief's feisty wife Ragini (played by Aishwarya Rai) in retaliation for a 
  crime against a loved one. The tough cop Dev (played by Tamil star Vikram) 
  sets out to get his wife back, making a journey into the dense forest, even 
  as Beera finds his heart melting for Ragini.
  
  Never one to paint his characters black or white, Ratnam gives both Dev and 
  Beera ambiguous character traits that make it hard to pigeonhole them as 
  entirely good or bad. So Raavan-figure Beera has a conscience that stops 
  him from having his way with Ragini although he desires her, and 
  Ram-inspired Dev is so hell-bent on achieving his goal that he will resort 
  to deceit and betrayal in order to get there.
  
  But what might have truly turned this film into a brave, daring effort is a 
  less 'darpok' handling of Ragini's change-of-heart towards Beera. While she 
  does soften considerably when she understands his provocation for revenge, 
  Ratnam never quite turns it into a Stockholm-syndrome situation that might 
  have made for a far stronger central conflict. As it currently stands, 
  Raavan is a predictable revenge drama that stays too safe to ever 
  surprise you.
  
  Despite some eye-watering camerawork and a stunning action piece in the 
  film's climax, the film -- especially its first half -- is a carelessly 
  edited mess of long scenes that make little sense when strung together. 
  Abhishek plays Beera as an eccentric, unpredictable fellow prone to sudden 
  outbursts; he channels Heath Ledger's Joker from The Dark Knight, but 
  comes nowhere close to replicating a similar sinister charm. Aishwarya, 
  despite being the film's leading lady and the very cause of the film's 
  conflict, has nothing much to do. She's left to scream and shriek and hiss 
  and spit out her dialogue while looking lovely in every frame.
  
  Surprisingly, AR Rahman delivers his most uninspired score in years, which 
  probably explains why Ratnam wasn't inspired enough to shoot his songs as 
  innovatively as he usually does.
  
  The director sticks so faithfully to the Ramayana that we get 
  embarrassing scenes like the one in which the suspicious husband asks his 
  wife to take a polygraph test to prove her purity. Other portions, adapted 
  literally, include the humiliation of the Surpanakha character, which is 
  only marginally better handled.
  
  Of the cast, it's Ravi Kissen and Govinda, who play Beera and Dev's 
  right-hand men respectively, who stand out with the film's most engaging 
 

Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-20 Thread Praveen Peter
This comments takes teh cake: It's too simplistic a film from a director
whose biggest strength used to be his multilayered relationships.

I felt it was a bit too complicated and planning to watch the Tamil version
next week ... this time not getting distracted by the awesomeness of the
shots, bgm and director's cuts...!




On Sun, Jun 20, 2010 at 7:09 AM, yeshrao81 yeshra...@yahoo.com wrote:



 I doubt if someone else could have given a much more versatile and inspired
 score for RaavanBeera...Behne DeKhili ReKeda
 Kari...Ranjhathey are all oustanding and in their own leagueMy must
 have instead said the great music was not used very well in the filmBTW
 how many movie reviewers understand the nuances of the music while they
 watch the film! I have my doubts if Rajeev has a fine ear for music!!!


 --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com,
 ravi ravis...@... wrote:
 
  There was a reviewer Khalid Mohamed who wrote reviews and belted
 directors. But the 2 movies he did was utter disaster despite have good
 music.
  Its easy to comment than deliver.
  Dont give importance to reviews you may like or dislike but why miss
 something just because of believing what others had to say. Every human is
 gifted with a brain and thought to think.
 
  --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com,
 haris zeenath hariszeenath@ wrote:
  
   Surprisingly, AR Rahman delivers his most uninspired score in years,
 which probably explains why Ratnam wasn't inspired enough to shoot his songs
 as innovatively as he usually does..
  
   --- On Sat, 19/6/10, Gopal Srinivasan catchgops@ wrote:
  
  
   From: Gopal Srinivasan catchgops@
   Subject: [arr] Rajeev Masand: 'Raavan' is a bore of a film
   To: arrahmanfans 
   arrahmanfans@yahoogroups.comarrahmanfans%40yahoogroups.com
 
   Date: Saturday, 19 June, 2010, 8:42 AM
  
  
   Â
  
  
  
  
   Masand: 'Raavan' is a bore of a film
  
   Rajeev Masand , CNN-IBN
   Posted on Jun 18, 2010 at 21:29 | Updated Jun 19, 2010 at 00:23
  
  
  
  
  
  
  
  
   83Share
  
  
  
  
  
   Free Movie Previews
   Watch Full-Screen, High-Res Movie Clips  Trailers - Download Free!
 FilmFanatic. MyWebSearch. com
   Ads by Google
   Cast: Abhishek Bachchan, Aishwarya Rai
  
   Director: Mani Ratnam
  
  
  
   Sitting in your seat watching Mani Ratnam's Raavan unfold before you,
 is like craning your neck out of your car to catch a glimpse of the wreckage
 in a road accident on the other side. Filled with a perverse sense of
 curiosity, you can't take your eyes off the damage.
  
   Alas, Raavan - despite a relatively modest running time of 2 hours
 and 10 minutes - is a crushing bore of a film, a disappointment on virtually
 every count.
  
   In this rather literal adaptation of a slice of Hindu mythology, Ratnam
 casts Abhishek Bachchan as feared outlaw Beera who kidnaps the local police
 chief's feisty wife Ragini (played by Aishwarya Rai) in retaliation for a
 crime against a loved one. The tough cop Dev (played by Tamil star Vikram)
 sets out to get his wife back, making a journey into the dense forest, even
 as Beera finds his heart melting for Ragini.
  
   Never one to paint his characters black or white, Ratnam gives both Dev
 and Beera ambiguous character traits that make it hard to pigeonhole them as
 entirely good or bad. So Raavan-figure Beera has a conscience that stops him
 from having his way with Ragini although he desires her, and Ram-inspired
 Dev is so hell-bent on achieving his goal that he will resort to deceit and
 betrayal in order to get there.
  
   But what might have truly turned this film into a brave, daring effort
 is a less 'darpok' handling of Ragini's change-of-heart towards Beera. While
 she does soften considerably when she understands his provocation for
 revenge, Ratnam never quite turns it into a Stockholm-syndrome situation
 that might have made for a far stronger central conflict. As it currently
 stands, Raavan is a predictable revenge drama that stays too safe to ever
 surprise you.
  
   Despite some eye-watering camerawork and a stunning action piece in the
 film's climax, the film -- especially its first half -- is a carelessly
 edited mess of long scenes that make little sense when strung together.
 Abhishek plays Beera as an eccentric, unpredictable fellow prone to sudden
 outbursts; he channels Heath Ledger's Joker from The Dark Knight, but
 comes nowhere close to replicating a similar sinister charm. Aishwarya,
 despite being the film's leading lady and the very cause of the film's
 conflict, has nothing much to do. She's left to scream and shriek and hiss
 and spit out her dialogue while looking lovely in every frame.
  
   Surprisingly, AR Rahman delivers his most uninspired score in years,
 which probably explains why Ratnam wasn't inspired enough to shoot his songs
 as innovatively as he usually does.
  
   The director sticks 

Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-20 Thread raj
Rajeev was the brilliant person who said Dostana had better music than Yuvvraj 
:) 

--- In arrahmanfans@yahoogroups.com, yeshrao81 yeshra...@... wrote:

 I doubt if someone else could have given a much more versatile and inspired 
 score for RaavanBeera...Behne DeKhili ReKeda 
 Kari...Ranjhathey are all oustanding and in their own leagueMy must 
 have instead said the great music was not used very well in the filmBTW 
 how many movie reviewers understand the nuances of the music while they watch 
 the film! I have my doubts if Rajeev has a fine ear for music!!!
 
 --- In arrahmanfans@yahoogroups.com, ravi ravisdev@ wrote:
 
  There was a reviewer Khalid Mohamed who wrote reviews and belted directors. 
  But the 2 movies he did was utter disaster despite have good music. 
  Its easy to comment than deliver. 
  Dont give importance to reviews you may like or dislike but why miss 
  something just because of believing what others had to say. Every human is 
  gifted with a brain and thought to think.  
  
  --- In arrahmanfans@yahoogroups.com, haris zeenath hariszeenath@ wrote:
  
   Surprisingly, AR Rahman delivers his most uninspired score in years, 
   which probably explains why Ratnam wasn't inspired enough to shoot his 
   songs as innovatively as he usually 
   does..
   
   --- On Sat, 19/6/10, Gopal Srinivasan catchgops@ wrote:
   
   
   From: Gopal Srinivasan catchgops@
   Subject: [arr] Rajeev Masand: 'Raavan' is a bore of a film
   To: arrahmanfans arrahmanfans@yahoogroups.com
   Date: Saturday, 19 June, 2010, 8:42 AM
   
   
     
   
   
   
   
   Masand: 'Raavan' is a bore of a film
   
   Rajeev Masand , CNN-IBN
   Posted on Jun 18, 2010 at 21:29 | Updated Jun 19, 2010 at 00:23
   
   
   
   
   
   
   
   
   83Share
   
   
   
   
   
   Free Movie Previews
   Watch Full-Screen, High-Res Movie Clips  Trailers - Download Free! 
   FilmFanatic. MyWebSearch. com
   Ads by Google
   Cast: Abhishek Bachchan, Aishwarya Rai
   
   Director: Mani Ratnam
   
   
   
   Sitting in your seat watching Mani Ratnam's Raavan unfold before you, 
   is like craning your neck out of your car to catch a glimpse of the 
   wreckage in a road accident on the other side. Filled with a perverse 
   sense of curiosity, you can't take your eyes off the damage.
   
   Alas, Raavan - despite a relatively modest running time of 2 hours and 
   10 minutes - is a crushing bore of a film, a disappointment on virtually 
   every count.
   
   In this rather literal adaptation of a slice of Hindu mythology, Ratnam 
   casts Abhishek Bachchan as feared outlaw Beera who kidnaps the local 
   police chief's feisty wife Ragini (played by Aishwarya Rai) in 
   retaliation for a crime against a loved one. The tough cop Dev (played by 
   Tamil star Vikram) sets out to get his wife back, making a journey into 
   the dense forest, even as Beera finds his heart melting for Ragini.
   
   Never one to paint his characters black or white, Ratnam gives both Dev 
   and Beera ambiguous character traits that make it hard to pigeonhole them 
   as entirely good or bad. So Raavan-figure Beera has a conscience that 
   stops him from having his way with Ragini although he desires her, and 
   Ram-inspired Dev is so hell-bent on achieving his goal that he will 
   resort to deceit and betrayal in order to get there.
   
   But what might have truly turned this film into a brave, daring effort is 
   a less 'darpok' handling of Ragini's change-of-heart towards Beera. While 
   she does soften considerably when she understands his provocation for 
   revenge, Ratnam never quite turns it into a Stockholm-syndrome situation 
   that might have made for a far stronger central conflict. As it currently 
   stands, Raavan is a predictable revenge drama that stays too safe to 
   ever surprise you.
   
   Despite some eye-watering camerawork and a stunning action piece in the 
   film's climax, the film -- especially its first half -- is a carelessly 
   edited mess of long scenes that make little sense when strung together. 
   Abhishek plays Beera as an eccentric, unpredictable fellow prone to 
   sudden outbursts; he channels Heath Ledger's Joker from The Dark 
   Knight, but comes nowhere close to replicating a similar sinister charm. 
   Aishwarya, despite being the film's leading lady and the very cause of 
   the film's conflict, has nothing much to do. She's left to scream and 
   shriek and hiss and spit out her dialogue while looking lovely in every 
   frame.
   
   Surprisingly, AR Rahman delivers his most uninspired score in years, 
   which probably explains why Ratnam wasn't inspired enough to shoot his 
   songs as innovatively as he usually does.
   
   The director sticks so faithfully to the Ramayana that we get 
   embarrassing scenes like the one in which the suspicious husband asks his 
   wife to take a polygraph test to prove her purity. Other 

Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-19 Thread Anil Wadghule
I don't agree with Masand's review.

Raavan is a good movie. It's not boring at any time.

It's not a fun entertaining film like 3 Idiots. But Raavan was great movie
to watch

Rahman has given awesome background score for this movie which is an
experience in itself.

This is a different, unique movie.

I am planning to watch Tamil version next weekend.

-- Anil

On Sat, Jun 19, 2010 at 8:42 AM, Gopal Srinivasan catchg...@gmail.comwrote:



  Masand: 'Raavan' is a bore of a film
  [image: Rajeev Masand] 
 http://ibnlive.in.com/byline/Rajeev+Masand.htmlRajeev
 Masand  http://ibnlive.in.com/byline/Rajeev+Masand.html, 
 CNN-IBNhttp://ibnlive.in.com/agency/CNN-IBN.html
  Posted on *Jun 18, 2010 at 21:29* | Updated *Jun 19, 2010 at 00:23*

   [image: 
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 Cast: Abhishek Bachchan, Aishwarya Rai

  Director: Mani Ratnam

   Sitting in your seat watching Mani Ratnam's Raavan unfold before you,
 is like craning your neck out of your car to catch a glimpse of the wreckage
 in a road accident on the other side. Filled with a perverse sense of
 curiosity, you can't take your eyes off the damage.

  Alas, Raavan - despite a relatively modest running time of 2 hours and
 10 minutes - is a crushing bore of a film, a disappointment on virtually
 every count.

  In this rather literal adaptation of a slice of Hindu mythology, Ratnam
 casts Abhishek Bachchan as feared outlaw Beera who kidnaps the local police
 chief's feisty wife Ragini (played by Aishwarya Rai) in retaliation for a
 crime against a loved one. The tough cop Dev (played by Tamil star Vikram)
 sets out to get his wife back, making a journey into the dense forest, even
 as Beera finds his heart melting for Ragini.

  Never one to paint his characters black or white, Ratnam gives both Dev
 and Beera ambiguous character traits that make it hard to pigeonhole them as
 entirely good or bad. So Raavan-figure Beera has a conscience that stops him
 from having his way with Ragini although he desires her, and Ram-inspired
 Dev is so hell-bent on achieving his goal that he will resort to deceit and
 betrayal in order to get there.

  But what might have truly turned this film into a brave, daring effort is
 a less 'darpok' handling of Ragini's change-of-heart towards Beera. While
 she does soften considerably when she understands his provocation for
 revenge, Ratnam never quite turns it into a Stockholm-syndrome situation
 that might have made for a far stronger central conflict. As it currently
 stands, Raavan is a predictable revenge drama that stays too safe to ever
 surprise you.

  Despite some eye-watering camerawork and a stunning action piece in the
 film's climax, the film -- especially its first half -- is a carelessly
 edited mess of long scenes that make little sense when strung together.
 Abhishek plays Beera as an eccentric, unpredictable fellow prone to sudden
 outbursts; he channels Heath Ledger's Joker from The Dark Knight, but
 comes nowhere close to replicating a similar sinister charm. Aishwarya,
 despite being the film's leading lady 

Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-19 Thread shaik mahaboob
Who is bothered about Arm chair critic Masand's, one sided, biased review and 
rating? The movie is creating waves in the entire India. He is capable of 
reviewing only Masala Movies and not the movies of Mani and Benagal standard. 
Let him understand the difference of commercial and art films before commenting 
on fabulous movie like RAVAN or RAVANAN. 
shaik mahaboob     

--- On Fri, 18/6/10, Gopal Srinivasan catchg...@gmail.com wrote:

From: Gopal Srinivasan catchg...@gmail.com
Subject: [arr] Rajeev Masand: 'Raavan' is a bore of a film
To: arrahmanfans arrahmanfans@yahoogroups.com
Date: Friday, 18 June, 2010, 10:12 PM







 



  



  
  
  
Masand: 'Raavan' is a bore of a film

Rajeev Masand , CNN-IBN

Posted on Jun 18, 2010 at 21:29 | Updated Jun 19, 2010 at 00:23








83Share





Free Movie Previews

Watch Full-Screen, High-Res Movie Clips  Trailers - Download Free! 
FilmFanatic. MyWebSearch. com

Ads by Google

Cast: Abhishek Bachchan, Aishwarya Rai

Director: Mani Ratnam



Sitting in your seat watching Mani Ratnam's Raavan unfold before you, is like 
craning your neck out of your car to catch a glimpse of the wreckage in a road 
accident on the other side. Filled with a perverse sense of curiosity, you 
can't take your eyes off the damage.


Alas, Raavan - despite a relatively modest running time of 2 hours and 10 
minutes - is a crushing bore of a film, a disappointment on virtually every 
count.

In this rather literal adaptation of a slice of Hindu mythology, Ratnam casts 
Abhishek Bachchan as feared outlaw Beera who kidnaps the local police chief's 
feisty wife Ragini (played by Aishwarya Rai) in retaliation for a crime against 
a loved one. The tough cop Dev (played by Tamil star Vikram) sets out to get 
his wife back, making a journey into the dense forest, even as Beera finds his 
heart melting for Ragini.


Never one to paint his characters black or white, Ratnam gives both Dev and 
Beera ambiguous character traits that make it hard to pigeonhole them as 
entirely good or bad. So Raavan-figure Beera has a conscience that stops him 
from having his way with Ragini although he desires her, and Ram-inspired Dev 
is so hell-bent on achieving his goal that he will resort to deceit and 
betrayal in order to get there.


But what might have truly turned this film into a brave, daring effort is a 
less 'darpok' handling of Ragini's change-of-heart towards Beera. While she 
does soften considerably when she understands his provocation for revenge, 
Ratnam never quite turns it into a Stockholm-syndrome situation that might have 
made for a far stronger central conflict. As it currently stands, Raavan is a 
predictable revenge drama that stays too safe to ever surprise you.


Despite some eye-watering camerawork and a stunning action piece in the film's 
climax, the film -- especially its first half -- is a carelessly edited mess of 
long scenes that make little sense when strung together. Abhishek plays Beera 
as an eccentric, unpredictable fellow prone to sudden outbursts; he channels 
Heath Ledger's Joker from The Dark Knight, but comes nowhere close to 
replicating a similar sinister charm. Aishwarya, despite being the film's 
leading lady and the very cause of the film's conflict, has nothing much to do. 
She's left to scream and shriek and hiss and spit out her dialogue while 
looking lovely in every frame.


Surprisingly, AR Rahman delivers his most uninspired score in years, which 
probably explains why Ratnam wasn't inspired enough to shoot his songs as 
innovatively as he usually does.

The director sticks so faithfully to the Ramayana that we get embarrassing 
scenes like the one in which the suspicious husband asks his wife to take a 
polygraph test to prove her purity. Other portions, adapted literally, include 
the humiliation of the Surpanakha character, which is only marginally better 
handled.


Of the cast, it's Ravi Kissen and Govinda, who play Beera and Dev's right-hand 
men respectively, who stand out with the film's most engaging performances. 
Both men, particularly Ravi Kissen, make flesh-and-blood characters out of 
their parts, investing them with sincerity and dodging stereotypes at every 
turn. Vikram, meanwhile, oozes screen presence but is shortchanged with 
cardboard characterization, and pretty much spends the entire film chasing 
after Beera in slo-mo, sporting trendy Ray Bans.


Burdened with pedestrian dialogue and too conventional a screenplay, Raavan 
is painfully dull and fails to engage at any level. I'm going with 
one-and-a-half out of five for Mani Ratnam's Raavan. It's too simplistic 
a film from a director whose biggest strength used to be his multilayered 
relationships.




 





 



  







Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-19 Thread haris zeenath
Surprisingly, AR Rahman delivers his most uninspired score in years, which 
probably explains why Ratnam wasn't inspired enough to shoot his songs as 
innovatively as he usually does..

--- On Sat, 19/6/10, Gopal Srinivasan catchg...@gmail.com wrote:


From: Gopal Srinivasan catchg...@gmail.com
Subject: [arr] Rajeev Masand: 'Raavan' is a bore of a film
To: arrahmanfans arrahmanfans@yahoogroups.com
Date: Saturday, 19 June, 2010, 8:42 AM


  




Masand: 'Raavan' is a bore of a film

Rajeev Masand , CNN-IBN
Posted on Jun 18, 2010 at 21:29 | Updated Jun 19, 2010 at 00:23








83Share





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Cast: Abhishek Bachchan, Aishwarya Rai

Director: Mani Ratnam



Sitting in your seat watching Mani Ratnam's Raavan unfold before you, is like 
craning your neck out of your car to catch a glimpse of the wreckage in a road 
accident on the other side. Filled with a perverse sense of curiosity, you 
can't take your eyes off the damage.

Alas, Raavan - despite a relatively modest running time of 2 hours and 10 
minutes - is a crushing bore of a film, a disappointment on virtually every 
count.

In this rather literal adaptation of a slice of Hindu mythology, Ratnam casts 
Abhishek Bachchan as feared outlaw Beera who kidnaps the local police chief's 
feisty wife Ragini (played by Aishwarya Rai) in retaliation for a crime against 
a loved one. The tough cop Dev (played by Tamil star Vikram) sets out to get 
his wife back, making a journey into the dense forest, even as Beera finds his 
heart melting for Ragini.

Never one to paint his characters black or white, Ratnam gives both Dev and 
Beera ambiguous character traits that make it hard to pigeonhole them as 
entirely good or bad. So Raavan-figure Beera has a conscience that stops him 
from having his way with Ragini although he desires her, and Ram-inspired Dev 
is so hell-bent on achieving his goal that he will resort to deceit and 
betrayal in order to get there.

But what might have truly turned this film into a brave, daring effort is a 
less 'darpok' handling of Ragini's change-of-heart towards Beera. While she 
does soften considerably when she understands his provocation for revenge, 
Ratnam never quite turns it into a Stockholm-syndrome situation that might have 
made for a far stronger central conflict. As it currently stands, Raavan is a 
predictable revenge drama that stays too safe to ever surprise you.

Despite some eye-watering camerawork and a stunning action piece in the film's 
climax, the film -- especially its first half -- is a carelessly edited mess of 
long scenes that make little sense when strung together. Abhishek plays Beera 
as an eccentric, unpredictable fellow prone to sudden outbursts; he channels 
Heath Ledger's Joker from The Dark Knight, but comes nowhere close to 
replicating a similar sinister charm. Aishwarya, despite being the film's 
leading lady and the very cause of the film's conflict, has nothing much to do. 
She's left to scream and shriek and hiss and spit out her dialogue while 
looking lovely in every frame.

Surprisingly, AR Rahman delivers his most uninspired score in years, which 
probably explains why Ratnam wasn't inspired enough to shoot his songs as 
innovatively as he usually does.

The director sticks so faithfully to the Ramayana that we get embarrassing 
scenes like the one in which the suspicious husband asks his wife to take a 
polygraph test to prove her purity. Other portions, adapted literally, include 
the humiliation of the Surpanakha character, which is only marginally better 
handled.

Of the cast, it's Ravi Kissen and Govinda, who play Beera and Dev's right-hand 
men respectively, who stand out with the film's most engaging performances. 
Both men, particularly Ravi Kissen, make flesh-and-blood characters out of 
their parts, investing them with sincerity and dodging stereotypes at every 
turn. Vikram, meanwhile, oozes screen presence but is shortchanged with 
cardboard characterization, and pretty much spends the entire film chasing 
after Beera in slo-mo, sporting trendy Ray Bans.

Burdened with pedestrian dialogue and too conventional a screenplay, Raavan 
is painfully dull and fails to engage at any level. I'm going with 
one-and-a-half out of five for Mani Ratnam's Raavan. It's too simplistic 
a film from a director whose biggest strength used to be his multilayered 
relationships.








Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-19 Thread V S Rawat
On 6/19/2010 1:53 PM India Time, _haris zeenath_ wrote:

 *Surprisingly, AR Rahman delivers his most uninspired score in years,
 which probably explains why Ratnam wasn't inspired enough to shoot his
 songs as innovatively as he usually
 does..*

By negation: all the greatness of Mani's earlier films was because of 
ARR who created great score to inspire Mani to shoot them great.

furthering the logic: It is the illogical-ness of Raavan that makes 
Rajeev make illogical conclusions.

--
Rawat


Re: [arr] Rajeev Masand: 'Raavan' is a bore of a film

2010-06-19 Thread ravi
There was a reviewer Khalid Mohamed who wrote reviews and belted directors. But 
the 2 movies he did was utter disaster despite have good music. 
Its easy to comment than deliver. 
Dont give importance to reviews you may like or dislike but why miss something 
just because of believing what others had to say. Every human is gifted with a 
brain and thought to think.  

--- In arrahmanfans@yahoogroups.com, haris zeenath hariszeen...@... wrote:

 Surprisingly, AR Rahman delivers his most uninspired score in years, which 
 probably explains why Ratnam wasn't inspired enough to shoot his songs as 
 innovatively as he usually does..
 
 --- On Sat, 19/6/10, Gopal Srinivasan catchg...@... wrote:
 
 
 From: Gopal Srinivasan catchg...@...
 Subject: [arr] Rajeev Masand: 'Raavan' is a bore of a film
 To: arrahmanfans arrahmanfans@yahoogroups.com
 Date: Saturday, 19 June, 2010, 8:42 AM
 
 
   
 
 
 
 
 Masand: 'Raavan' is a bore of a film
 
 Rajeev Masand , CNN-IBN
 Posted on Jun 18, 2010 at 21:29 | Updated Jun 19, 2010 at 00:23
 
 
 
 
 
 
 
 
 83Share
 
 
 
 
 
 Free Movie Previews
 Watch Full-Screen, High-Res Movie Clips  Trailers - Download Free! 
 FilmFanatic. MyWebSearch. com
 Ads by Google
 Cast: Abhishek Bachchan, Aishwarya Rai
 
 Director: Mani Ratnam
 
 
 
 Sitting in your seat watching Mani Ratnam's Raavan unfold before you, is 
 like craning your neck out of your car to catch a glimpse of the wreckage in 
 a road accident on the other side. Filled with a perverse sense of curiosity, 
 you can't take your eyes off the damage.
 
 Alas, Raavan - despite a relatively modest running time of 2 hours and 10 
 minutes - is a crushing bore of a film, a disappointment on virtually every 
 count.
 
 In this rather literal adaptation of a slice of Hindu mythology, Ratnam casts 
 Abhishek Bachchan as feared outlaw Beera who kidnaps the local police chief's 
 feisty wife Ragini (played by Aishwarya Rai) in retaliation for a crime 
 against a loved one. The tough cop Dev (played by Tamil star Vikram) sets out 
 to get his wife back, making a journey into the dense forest, even as Beera 
 finds his heart melting for Ragini.
 
 Never one to paint his characters black or white, Ratnam gives both Dev and 
 Beera ambiguous character traits that make it hard to pigeonhole them as 
 entirely good or bad. So Raavan-figure Beera has a conscience that stops him 
 from having his way with Ragini although he desires her, and Ram-inspired Dev 
 is so hell-bent on achieving his goal that he will resort to deceit and 
 betrayal in order to get there.
 
 But what might have truly turned this film into a brave, daring effort is a 
 less 'darpok' handling of Ragini's change-of-heart towards Beera. While she 
 does soften considerably when she understands his provocation for revenge, 
 Ratnam never quite turns it into a Stockholm-syndrome situation that might 
 have made for a far stronger central conflict. As it currently stands, 
 Raavan is a predictable revenge drama that stays too safe to ever surprise 
 you.
 
 Despite some eye-watering camerawork and a stunning action piece in the 
 film's climax, the film -- especially its first half -- is a carelessly 
 edited mess of long scenes that make little sense when strung together. 
 Abhishek plays Beera as an eccentric, unpredictable fellow prone to sudden 
 outbursts; he channels Heath Ledger's Joker from The Dark Knight, but comes 
 nowhere close to replicating a similar sinister charm. Aishwarya, despite 
 being the film's leading lady and the very cause of the film's conflict, has 
 nothing much to do. She's left to scream and shriek and hiss and spit out her 
 dialogue while looking lovely in every frame.
 
 Surprisingly, AR Rahman delivers his most uninspired score in years, which 
 probably explains why Ratnam wasn't inspired enough to shoot his songs as 
 innovatively as he usually does.
 
 The director sticks so faithfully to the Ramayana that we get embarrassing 
 scenes like the one in which the suspicious husband asks his wife to take a 
 polygraph test to prove her purity. Other portions, adapted literally, 
 include the humiliation of the Surpanakha character, which is only marginally 
 better handled.
 
 Of the cast, it's Ravi Kissen and Govinda, who play Beera and Dev's 
 right-hand men respectively, who stand out with the film's most engaging 
 performances. Both men, particularly Ravi Kissen, make flesh-and-blood 
 characters out of their parts, investing them with sincerity and dodging 
 stereotypes at every turn. Vikram, meanwhile, oozes screen presence but is 
 shortchanged with cardboard characterization, and pretty much spends the 
 entire film chasing after Beera in slo-mo, sporting trendy Ray Bans.
 
 Burdened with pedestrian dialogue and too conventional a screenplay, Raavan 
 is painfully dull and fails to engage at any level. I'm going with 
 one-and-a-half out of five for Mani Ratnam's Raavan. It's too simplistic