Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread david_a_woodward

Wow, thanks for all the help, very active forum!! thought a question
about iTunes v open standards might provoke some debate! I have
downloaded dbpoweramp and am very impressed, seen enough to decide this
is the way to go, and rip to FLAC and also MP3 for iPod. Just need to
figure out how I get the MP3's into iTunes, I assume this is straight
forward? 

Anyone got any views as to the suitability of the TranquilPC
T2-WHS-A3i? Any better alternative at a similar price point?

Thanks again for all your input.


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Re: [SlimDevices: Audiophiles] What DAC to use?

2008-07-04 Thread BigTony

There is nothing so fierce as an audiophile rattled.

I bought got an SB3 15 months ago, and after 2 months of excitement and
ripping cd's I started to realise that there was something missing in
the output compared to my CD player (Musical Fidelity A3). Of course,
the functionality of the SB3 wins hands down, my partner had a bad
habit of hitting repeat rather than going into the library to fetch a
new CD, and this was getting on my nerves (in that silent way!).
Given that I wanted my Sb3 to sound 'more like' the A3, I went for an
external DAC (as this would also allow me to use headphones as well -
and save the planet by leaving my amp off!).
I was surprised to see that there were a bunch of DACs in the $1,000
range that everyone liked, but it did seem odd to stump u 3x the cost
of the Sb3 for the DAC. Instead I went the Beresford DAC route - simple
enough, if I didn't like it I could send it back and I'd only be out of
pocket the postage, couldn't argue really (and home demo is the only
way to chose gear).
The DAC arrived, and after a week of playing I did a blind test wth my
partner versus the A3. Yes the A3 was still better, but the gap between
the Sb3/DAC was much closer - much more to my liking. So I kept the
DAC.
11 months fly by, and there was talk around the campfire of the new
Mk6/3 DAC being much improved over the original one, and a much better
headphone stage too, so after a cheeky e-mail I wrangled selling my old
DAC back to Stanley and buying the new Mk6/3. After a week this new DAC
is awesome (dudes!) much much better than the old version, and now it
really is giving my A3 a run for its money. Its everything I would want
for, lots of detail, nice soundstage, good bass response, and a good
headphone stage. Compared to the SB3 on its own that just sounds 'flat'
and lifeless.
Of course I'm no audiophile, I stopped that after 1 to many Hawkwind
concerts in the 80's, I actually listed to my music and appreciate it,
rather than tweak my gear all night :-) so the combination of the Sb3
and Beresford DAC works brilliantly.
I know that I could spend 10x what I have spent on my gear to get
'ultimate sound' but then I'd need to spend 100x to get 'ultimate ears'
as mine have aged somewhat. Like most people, life is a compromise, my
gear has to work for DVD's, BluRay, TV, Radio etc, and not take a PhD
to switch on.
Unfortunately, I stumbled upon SACD (just as the format died!) and now
I'm lusting after streaming SACD rather than having to chnage discs,
but SACD is 'Sunday best' like my vinyl, taking only 10% of the
listening time.

I seem to have rambled ...

BT


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Re: [SlimDevices: Audiophiles] What DAC to use?

2008-07-04 Thread Saughassy

I can only repeat myself, but now i ve actual prices. An Old Audio
Analogue (1.1, 1.2 DDE) can be buy from 110-130 USD. Real bargain, so
if you would like to upgrade but haven't much money, hear one of these
old stuffs. Improvement will be signifcant if D/A was the bottleneck of
system.


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Re: [SlimDevices: Audiophiles] Question for Sean

2008-07-04 Thread gsawdy

Thanks all for the replies,  I think SuperQ's idea makes good sense. 
That's what I'll do--use both.

George


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Re: [SlimDevices: Audiophiles] What DAC to use?

2008-07-04 Thread sebp

Robin Bowes;317207 Wrote: 
 Conversely, hifi speakers wouldn't be all that good at a stadium gig
 [3].
Notwithstanding the audience would probably not appreciate Martin
Logan's spoiling their sight ... :D


-- 
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System : Mac Mini for ripping to FLAC (Max)  SqueezeCenter 7.0.1
running on a ReadyNAS NV+
Living room : Squeezebox 3  Sony STR DE-875  Celestion F30
Bedroom : Squeezebox 3  Beresford DAC  NAD C315BEE  KEF iQ3
Kitchen : SB Receiver  Logitech SoundMan X1
'Last.fm' (http://www.last.fm/user/sebp)

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Re: [SlimDevices: Audiophiles] What DAC to use?

2008-07-04 Thread Pascal Hibon

Robin Bowes;317136 Wrote: 
 
 Pascal,
 
 These are PA speakers, designed for high-volume sound-reinforcement.
 
 Sure, yours will be great for a party in a big room, but I'll be 
 extremely surprised if they can reproduce sound as accurately as a pair
 
 of hifi speakers.
 
 R.

One of the big misconceptions in the audio world is just that. A
speaker capable of handling let#8217;s say 100 watts doesn#8217;t (or
shouldn#8217;t) need 100 watts to produce its #8220;best sound#8221;.
A speaker#8217;s band pass curve is measured at very low power ratings
(1 watt or so).  A good constructed speaker will not have a huge
difference in its band pass curve at low or high power levels. If it
does, then it is a bad speaker.
Many people tend to look first at the #8220;Power Handling#8221; spec
of a speaker; and this is actually not the important parameter. The two
most important specifications are the nominal impedance and
sensitivity. These specifications are in most cases least understood. 
The MP-Audio speakers produce the same sound quality at low power
ratings as it does on high power ratings. I use them in my living room
at normal listening levels. 
As you look closely at those speakers you will notice that they
don#8217;t use horns in the high frequency part. Most, if not all, PA
speakers today use horns in the high frequency range. These horn tend
to be very aggressive and you#8217;ll easily get a headache listing to
them, even when used outside. Again this not the case with MP-Audio.
This brand is different in many ways. It is not a high volume
manufacturer. Most parts are handcrafted; the wood of the cabinets is
13 layers Finish Pine (carpenters hate this because this wood is quite
hard). 
As I mentioned before, I have listened to a lot of HiFi speakers. Until
today I haven#8217;t found any speaker that produces a better sound
then my MP-Audio speakers. 
Keep in mind that music is an emotion; not everyone will like the same
sound color. This is one of the reasons why there are so many speakers
out there. 


sebp;317167 Wrote: 
 Audiophiles really have no mercy.
 Hope you enjoyed the trip, Pascal. ;-)

Yes I do enjoy this trip. 
I like to know what people views are on topics such as these even if I
do not agree with all of them. It#8217;s great to see what kind of
response is generated on a simple question such as #8220;what DAC to
use#8221; :-)


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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread darrenyeats

Phil Leigh;317064 Wrote: 
 There are some discs with flawed copy protection schemas that need many
 many sector re-reads to get the data off acurately...
 
 For example, I have The Beatles Let it Be Naked that takes 2 hours to
 rip with EAC and the disc is in physically mint condition!
Well I did say IME. :)

Perhaps I'm spoiled with cdparanoia on Linux...the following sums up my
views. http://folk.uio.no/hpv/linuxtoons/dilbert-unix.png
Darren


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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread m1abrams

david_a_woodward;317191 Wrote: 
 Wow, thanks for all the help, very active forum!! thought a question
 about iTunes v open standards might provoke some debate! 
 

Ah now see you posted in the Audiophile forums.  If you wanted some
debate you should ask if a $10,000 power cord for your refrigerator
will improve the sound of your Transporter.


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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread Phil Leigh

darrenyeats;317288 Wrote: 
 Well I did say IME. :)
 
 Perhaps I'm spoiled with cdparanoia on Linux...the following sums up my
 view. http://folk.uio.no/hpv/linuxtoons/dilbert-unix.png
 Darren

That made me laugh - thanks Darren!


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
Supertweeters, Kimber  Chord cables

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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread Mark Lanctot

sc53;317065 Wrote: 
 But if it takes 20 mins per disc (Apple Lossless takes about 5 mins per
 disk) or requires tons of initial setup etc. I'd use iTunes and not
 worry about that one track out of thousands that may contain an audible
 error.

There are two separate processes here - ripping and encoding.  Apple
Lossless doesn't rip, iTunes does.  iTunes then encodes the resulting
rip into Apple Lossless or MP3.  Programs other than iTunes (dBpowerAMP
for example) can also encode into ALAC.

The speed of ripping doesn't influence the speed of encoding.  In terms
of encoding speed, there aren't huge advantages in any one format.  For
example, when FLAC was slower than ALAC it was changed and now is at
least as fast.

Personally, I don't really care how long ripping takes as long as it's
as correct as possible.  You can leave your computer and go do other
things.  Often those protected CDs take ~24 hours to rip...

 ps Phil Leigh--I have Let It Be Naked too and had no problems ripping it
 with iTunes!

These protected CDs usually contain purposeful errors every 2-5
seconds.  This shows that iTunes will happily rip such errors and not
tell you.  A secure ripper will have a problem with this because it
will detect the errors and attempt to correct them, that's the point of
this protection mechanism - to frustrate the user and discourage
ripping.

These errors are not necessarily audible, but they are there.


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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread esbrewer

I'm not sure I follow the reasoning here.  

If iTunes and other less secure rippers popular with the general public
do not get hung up on such purposeful errors - where is the deterrent
value in their inclusion?  Or are the record companies trying to deter
the admittedly small percentage of people in the marketplace who are
concerned about their rips not being bit-perfect?  Shouldn't their
efforts be focused on deterring the common user?

Ted


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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread Mark Lanctot

esbrewer;317310 Wrote: 
 I'm not sure I follow the reasoning here.  
 
 If iTunes and other less secure rippers popular with the general public
 do not get hung up on such purposeful errors - where is the deterrent
 value in their inclusion?

Well, record companies aren't the sharpest knives in the drawer, are
they?  :-)  It was a hairbrained scheme that was in use from 2003 to
about 2005.

The idea was that these errors (probably only a few bits) would be
inaudible in a regular CD player but that a ripper would stumble on
them.  Rippers who don't do any error correction won't stumble on them
because they just play straight through like a regular CD player does,
errors and all.

 Or are the record companies trying to deter the admittedly small
 percentage of people in the marketplace who are concerned about their
 rips not being bit-perfect?  Shouldn't their efforts be focused on
 deterring the common user?

They've abandoned such schemes now, but it culminated in the infamous
Sony rootkit debacle.  That's as far as they went and they definitely
crossed the line.


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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread m1abrams

esbrewer;317310 Wrote: 
 I'm not sure I follow the reasoning here.  
 
 If iTunes and other less secure rippers popular with the general public
 do not get hung up on such purposeful errors - where is the deterrent
 value in their inclusion?  Or are the record companies trying to deter
 the admittedly small percentage of people in the marketplace who are
 concerned about their rips not being bit-perfect?  Shouldn't their
 efforts be focused on deterring the common user?
 
 Ted

Well I not sure about insecure rippers handling those CDs well.  I have
a CD that has this attempt at DRM in place and I did rip it with iTunes
and it ripped very quickly however when I played it back it was  full
of pops and clicks.  Ran it through EAC and it took almost a day to
rip, but was clean when it finished.


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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread Mark Lanctot

m1abrams;317316 Wrote: 
 Well I not sure about insecure rippers handling those CDs well.  I have
 a CD that has this attempt at DRM in place and I did rip it with iTunes
 and it ripped very quickly however when I played it back it was  full of
 pops and clicks.  Ran it through EAC and it took almost a day to rip,
 but was clean when it finished.

There were multiple schemes from different companies and they got
better at what they were trying to do as time went on.

Googling finds this list:

SafeDisc, SafeDisc v2, SecuROM, DiscGuard, CD-Cops, LaserLock, Cactus
Data Shield, Lock Blocks, ProtectCD, PSX/Lybcrypt, CD-Check, Dummy
Files, Oversize  Illegal TOC

There once was a software tool out there that could identify what type
of protection was on a disc.  Couldn't do anything about it though.


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Re: [SlimDevices: Audiophiles] FLAC or ALAC that is the question!?

2008-07-04 Thread moley6knipe

m1abrams;317316 Wrote: 
 Well I not sure about insecure rippers handling those CDs well.  I have
 a CD that has this attempt at DRM in place and I did rip it with iTunes
 and it ripped very quickly however when I played it back it was  full of
 pops and clicks.  Ran it through EAC and it took almost a day to rip,
 but was clean when it finished.

Different drives always used to make a difference.  I bought loads of
CDs from cdwow.com before I realised they had copy protection - the
best thing to rip them with back then (that I found) was CDex, set to
full paranoia, autorun off and an old NEC drive.  Normal speed rips,
and only 2-3 clicks in the last track.

Now I'm another dBpoweramp convert, I've found that secure mode doesn't
work so well with these - whereas Burst mode rips them fine with no
audible artifacts.

I used to take the rips are rips view and used iTunes. But dBpoweramp
is easier, and the fact that you can verify it's 100% bit-perfect is a
nice bonus.

Before I was ripping to ALAC in iTunes, deleting the files from iTunes,
tagging them with mp3tag (embedding artwork at the same time), adding
them back to iTunes, using iTunes to convert them to AAC for my iPod
(dual library). Argh!  Now dBpoweramp lets me do all of that securely
in one go with one mouse-click with artwork and whatever file/folder
structure I like, and ALAC and mp3 at the same time and did I mention
the artwork? Then all I do is drag the folder into iTunes.  Done.

Seriously, dBpoweramp is really, -really- good - and Spoon (the man
behind it) is on his forums all the time, he listens and actions
requests/problems etc, and best of all you can download it and try it
for free for about 2 weeks!

I'm not affiliated to Illustrate at all, btw, but it's amazing how much
time I've saved using dBpoweramp.


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listener :-)

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Re: [SlimDevices: Audiophiles] Apple Lossless a compromise?

2008-07-04 Thread GuyDebord

jgs;316821 Wrote: 
 What were your settings before (that weren't so good)?

ALAC - FLAC


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AMPS: Pathos Classic One MKIII's in mono config. ANALOGUE: Clearaudio
Ambient CMB, Satisfy Carbon  Lyra Helikon SL, ASR Basis Exclusive
phono preamp, link: AcousticZen Silver Reference2 XLR’s. DIGITAL:
SlimDevices Transporter, link: WireWorld SilverEclipse 5.2.  POWER:
Isotek MiniSub GII, Isotek Elite cables (MiniSub, Rel), ASR Magic Cord
(ASR), Siltech SPX30 MKII's (Pathos)  v/d Hul Mainserver
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