[BAROQUE-LUTE] Hinerleithner
Hello I ordered a scan from Hinterleithner from Munich - and "my" scan is now online and I'm still waiting on my CD-ROM and the invoice... Enjoy! http://daten.digitale-sammlungen.de/~db/0005/bsb00052434/images/ Andreas To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Post French and Pre Weiss: what shall we call it?
Having spent much happy time on my 11 course lute playing the music of Reusner, Conradi, Kellner, Weichenberger and St. Luc, it dawns on me that we don't really have a good descriptor for the period. It is after the French precieux and Brise styles (but has some elements), brings in more of a cantabile Italian relationship between melody and bass line but doesn't go all the way to the Gallant emphasis on melody (I am sure I have made many a musicologist cringe with my oversimplifications here). Many recordings that include pieces from the period are titled "German Baroque Lute Music", or something similar, but that of course doesn't give a fair geographic representation to the Czech, Silesian, Swedish and Belgian composers. "Transitional" would be a good descriptive term but alas has already been coapted by those funny tuning systems between Renaissance and d minor. Any ideas? Danny To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Re: Caro mio ben found before Giardano's birth...
Well, now there is this (well modest and dark...:-) http://www.youtube.com/watch?v=2ZY1M3QAOZw Arto On Fri, 10 Sep 2010 01:24:20 +0200, Markus Lutz wrote: > Dear Arto, > that's a nice finding! > The thema of Gavotte (probably f. 26v?) really is pretty much the same > like the aria of Giordano. > You wouldn't find that in the German ;-), as I didn't notice it! > > BTW - it has some more concordances, like you can see in Peter's list > (http://mss.slweiss.de) and it might probably be by Losy, as it is > ascribed to him many times. > It even is called Aria in some manuscripts! > > 33Gavotte (Losy) > C-Dur- D-ROu52-2 / 26v > 1. A-KR77 / 30v | 2. D-B40627 / 14v (Curiosa Dama) | 3. PL-Wn396 > / 11v (#6) | 4. PL-Wn396 / 18v (#13)| 5. PL-Wu2008 / 44 (Aria) > | 6. PL-Wu2009 / 52 (Aria) | 7. S-Klm 4a / 8v (Gavotte de Monr CL) >| 8. S-Klm21072 / 73v (Gavotte de comte Loge) | 9. Stockholm 4a / > 6 (keyboard) > > Best regards > Markus > > Am 09.09.2010 16:46, schrieb wikla: >> >> Dear Markus and the List, >> >> just got the Rostock Mus.saec. XVII.18.-52.2 published by the Deutsche >> Lautengesellschaft and edited by Markus. Very interesting book, clearly >> much good music at the first sight! >> >> I was just glimpsing here and there, and found something interestin that >> seems not to have been commented - well I did not yet read the preface, >> because my German reading is so slow... >> >> Anyhow, if it is not generally known, the Gavotte in fol. 24v is crearly >> the "Caro mio ben" said to be by Giordiano (1748-1798). The ms. is >> clearly >> earlier... >> >> Thanks for a fine book to Markus and Rainer Luckhardt and DLG! >> >> Arto >> >> >> >> To get on or off this list see list information at >> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Vivaldi - Concertos and Trios for Lute and Mandolin
Dear friends, I'm pleased to announce that my edition of Vivaldi's Trios and Concertos for lute and mandolin is now available. The volume contains the following works: • Trios RV 82 and 85 • Lute Concerto RV 93 • Mandolin Concertos 425 and 532 • Concerto 540 for viola d'amore, lute and strings Its main features are: - Concerto RV 425: the ossia measures, written by Vivaldi for the mandolin part and omitted in Malipiero's edition, are here included - Concerto RV 540: the lute part includes the basso continuo staff, as in the original manuscript; the viola d'amore part includes the "tutti", as in the original ms - the separate lute parts are always available in two formats: one written at pitch, and the other one written on octave higher, as in the original manuscripts - the separate lute parts always include the basso continuo staff The volume contains a rich essay by Rossella Perrone (in Italian and in English) about Vivaldi's works for plucked instruments. http://issuu.com/emotiv/docs/vivaldidemo http://www.carisch.com/catalog/product/view/id/17780/ http://www.fondazionearcadia.org/it/0039/862-864-26/concerti_e_trii_per_liuto_e_mandolino.html Best regards, Fabio Rizza To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
