Re: [Callers] In search of un-premiered contras!

[Ric Goldman - Letsdance via Callers]

Hi Maia,

 

Here are a few for your consideration: 

 

 

13ème avenue*, improper, Aug 2016

Start: 2s step up between 1s, then all turn to face down in line-of-4

A1   1-4  Down the hall, California Twirl

   5-8  Up the hall, Butterfly whirl (3/4 or 1-1/4) to end 
facing across

A2   1-4  W gypsy R-sh 1-1/2 to Partner

5-8  Partner swing

B1   1-4  Long line forward; turn single back R-sh and extend R 
arm into…

5-8  Star R 1x

B2   1-4  With partner, slide L along line (2), circle L 3/4 
with new neighbors (6)

5-8  (new) neighbor swing (end facing down)

(Note: in B2 it helps if partners face across set, take inside hands for slide)

(* - this is French for 13th avenue, where I lived in Montreal – to hear it, go 
to https://translate.google.com/#auto/fr/13th%20avenue) 

 

 

Allemandery my Dear Watson, improper, Jun 2015

A1   1-4 (new) Neighbors allemande R 1-1/2

   5-8"Gents allemande L 1-1/2 (end facing partner in line 
of 4)

A2   1-4 1/2 hey, partners start R-sh (PR, WL, NR, ML, into...)

5-8  Partner swing

B1   1-4  Women allemande R 1-1/2

5-8  Neighbor swing

B2   1-4  Long lines fwd + back ("half-roll"* the women into...)

5-8  Neighbors allemande L 1-1/2 (onto to new neighbors)

* Half-roll - gents roll the ladies to the L with the women ending facing out, 
while the men transfer the ladies’ L hand from the gent's R to his L to lead 
into the allemande)

 

 

Barbara's Cascade, improper, advanced*

A1   1-2  Gents allemande L 3/4 to neighbor (4)

3-4  On the diagonal+, allemande neighbor R 1x (4)

5  Gents pull-by L to partner (2)

6-7  On the diagonal+, allemande partner R 1x (4)

8  Gents pull-by L to neighbor (2)

A2   1-4  Gents scoop up neighbor and butterfly twirl 2x (if 
they can) ending on gent's original side facing across

5-8  Women gypsy R-sh 1-1/2 to partner

B1   1-8  Partners balance and swing

B2   1-4  Pass thru across set, California twirl

5-8  Circle L  1/4 (only) and zig-zag L + R to new cpl 
(so gents can flow into A1)

* A1 has a high piece count and very little recovery time.  B2 timing is a bit 
fuzzy with extra time allowing for those who start B2 5-8 a little slow.

+  The original concept for A1 was to have the gents to a diagonal contra 
corners with the women as the “corners”.   I found mentioning this up front 
only confused people, and the dancers tend to “flatten” the diagonals anyway.  
Since the dancers are always right, that’s what the dance became.  

 

 

Pinehurst Road, improper, intermediate

A1   1-4  Gents allemande L 3/4; balance neighbor

   5-8  Neighbor swing

A2   1-4 Circle L 3/4 

5-8  Partner swing 

B1   1-4 Long lines fwd + back

5-8  Star R 3/4

B2   1-2  Partners allemande R 3/4 into wavy line up/down the 
set (women in ctr by L)

3-6  Women allemande L 1-1/2 while gents orbit CW 1/2

   7-8  Partners allemande R 3/4 (so that gents face new 
neighbors)

The B2 borrowed a figure from English Country dance Fentalarick.  Once they 
figure out the timing, dancers seem to really enjoy it.

 

 

Thanx, Ric Goldman

letsda...@rgoldman.org

 

 

From: Callers [mailto:callers-boun...@lists.sharedweight.net] On Behalf Of Maia 
McCormick via Callers

Sent: Sunday, March 26, 2017 6:27 PM

To: callers@lists.sharedweight.net

Subject: [Callers] In search of un-premiered contras!

 

Hi choreographer folks,

 

I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting of 
un-premiered (or very sparsely called) contras. If anyone has any dances they'd 
like to throw my way for consideration, please do so!

 

Cheers,

Maia

Re: [Callers] In search of un-premiered contras!

[Ben Werner via Callers]

Maia,

Here are a few dances I’ve written over the past few years. If any of them 
already exist please let me know! If anyone decides to call them I’d be 
interested to hear how it goes and any feedback you might have. I’ve called The 
Erik Effect and Rip and Snort with great success. I’ve called Swap to  Wave a 
time or two and it went OK because I didn't do a great job prompting / it was a 
little to difficult for the crowd. 


The Erik Effectbecket CW
Ben Werner & Danielle Boudreau   

A1:  (16) Yearn Left, give and take, ladies take gents, Neighbor Swing
A2:  (8) right and left through
(8) Ladies chain
B1:  (16) full hey LR, NL, GR, PL, LR, NR, GR
B2:  (16) partner gyre & Swing
Written a couple of years ago for Erik Erhardt because of the great impact he 
was having in our community. 


Swap to Wave  Becket
Ben Werner 

A1:  (8) partner allemande right 1 ½ gents face out
(8) wave balance, box circulate
A2:  (16) wave balance, gents cross, partner swing
B1:  (8) ladies chain
(8) New Neighbor Swing
B2:  (4) pass the ocean
(4) balance the wave
(8) Neighbor allemande 1x, ladies allemande ½ to partner

I wrote this dance specifically for a roll swapping workshop. It gives you and 
your partner enough time to allemande 2x to swap rolls if you want. 


Rip and Snort   imp
Ben Werner

A1:  (8) Balance the ring, Rip and Snort (1s arch 2s dive through, 2’s let 
go of partner, 1s keep hands with partner and neighbor, ones turn under joined 
hands, end in a short facing down the hall line)
(8) Down the Hall, 1s gate the twos
A2:  (8) Up the hall
(8) Gents Allemande Right 1 1/2
B1:  (16) Partner Balance and swing
B2:  (8) balance the ring, petronella
(8) balance the ring, California twirl
Note: the A1 can be quite the teach but I find people think its quite 
satisfying once the get it. 

Cheers,
Ben 

> On Mar 27, 2017, at 3:02 PM, Jerome Grisanti via Callers 
>  wrote:
> 
> Dear Maia,
> 
> I recently composed a contra that may fit your criteria. I've sent it out to 
> a few other callers, and posted it to a small Facebook group, but its 
> challenges make it unsuitable for most dances on my schedule. The challenges 
> are: multiple progressions/regressions and potential disorientation. I would 
> guess a hall populated mostly with experienced dancers would not have too 
> much trouble with it. Another caller suggested calling it as a becket 
> starting with the B1, which would certainly give it a different feel.
> 
> Let me know if you end up using it; good luck with your workshop whatever you 
> end up doing!
> 
> --Jerome
> 
> Do Re Mi Re Do
> 
> By Jerome Grisanti
> 
> Duple Improper Contra
> 
> A1
> 
> Neighbor right-hand balance (4), pull by (2), next neighbor pull by left (2).
> 
> Third neighbor right-hand balance (4), box the gnat (4).
> 
> A2
> 
> Gents allemande left 1 1/2 (8),
> Partner swing (8)
> 
> B1
> 
> Slide left & circle left 3/4 with 2nd neighbors, 
> Neighbor swing
> 
> B2
> 
> Gents walk forward to a long wavy line (4), Balance forward & back (4); Gents 
> allemande left with ladies joining behind partners to turn it into a 
> left-hand star (8) (ladies traveling about 3/4, gents about once+ around).
> 
> You interact with three neighbors in this order: 1,2,3,2,1.
> 
> An end-effects warning: you're never out for long. Couples out during the A2 
> will be in in the B1, if you're out in B1 you return in B2. The A1 figure 
> wraps around the ends. 
> 
> 
> 
> 
> Jerome Grisanti
> 660-528-0858
> http://www.jeromegrisanti.com
> 
> "Whatever you do, or dream you can, begin it. Boldness has genius and power 
> and magic in it." --Johann Wolfgang von Goethe
> 
> On Sun, Mar 26, 2017 at 8:26 PM, Maia McCormick via Callers 
>  wrote:
> Hi choreographer folks,
> 
> I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting of 
> un-premiered (or very sparsely called) contras. If anyone has any dances 
> they'd like to throw my way for consideration, please do so!
> 
> Cheers,
> Maia
> 
> ___
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> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
> 
> 
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Re: [Callers] In search of un-premiered contras!

[Jerome Grisanti via Callers]

Dear Maia,

I recently composed a contra that may fit your criteria. I've sent it out
to a few other callers, and posted it to a small Facebook group, but its
challenges make it unsuitable for most dances on my schedule. The
challenges are: multiple progressions/regressions and potential
disorientation. I would guess a hall populated mostly with experienced
dancers would not have too much trouble with it. Another caller suggested
calling it as a becket starting with the B1, which would certainly give it
a different feel.

Let me know if you end up using it; good luck with your workshop whatever
you end up doing!

--Jerome

Do Re Mi Re Do By Jerome Grisanti

Duple Improper Contra

A1

Neighbor right-hand balance (4), pull by (2), next neighbor pull by left
(2).

Third neighbor right-hand balance (4), box the gnat (4).

A2

Gents allemande left 1 1/2 (8),
Partner swing (8)

B1

Slide left & circle left 3/4 with 2nd neighbors,
Neighbor swing

B2

Gents walk forward to a long wavy line (4), Balance forward & back (4);
Gents allemande left with ladies joining behind partners to turn it into a
left-hand star (8) (ladies traveling about 3/4, gents about once+ around).

You interact with three neighbors in this order: 1,2,3,2,1.
An end-effects warning: you're never out for long. Couples out during the
A2 will be in in the B1, if you're out in B1 you return in B2. The A1
figure wraps around the ends.




Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com

"Whatever you do, or dream you can, begin it. Boldness has genius and power
and magic in it." --Johann Wolfgang von Goethe

On Sun, Mar 26, 2017 at 8:26 PM, Maia McCormick via Callers <
callers@lists.sharedweight.net> wrote:

> Hi choreographer folks,
>
> I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting
> of un-premiered (or very sparsely called) contras. If anyone has any dances
> they'd like to throw my way for consideration, please do so!
>
> Cheers,
> Maia
>
> ___
> Callers mailing list
> Callers@lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>

[Callers] In search of un-premiered contras!

[Claire Takemori via Callers]

Maia,
This has been called a few times across the US recently & is well-loved, but is 
definitely not wide spread yet. 

Mad Orbin  by Jacqui Grennan 
A1  (4) N RH Bal
(4) Box the Gnat 
(8) Gents front to R, Mad Robin 

A2  (8) Gents allem L 1.5, while Ladies orbit CW 
(8) N Sw

B1  (4) Bal ring, Ladies bring P across 
(12) P Sw

B2  (8) CL 3/4 ,  Pass thru
(8) Next N DSD

Claire Takemori 
Campbell CA 


On Mar 27, 2017, at 1:02 PM, via Callers <callers@lists.sharedweight.net> wrote:

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Today's Topics:

  1. In search of un-premiered contras! (Maia McCormick via Callers)
  2. Re: In search of un-premiered contras! (David Harding via Callers)
  3. Re: In search of un-premiered contras! (Tom Hinds via Callers)
  4. Re: In search of un-premiered contras! (David Harding via Callers)
  5. Re: In search of un-premiered contras! (Don Veino via Callers)
  6. Re: In search of un-premiered contras! (Linda Leslie via Callers)


--

Message: 1
List-Post: callers@lists.sharedweight.net
Date: Sun, 26 Mar 2017 21:26:38 -0400
From: Maia McCormick via Callers <callers@lists.sharedweight.net>
To: "callers@lists.sharedweight.net" <callers@lists.sharedweight.net>
Subject: [Callers] In search of un-premiered contras!
Message-ID:

Re: [Callers] In search of un-premiered contras!

[Linda Leslie via Callers]

You can fix that little challenge by making the A1 a neighbor give & take on 
the left diagonal. As couples, dancers go forward on the left, and bring 
neighbor straight back for a swing. In the gents' chain version, the ladies 
would bring N back; in the ladies’ chain version, gents would bring N back to 
swing. 
Linda

On Mar 27, 2017, at 8:49 AM, David Harding via Callers 
 wrote:

> Scratch that.  Now that I look at it in light of Tom's comments, I realize 
> that there is no progression.  Doh!
> 
> On 3/26/2017 9:26 PM, David Harding via Callers wrote:
>> Here's something I envisioned last fall and have been meaning to post for 
>> comment.  There were conversations here about gents chains and about 
>> balancing the activity levels of ladies and gents.  At Squirrel Moon 
>> Weekend, Tom Hinds called a dance whose details I don't remember, except 
>> that it started with a gents chain across from Becket formation, followed by 
>> gents chain on the right diagonal (I think).  About 2/3 of the way through 
>> the dance, he switched to start with a ladies chain across and then on the 
>> left diagonal.  It was dramatic how different the two versions of the dance 
>> felt.  That got me to thinking, why not switch each time through to 
>> symmetrize the dance, the way modern dances with contra corners often do?  
>> Perhaps that's sufficiently disorienting to be cutting edge.  
>> I have not had the occasion to call this, but would be happy to hear if 
>> anyone thinks it's worth giving a try.  I haven't thought through the 
>> teaching, but imagine that for a group that could handle it, two 
>> walk-throughs would be useful.  
>> The working title is "Both Sides"  
>> Becket
>> 
>> A1 Gents allemande 1 1/2; Neighbor swing
>> A2 Long lines forward and back; Gents chain, courtesy turn
>> B1 Gents left shoulder full hey
>> B2 Partner balance and swing
>> 
>> Alternate with
>> A1 Ladies allemande right 1 1/2; Neighbor swing
>> A2 Long lines; Ladies chain,  courtesy trun
>> B1 Ladies right shoulder full hey
>> B2 Partner balance and swing
>> Dave Harding
>> 
>> On 3/26/2017 8:26 PM, Maia McCormick via Callers wrote:
>>> Hi choreographer folks,
>>> 
>>> I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting of 
>>> un-premiered (or very sparsely called) contras. If anyone has any dances 
>>> they'd like to throw my way for consideration, please do so!
>>> 
>>> Cheers,
>>> Maia
>>> 
>>> 
>>> ___
>>> Callers mailing list
>>> Callers@lists.sharedweight.net
>>> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>> 
>> 
>> 
>> ___
>> Callers mailing list
>> Callers@lists.sharedweight.net
>> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
> 
> ___
> Callers mailing list
> Callers@lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net

Re: [Callers] In search of un-premiered contras!

[Don Veino via Callers]

Dave,

I believe there's a simple fix that'll retain the balance of your dance -
but it's double progression. Split your heys into halves with the first
half being on the diagonal (progresssion) and then straight across.

-Don

On Mon, Mar 27, 2017 at 8:49 AM, David Harding via Callers <
callers@lists.sharedweight.net> wrote:

> Scratch that.  Now that I look at it in light of Tom's comments, I realize
> that there is no progression.  Doh!
>
> On 3/26/2017 9:26 PM, David Harding via Callers wrote:
>
> Here's something I envisioned last fall and have been meaning to post for
> comment.  There were conversations here about gents chains and about
> balancing the activity levels of ladies and gents.  At Squirrel Moon
> Weekend, Tom Hinds called a dance whose details I don't remember, except
> that it started with a gents chain across from Becket formation, followed
> by gents chain on the right diagonal (I think).  About 2/3 of the way
> through the dance, he switched to start with a ladies chain across and then
> on the left diagonal.  It was dramatic how different the two versions of
> the dance felt.  That got me to thinking, why not switch each time through
> to symmetrize the dance, the way modern dances with contra corners often
> do?  Perhaps that's sufficiently disorienting to be cutting edge.
>
> I have not had the occasion to call this, but would be happy to hear if
> anyone thinks it's worth giving a try.  I haven't thought through the
> teaching, but imagine that for a group that could handle it, two
> walk-throughs would be useful.
>
> The working title is "Both Sides"
> Becket
>
> A1 Gents allemande 1 1/2; Neighbor swing
> A2 Long lines forward and back; Gents chain, courtesy turn
> B1 Gents left shoulder full hey
> B2 Partner balance and swing
>
> Alternate with
> A1 Ladies allemande right 1 1/2; Neighbor swing
> A2 Long lines; Ladies chain,  courtesy trun
> B1 Ladies right shoulder full hey
> B2 Partner balance and swing
>
> Dave Harding
>
> On 3/26/2017 8:26 PM, Maia McCormick via Callers wrote:
>
> Hi choreographer folks,
>
> I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting
> of un-premiered (or very sparsely called) contras. If anyone has any dances
> they'd like to throw my way for consideration, please do so!
>
> Cheers,
> Maia
>
>
> ___
> Callers mailing 
> listCallers@lists.sharedweight.nethttp://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
>
>
> ___
> Callers mailing 
> listCallers@lists.sharedweight.nethttp://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
>
> ___
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>
>

Re: [Callers] In search of un-premiered contras!

[David Harding via Callers]

Scratch that.  Now that I look at it in light of Tom's comments, I 
realize that there is no progression.  Doh!



On 3/26/2017 9:26 PM, David Harding via Callers wrote:


Here's something I envisioned last fall and have been meaning to post 
for comment.  There were conversations here about gents chains and 
about balancing the activity levels of ladies and gents.  At Squirrel 
Moon Weekend, Tom Hinds called a dance whose details I don't remember, 
except that it started with a gents chain across from Becket 
formation, followed by gents chain on the right diagonal (I think).  
About 2/3 of the way through the dance, he switched to start with a 
ladies chain across and then on the left diagonal.  It was dramatic 
how different the two versions of the dance felt.  That got me to 
thinking, why not switch each time through to symmetrize the dance, 
the way modern dances with contra corners often do?  Perhaps that's 
sufficiently disorienting to be cutting edge.


I have not had the occasion to call this, but would be happy to hear 
if anyone thinks it's worth giving a try.  I haven't thought through 
the teaching, but imagine that for a group that could handle it, two 
walk-throughs would be useful.


The working title is "Both Sides"
Becket

A1 Gents allemande 1 1/2; Neighbor swing
A2 Long lines forward and back; Gents chain, courtesy turn
B1 Gents left shoulder full hey
B2 Partner balance and swing

Alternate with
A1 Ladies allemande right 1 1/2; Neighbor swing
A2 Long lines; Ladies chain,  courtesy trun
B1 Ladies right shoulder full hey
B2 Partner balance and swing

Dave Harding


On 3/26/2017 8:26 PM, Maia McCormick via Callers wrote:

Hi choreographer folks,

I'm leading a session at NEFFA called "Cutting-Edge Contras", 
consisting of un-premiered (or very sparsely called) contras. If 
anyone has any dances they'd like to throw my way for consideration, 
please do so!


Cheers,
Maia


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Re: [Callers] In search of un-premiered contras!

[Tom Hinds via Callers]

David, you're thinking of Stretching the Limits (men chain version)  
and Stretching the LImits (women chain version).


You're very creative, thinking of switching each time.  A caller,  
Will Martin has come up with that very idea.  The progression is in  
the same direction and has half heys instead of full heys.  He calls  
his version Stretching the Limits of Truth.  I probably won't be able  
to find my copy and will ask him for his.  I doubt it's every been  
called although it works on paper!


Tom
On Mar 26, 2017, at 10:26 PM, David Harding via Callers wrote:

Here's something I envisioned last fall and have been meaning to  
post for comment.  There were conversations here about gents chains  
and about balancing the activity levels of ladies and gents.  At  
Squirrel Moon Weekend, Tom Hinds called a dance whose details I  
don't remember, except that it started with a gents chain across  
from Becket formation, followed by gents chain on the right  
diagonal (I think).  About 2/3 of the way through the dance, he  
switched to start with a ladies chain across and then on the left  
diagonal.  It was dramatic how different the two versions of the  
dance felt.  That got me to thinking, why not switch each time  
through to symmetrize the dance, the way modern dances with contra  
corners often do?  Perhaps that's sufficiently disorienting to be  
cutting edge.
I have not had the occasion to call this, but would be happy to  
hear if anyone thinks it's worth giving a try.  I haven't thought  
through the teaching, but imagine that for a group that could  
handle it, two walk-throughs would be useful.

The working title is "Both Sides"
Becket

A1 Gents allemande 1 1/2; Neighbor swing
A2 Long lines forward and back; Gents chain, courtesy turn
B1 Gents left shoulder full hey
B2 Partner balance and swing

Alternate with
A1 Ladies allemande right 1 1/2; Neighbor swing
A2 Long lines; Ladies chain,  courtesy trun
B1 Ladies right shoulder full hey
B2 Partner balance and swing
Dave Harding

On 3/26/2017 8:26 PM, Maia McCormick via Callers wrote:

Hi choreographer folks,

I'm leading a session at NEFFA called "Cutting-Edge Contras",  
consisting of un-premiered (or very sparsely called) contras. If  
anyone has any dances they'd like to throw my way for  
consideration, please do so!


Cheers,
Maia


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Re: [Callers] In search of un-premiered contras!

[David Harding via Callers]

Here's something I envisioned last fall and have been meaning to post 
for comment.  There were conversations here about gents chains and about 
balancing the activity levels of ladies and gents.  At Squirrel Moon 
Weekend, Tom Hinds called a dance whose details I don't remember, except 
that it started with a gents chain across from Becket formation, 
followed by gents chain on the right diagonal (I think).  About 2/3 of 
the way through the dance, he switched to start with a ladies chain 
across and then on the left diagonal.  It was dramatic how different the 
two versions of the dance felt.  That got me to thinking, why not switch 
each time through to symmetrize the dance, the way modern dances with 
contra corners often do?  Perhaps that's sufficiently disorienting to be 
cutting edge.


I have not had the occasion to call this, but would be happy to hear if 
anyone thinks it's worth giving a try.  I haven't thought through the 
teaching, but imagine that for a group that could handle it, two 
walk-throughs would be useful.


The working title is "Both Sides"
Becket

A1 Gents allemande 1 1/2; Neighbor swing
A2 Long lines forward and back; Gents chain, courtesy turn
B1 Gents left shoulder full hey
B2 Partner balance and swing

Alternate with
A1 Ladies allemande right 1 1/2; Neighbor swing
A2 Long lines; Ladies chain,  courtesy trun
B1 Ladies right shoulder full hey
B2 Partner balance and swing

Dave Harding


On 3/26/2017 8:26 PM, Maia McCormick via Callers wrote:

Hi choreographer folks,

I'm leading a session at NEFFA called "Cutting-Edge Contras", 
consisting of un-premiered (or very sparsely called) contras. If 
anyone has any dances they'd like to throw my way for consideration, 
please do so!


Cheers,
Maia


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[Callers] In search of un-premiered contras!

[Maia McCormick via Callers]

Hi choreographer folks,

I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting of
un-premiered (or very sparsely called) contras. If anyone has any dances
they'd like to throw my way for consideration, please do so!

Cheers,
Maia