Re: [Elecraft] Microphones (was electronic product standards)

2008-02-14 Thread Geoffrey Mackenzie-Kennedy

Thanks for posting your interesting comments Brendan.

Within the context of SSB useage in ham radio I believe that the 'hype about 
audio' could lead to another related problem, if not already existing, which 
is poor use of the HF spectrum available to us. Given the proven fact that a 
SSB transmitter filter bandwidth of 2.1 kHz will result in the transmission 
of a very 'good quality' speech signal, provided that the carrier is 
positioned properly and that the mic - audio - modulator system 
characteristics suit human speech, I see no valid reason for using wider SSB 
filters. In addition to the increased amount of spectrum used, the use of 
wider filters followed by linear amplifiers whose IMD products might be only 
30db or so below a test tone obviously results in a wider 'Interference 
Bandwidth', and should be discouraged IMHO. Adding Reverse ALC to the mix 
can further increase interference.


Just an opinion.

73,
Geoff
GM4ESD


Brendan Minish  [EMAIL PROTECTED] wrote:

snip


These words (in ham radio use anyway) have become marketing speak and
now mean nothing. As a former audio professional I cannot understand why
all the hype about Audio in ham radio and to my ears there's a lot of
money wasted on trying to make SSB into something it isn't.


snip 


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Re: Re: [Elecraft] Microphones (was electronic product standards)

2008-02-14 Thread d.cutter

 I've heard it said that some contest stations deliberately transmit a 
 wider-than-necessary signal to keep competitiors away from their channel.

David
G3UNA

 
  
 Within the context of SSB useage in ham radio I believe that the 'hype about 
 audio' could lead to another related problem, if not already existing, which 
 is poor use of the HF spectrum available to us. Given the proven fact that a 
 SSB transmitter filter bandwidth of 2.1 kHz will result in the transmission 
 of a very 'good quality' speech signal, provided that the carrier is 
 positioned properly and that the mic - audio - modulator system 
 characteristics suit human speech, I see no valid reason for using wider SSB 
 filters. In addition to the increased amount of spectrum used, the use of 
 wider filters followed by linear amplifiers whose IMD products might be only 
 30db or so below a test tone obviously results in a wider 'Interference 
 Bandwidth', and should be discouraged IMHO. Adding Reverse ALC to the mix 
 can further increase interference.
 
 Just an opinion.
 
 73,
 Geoff
 GM4ESD
 

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Re: Re: [Elecraft] Microphones (was electronic product standards)

2008-02-14 Thread Thom LaCosta

On Thu, 14 Feb 2008 [EMAIL PROTECTED] wrote:




I've heard it said that some contest stations deliberately transmit a 
wider-than-necessary signal to keep competitiors away from their channel.


Ahmust be one of those advance the technology things that justify 
contestsgood for everyone.


73 k3hrn
Thom,EIEIO
Email, Internet, Electronic Information Officer

www.baltimorehon.com/Home of the Baltimore Lexicon
www.tlchost.net/hosting/ Web Hosting as low as 3.49/month
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Re: Re: [Elecraft] Microphones (was electronic product standards)

2008-02-14 Thread dj7mgq
I've heard it said that some contest stations deliberately transmit   
a wider-than-necessary signal to keep competitiors away from   
their channel.


I personally would not intentionally transmit a wide signal during a  
contest. It would, imho, be counterproductive, apart from any other  
reasons.


On the small 40m band in Europe, during large contests, you almost can  
not avoid stations sitting on top of each other and/or overlapping.  
Even if I assume that there were no BC stations between 7100kHz and  
7200kHz and that a channel is only 2.5kHz wide, between 7040kHz and  
7200kHz one only has space for 63 running stations without any  
conflicts arising, or using the older limits of 7040kHz to 7100kHz  
space for 23 SSB signals. Here there will always be a certain amount  
of elbowing going on. If one considers all the high powered phase  
noise being radiated and so on, then even a 9+20 signal can be a weak  
signal when compared to 40m contest noise levels. And finding gaps  
between stations can be a real art.


This is why you want to have a signal with a very high average power  
level, but one which is also not wider than necessary.


vy 73 de toby


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Re: Re: [Elecraft] Microphones (was electronic product standards)

2008-02-14 Thread Mike S

At 08:28 AM 2/14/2008, [EMAIL PROTECTED] wrote...

This is why you want to have a signal with a very high average power
level, but one which is also not wider than necessary.


That sounds like CW. :-)  


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RE: Re: [Elecraft] Microphones (was electronic product standards)

2008-02-14 Thread Brett Howard
Agreed... You only get so much area under the curve so why waste it with
width when its height that gets you heard?

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Thursday, February 14, 2008 5:29 AM
To: elecraft@mailman.qth.net
Subject: Re: Re: [Elecraft] Microphones (was electronic product standards)

 I've heard it said that some contest stations deliberately transmit   
 a wider-than-necessary signal to keep competitiors away from   
 their channel.

I personally would not intentionally transmit a wide signal during a  
contest. It would, imho, be counterproductive, apart from any other  
reasons.

On the small 40m band in Europe, during large contests, you almost can  
not avoid stations sitting on top of each other and/or overlapping.  
Even if I assume that there were no BC stations between 7100kHz and  
7200kHz and that a channel is only 2.5kHz wide, between 7040kHz and  
7200kHz one only has space for 63 running stations without any  
conflicts arising, or using the older limits of 7040kHz to 7100kHz  
space for 23 SSB signals. Here there will always be a certain amount  
of elbowing going on. If one considers all the high powered phase  
noise being radiated and so on, then even a 9+20 signal can be a weak  
signal when compared to 40m contest noise levels. And finding gaps  
between stations can be a real art.

This is why you want to have a signal with a very high average power  
level, but one which is also not wider than necessary.

vy 73 de toby


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Re: [Elecraft] Microphones (was electronic product standards)

2008-02-14 Thread Alan Bloom
I read years ago that speech processors like pre-emphasized audio
(louder highs, quieter lows).  And the heavier the processing the more
pre-emphasis is optimum.  Does anyone know if the K3 speech processor
does that automatically?

Al N1AL


On Thu, 2008-02-14 at 01:52, Brendan Minish wrote:
 On Wed, 2008-02-13 at 12:12 -0800, Ron D'Eau Claire wrote:
 
  There were some microphones produced for the communications market back
  then such as the famous Astatic D-104 which had a microphone element with a
  shaped response showing a distinct hump around 3 kHz, rolling off slowly at
  lower frequencies and somewhat faster at higher frequencies. That hump
  helped with articulation by emphasizing the mid-range speech frequencies.
 
 This is a presence peak.
 
  I don't know if anyone is doing that today for mainstream communications
  microphones.
 
 Today Paging Microphones are still specifically designed to have this
 pronounced mid range presence peak and also usually include Quite a bit
 of low frequency Roll off 
 
 Shure have a range of dynamic elements available for this market, that
 have response curves that look remarkably similar to the HC4 and HC5
 elements.
 take a look at the response curve of the Shure 450
 http://www.shure.com/ProAudio/Products/WiredMicrophones/us_pro_450SeriesII_content
 a direct link to just the curve 
 http://www.shure.com/groups/public/@gms_gmi_web_us/documents/web_resource/site_img_us_rc_450series2_larg.gif
 
 the 522 has a broader presence peak
 http://www.shure.com/ProAudio/Products/WiredMicrophones/us_pro_522_content
 Direct to curve 
 http://www.shure.com/stellent/groups/public/@gms_gmi_web_us/documents/web_resource/site_img_us_rc_522_large.gif
 
 elements for these mics (and many others) are available at low cost as
 replacement parts. 
 
 Heil sound plot their curves on a different log scale but after
 accounting for that the similarities are remarkable. 
 http://www.heilsound.com/amateur/products/hc4/index.htm
 
 
 The needs of paging systems which include efficient use of limited power
 and maximum intelligibility in noisy environments are pretty much
 identical to our requirements for effective SSB modulation. Any well
 made paging/ Dispatch mic (or element..) is ideal for amateur radio use,
 most are far more durable and cost effective than 'the made for ham
 radio' stuff that is popular these days.  
 
   Even the high end Ham mics only offer general and
  uninformative comments about shaping and clarity that say much and
  convey little.
 
 These words (in ham radio use anyway) have become marketing speak and
 now mean nothing. As a former audio professional I cannot understand why
 all the hype about Audio in ham radio and to my ears there's a lot of
 money wasted on trying to make SSB into something it isn't.
   
   Interestingly, one of the big exceptions is the inexpensive
  little Radio Shack electret element. It comes with a frequency response
  chart showing a very flat response across the audio spectrum.
 
 If you are looking for flat then these are a great place to start,
 however the design of the housing may have quite an impact on how things
 sound, this can be used to your advantage to create a presence peak or
 LF roll off.
 
 My own headset is based on a salvaged electret condenser mic with some
 audio tailoring done by means of a simple R/C filter, being lazy I
 copied the circuit of an Icom handmic. It works great and cost me almost
 nothing.   
 
 73's Brendan EI6IZ  

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