Re: [Finale] Check Missing Accidentals Plugin?

2011-11-07 Thread Jari Williamsson
On 2011-11-06 16:02, Colin Broom wrote:
>
> Finale 2012, Windows 7.

Check your mailbox. Let me know if you haven't received anything from me.


Best regards,

Jari Williamsson

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Re: [Finale] Check Missing Accidentals Plugin?

2011-11-06 Thread Colin Broom

Finale 2012, Windows 7.
C.

--
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colin_br...@hotmail.com
--


> Date: Sun, 6 Nov 2011 10:12:32 +0100
> From: jari.williams...@mailbox.swipnet.se
> To: finale@shsu.edu
> Subject: Re: [Finale] Check Missing Accidentals Plugin?
> 
> On 2011-11-03 23:52, Colin Broom wrote:
> 
> > I spend a lot of time tweaking note durations in my writing.
> > Invariably I find myself deleting notes in a tied group, including
> > the first one.  If the pitch that I delete has an accidental
> > attached to it, then I have to make sure I use the show
> > accidental command in simple entry on the remaining notes,
> > otherwise D# will look like D naturals, etc. I do this as I
> > go along, but I do occasionally miss some and have to go
> > through and check for missing accidentals.
> > My question is, is there a plugin that checks for
> > missing accidentals?
> 
> What Finale version and platform are you using?
> 
> 
> Best regards,
> 
> Jari Williamsson
> 
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Re: [Finale] Check Missing Accidentals Plugin?

2011-11-06 Thread Jari Williamsson
On 2011-11-03 23:52, Colin Broom wrote:

> I spend a lot of time tweaking note durations in my writing.
> Invariably I find myself deleting notes in a tied group, including
> the first one.  If the pitch that I delete has an accidental
> attached to it, then I have to make sure I use the show
> accidental command in simple entry on the remaining notes,
> otherwise D# will look like D naturals, etc. I do this as I
> go along, but I do occasionally miss some and have to go
> through and check for missing accidentals.
> My question is, is there a plugin that checks for
> missing accidentals?

What Finale version and platform are you using?


Best regards,

Jari Williamsson

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[Finale] Check Missing Accidentals Plugin?

2011-11-03 Thread Colin Broom

I spend a lot of time tweaking note durations in my writing.  Invariably I find 
myself deleting notes in a tied group, including the first one.  If the pitch 
that I delete has an accidental attached to it, then I have to make sure I use 
the show accidental command in simple entry on the remaining notes, otherwise 
D# will look like D naturals, etc. I do this as I go along, but I do 
occasionally miss some and have to go through and check for missing accidentals.
My question is, is there a plugin that checks for missing accidentals? 
C. 
--
Colin Broom



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Re: [Finale]Check range

2011-05-13 Thread John Howell

At 12:09 AM -0400 5/14/11, timothy.price wrote:
The difference between "intermediate" and 
"advanced" became a bit restrictive, most 
notably with the f french horns.  The lowest 
written note permitted was a
F in the base clef  below middle C when I would 
like to take it down to the B.  Actual pitch 
lowest sound would be, in "intermediate" ,  C 
... but the advanced setting allows another full 
octave  bellow to the low B. 

So, as the horns are important here... the 
trombones have other business,  I would like to 
keep the lower range in the french horns, but I 
do
not want to make the music too difficult to 
produce a good tone with a community orchestra. 
I have heard them play the overture to Candide,

but I have no idea of their range in that piece.


OK, first off, range does not depend on the 
technical level of the player (with the obvious 
exception of the upper range on brass 
instruments.  I was playing horn notes down into 
the pedal range and up to Dvorsák's high C when I 
was in junior high school!  So "community 
orchestra" is not a useful description of 
competence level.  Around here there are some 
awfully good community orchestra players, many of 
them with professional training and experience 
who might actually be earning a living at 
something else or raising a family.


But the repertoire the orchestra plays IS an 
indicator of how competent the players are. 
"Candide" is challenging music, both technically 
and musically, so if they can handle that they 
should be able to handle any reasonable demands.


In other words, don't worry about it, just write 
the notes you want!  But what you MIGHT find is a 
dropoff between first chair and 4th chair players 
that's greater than in a professional orchestra, 
so you might want to think carefully before 
writing any exposed 4th horn solos.  And do 
remember that there's still a feeling in the horn 
world that a player might be a high horn player 
(1st or 3rd) or a low horn player (2nd or 4th) 
going back to the days when horns were written 
for in pairs in different keys.


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts & Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

"We never play anything the same way once."  Shelly Manne's definition
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Re: [Finale]Check range

2011-05-13 Thread timothy . price
The difference between "intermediate" and "advanced" became a bit restrictive, 
most notably with the f french horns.  The lowest written note permitted was a
F in the base clef  below middle C when I would like to take it down to the B.  
Actual pitch lowest sound would be, in "intermediate" ,  C ... but the advanced 
setting allows another full octave  bellow to the low B.  

So, as the horns are important here... the trombones have other business,  I 
would like to keep the lower range in the french horns, but I do 
not want to make the music too difficult to produce a good tone with a 
community orchestra. I have heard them play the overture to Candide,
but I have no idea of their range in that piece.

t



On May 13, 2011, at 7:41 PM, Lee Actor wrote:

> Are there specific instruments you're worried about?
> 
> -Lee
> 
>> From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu]On Behalf
>> Of timothy.price
>> Sent: Friday, May 13, 2011 4:22 PM
>> 
>> When we use "check range" when writing for a competent community 
>> orchestra, is there any problem with setting the
>> parameter to "advanced" for all instruments ?
>> 
>> thanks,
>> 
>> tim
>> 
>> 
>> 
>> On May 13, 2011, at 7:09 PM, John Howell wrote:
>> 
>>> At 2:53 PM -0700 5/13/11, Mark D Lew wrote:
 
 Mahler writes the chorus down to Bb2 in his Symphony #2 (the 
>> basses are divisi, with the others on the next octave up).
>>> 
>>> I didn't know that, but he and Strauss also wrote some piccolo 
>> parts down to low C and flute parts down to low Bb.  The key, I 
>> think, is that he DID know who he was writing for, and knew that 
>> it would be sung, just as he knew that some flutemaker in Vienna 
>> was experimenting with extra-low flutes and piccolos and that his 
>> flute players could get them.
>>> 
>>> You write for what's available.  It's that simple.  Every time 
>> Broadwood shipped a new piano with an extended range to 
>> Beethoven, he started using the extra high and low notes 
>> immediately.  The difference with Stravinsky is that I'm not sure 
>> he could have known in advance that the extremes he wrote COULD 
>> be played.  Josquin (or Pierre de la Rue) also wrote the bass 
>> down to a low Bb at the end of "," but again we don't know 
>> what pitch standard he was writing for.  I assume that Mahler was 
>> writing for somewhere around 435 to 450, if not necessarily 440.
>>> 
>>> John
>>> 
>>> 
>>> -- 
>>> John R. Howell, Assoc. Prof. of Music
>>> Virginia Tech Department of Music
>>> College of Liberal Arts & Human Sciences
>>> Blacksburg, Virginia, U.S.A. 24061-0240
>>> Vox (540) 231-8411  Fax (540) 231-5034
>>> (mailto:john.how...@vt.edu)
>>> http://www.music.vt.edu/faculty/howell/howell.html
>>> 
>>> "We never play anything the same way once."  Shelly Manne's definition
>>> of jazz musicians.
>>> ___
>>> Finale mailing list
>>> Finale@shsu.edu
>>> http://lists.shsu.edu/mailman/listinfo/finale
>> 
>> timothy.price
>> timothy.pr...@valley.net
>> 
>> 
>> 
>> 
>> 
>> ___
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>> 
> ___
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timothy.pr...@valley.net





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RE: [Finale]Check range

2011-05-13 Thread Lee Actor
Are there specific instruments you're worried about?

-Lee

> From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu]On Behalf
> Of timothy.price
> Sent: Friday, May 13, 2011 4:22 PM
> 
> When we use "check range" when writing for a competent community 
> orchestra, is there any problem with setting the
> parameter to "advanced" for all instruments ?
> 
> thanks,
> 
> tim
> 
> 
> 
> On May 13, 2011, at 7:09 PM, John Howell wrote:
> 
> > At 2:53 PM -0700 5/13/11, Mark D Lew wrote:
> >> 
> >> Mahler writes the chorus down to Bb2 in his Symphony #2 (the 
> basses are divisi, with the others on the next octave up).
> > 
> > I didn't know that, but he and Strauss also wrote some piccolo 
> parts down to low C and flute parts down to low Bb.  The key, I 
> think, is that he DID know who he was writing for, and knew that 
> it would be sung, just as he knew that some flutemaker in Vienna 
> was experimenting with extra-low flutes and piccolos and that his 
> flute players could get them.
> > 
> > You write for what's available.  It's that simple.  Every time 
> Broadwood shipped a new piano with an extended range to 
> Beethoven, he started using the extra high and low notes 
> immediately.  The difference with Stravinsky is that I'm not sure 
> he could have known in advance that the extremes he wrote COULD 
> be played.  Josquin (or Pierre de la Rue) also wrote the bass 
> down to a low Bb at the end of "," but again we don't know 
> what pitch standard he was writing for.  I assume that Mahler was 
> writing for somewhere around 435 to 450, if not necessarily 440.
> > 
> > John
> > 
> > 
> > -- 
> > John R. Howell, Assoc. Prof. of Music
> > Virginia Tech Department of Music
> > College of Liberal Arts & Human Sciences
> > Blacksburg, Virginia, U.S.A. 24061-0240
> > Vox (540) 231-8411  Fax (540) 231-5034
> > (mailto:john.how...@vt.edu)
> > http://www.music.vt.edu/faculty/howell/howell.html
> > 
> > "We never play anything the same way once."  Shelly Manne's definition
> > of jazz musicians.
> > ___
> > Finale mailing list
> > Finale@shsu.edu
> > http://lists.shsu.edu/mailman/listinfo/finale
> 
> timothy.price
> timothy.pr...@valley.net
> 
> 
> 
> 
> 
> ___
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> 
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Re: [Finale]Check range

2011-05-13 Thread timothy . price


When we use "check range" when writing for a competent community orchestra, is 
there any problem with setting the
parameter to "advanced" for all instruments ?

thanks,

tim



On May 13, 2011, at 7:09 PM, John Howell wrote:

> At 2:53 PM -0700 5/13/11, Mark D Lew wrote:
>> 
>> Mahler writes the chorus down to Bb2 in his Symphony #2 (the basses are 
>> divisi, with the others on the next octave up).
> 
> I didn't know that, but he and Strauss also wrote some piccolo parts down to 
> low C and flute parts down to low Bb.  The key, I think, is that he DID know 
> who he was writing for, and knew that it would be sung, just as he knew that 
> some flutemaker in Vienna was experimenting with extra-low flutes and 
> piccolos and that his flute players could get them.
> 
> You write for what's available.  It's that simple.  Every time Broadwood 
> shipped a new piano with an extended range to Beethoven, he started using the 
> extra high and low notes immediately.  The difference with Stravinsky is that 
> I'm not sure he could have known in advance that the extremes he wrote COULD 
> be played.  Josquin (or Pierre de la Rue) also wrote the bass down to a low 
> Bb at the end of "," but again we don't know what pitch standard he was 
> writing for.  I assume that Mahler was writing for somewhere around 435 to 
> 450, if not necessarily 440.
> 
> John
> 
> 
> -- 
> John R. Howell, Assoc. Prof. of Music
> Virginia Tech Department of Music
> College of Liberal Arts & Human Sciences
> Blacksburg, Virginia, U.S.A. 24061-0240
> Vox (540) 231-8411  Fax (540) 231-5034
> (mailto:john.how...@vt.edu)
> http://www.music.vt.edu/faculty/howell/howell.html
> 
> "We never play anything the same way once."  Shelly Manne's definition
> of jazz musicians.
> ___
> Finale mailing list
> Finale@shsu.edu
> http://lists.shsu.edu/mailman/listinfo/finale

timothy.price
timothy.pr...@valley.net





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Re: [Finale] Check

2008-10-11 Thread dhbailey

There hasn't been much recently.

David H. Bailey

Dean M. Estabrook wrote:
Yeah, I obviously got your reply, and a couple of others, but I don't 
seem to be getting the normal list traffic, unless there hasn't been any.


Dean

On Oct 10, 2008, at 2:56 PM, Dana Friedman wrote:


At 02:25 PM 10/10/2008, you wrote:

Is anybody out there, or have I been unsubscribed again?


I see you..but..I wonder, can someone please respond to me? I'm 
getting messages, but...I'm guessing maybe no one's seeing mine?


Thanks,
Dana
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"When I am working on a problem, I never think about beauty. But 
when I have finished, if the solution is not beautiful, I know it 
is wrong. "


R. Buckminster Fuller






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Re: [Finale] Check

2008-10-10 Thread Dana Friedman

At 05:59 PM 10/10/2008, you wrote:


On 10.10.2008, at 21:56, Dana Friedman wrote:


At 02:25 PM 10/10/2008, you wrote:

Is anybody out there, or have I been unsubscribed again?


I see you..but..I wonder, can someone please respond to me? I'm
getting messages, but...I'm guessing maybe no one's seeing mine?

Thanks,
Dana


I see you


Thanks! 


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Re: [Finale] Check

2008-10-10 Thread Dean M. Estabrook
Yeah, I obviously got your reply, and a couple of others, but I don't  
seem to be getting the normal list traffic, unless there hasn't been  
any.


Dean

On Oct 10, 2008, at 2:56 PM, Dana Friedman wrote:


At 02:25 PM 10/10/2008, you wrote:

Is anybody out there, or have I been unsubscribed again?


I see you..but..I wonder, can someone please respond to me? I'm  
getting messages, but...I'm guessing maybe no one's seeing mine?


Thanks,
Dana
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"When I am working on a problem, I never think about beauty. But  
when I have finished, if the solution is not beautiful, I know  
it is wrong. "


R. Buckminster Fuller






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Re: [Finale] Check

2008-10-10 Thread Jón Kristinn Cortez


On 10.10.2008, at 21:56, Dana Friedman wrote:


At 02:25 PM 10/10/2008, you wrote:

Is anybody out there, or have I been unsubscribed again?


I see you..but..I wonder, can someone please respond to me? I'm  
getting messages, but...I'm guessing maybe no one's seeing mine?


Thanks,
Dana


I see you

Cortez
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Re: [Finale] Check

2008-10-10 Thread YATESLAWRENCE
 
 
In a message dated 10/10/2008 22:57:00 GMT Daylight Time,  
[EMAIL PROTECTED] writes:

I see  you..but..I wonder, can someone please respond to me? I'm 
getting  messages, but...I'm guessing maybe no one's seeing  mine?


Receiving (this reply sent to list and privately
 
lawrenceyates.co.uk



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Re: [Finale] Check

2008-10-10 Thread Phil Daley

The list is working


At 10/10/2008 02:25 PM, Dean M. Estabrook wrote:

>Is anybody out there, or have I been unsubscribed again?
>
>Dean
>
>
>Dean M. Estabrook
>http://deanestabrook.googlepages.com/home
>
> "When I am working on a problem, I never think about beauty. But
> when I have finished, if the solution is not beautiful, I know
> it is wrong. "
>
> R. Buckminster Fuller
>
>
>
>
>
>___
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> 


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Re: [Finale] Check

2008-10-10 Thread Dana Friedman

At 02:25 PM 10/10/2008, you wrote:

Is anybody out there, or have I been unsubscribed again?


I see you..but..I wonder, can someone please respond to me? I'm 
getting messages, but...I'm guessing maybe no one's seeing mine?


Thanks,
Dana 


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Re: [Finale] Check

2008-10-10 Thread YATESLAWRENCE
 
 
In a message dated 10/10/2008 19:28:11 GMT Daylight Time,  [EMAIL PROTECTED] 
writes:

Is  anybody out there, or have I been unsubscribed again?


You're getting through, but are you receiving?
(This sent to list and privately)
 
lawrenceyates.co.uk



**   
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[Finale] Check

2008-10-10 Thread Dean M. Estabrook

Is anybody out there, or have I been unsubscribed again?

Dean


Dean M. Estabrook
http://deanestabrook.googlepages.com/home

"When I am working on a problem, I never think about beauty. But  
when I have finished, if the solution is not beautiful, I know  
it is wrong. "


R. Buckminster Fuller






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[Finale] check your 2k8a install for proper version

2007-12-13 Thread Randolph Peters

Here is a tip for users of the FinMac 2k8a upgrade.

Make sure the upgraded version of Finale is 2008a.r1 in the info 
window or alternately, 13.0a.r1 in the preview pane.


The previous version of Finale was 2008.r2 in the info window and 
13.0.r2 in the preview pane.


The problem with the 2k8a updater is that it only seems to work 
properly if your Finale 2008 folder is directly in the Applications 
folder. I had mine a folder deeper (for music applications, 
naturally) so the updater made a new folder in the Applications 
folder with the updated files.


I checked my Finale version and was fooled by the ".r2" part thinking 
it was the second release, that is, Finale 2008a. I didn't check the 
Applications folder because I thought the update had done its work. 
That's why I continued to have problems with the program.


The updated files were in the Applications folder but hadn't been 
properly integrated. A second minor problem is that the updater 
creates a folder called "PreUpdate" which contains duplicates of 
files that needed to be integrated into other folders. (They are, so 
no need to do it again.)


So, in short, the new version is 2008a.r1 and the older version was 
2008.r2 . If you are having problems with your Finale, you might be 
using the wrong version of the program by mistake.


-Randolph Peters
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Re: [Finale] Check Ties?

2007-02-27 Thread Johannes Gebauer

On 27.02.2007 Dean M. Estabrook wrote:

Well, there you go ... I never was aware there was such a plugin.


It's not actually a plugin, it has been present in Finale since I know 
Finale (something like 3.2).


Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de

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Re: [Finale] Check Ties?

2007-02-27 Thread Dean M. Estabrook

Well, there you go ... I never was aware there was such a plugin.

Dean

On Feb 26, 2007, at 9:00 PM, Eric Dannewitz wrote:


It works fine. I used it today.

Matthew Hindson fastmail acct wrote:
Can anyone else confirm that this utility doesn't work any more  
under Finale 2007 Mac?


Matthew
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Galileo was able to help debunk some of the tightly held articles  
of faith in the Catholic Church ... could science possibly be  
correct again?







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Re: [Finale] Check Ties?

2007-02-26 Thread Eric Dannewitz

It works fine. I used it today.

Matthew Hindson fastmail acct wrote:
Can anyone else confirm that this utility doesn't work any more under 
Finale 2007 Mac?


Matthew
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Re: [Finale] Check Ties?

2007-02-26 Thread Darcy James Argue
Works for me in FinMac 2007c. I do recall problems in the original  
release, though.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 26 Feb 2007, at 11:49 PM, Matthew Hindson fastmail acct wrote:

Can anyone else confirm that this utility doesn't work any more  
under Finale 2007 Mac?


Matthew
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[Finale] Check Ties?

2007-02-26 Thread Matthew Hindson fastmail acct
Can anyone else confirm that this utility doesn't work any more under 
Finale 2007 Mac?


Matthew
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