date:20031103

FLUXLIST: Fwd: [.grupo arte correo.] Errata and Contradiction (Visual Poetry / Art at Harvard University)

2003-11-03 Thread John M. Bennett


Date: Sat, 01 Nov 2003 01:56:14 +
From: cadixvidocq <[EMAIL PROTECTED]>
Subject: [.grupo arte correo.] Errata and Contradiction (Visual Poetry / 
Art at
 Harvard University)
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Errata and Contradiction:
An exhibition of visual poetry
And artwork built on/from/around words and letters.
To be held at Harvard University (Dudley House), Spring 2004.
Deadline for submissions: 8 December 2003
This is a general call for submissions for "Errata and
Contradiction". We are looking for visual poetry and all forms of
artwork built on/from/around words and letters, on the theme of
errata and contradiction.
Main types of submission sought include:
-Visual Poetry
-Mail Art (postcards etc.)
-Visual Art (drawings, paintings, collages, photographs, etc.)
-Electronic Art (.JPEG images, movies, etc.)
-Short films (< 5minutes) on DVD, VHS etc.
-Sound/Music on CD, MP3 etc.
- You may also submit (electronically or in hardcopy) new versions of
the following image ("Screw Up", by Phillip John Usher).
This exhibition is organized by Phillip John Usher and Melissa
Shields, the literary fellows of Harvard University 's Dudley House,
and will take place in Spring 2004. Exact dates have yet to be set.
The exhibition, open to the public on the opening evening, will
feature submitted art work and will coincide with the launch of the
2004 edition of the Dudley Review, a literary magazine edited by
Dudley House. More details as to the date of the opening event, and
regarding the duration and dates of the exhibition will be made
available shortly. Most of the exhibit will also be available online.
Local media will be made aware of the exhibition.
All inquires should be addressed to [EMAIL PROTECTED]
Submissions can be made electronically, or by snail mail to: Literary
Fellows, Dudley House 3 rd Floor, Lehman Hall, Harvard University,
Cambridge, MA 02138, USA.
For more information, see:
http://www.fas.harvard.edu/~dudley/literary


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__
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]
___

FLUXLIST: invitation and news

2003-11-03 Thread ART ELECTRONICS

Three news and invitations:

D'ARS PRIZE
Caterina Davinio will receive Italian National Prize O. Signorini - D'ARS
2003,
in Milan on December 18 2003, for her work in new media art and poetry.
Special report in the art journal D'ARS and solo exhibition in the D'Ars
space starting on December 18. Special Thanks to Pierre Restany and D'Ars
team.
You all are invited on December 18 at D'Ars space at Giardino A. Calderini 3
(V. Sant'Agnese), to fest together Davinio's prize and to remember the great
Pierre Restany, who directed D'Ars until his death in May 2003.

New N. 2
Don't forget GATES is still in course and it is possible to join until
December 31 (extended dead line).
GATES was featured in the "BolgWork - The Network is the Artwork", a nice
project of the last, just finished, 50th Biennale di Venezia, where also
Davinio's
GLOBAL POETRY (2002), PAINT FROM NATURE (2002) net.art projects were
mentioned.
To know how to submit:
http://members.xoom.virgilio.it/davinio/GATES/gateshowtojoin.htm

New N. 3
Don't miss " Interfaces 03 " meeting, Roma University II Tor
Vergata, where I am going to speak about my essay Techno-Poetry and Virtual
Realities and to show digital works (video and net).
On November 6, 05.00 PM. Aula Magna edificio Sogene (Scienze M F N). I hope
to see some of you.

--
Other exhibitions in course:

>Karenina.it is one of the seven international projects selected for Mad 03,
new media and experimental art festival in Madrid. October 24, until
November 19. In the festival are also exhibited some of my video works, and
video-performances.

>E- Fluxus net-video-performance "Davinio for Mr Bowman's Fried/Frozen
Events 2003", featured for the first time in the USA in the San Francisco
Performance Cinema Symposium, on Sptember 27th, has been now selected for
Observatori festival in Valencia, Spain, at Museum of Sciences Principe
Felipe in the City of the Arts of Valencia.

Hope to see you all soon
Caterina Davinio & Karenina.it Staff


Karenina.it Experimental
http://members.xoom.virgilio.it/kareninazoom/kareninarivista.html

This is a personal invitation. Forwarding or dispersion of this message and
of its content is prohibited. Karenina.it Press Office.

FLUXLIST: brunt

2003-11-03 Thread John M. Bennett












brunt of


steaming pile
















trounce


him






__
Dr. John M. Bennett 
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA

(614) 292-3029
[EMAIL PROTECTED]
___

FLUXLIST: raging

2003-11-03 Thread John M. Bennett












raging in the mush


)bow out


Clung sky  


!
















bomb
moomb
plud
rents










__
Dr. John M. Bennett 
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA

(614) 292-3029
[EMAIL PROTECTED]
___

FLUXLIST: roster zap

2003-11-03 Thread John M. Bennett

roster zap

roster nap mighty flavor
smothers rants bung noodling
sank the brought knocks
foul dog airborne
bing cub club moat
goat lube cube ming
born a frog scowl
clocks wrought the bank
nodding lung trance smoulders
favor nightly lap fosters
posture shoulders sank owl
miter gung bought cog
ding boat elbowed socks
tub tube hog thief
poodled waver monster slathers
traipse lapis niger lunge
rank towel cling smote
rouge aft lab crib
torn hocks slobbing liver
clog theme slants zap


John M. Bennett & Jim Leftwich
__
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]
___

FLUXLIST: Date: Mon, 3 Nov 2003 12:26:54 -0700

2003-11-03 Thread jonah hex




 
 
 
 
 
 
 
 
 
 
nice 
and 
neat

FLUXLIST: Date: Mon, 3 Nov 2003 12:35:35 -0700

2003-11-03 Thread jonah hex




 
 
 
 
 
 
 
 
 
 
nice and 
neat

FLUXLIST: Date: Mon, 3 Nov 2003 12:36:03 -0700

2003-11-03 Thread jonah hex

FLUXLIST: Merce Cunningham

2003-11-03 Thread LeClaire, Candace

FYI to All - 

I read this article about Merce Cunningham's anniversary performance a while
back - just getting around to sharing it with you.  Sounds like it was a
pretty cool event.  Choice music, costume, lighting, etc...

Candace.


> Entertainment  10/15/2003  18:08:30 EST 
>  JACK VARTOOGIAN/AP Photo 
> Cunningham Anniversary Ends on 'Sides' 
> By CLAUDIA LA ROCCO 
> Associated Press Writer 
> 
> 
> Raising a frail hand, 84-year-old choreographer Merce Cunningham
> acknowledged 
> the audience's lengthy and loud standing ovation. And his dancers had yet
> to 
> perform.
> 
> The sold-out audience was primed for a stellar performance Tuesday night
> as the 
> Brooklyn Academy of Music wrapped up the Merce Cunningham Dance Company's
> 50th 
> anniversary season with the world premiere of "Split Sides."
> 
> Cunningham delivered, beginning with his now ritualistic roll of the dice
> to 
> determine the order of the night's performance.
> 
> Flanked by his dancers and rockers Radiohead and Icelandic band Sigur Ros,
> 
> Cunningham and a cast of artistic luminaries - artists Jasper Johns and
> Robert 
> Rauschenberg and former dancers Caroline Brown and Sage Cowles - threw
> four 
> times to set the order of music, decor, costumes and lighting. The 
> choreography's order, "Section A" and then "B," had been determined a bit 
> earlier to give the dancers time to rehearse the transition.
> 
> Thursday night's rolls decided that Radiohead would perform its 20-minute
> piece 
> before Sigur Ros. Robert Heishman's set would be followed by Catherine
> Yass' 
> set. James Hall's black and white costumes would precede his color
> costumes. 
> James F. Ingalls' 300 lighting series would be followed by his 200 series.
> 
> True to Cunningham's famous love of chance, any or all of this could
> change in 
> subsequent performances. But as you watch the piece, it is difficult to
> imagine 
> or remember that all the work's elements had been created independent of
> each 
> other.
> 
> This was particularly true during "Section B," when the minimal,
> lullabylike 
> music of Sigur Ros was eerily matched to angular yet oddly tender duets. 
> Cunningham's penchant for setting ballet positions slightly off kilter, 
> combined with a repeated sound such as a crank being wound up, brought to
> mind 
> the mechanical movements of music box ballerinas.
> 
> Of course, given Cunningham's avoidance of plot, viewers can imagine
> anything 
> they want - constructing narratives only to occasionally remember that the
> 
> gentle Sigur Ros music guiding their emotional responses could just as
> easily 
> be Radiohead's densely layered electronica and voice samplings. Or that 
> Heishman's wintery abstract landscape in "Section A" might instead have
> been 
> Yass' ghostly, refracted skyscrapers.
> 
> While future audiences will judge subsequent combinations, the gods of
> chance 
> smiled on Cunningham Thursday night.
> 
> "Split Sides" felt more thought out than the night's opening dance, "Fluid
> 
> Canvas," a New York premiere. Set to John King's heavy "longtermparking"
> and 
> performed in front of a stream of images that sometimes resembled a
> computer's 
> screen saver, the futuristic work too often lost itself in its quirky, 
> repetitive patterns.
> 
> Still, the piece contained more than a few remarkable passages, including
> a 
> superb solo by Derry Swan, who cut jagged patterns across the stage as a
> small 
> sliver of white light expanded on the screen behind her.
> 
> Merce Cunningham Dance Company performs at BAM though Oct. 18.
> 
> ___
> 
> On the Net:
> 
> Brooklyn Academy of Music: www.bam.org
> 
> Merce Cunningham Dance Company: www.merce.org
> 
> 
> Copyright 2003 Associated Press. All rights reserved. This material may
> not be 
> published, broadcast, rewritten, or redistributed.
> 
> 
> 
> 
> 
> 
>  
>
> 
>