[Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread Alex MacKenzie
Does anyone have any expertise/experience around increasing bulb wattage over 
and above that recommended by projector manufacturer?
I want to brighten a 24V/250W 16mm bulb setup, but I obviously don’t want any 
electrical fires or overheating internally. Is there a breathing area where 
little if anything would need to be changed internally that is safe? (And no, I 
don’t want any water-cooled, heat-sinked LED setup, already researched that and 
it is a bad idea on many fronts.)
Thanks.
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Re: [Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread Scott Dorsey
Well, what is the projector?

For the most part it's probably a bad idea.  One exception is that if you
have projectors that use ordinary incandescent lamps, replacing those with
halogen lamps of the same input power and adjusting the condenser and mirror
assemblies can give you added brightness safely.

But if you have a 24V/250W lamp like the FJL lamp used in the Bauer 
classroom projectors, you already have about the brightest lamp you're going
to get with that input power.

Have you considered upgrading to a brighter projector?  There are plenty
of the Bell and Howell 500-series projectors out there and they are 
bright and fairly light on film.  The 300-series are even lighter on film
although more bulky.  Avoid the auto-thread 500-series ones, though.
--scott
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Re: [Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread George, Sherman
Given that the bulb is 24 Volts means that is powered by a transformer. 
Installing a bulb with higher current would probably overheat the transformer 
resulting in excess smoke-never a good thing in electric devices.
Sherman

On May 8, 2014, at 7:55 AM, Alex MacKenzie wrote:

> Does anyone have any expertise/experience around increasing bulb wattage over 
> and above that recommended by projector manufacturer?
> I want to brighten a 24V/250W 16mm bulb setup, but I obviously don’t want any 
> electrical fires or overheating internally. Is there a breathing area where 
> little if anything would need to be changed internally that is safe? (And no, 
> I don’t want any water-cooled, heat-sinked LED setup, already researched that 
> and it is a bad idea on many fronts.)
> Thanks.
> ___
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Sherman George
sgeo...@ucsd.edu
858-229-4368



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[Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Julia Gouin
*Dear all, *

*I am looking for films and videos that deal either thematically or
technically with the idea of radio and radio diffusion. *
*Any titles that come to your mind? *

*Many thanks in advance for your thoughts*

Julia Gouin
Administratrice

ATTENTION / / NOUVELLE ADRESSE / /
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[Frameworks] wireless transmission to phones?

2014-05-08 Thread Alex MacKenzie
While maybe a little outside regular topics, I wonder if anyone has experience 
transmitting an audio signal to multiple mobile phones.
I am planning some outdoor screenings and would love to have the option 
available for people to plug in their headphones and hear the show more clearly 
this way. It opens up the possibility of doing screenings in areas that have 
louder environmental (read: cars) sound as well.
I am familiar with the mini fm radio transmission option a la Tetsuo Kogawa, 
but nobody regularly carries FM receivers with them anymore, and it would be 
nice to take advantage of walk-by traffic. Bluetooth is limited to 7 receivers 
I believe, so I was thinking of a live audio broadcast that people could find 
on the web maybe…? But audio delay is obviously no good. Any thoughts or input 
would be greatly appreciated.


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Re: [Frameworks] wireless transmission to phones?

2014-05-08 Thread Bryan McManus
Don't have an answer, but would be interested to hear if you do find one.



On Thu, May 8, 2014 at 1:33 PM, Alex MacKenzie wrote:

> While maybe a little outside regular topics, I wonder if anyone has
> experience transmitting an audio signal to multiple mobile phones.
> I am planning some outdoor screenings and would love to have the option
> available for people to plug in their headphones and hear the show more
> clearly this way. It opens up the possibility of doing screenings in areas
> that have louder environmental (read: cars) sound as well.
> I am familiar with the mini fm radio transmission option a la Tetsuo
> Kogawa, but nobody regularly carries FM receivers with them anymore, and it
> would be nice to take advantage of walk-by traffic. Bluetooth is limited to
> 7 receivers I believe, so I was thinking of a live audio broadcast that
> people could find on the web maybe…? But audio delay is obviously no good.
> Any thoughts or input would be greatly appreciated.
>
>
>
> ___
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>
>


-- 
Bryan McManus *|* Filmmaker, Artist
call  828.508.1129
write  bryanhaysmcma...@gmail.com
see  bryanmcmanus.com
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Re: [Frameworks] wireless transmission to phones?

2014-05-08 Thread Sean Weitzel
The idea here would be to stream your audio to a streaming audio service,
and the audience would use the app to listen to the stream. The big problem
is going to be audio sync. Typically services like ustream the viewer sees
or hears the content several seconds later. Even if you had the ability to
stream the audio to a real telephone service, there would still be a delay
plus the audience would be burning up minutes and battery life to listen
in. In reality the best way would be to broadcast over FM. The problem is
the most popular phones don't have an FM receiver though. There are ipods
that have FM radio so that might address some of the audience.


On Thu, May 8, 2014 at 11:34 AM, Bryan McManus
wrote:

> Don't have an answer, but would be interested to hear if you do find one.
>
>
>
> On Thu, May 8, 2014 at 1:33 PM, Alex MacKenzie 
> wrote:
>
>> While maybe a little outside regular topics, I wonder if anyone has
>> experience transmitting an audio signal to multiple mobile phones.
>> I am planning some outdoor screenings and would love to have the option
>> available for people to plug in their headphones and hear the show more
>> clearly this way. It opens up the possibility of doing screenings in areas
>> that have louder environmental (read: cars) sound as well.
>> I am familiar with the mini fm radio transmission option a la Tetsuo
>> Kogawa, but nobody regularly carries FM receivers with them anymore, and it
>> would be nice to take advantage of walk-by traffic. Bluetooth is limited to
>> 7 receivers I believe, so I was thinking of a live audio broadcast that
>> people could find on the web maybe…? But audio delay is obviously no good.
>> Any thoughts or input would be greatly appreciated.
>>
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> --
> Bryan McManus *|* Filmmaker, Artist
> call  828.508.1129
> write  bryanhaysmcma...@gmail.com
> see  bryanmcmanus.com
>
>
> ___
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> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Chuck Kleinhans

On May 8, 2014, at 9:59 AM, Julia Gouin 
mailto:ad...@cjcinema.org>> wrote:

Dear all,

I am looking for films and videos that deal either thematically or technically 
with the idea of radio and radio diffusion.
Any titles that come to your mind?


In the US there were a number of Hollywood films in the 1930’s that used sound 
film to make dramatic musical comedies using musicians and singers who were 
well known to the public from the new technology of broadcast radio often 
employing the “backstage musical” motif about a radio show:  E.g.. The Big 
Broadcast.  And the famous first music video when MTV launched: ”TV Killed the 
Radio Star”.

Also in the narrative film vein, there’s the start of Renoir’s RULES OF THE 
GAME, the ham radio bit in Godard’s TWO OR THREE THINGS I KNOW ABOUT HER, etc.

The connections are virtually endless: 40k’s cop films that show police using 
the brand new technology of police  band radio to communicate; the trope of the 
late night radio personality speaking to night owls, etc.  For Hollywood you 
can do a simple search on IMDB using terms like radio, broadcast, etc to come 
up with lists.

Chuck





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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Tom Whiteside
Felix the Cat stars in the 1923 short “Felix Gets Broadcasted,” he gets sent 
(physically, by radio!) to Egypt. It’s just a cartoon, but I have always 
thought it interesting the way he gets sent by “wireless.”

Tom Whiteside
Durham Cinematheque
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of 
Julia Gouin
Sent: Thursday, May 08, 2014 1:00 PM
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] Looking for films about the radio and on air diffusion

Dear all,
I am looking for films and videos that deal either thematically or technically 
with the idea of radio and radio diffusion.
Any titles that come to your mind?
Many thanks in advance for your thoughts

Julia Gouin
Administratrice
ATTENTION / / NOUVELLE ADRESSE / /
[Image removed by sender.]

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Re: [Frameworks] wireless transmission to phones?

2014-05-08 Thread Bryan McManus
With a several seconds delay - can you manually offset the audio by a few
seconds to compensate, or is it not a constant delay from device to device?


On Thu, May 8, 2014 at 1:45 PM, Sean Weitzel  wrote:

> The idea here would be to stream your audio to a streaming audio service,
> and the audience would use the app to listen to the stream. The big problem
> is going to be audio sync. Typically services like ustream the viewer sees
> or hears the content several seconds later. Even if you had the ability to
> stream the audio to a real telephone service, there would still be a delay
> plus the audience would be burning up minutes and battery life to listen
> in. In reality the best way would be to broadcast over FM. The problem is
> the most popular phones don't have an FM receiver though. There are ipods
> that have FM radio so that might address some of the audience.
>
>
> On Thu, May 8, 2014 at 11:34 AM, Bryan McManus  > wrote:
>
>> Don't have an answer, but would be interested to hear if you do find one.
>>
>>
>>
>> On Thu, May 8, 2014 at 1:33 PM, Alex MacKenzie 
>> wrote:
>>
>>> While maybe a little outside regular topics, I wonder if anyone has
>>> experience transmitting an audio signal to multiple mobile phones.
>>> I am planning some outdoor screenings and would love to have the option
>>> available for people to plug in their headphones and hear the show more
>>> clearly this way. It opens up the possibility of doing screenings in areas
>>> that have louder environmental (read: cars) sound as well.
>>> I am familiar with the mini fm radio transmission option a la Tetsuo
>>> Kogawa, but nobody regularly carries FM receivers with them anymore, and it
>>> would be nice to take advantage of walk-by traffic. Bluetooth is limited to
>>> 7 receivers I believe, so I was thinking of a live audio broadcast that
>>> people could find on the web maybe…? But audio delay is obviously no good.
>>> Any thoughts or input would be greatly appreciated.
>>>
>>>
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
>>
>> --
>> Bryan McManus *|* Filmmaker, Artist
>> call  828.508.1129
>> write  bryanhaysmcma...@gmail.com
>> see  bryanmcmanus.com
>>
>>
>> ___
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>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
> ___
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> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
Bryan McManus *|* Filmmaker, Artist
call  828.508.1129
write  bryanhaysmcma...@gmail.com
see  bryanmcmanus.com
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Re: [Frameworks] wireless transmission to phones?

2014-05-08 Thread Sean Weitzel
It would likely vary based on available bandwidth and data congestion. I
don't think it's a good solution. It's easy to experiment with though. Just
sign up for a free ustream account and install the app on a smart-phone and
try it.


On Thu, May 8, 2014 at 12:00 PM, Bryan McManus
wrote:

> With a several seconds delay - can you manually offset the audio by a few
> seconds to compensate, or is it not a constant delay from device to device?
>
>
> On Thu, May 8, 2014 at 1:45 PM, Sean Weitzel  wrote:
>
>> The idea here would be to stream your audio to a streaming audio service,
>> and the audience would use the app to listen to the stream. The big problem
>> is going to be audio sync. Typically services like ustream the viewer sees
>> or hears the content several seconds later. Even if you had the ability to
>> stream the audio to a real telephone service, there would still be a delay
>> plus the audience would be burning up minutes and battery life to listen
>> in. In reality the best way would be to broadcast over FM. The problem is
>> the most popular phones don't have an FM receiver though. There are ipods
>> that have FM radio so that might address some of the audience.
>>
>>
>> On Thu, May 8, 2014 at 11:34 AM, Bryan McManus <
>> bryanhaysmcma...@gmail.com> wrote:
>>
>>> Don't have an answer, but would be interested to hear if you do find one.
>>>
>>>
>>>
>>> On Thu, May 8, 2014 at 1:33 PM, Alex MacKenzie >> > wrote:
>>>
 While maybe a little outside regular topics, I wonder if anyone has
 experience transmitting an audio signal to multiple mobile phones.
 I am planning some outdoor screenings and would love to have the option
 available for people to plug in their headphones and hear the show more
 clearly this way. It opens up the possibility of doing screenings in areas
 that have louder environmental (read: cars) sound as well.
 I am familiar with the mini fm radio transmission option a la Tetsuo
 Kogawa, but nobody regularly carries FM receivers with them anymore, and it
 would be nice to take advantage of walk-by traffic. Bluetooth is limited to
 7 receivers I believe, so I was thinking of a live audio broadcast that
 people could find on the web maybe…? But audio delay is obviously no good.
 Any thoughts or input would be greatly appreciated.



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


>>>
>>>
>>> --
>>> Bryan McManus *|* Filmmaker, Artist
>>> call  828.508.1129
>>> write  bryanhaysmcma...@gmail.com
>>> see  bryanmcmanus.com
>>>
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
>> ___
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>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> --
> Bryan McManus *|* Filmmaker, Artist
> call  828.508.1129
> write  bryanhaysmcma...@gmail.com
> see  bryanmcmanus.com
>
>
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> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread David Tetzlaff

On May 8, 2014, at 8:30 AM, George, Sherman wrote:

> Given that the bulb is 24 Volts means that is powered by a transformer. 
> Installing a bulb with higher current would probably overheat the transformer 
> resulting in excess smoke-never a good thing in electric devices.
> Sherman
> 
> On May 8, 2014, at 7:55 AM, Alex MacKenzie wrote:
> 
>> Does anyone have any expertise/experience around increasing bulb wattage 
>> over and above that recommended by projector manufacturer?
>> I want to brighten a 24V/250W 16mm bulb setup, but I obviously don’t want 
>> any electrical fires or overheating internally. Is there a breathing area 
>> where little if anything would need to be changed internally that is safe? 
>> (And no, I don’t want any water-cooled, heat-sinked LED setup, already 
>> researched that and it is a bad idea on many fronts.)
>> Thanks.
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> Sherman George
> sgeo...@ucsd.edu
> 858-229-4368
> 
> 
> 
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Re: [Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread David Tetzlaff
> Does anyone have any expertise/experience around increasing bulb wattage over 
> and above that recommended by projector manufacturer? I want to brighten a 
> 24V/250W 16mm bulb setup,

250W is the max they make for 24V projectors. You can't get a higher wattage 
lamp.

You probably have an ELC. It's rated at 800 lumens. An ELC-HL, also 250W, is 
rated at 950 lumens. The trade off is it doesn't last as long.

Image brightness is as much or more a factor of lens speed than lamp 
brightness. It your projector has, say, an f 1.8 lens, you'd get a 
significantly brighter picture if you could find an f 1.2 lens that fits it.

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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread sarah browne
Born in Flames
Lizzie Borden, 1984
(politics of radio broadcast – amazing feminist film)

Pontypool 
2012
(a virus transmitted through language; very clever Canadian horror film  
adapted from a book)

Talk Radio
Oliver Stone
(about the murder of a shock jock, like Pontypool filmed almost entirely within 
the setting of a radio station)





 From: Julia Gouin 
To: frameworks@jonasmekasfilms.com 
Sent: Thursday, 8 May 2014, 17:59:46
Subject: [Frameworks] Looking for films about the radio and on air diffusion
 


Dear all, 


I am looking for films and videos that deal either thematically or technically 
with the idea of radio and radio diffusion. 

Any titles that come to your mind? 


Many thanks in advance for your thoughts


    Julia Gouin
   
Administratrice 


    ATTENTION / / NOUVELLE ADRESSE / / 




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Re: [Frameworks] Optical Sound - filter

2014-05-08 Thread Jared Hutchinson
Thanks, Mark!
Really great stuff. Sorry I didn't thank you earlier (found these messages
in my spam). Oy.
Well thanks again. Hope all's well
Jared


On Fri, Apr 25, 2014 at 4:23 PM, Mark Toscano  wrote:

> Jared and all -
>
> Most sound mixers will *not* take this into consideration, as making a
> 16mm optical track these days is fairly uncommon from the point of view of
> pretty much all professional sound folks.  It tends to be something that
> only the old school film sound mixers and archivally oriented sound folks
> will even think about.
>
> What the sound house shooting your optical is referring to is the EQ'ing
> of your final sound in a manner that will help compensate for the loss of
> high and low end in your audio when it goes to optical.  (It's usually
> called Academy pre-emphasis, and the 'Academy' part refers to the Academy
> curve, which was a standard set in 1938 by the Academy of Motion Picture
> Arts and Sciences to help optimize sound for mono optical theatrical
> playback.)  You can EQ your track to emphasize the compromised high/low
> end, which will result in a better sounding optical.  Otherwise, the
> optical can sound a little squashed or muffled, though it depends on the
> nature of the sound content.  If your track is already lo-fi, and intended
> to sound lo-fi, I wouldn't worry about it.
>
> This said, there's no standard formula for EQ'ing for optical
> compensation.  In restoration projects (and some of my own films), I create
> an optical-ready version with John Polito at Audio Mechanics, and he
> tailors it beautifully each time to the track and its quality/content.  And
> the tracks always sound excellent as a result.
>
> All the best,
>
> Mark Toscano
>
>
>
>   On Friday, April 25, 2014 1:27 PM, Roger Wilson <
> rogerdwil...@sympatico.ca> wrote:
>   Ok I'm not a sound guy but I think this is just an audio filter used to
> improve the signal to noise ratio. Did you have a final sound mix completed
> on the sound track for the film? I think your sound designer/final mixer
> would have taken this into account but you should check. I create my own
> sound designs for my films but then have a professional sound tech do the
> final sound mix and prep it for optical print.
>
> Hope this helps some!
>
>
> Roger D. Wilson
> Film Scientist
> 613 324 - 7504
> rogerdwil...@sympatico.ca
> http://www.rogerdwilson.ca
>
> Without failure you can never achieve success. I have based my process and
> my career as an experimental film artist on this statement; and I welcome
> it as it pushes me forward as an artist to try something different,
> something new.
>
>
> --
> From: jaredphutchin...@gmail.com
> Date: Fri, 25 Apr 2014 14:46:44 -0500
> To: frameworks@jonasmekasfilms.com
> Subject: Re: [Frameworks] Optical Sound - filter
>
> Thanks for the quick reply. It's 16mm.
>
>
> On Fri, Apr 25, 2014 at 2:40 PM, Roger Wilson 
> wrote:
>
> I have had a number of optical tracks created over the years and have
> never had the lab (Skylight Studios in Toronto) make this request. Is it a
> 16mm mono track or 35mm?
>
>
> Roger D. Wilson
> Film Scientist
> 613 324 - 7504
> rogerdwil...@sympatico.ca
> http://www.rogerdwilson.ca
>
> Without failure you can never achieve success. I have based my process and
> my career as an experimental film artist on this statement; and I welcome
> it as it pushes me forward as an artist to try something different,
> something new.
>
>
> --
> From: jaredphutchin...@gmail.com
> Date: Fri, 25 Apr 2014 14:35:21 -0500
> To: frameworks@jonasmekasfilms.com
> Subject: [Frameworks] Optical Sound - filter
>
>
> Hello, all,
> I am almost ready to send out for an optical track for my first sync-sound
> print.
> I gave a call to the lab which photographs for optical tracks and I was
> told that my sound needed to be treated with an academy pre-emphasis
> filter. I was wondering if this (possibly expensive?) stage is necessary
> for my film sound. The soundtrack to my short is pretty primitive-sounding
> and not reliant on great fidelity.
> Thanks!
> Jared
>
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>
>
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>
>
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>

Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Francisco Torres
2 early films TV as an abject object. Which it is... Proto Videodrome.
Murder by Television (1930s)
The Twoonky (1950s)


On Thu, May 8, 2014 at 3:20 PM, sarah browne  wrote:

> Born in Flames
> Lizzie Borden, 1984
> (politics of radio broadcast – amazing feminist film)
>
> Pontypool
> 2012
> (a virus transmitted through language; very clever Canadian horror film
> adapted from a book)
>
> Talk Radio
> Oliver Stone
> (about the murder of a shock jock, like Pontypool filmed almost entirely
> within the setting of a radio station)
>
>
>  --
>  *From:* Julia Gouin 
> *To:* frameworks@jonasmekasfilms.com
> *Sent:* Thursday, 8 May 2014, 17:59:46
>
> *Subject:* [Frameworks] Looking for films about the radio and on air
> diffusion
>
>
>
> *Dear all, *
>
> *I am looking for films and videos that deal either thematically or
> technically with the idea of radio and radio diffusion. *
> *Any titles that come to your mind? *
>
> *Many thanks in advance for your thoughts*
>
> Julia Gouin
> Administratrice
>
> ATTENTION / / NOUVELLE ADRESSE / /
>
>
>
>
> ___
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>
>
>
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>
>
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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Jorge Lorenzo Flores Garza
Jesse Lerner's "T.S.H." is a wonderful cutup film-sound piece that uses an old 
avant-garde Mexican poem by Kyn Tanilla from the 20's that talks about the 
first radio transmission in Mexico.

Date: Thu, 8 May 2014 16:47:47 -0400
From: fjtorre...@gmail.com
To: sarahjbro...@yahoo.ie; frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] Looking for films about the radio and on air  
diffusion

2 early films TV as an abject object. Which it is... Proto Videodrome.Murder by 
Television (1930s)The Twoonky (1950s)

On Thu, May 8, 2014 at 3:20 PM, sarah browne  wrote:

Born in Flames

Lizzie Borden, 1984
(politics of radio broadcast – amazing feminist film)

Pontypool 
2012
(a virus transmitted through language; very clever Canadian horror film  
adapted from a book)


Talk Radio
Oliver Stone
(about the murder of a shock jock, like Pontypool filmed almost entirely within 
the setting of a radio station)



  From: Julia Gouin
 
 To: frameworks@jonasmekasfilms.com 

 Sent: Thursday, 8 May 2014, 17:59:46
 Subject: [Frameworks] Looking for films about the radio and on air diffusion

   
Dear all, 

I am looking for films and videos that deal either thematically or technically 
with the idea of radio and radio diffusion. 


Any titles that come to your mind? 

Many thanks in advance for your thoughts

Julia Gouin
   
Administratrice 

ATTENTION / / NOUVELLE ADRESSE / / 







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Re: [Frameworks] Looking for films about the radio and on airdiffusion

2014-05-08 Thread Gene Youngblood
Cocteau’s Orpheus. 
Steven Matheson: Apple Grown in Wind Tunnel
Shortwave weather reports from the national weather service in George Kuchar’s 
weather diaries. 
Ernie Gehr, Signal: Germany on the Air.
Alfred Guzzetti: Calcutta Intersection
From: sarah browne 
Sent: Thursday, May 08, 2014 1:20 PM
To: Experimental Film Discussion List 
Subject: Re: [Frameworks] Looking for films about the radio and on airdiffusion

Born in Flames
Lizzie Borden, 1984
(politics of radio broadcast – amazing feminist film)

Pontypool 
2012
(a virus transmitted through language; very clever Canadian horror film  
adapted from a book)

Talk Radio
Oliver Stone
(about the murder of a shock jock, like Pontypool filmed almost entirely within 
the setting of a radio station)





From: Julia Gouin 
To: frameworks@jonasmekasfilms.com 
Sent: Thursday, 8 May 2014, 17:59:46
Subject: [Frameworks] Looking for films about the radio and on air diffusion


Dear all, 


I am looking for films and videos that deal either thematically or technically 
with the idea of radio and radio diffusion. 

Any titles that come to your mind? 


Many thanks in advance for your thoughts


Julia Gouin
Administratrice 


ATTENTION / / NOUVELLE ADRESSE / / 







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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Peter Snowdon

The King of Marvin Gardens.
The Ploughman's Lunch.

Valentina Monti has made a series of documentaries about radio stations 
in Argentina, Afghanistan, etc.

http://www.valentinamonti.com

On 8 May 2014, at 22:00, Jorge Lorenzo Flores Garza wrote:

Jesse Lerner's "T.S.H." is a wonderful cutup film-sound piece that 
uses an old avant-garde Mexican poem by Kyn Tanilla from the 20's that 
talks about the first radio transmission in Mexico.



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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Mike Kartje
Guy Maddin's *Brand on The Brain!* (2006) includes a radio-like "aerophone"
that the mother uses to command and spy on her children.


On Thu, May 8, 2014 at 5:06 PM, Peter Snowdon  wrote:

> The King of Marvin Gardens.
> The Ploughman's Lunch.
>
> Valentina Monti has made a series of documentaries about radio stations in
> Argentina, Afghanistan, etc.
> http://www.valentinamonti.com
>
>
> On 8 May 2014, at 22:00, Jorge Lorenzo Flores Garza wrote:
>
>  Jesse Lerner's "T.S.H." is a wonderful cutup film-sound piece that uses
>> an old avant-garde Mexican poem by Kyn Tanilla from the 20's that talks
>> about the first radio transmission in Mexico.
>>
>>  ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>



-- 
Mike Kartje
Southern Illinois University Carbondale
(618) 303-5154
mkar...@siu.edu
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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Eric Theise
Not sure if this is within the bounds of what the original poster had
in mind, but this discussion is making me think of the injection of
live radio broadcasts into one section of Ken Jacobs' Blonde Cobra.


On Thu, May 8, 2014 at 6:52 PM, Mike Kartje  wrote:
> Guy Maddin's Brand on The Brain! (2006) includes a radio-like "aerophone"
> that the mother uses to command and spy on her children.
>
>
> On Thu, May 8, 2014 at 5:06 PM, Peter Snowdon  wrote:
>>
>> The King of Marvin Gardens.
>> The Ploughman's Lunch.
>>
>> Valentina Monti has made a series of documentaries about radio stations in
>> Argentina, Afghanistan, etc.
>> http://www.valentinamonti.com
>>
>>
>> On 8 May 2014, at 22:00, Jorge Lorenzo Flores Garza wrote:
>>
>>> Jesse Lerner's "T.S.H." is a wonderful cutup film-sound piece that uses
>>> an old avant-garde Mexican poem by Kyn Tanilla from the 20's that talks
>>> about the first radio transmission in Mexico.
>>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
>
> --
> Mike Kartje
> Southern Illinois University Carbondale
> (618) 303-5154
> mkar...@siu.edu
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Chuck Kleinhans
The opening of Dziga Vertov’s Enthusiasm (Symphony of the Don Basin) used radio 
transmission in an interesting way.  A parade with a band is shown and the 
sound is present, in synch.  As I remember to make the shot, done earlier than 
when portable sound recording technology was available, the sound person 
carried a cabled mike along side the marching musicians.  The cable ran back to 
the street-side radio station, which live broadcasted back to Moscow (from 
Kiev, I believe) where the signal was recorded on studio equipment.

Vertov often used the image of public address technology (speakers in the 
street, etc.) and technologically mediated public performance of music, etc. 
even in his silent era films.  His sound film, Three Songs of Lenin, includes 
images and sounds of one or more young women listening to the radio, showing 
their connection to the entire nation, and Modernity provided by the state 
(earlier they were shown casting off Muslim veils).

Of course famous radio broadcasts are often used as historical marker clips in 
documentaries (e.g. FDR to Congress—and the nation by radio—about Pearl Harbor) 
and in experimental work such as Bruce Connor’s Report with radio audio of the 
JFK assassination.

Chuck Kleinhans





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