[Frameworks] I want to buy your Eiki

[Ekrem Serdar]

U.S. based Frameworkers,

  I'm looking to buy one of your Eiki SSL's for a third party. I'm on a
short time time span (I need it in my paws by third week of January), so
the ebay dance seems precarious, and I'd rather get a trustworthy device
from one of you.

 I can offer (what I consider) a fair price + shipping for em, and there's
the nice feeling of it going towards a good cause (I'll be lugging it over
to Istanbul and leaving it there so it can get some use). Message me
off-list with your model number for more (I don't know all the models
off-hand, and need to make sure I can do the belt switcheroo so it can
adopt to the different frequency).

  On another note, if there are any of you who frequently take your
projectors overseas, and has a certain electric converter they'd like to
recommend, I'd love to hear about it.

  Happy holidays,

-- 
ekrem serdar
austin, tx
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Re: [Frameworks] optical printer questions

[Scott Dorsey]

Agreed, a test is never a bad idea.

Also, put the filter over your eye and look at the positive print see
how many CC of cyan or cyan+magenta it takes to get the color to look right.
--scott
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Re: [Frameworks] optical printer questions

[Jeff Kreines]

With the filters Scott suggests, shoot a series of single frames with different 
filter combinations and exposures — 5 feet of film will give you a lot of tests 
cheaply, especially if your lab is friendly about running tests.

> On Dec 27, 2014, at 4:57 PM, Scott Dorsey  wrote:
> 
> Sure, you could use CC filters on the light source.  Ask your local camera
> store for a CC filter kit like people with B&W enlargers used to use for
> printing still color work.
> 
> But you could also just let it go blue, and correct it in the final print
> when you print the interneg.  You won't have as much range, but if you are
> starting with a blue positive original you probably don't have much color
> range in the original anyway.
> --scott
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Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com


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Re: [Frameworks] optical printer questions

[Scott Dorsey]

Sure, you could use CC filters on the light source.  Ask your local camera
store for a CC filter kit like people with B&W enlargers used to use for
printing still color work.

But you could also just let it go blue, and correct it in the final print
when you print the interneg.  You won't have as much range, but if you are
starting with a blue positive original you probably don't have much color
range in the original anyway.
--scott
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[Frameworks] optical printer questions

[Caryn Cline]

Hello Frameworkers:

I'm working on a project using my optical printer, and I'm wondering about
using filters to color correct under specific and perhaps contradictory
circumstances.  Here's what I've got:

I'm shooting Kodak 7203/50D with an 80A filter to get to a slow ASA and
correct for "indoor" light coming from the projector.  I chose 50D because
it is the slowest color stock I know, and a lot slower than the tungsten
stocks now available.  I'm re-photographing a variety of scenes, including
some handmade frames on clear and black leader as well as some found
footage from different sources, some of which is quite blue and some of
which has gone magenta.

On my test roll, all of the footage came back looking very much like the
original in terms of the colors, except some of the found footage which was
already too blue to begin with.  Is it possible for me to use an additional
filter on the projector side to reduce the blue in these scenes?  If so,
what would I use?   What could I use to mitigate the magenta? How much
should I open up the aperture to compensate for these additional filters?

Is there another strategy altogether that I'm not considering?  I'm trying
to use as little film as possible, since I'm working on a very tight budget.

Many thanks for your advice.

CC
-- 
Caryn Cline
Experimental Filmmaker & Teacher
vimeo.com/carynyc
Co-producer & cinematographer, *Acts of Witness*
www.actsofwitness.com
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Re: [Frameworks] new work

[Chen Sheinberg]

Beautiful and powerful work!

 

Chen

 

From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of 
jaime cleeland
Sent: Saturday, December 27, 2014 20:53
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] new work

 

Hate : UNIVERSE OF DEATH : Free Download  
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[Frameworks] new work

[jaime cleeland]

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