Re: [Frameworks] Musical Noir?

2015-06-20 Thread G
I have not read it but Sheri Chinen Biesen has a new book on what she calls the 
"noir musical" called Music in the Shadows. Here's the link on Amazon: 

http://www.amazon.com/Music-Shadows-Noir-Musical-Films/dp/1421408384/ref=sr_1_2?s=books&ie=UTF8&qid=1434864371&sr=1-2


> On Jun 20, 2015, at 10:08 PM, Shashwati Talukdar  wrote:
> 
> These are wonderful examples! thank you!
> 
>> On Sun, Jun 21, 2015 at 7:29 AM, Carl Bogner  wrote:
>> 
>> Abigail Child's Mayhem
>> 
>> Dennis Potter's work. 
>> (Pennies From Heaven, I'm thinking.)
>> 
>> 
>> Sent from my iPhone
>> 
>>> On Jun 20, 2015, at 4:53 PM, Michael Zryd  wrote:
>>> 
>>> Janie Geiser’s Immer Zu
 On Jun 18, 2015, at 11:10 PM, Shashwati Talukdar  
 wrote:
 
 I am looking for examples of the use of music and songs in films that can 
 be described as noir. Where music plays an integral role in moving the 
 film along. Mainstream examples also welcome.
 
 -- 
 regards,
 
 Shashwati Talukdar
 夏雪莉
 ---
 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
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>>> 
>>> Michael Zryd • Associate Professor 
>>> Department of Film
>>> School of the Arts, Media, Performance & Design
>>> 
>>> YORK UNIVERSITY 
>>> CFT 236 • 4700 Keele Street 
>>> Toronto ON • Canada M3J 1P3
>>> T 416.736.2100 ext 22173 F 416.736. 5710 / cell: 647-430-8680 / Skype: 
>>> mjpzryd
>>> z...@yorku.ca • http://ampd.yorku.ca/about-us/our-faculty/michael-zryd • 
>>> ampd.yorku.ca 
>>> 
>>> 
>>> 
>>> 
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> 
> 
> 
> -- 
> regards,
> 
> Shashwati Talukdar
> 夏雪莉
> ---
> 
> 
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Re: [Frameworks] Musical Noir?

2015-06-20 Thread Shashwati Talukdar
These are wonderful examples! thank you!

On Sun, Jun 21, 2015 at 7:29 AM, Carl Bogner  wrote:

>
> Abigail Child's Mayhem
>
> Dennis Potter's work.
> (Pennies From Heaven, I'm thinking.)
>
>
> Sent from my iPhone
>
> On Jun 20, 2015, at 4:53 PM, Michael Zryd  wrote:
>
> Janie Geiser’s Immer Zu
>
> On Jun 18, 2015, at 11:10 PM, Shashwati Talukdar 
> wrote:
>
> I am looking for examples of the use of music and songs in films that can
> be described as noir. Where music plays an integral role in moving the film
> along. Mainstream examples also welcome.
>
> --
> regards,
>
> Shashwati Talukdar
> 夏雪莉
> ---
>  
> 
> 
> 
>  ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> *Michael Zryd** • **Associate Professor *
> Department of Film
> School of the Arts, Media, Performance & Design
>
> YORK UNIVERSITY
> CFT 236 • 4700 Keele Street
> Toronto ON • Canada M3J 1P3
> T 416.736.2100 ext 22173 F 416.736. 5710 / cell: 647-430-8680 / Skype:
> mjpzryd
> *z...@yorku.ca * •
> http://ampd.yorku.ca/about-us/our-faculty/michael-zryd
>  •
> ampd.yorku.ca
>
>
> 
> This electronic mail (e-mail), including any attachments, is intended only
> for the recipient(s) to whom it is addressed and may contain information
> that is privileged, confidential and/or exempt from disclosure. No waiver
> of privilege, confidentiality or any other protection is intended by virtue
> of its communication by the internet. Any unauthorized use, dissemination
> or copying is strictly prohibited. If you have received this e-mail in
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> sender and destroy all copies of it.
>
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>
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>


-- 
regards,

Shashwati Talukdar
夏雪莉
---
 



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Re: [Frameworks] Musical Noir?

2015-06-20 Thread Carl Bogner

Abigail Child's Mayhem

Dennis Potter's work. 
(Pennies From Heaven, I'm thinking.)


Sent from my iPhone

> On Jun 20, 2015, at 4:53 PM, Michael Zryd  wrote:
> 
> Janie Geiser’s Immer Zu
>> On Jun 18, 2015, at 11:10 PM, Shashwati Talukdar  wrote:
>> 
>> I am looking for examples of the use of music and songs in films that can be 
>> described as noir. Where music plays an integral role in moving the film 
>> along. Mainstream examples also welcome.
>> 
>> -- 
>> regards,
>> 
>> Shashwati Talukdar
>> 夏雪莉
>> ---
>> 
>> 
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> Michael Zryd • Associate Professor 
> Department of Film
> School of the Arts, Media, Performance & Design
> 
> YORK UNIVERSITY 
> CFT 236 • 4700 Keele Street 
> Toronto ON • Canada M3J 1P3
> T 416.736.2100 ext 22173 F 416.736. 5710 / cell: 647-430-8680 / Skype: mjpzryd
> z...@yorku.ca • http://ampd.yorku.ca/about-us/our-faculty/michael-zryd • 
> ampd.yorku.ca 
> 
> 
> 
> 
> This electronic mail (e-mail), including any attachments, is intended only 
> for the recipient(s) to whom it is addressed and may contain information that 
> is privileged, confidential and/or exempt from disclosure. No waiver of 
> privilege, confidentiality or any other protection is intended by virtue of 
> its communication by the internet. Any unauthorized use, dissemination or 
> copying is strictly prohibited. If you have received this e-mail in error, or 
> are not named as a recipient, please immediately notify the sender and 
> destroy all copies of it.
> 
> 
> ___
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Re: [Frameworks] Musical Noir?

2015-06-20 Thread Michael Zryd
Janie Geiser’s Immer Zu
> On Jun 18, 2015, at 11:10 PM, Shashwati Talukdar  wrote:
> 
> I am looking for examples of the use of music and songs in films that can be 
> described as noir. Where music plays an integral role in moving the film 
> along. Mainstream examples also welcome.
> 
> -- 
> regards,
> 
> Shashwati Talukdar
> 夏雪莉
> ---
>    
>  
> 
>  ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks

Michael Zryd • Associate Professor 
Department of Film
School of the Arts, Media, Performance & Design

YORK UNIVERSITY 
CFT 236 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 ext 22173 F 416.736. 5710 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca  • 
http://ampd.yorku.ca/about-us/our-faculty/michael-zryd 
 • ampd.yorku.ca 
 




This electronic mail (e-mail), including any attachments, is intended only for 
the recipient(s) to whom it is addressed and may contain information that is 
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confidentiality or any other protection is intended by virtue of its 
communication by the internet. Any unauthorized use, dissemination or copying 
is strictly prohibited. If you have received this e-mail in error, or are not 
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copies of it.


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[Frameworks] This week (June 20-28, 2015) in avant garde cinema

2015-06-20 Thread Flicker weekly listing
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** This week [June 20 - 28, 2015] in avant garde cinema


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NEW CALLS FOR ENTRIES:
Strange Beauty Film Festival (Durham, NC, USA; Deadline: July 15, 2015)
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PRIX CUBE 2016 (Paris, France; Deadline: September 14, 2015)
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L'Alternativa, Barcelona Independent Film Festival (Barcelona; Deadline: July 
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Maumee Film Festival (Maumee, Ohio USA; Deadline: July 26, 2015)
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Taos Shortz Film Fest (Taos; Deadline: December 11, 2015)
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MONO NO AWARE IX (Brooklyn, NY USA; Deadline: October 31, 2015)
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DEADLINES APPROACHING:
Coney Island Film Festival (Brooklyn, NY, USA; Deadline: July 10, 2015)
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Antimatter [media art] (Victoria, BC, Canada; Deadline: July 24, 2015)
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The Center for Fine Art Photography (Fort Collins, Colorado US; Deadline: June 
24, 2015)
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Home Grown Shorts 3 (Boston, MA, USA; Deadline: July 01, 2015)
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L'Alternativa, Barcelona Independent Film Festival (Barcelona; Deadline: July 
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):
* Shorts After the Flaherty Seminar At Uniondocs (#anchor1) [June 20, Brooklyn, 
New York 11211]
* Mes Sept Lieux (My Seven Places) (#anchor2) [June 20, Brooklyn, New York]
* La videoshop Screenings (#anchor3) [June 20, Paris, France]
* Concerning violence: Nine Scenes From the Anti-Imperialistic Self-Defense At 
Uniondocs (#anchor4) [June 21, Brooklyn, New York 11211]
* Your Direct Film Animation @ the Japan Society (#anchor5) [June 21, New York, 
New York]
* La videoshop Screenings (#anchor6) [June 21, Paris, France]
* Multiple Persuasions: Films and Performances By Lyra Hill (#anchor7) [June 
21, San Francisco, California]
* La videoshop Screenings (#anchor8) [June 22, Paris, France]
* Videoshop Screenings: Sarah Christman + Jesse Mclean (#anchor9) [June 23, 
Paris, France]
* La videoshop Screenings: Bill Daniel + Jackie Goss (#anchor10) [June 24, 
Paris, France]
* Directors Lounge Screening - Taylor Dunne and Eric Stewart - Mountain Time 
(#anchor11) [June 25, Berlin, Germany]
* Videoshop Screenings: the Future Is Now: A Program Curated By Hong An Truong 
(#anchor12) [June 25, Paris, France]
* Twilight Made Manifest: the Films of Phil Solomon (#anchor13) [June 25, 
Toronto, Ontario, Canada]
* South, Preceded By An Illustrated Lecture By Charles Hood (#anchor14) [June 
26, Los Angeles, California]
* Projection Instructions: An Evening of Expanded Cinema (#anchor15) [June 26, 
New York, New York 10016]
* Videoshop Screenings: Mary Billyou + CéCile Tourneur (#anchor16) [June 26, 
Paris, France]
* Past Perfect Future Tense (#anchor17) [June 26, San Francisco, California 
94110]
* Out of the Dark (#anchor18) [June 27, Berlin, Germany]
* Fol Sunar: Amerikan Deneysel Sineması'ndan SeçKiler (#anchor19) [June 27, 
Istanbul, Turkey]
* Headboggle / Aurora Crispin / Jenny Yang / Paul Clipson (#anchor20) [June 27, 
Oakland]
* Videoshop Screenings: Shambhavi Kaul + Brent Coughenour + Rebecca Baron 
(#anchor21) [June 27, Paris, France]
* Spin Tactics (#anchor22) [June 27, San Francisco, California]
* Twilight Made Manifest: the Films of Phil Solomon: the Twilight P