Re: [Frameworks] Showchron editor

[George, Sherman]

Todd,
Thanks for your response. I received a PDF of the manual earlier today. This 
list is a really good resource.
I am trying to decide if it is reasonable to turn the editor into a film to 
video transfer device.
Sherman


On Feb 10, 2018, at 6:51 PM, todd eacrett 
mailto:hell...@agit-prop.com>> wrote:


I have the user manual, which I'm pretty sure includes a wiring diagram. I can 
send a high res photo of it when I'm back in the studio next week. What problem 
are you trying to fix?

Cheers,

Todd Eacrett

On Sat, 10 Feb 2018 15:38:55 +, "George, Sherman" wrote:

Does anyone know where I can obtain a wiring diagram/service manual for a 
Showchron editor?

Thanks for any leads.

Sherman George
sgeo...@ucsd.edu
858-229-4368



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Sherman George
sgeo...@ucsd.edu
858-229-4368



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Re: [Frameworks] Showchron editor

[todd eacrett]

I have the user manual, which I'm pretty sure includes a wiring diagram. I can 
send a high res photo of it when I'm back in the studio next week. What problem 
are you trying to fix?

Cheers,

Todd Eacrett


On Sat, 10 Feb 2018 15:38:55 +, "George, Sherman"  wrote:
 
Does anyone know where I can obtain a wiring diagram/service manual for a 
Showchron editor?

Thanks for any leads.

Sherman George
sgeo...@ucsd.edu
858-229-4368



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Re: [Frameworks] film scanner

[Dan Anderson]

This is an old threat, but wanted to mention that in the past year or so
I've actually used the Wolverine film scanner quite a bit.. So felt bad for
panning it so bad a year ago.. It's not perfect, but cheap and probably
better results than the old "off the wall" scheme..

Here's a short "commercial" I did with footage scanned with a Wolverine,
for a German marketing student summer camp... It was shot on a cartridge of
Kahl Super 8mm reversal that had some cool light leaks going on. There is
some digital keying but minimal color correction. Noticeable digital
artifacts, but it wasn't too distracting for this particular project.

https://www.youtube.com/watch?v=oJ0Pkx5qU5Y



On Fri, Dec 2, 2016 at 10:57 AM, Pip Chodorov 
wrote:

> At L'Abominable in Paris, Nicolas made a film scanner from a projector.
> He made a 16mm version and later a super-8 version.
> Here is a link to the description: http://www.filmlabs.org/index.
> php/technical-tips/telecinema/
>
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Re: [Frameworks] anamorphic lens on an Eiki EX

[Scott Dorsey]

Sheesh... worst case you should be able to improvise an adaptor and sling
with gaff tape.  Not good and never stable, but better than cancelling a 
show...
--scott

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Re: [Frameworks] old LA movie theater

[Gene Youngblood]

That’s it, Christian! Thanks. Now I have to find Tommy Cooper if he’s still 
alive.



Gene & Jane Youngblood
(505) 395-6370 home

On February 10, 2018 at 12:15:58 PM, Christian Bruno (honeyhou...@hotmail.com) 
wrote:

Hello Gene

I haven't been in LA that long, but maybe it was the Vagabond?
http://cinematreasures.org/theaters/1170
http://articles.latimes.com/1985-11-28/entertainment/ca-9291_1_vagabond-theatre

Up until recently, it was called the Hayworth as a live theatre, now it's a 
comedy club. But in the 1970s, Tommy Cooper ran a rep/revival program as the 
Vagabond.

It's a guess, but could it be?

best
Christian


From: FrameWorks  on behalf of Gene 
Youngblood 
Sent: Saturday, February 10, 2018 10:53 AM
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] old LA movie theater
 
Older Frameworkers in Los Angeles, does anyone remember the name of a small 
movie theater on Wilshire Boulevard near downtown that, in the 1960s, had a 
mural of the Odessa Steps sequence from Potemkin?


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[Frameworks] This week [February 10 - 18, 2018] in avant garde cinema

[Flicker]

 


  


   

 

 

 

 


This week [February 10 - 18, 2018] in avant garde cinema


Enter your event announcements by going to the Flicker Weekly Listing Form 

 . 

To receive the weekly listing via email: Subscribe 

 . To unsubscribe see the link at the bottom of this email. 

  

 
Metaphors On vision 1: Early Stan Brakhage <>  [February 11, Austin, Texas] 

  

 
Various Positions: Works From Double Negative  <> [February 11, Los Angeles, 
California] 

   
Visions | 15.02.18 | Leslie Supnet [February 15, Montréal] 

NEW CALLS FOR ENTRIES:
Winnipeg Underground Film Festival (Winnipeg, MB, Canada; Deadline: March 31, 
2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=1966.ann
The 2018 West Virginia Mountaineer Short Film Festival (Morgantown, West 
Virginia, USA; Deadline: March 19, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=1967.ann
Milwaukee Underground Film Festival (Milwaukee, WI; Deadline: February 19, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=1968.ann
Festival of (In)appropriation (Los Angeles, CA, USA; Deadline: May 01, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=1969.ann

DEADLINES APPROACHING:
Oscillation Transia Film Festival (USA; Deadline: February 21, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=1964.ann
Milwaukee Underground Film Festival (Milwaukee, WI; Deadline: February 19, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=1968.ann

Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary): 

*   Diffraktion #8 <>  [February 10, Berlin, Germany] 
*   Black Maria Film Festival Premiere <>  [February 10, Hoboken] 
*   Metaphors On vision 1: Early Stan Brakhage <>  [February 11, Austin, 
Texas 78752] 
*   Various Positions: Works From Double Negative  <> [February 11, Los 
Angeles, California] 
*   Shapeshifters Cinema Presents Grace Rosario Perkins + Arc <>  [February 
11, Oakland, California 94609] 
*   Black Maria Fim Festival Opening Weekend Matinee <>  [February 11, West 
Orange] 
*   Metaphors On vision 2: Stan Brakhage In the 70s <>  [February 12, 
Austin, Texas 78702] 
*   DaïChi SaïTo: Material Traces <>  [February 12, Los Angeles, 
California] 
*   Light Movement 27: Luke Fowler  <> [February 13, Berlin, Germany] 
*   Metaphors On vision 3: Brakhage + Menken <>  [February 13, Lockhart, 
TX] 
*   Robert Schaller's Film Sonata <>  [February 13, Vancouver, British 
Columbia] 
*   Visions | 15.02.18 | Leslie Supnet <>  [February 15, Montréal] 
*   Black Maria Film Festival 37th Annual Festival Tour <>  [February 16, 
Mahwah] 
*   On the Air: Artist Television +  <> &Quot;Broadcasting: Eai At 
Ica&Quot; [February 16, New York, NY] 
*   Jeanne Liotta: Celestial Bodies, Screening  <> & Artist Talk [February 
17, Brooklyn, New York] 
*   Black Maria Film Festival 37th Annual Festival Tour <>  [February 17, 
Madison] 
*   Show and Tell: Stephanie Barber <>  [February 17, New York, NY] 
*   Bill Morrison's Dawson City: Frozen Time <>  [February 17, San 
Francisco, California] 
*   Lynne Sachs: Tip of My Tongue <>  [February 18, Los Angeles, 
California] 
*   Cc31 - Josh Weissbach: Domestic Emulsion <>  [February 18, Minneapolis, 
Minnesota 55408] 
*   Show and Tell: Stephanie Barber <>  [February 18, New York, NY] 


SATURDAY, FEBRUARY 10, 2018

2/10
Berlin, Germany: LaborBerlin
http://www.laborberlin-film.org/ 

Re: [Frameworks] old LA movie theater

[Christian Bruno]

Hello Gene


I haven't been in LA that long, but maybe it was the Vagabond?

http://cinematreasures.org/theaters/1170

http://articles.latimes.com/1985-11-28/entertainment/ca-9291_1_vagabond-theatre


Up until recently, it was called the Hayworth as a live theatre, now it's a 
comedy club. But in the 1970s, Tommy Cooper ran a rep/revival program as the 
Vagabond.


It's a guess, but could it be?


best

Christian



From: FrameWorks  on behalf of Gene 
Youngblood 
Sent: Saturday, February 10, 2018 10:53 AM
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] old LA movie theater

Older Frameworkers in Los Angeles, does anyone remember the name of a small 
movie theater on Wilshire Boulevard near downtown that, in the 1960s, had a 
mural of the Odessa Steps sequence from Potemkin?


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Re: [Frameworks] anamorphic lens on an Eiki EX

[jared ashburn]

Sherman and Scott,

Thank you for your quick replies. The projectionist wasn't able to adapt to
the lenses that were provided so the films weren't shown. Thanks to the two
of you, we can now plan accordingly. I appreciate you taking the time to
offer this information.

Best Wishes,
Jared

On Thu, Feb 8, 2018 at 10:04 AM, Scott Dorsey  wrote:

> Your Eiki takes a lens with a 42.5mm barrel.  So there are a wide variety
> of lenses that will fit it, of different lengths.
>
> In MOST cases, the anamorphic lens is an adaptor which fits over the front
> of your existing lens.  So you might, have, say, a 100mm Isco lens on the
> projector, and you screw an adaptor ring onto that and then you screw on
> a Sankor anamorphic adaptor over top of that lens.  This works well for
> long
> throw applications but you can run into issues if the spherical lens is
> too short.
>
> There are SOME anamorphic lenses that just slide into the projector and
> replace both halves.  The original Bausch and Lomb 16mm Cinemascope lenses
> were this way.  For the most part these are kind of lousy and some of them
> only focus properly with a narrow range of throw lengths.
>
> So... the first question here is how big an image do you want with how much
> of a throw, and what kind of spherical lenses do you have and what kind of
> anamorphic adaptors do you have?
>
> The 35mm anamorphic adaptors are selling cheaply today and they can usually
> be adapted for 16mm use.  Many of them are very sharp.  However, they are
> generally pretty heavy and may need external support.  The Sankor lenses
> aren't really all that sharp and they tend to cost good money these days
> but
> they are light and convenient.
> --scott
>
>
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[Frameworks] old LA movie theater

[Gene Youngblood]

Older Frameworkers in Los Angeles, does anyone remember the name of a small 
movie theater on Wilshire Boulevard near downtown that, in the 1960s, had a 
mural of the Odessa Steps sequence from Potemkin?


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[Frameworks] Showchron editor

[George, Sherman]

Does anyone know where I can obtain a wiring diagram/service manual for a 
Showchron editor?

Thanks for any leads.

Sherman George
sgeo...@ucsd.edu
858-229-4368



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