Re: [Frameworks] Titles of scratch films

2015-08-26 Thread חן שינברג
Harry smith - early abstractions. 

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ב-26 באוג 2015, בשעה 00:38, Patrick Friel  כתב/ה:

> “Chemical Scratching”  -  I’m sticking to that. Yeah.
> 
> 
> 
> On 8/25/15 4:26 PM, "Beebe, Roger W."  wrote:
> 
> But her Hand Eye Coordination certainly counts, even if Removed doesn’t… 
> 
> On Aug 25, 2015, at 5:21 PM, Warren Cockerham  
> wrote:
> 
> Hey Patrick (and Tess).. 
> 
> I thought that Naomi Uman's REMOVED was a scratched film for many years too. 
> But, she told me a few years ago that she applied (clear?) nail polish to the 
> parts of the images she wanted to keep -- frame by frame - for many months. 
> Then, she gave the film a bleach bath...  I guess that's why there are faint 
> images of bodies left on the bleached out portions of the film and cracks and 
> crevices on the other parts of the image. 
> 
> hope that helps, 
> Warren 
> 
> On Tue, Aug 25, 2015 at 4:08 PM, Patrick Friel  wrote:
> Animated scratching: Broken Down Film (Osamu Tezuka, 1985)
> 
> Naomi Uman’s Removed (1999)
> 
> Isidore Isou’s Venom and Eternity (1951)
> 
> But, these and the other suggestions so far, um, only scratch the surface.
> 
> 
> Patrick F.
> 
> 
> 
> 
> On 8/25/15 3:44 PM, "Carl E Bogner"   > wrote:
> 
> 
> 
> 
> 
> Tess, hi - 
> 
> 
> 
> I had a colleague in the Film Department, recently transplanted to Ann Arbor, 
> who wouldn’t let a frame of her film go through the gate unless she had 
> scratched on it. 
> 
> 
> 
> I overstate but Naz Dincel’s practice relentlessly involves scratching on her 
> film -- or, that is to say, involves relentless scratching. Her film “Her 
> Silent Seaming” -- to cite an example -- was a Jury Award winner at FLEX this 
> year and also screened at Images, among other places.
> 
> 
> 
> (I think she has her ear to the ground so she may respond to you off-list? 
> Naz, contact Tess.)
> 
> 
> 
> Also there is that propositional film that Frampton talked about in “A 
> Lecture,” its constantly inscribed scratch transplanting what the film is 
> about from “Lana Turner” to that very scratch, if I recall correctly.
> 
> 
> 
> What’s with Roger Beebe’s premature fatigue? Man!
> 
> 
> 
> Carl
> 
> Milwaukee
> 
> 
> 
> 
> 
> 
> From: FrameWorks   > on behalf of Tess 
> Takahashi http://tess.takaha...@gmail.com/> >
> Sent: Tuesday, August 25, 2015 2:08 PM
> To: Experimental Film Discussion List
> Subject: [Frameworks] Titles of scratch films 
>  
> I'm doing something on films that employ scratching directly on celluloid 
> like Brakhage's Chinese Series, David Gatten's Fragrant Portals..., Dona 
> Cameron's World Trade Alphabet, Barbel Neubauer's work, Pierre Hebert's work, 
> Storm DeHirsch's Peyote Queen, and Len Lye's Free Radicals.
> 
> What am I missing? Old and New? 
> 
> Bonus points it it's set to African drums...
> 
> 
> 
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Re: [Frameworks] tumblr | research project

2015-05-16 Thread חן שינברג
Israeli filmmaker Avi Mograbi has made several experimental documentaries about 
tne palestine issue and the Israeli occupation of the palestinias territories : 
"Z32",  "Avenge but one of my two eyes" ,"August" ,״Once I entered a garden" , 
"Happy birthday mr. Mograbi״, "How Iearned to overcome my fear and love Arik 
Sharon" and many other short films.

Best regards
And good luck with the project,
Chen Sheinberg




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ב-16 במאי 2015, בשעה 16:38, Insa Langhorst  כתב/ה:

> Dear Frameworkers, 
> 
> I am looking to initiate an exchange of thoughts and ideas with filmmakers 
> and other associates of the filmmaking world regarding a research project of 
> mine. 
> 
> The project looks at existing visual narratives and underlying hierarchies 
> within the film world focusing especially on Palestine. The idea is to 
> initiate a discussion on how we can use these narratives and break 
> hierarchies to create change (and whether film is a tool that can be used for 
> this).
> 
> I have set up a tumblr and would like to encourage you to have a look and 
> share your thoughts on this topic on the tumblr. Also, if you know anyone who 
> might be interested in the topic or someone working on something similar, 
> please share it with them, too.
> 
> http://breakingmirrors-project.tumblr.com/
> 
> Thanks,
> 
> Insa
> -- 
> www.insalanghorst.com
> +44 778 93 8 22 84 (UK)
> +49 176 86 74 83 45 (D)
> insa.langho...@gmail.com
> 
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Re: [Frameworks] Muybridge and moving image art

2014-05-17 Thread חן שינברג
"Muybridge strings" by koji yamamura .2011 

Chen 

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ב-16 במאי 2014, בשעה 22:30, Fergus Byrne  כתב/ה:

> U2 use  Muybridge images in their  video for 'Lemon'.
> fergus Byrne
> 
> 
> On Friday, May 16, 2014 6:08 PM, Lady Snowblood 
>  wrote:
> 
> 
> 1.
> 
> Scott Blake created a digital process of aping Chuck Close’s paintings, the 
> ‘chuck close filter'. At Chuck Close’s request, he squashed the project. 
> However, an animated .gif he made using Muybridge as a starting point (and 
> the whole weird story) is visible at hyperallergic - 
> http://hyperallergic.com/54104/my-chuck-close-problem/ 
> 
> the .gif by itself is here : 
> http://hyperallergic.wpengine.netdna-cdn.com/wp-content/uploads/2012/07/Close-animation.gif
> 
> 2.
> 
> Pablo Garcia used the same Muybridge images as Blake as his starting point 
> for his Profilograph. https://vimeo.com/57607129 He transforms the image set 
> into almost a rotoscoped animation, uses code to redraw it, and then uses 
> that redrawing as a source for a 3D sculpture.
> 
> Jessica 
> 
> 
> 
> * * * * *
> 
> Jessica Fenlon
> 
>   artist : poet : experimental 
> blog : vimeo : youtube : twitter : imgur : flickr
> 
> 
> 
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Re: [Frameworks] animals and human-animal relationships on film

2014-04-23 Thread חן שינברג
Dear Sarah,
I saw your post on frameworks, I am an experimental fillmmaker- videoartist 
from Israel and i do have some animals especially insects related films. I can 
send you links to my works if you want.
Best regards
Chen Sheinberg 

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ב-23 באפר 2014, בשעה 16:05, sarah browne  כתב/ה:

> Dear Frameworkers,
> 
> I'm looking for some help in compiling a list of films that feature animals 
> or human-animal relationships on film. Rather than wildlife documentaries 
> (with some exceptions!) I'm more interested in the animal presence as an a 
> kind of distancing tactic that allows for reflection on inter-human 
> behaviours (ethics, empathy, violence). Arthouse or experimental material 
> more than Babe.
> 
> Any tips very gratefully received!
> 
> Best wishes,
> 
> Sarah Browne
>  
> www.sarahbrowne.info
> www.kennedybrowne.com
> 
> Hand to Mouth
> CCA Derry-Londonderry
> until 24 May 2014
> 
> 
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Re: [Frameworks] Head by bob rafelson

2014-03-31 Thread חן שינברג

Do you know by chance who distributes Columbia pictures films ? 
Chen 

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ב-31 במרס 2014, בשעה 16:37, Jon Behrens  כתב/ה:

> Hi Chen
> 
> You might want to try Columbia pictures - I am pretty sure they still have 
> prints.
> 
> Sent from my iPhone
> 
> On Mar 31, 2014, at 8:33 AM, "חן שינברג"  wrote:
> 
>> 
>> Hello frameworkers,
>> Does anybody know who distributes a 35 mm print or Dcp of the film "Head" by 
>> Bob Rafelson (1968), or where can I find information about it's distribution.
>> although it's not a pure experimental film , it's a film with expetimental 
>> influences made in Hollywood.
>> Thank you very much,
>> 
>> Chen Sheinberg 
>> 
>> נשלח מה-iPhone שלי
>> 
>> ב-30 במרס 2014, בשעה 17:28, Francisco Torres  כתב/ה:
>> 
>>> The Eclair rules!
>>> 
>>> 
>>> On Sat, Mar 29, 2014 at 5:42 PM, Dick Enersen  wrote:
>>> attached
>>> 
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[Frameworks] Head by bob rafelson

2014-03-31 Thread חן שינברג

Hello frameworkers,
Does anybody know who distributes a 35 mm print or Dcp of the film "Head" by 
Bob Rafelson (1968), or where can I find information about it's distribution.
although it's not a pure experimental film , it's a film with expetimental 
influences made in Hollywood.
Thank you very much,

Chen Sheinberg 

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ב-30 במרס 2014, בשעה 17:28, Francisco Torres  כתב/ה:

> The Eclair rules!
> 
> 
> On Sat, Mar 29, 2014 at 5:42 PM, Dick Enersen  wrote:
> attached
> 
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Re: [Frameworks] EDINBURGH INTERNATIONAL FILM FESTIVAL - CALL FOR SUBMISSIONS

2014-01-06 Thread חן שינברג
Hello Kim,
Please send me a fee waiver.
Thank you very much,
Chen Sheinberg

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ב-6 בינו 2014, בשעה 17:11, Ken Paul Rosenthal  
כתב/ה:

> Hello Kim,
> 
> 
> Please send me a fee waiver.
> 
> 
> Thank you, Ken Paul Rosenthal
> 
> 
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Re: [Frameworks] FrameWorks Digest, Vol 43, Issue 19

2013-12-19 Thread חן שינברג
The cameraman's revenge- ladislaw Starewicz.1912
The acrobatic fly- percy smith. 1910

And I also made many insect films,
I can contact you off list.

Thanks
Chen Sheinberg

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ב-19 בדצמ 2013, בשעה 22:25, Curtis Tamm  כתב/ה:

> i am developing a list of experimental films about insects and islands, 
> please help contribute. 
> 
> thanks, 
> curtis 
> 
> 
> On Thu, Dec 19, 2013 at 4:01 AM,  
> wrote:
> Send FrameWorks mailing list submissions to
> frameworks@jonasmekasfilms.com
> 
> To subscribe or unsubscribe via the World Wide Web, visit
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> or, via email, send a message with subject or body 'help' to
> frameworks-requ...@jonasmekasfilms.com
> 
> You can reach the person managing the list at
> frameworks-ow...@jonasmekasfilms.com
> 
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
> 
> 
> Today's Topics:
> 
>1. Ralph Steiner's Joy of Seeing (Pablo Marin)
>2. Re: projector-less film loops (Sasha Janerus)
> 
> 
> --
> 
> Message: 1
> Date: Wed, 18 Dec 2013 13:54:43 -0800 (PST)
> From: Pablo Marin 
> To: Experimental Film Discussion List 
> Subject: [Frameworks] Ralph Steiner's Joy of Seeing
> Message-ID:
> <1387403683.99956.yahoomail...@web162705.mail.bf1.yahoo.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Hi all,
> 
> Anyone out there knows if this is available in any way (print, dvd, link)?
> 
> Thanks in advance,
> Pablo Marin
> -- next part --
> An HTML attachment was scrubbed...
> URL: 
> 
> 
> --
> 
> Message: 2
> Date: Wed, 18 Dec 2013 20:25:03 -0500
> From: Sasha Janerus 
> To: Experimental Film Discussion List 
> Subject: Re: [Frameworks] projector-less film loops
> Message-ID:
> 
> Content-Type: text/plain; charset="iso-8859-1"
> 
> A good place to look would be the recent book Exhibiting Cinema in
> Contemporary Art by Erika Balsom.
> 
> 
> 3.  
> 
> On Tue, Dec 17, 2013 at 6:20 PM, Mary Stark  wrote:
> 
> > Hi Rebecca,
> >
> > I have been working with 16mm film as installation using loops, fresnel
> > lenses and film as a sculptural material. If you are interested please look
> > at my website and blog
> > http://www.marystark.co.uk/
> > http://interwovenpractices.co.uk/
> >
> > Best wishes,
> >
> > Mary Stark
> >
> > Tel: 07828450979
> >
> >
> > On 17 Dec 2013, at 20:27, Jonathan Walley  wrote:
> >
> > > Rebecca, et. al.,
> > >
> > > After re-reading your post, and reading Scott's response, it strikes me
> > that you may have been looking for information about early (e.g. silent,
> > "primitive?") film systems that involved viewing 16mm film without lens or
> > projector. Your use of the term "installation" made me assume expanded
> > cinema, film installation, etc., but then there's your reference to the
> > zoetrope, which suggests that you're looking for something further back in
> > history. Of course, the zoetrope did not use film of any kind. What's more,
> > 16mm film wasn't invented until 1923, by which time projection - with
> > lenses - was, of course, standard practice in film exhibition. I'm not
> > aware of any viewing systems for 16mm that don't employ at least lenses:
> > flatbed editors don't quite "project" the images, at least not in the same
> > way a projector does, and devices like Moviolas and Moviscopes don't
> > involve projection - the film image is simply magnified into a viewer, not
> > unlike the Kinetsoscope. But these systems are used to edit film reels, not
> > to show loops. And they all use lenses.
> > >
> > > Specifying your research project would be helpful - can we have a little
> > more detail?
> > > Jonathan
> > >
> > > Dr. Jonathan Walley
> > > Associate Professor
> > > Department of Cinema
> > > Denison University
> > > wall...@denison.edu
> > >
> > >
> > > On Dec 17, 2013, at 12:44 PM, Scott Dorsey wrote:
> > >
> > >> Well, the first loop system was the Edison Kinetoscope but that was
> > 35mm..
> > >> --scott
> > >> ___
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> >
> -- next part --
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> 

Re: [Frameworks] Nov 4

2013-11-04 Thread חן שינברג
Happy birthday

Chen 

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ב-4 בנוב 2013, בשעה 09:19, Mac Shaw  כתב/ה:

> Happy Birthday
> My name is Micah "Mac" Shaw I have been lurking on this list and now I'm 
> finally coming out on its birthday. The members on this list are all 
> outstanding. I am an screenwriter first and actor secound (Head Shots coming 
> soon) been doing it since I was 16  now 20. Anyway I just finish up with  the 
> Pilot for  my first show that I'm so excited about think of The Wire and  
> Breaking Bad with two 17 year olds best-friends and one has a Uncle that's 
> the Stringer Bell, Walter White of his community that is what "RULES OF 
> GREEN" is.
> I received great reviews from my peers and everyone I pitched the idea 
> the show to. The two main characters are Tom Tide and John Smith, to describe 
> Tom he is a straight A student,  street smart,a schemer (plotter), smokes 
> weed occasionally and college bound doesn't know what he is going quite do in 
> life. John Smith a hustler, wants to wear the crown while he's young think of 
> Marlo from the Wire, charismatic,motivated, humorous, and can at times not 
> give a fuck which gets him suspended a lot and eventually kicked out of high 
> school. Its about  The first season starts of with them starting to sell weed 
> in their junior year of High School its 5  seasons 12 episodes a season 24 
> min show.
>  Thank you for the great discussion and reading this.
> Yours Truly, 
> Micah "Mac" Shaw
> p.s Don't mind my typing skills 
> 
> 
> On Mon, Nov 4, 2013 at 3:01 AM, Michael Kemp  
> wrote:
> Happy birthday to you. Fantastic resource ~ a constant treasure trove of 
> advice, community & ye olde ag information xx
> Sent using BlackBerry® from Orange
> 
> -Original Message-
> From: Pip Chodorov 
> Sender: "FrameWorks" 
> Date: Mon, 4 Nov 2013 12:57:43
> To: Experimental Film Discussion List
> Reply-To: Experimental Film Discussion List 
> Subject: [Frameworks] Nov 4
> 
> Happy birthday to us
> Happy birthday to us
> Happy birthday dear FrameWorks
> Happy birthday to us
> 
> 1st post - November 4th, 1995
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[Frameworks] (no subject)

2013-08-26 Thread חן שינברג
Does somebody has the mail of mark toscano ?
Thanks
Chen 

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Re: [Frameworks] Lipsett, Night tide and Lonesome

2013-08-24 Thread חן שינברג
Thank you Andy and all the others!
Do you know What is the condition of em gee's copies generally? 
Chen 

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ב-24 באוג 2013, בשעה 16:55, Andy Ditzler  כתב/ה:

> Following up on Roger's suggestion, Em Gee lists Very Nice, Very Nice, 
> 23-Skidoo, 21-87, and A Trip Down Memory Lane in their catalog. 
> http://emgee.freeyellow.com/
> 
> Andy Ditzler
> www.filmlove.org
> 
> 
> 
> On Sat, Aug 24, 2013 at 11:51 AM, Andy Ditzler  wrote:
> MoMA lists Lipsett's "Very Nice, Very Nice" in their rental catalog: 
> http://www.moma.org/learn/resources/circulatingfilm#aboutcircfilm
> 
> Not sure whether they have others of his. 
> 
> Andy Ditzler
> www.filmlove.org
> 
> 
> 
> On Sat, Aug 24, 2013 at 6:12 AM, Chen Sheinberg  
> wrote:
> Dear frameworkers,
> 
> Does anybody know who distributes the films of Arthur Lipsett?
> 
> And who distributes “Night Tide”  (1961) by Curtis Harrington  and “Lonesome” 
> (1928) by Paul Fejos (1928)?
> 
> Thank you very much,
> 
> Chen Sheinberg
> 
> 
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread חן שינברג
Kustom Kar Kommandos by Kenneth Anger .1965

Weekend by Jean Luc Godard. 1967


Chen S


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ב-14 בדצמ 2012, בשעה 19:57, Bryan Konefsky  כתב/ה:

> 
> Hello Frameworkers - I am in the early moments of developing a critical 
> studies course that looks at different ways the automobile has been imagined 
> in cinema.  To this end I'd love to hear from ya'll with titles of films that 
> you think might be useful to explore/expand this idea and readings that might 
> also dovetail themes that might be explored.
> 
> Do know that my pal Antoni Pinent recently turned me on to a great text 
> titled Car Fetish.
> 
> OK, let's hear what ya got!
> best,
> -- 
> Bryan Konefsky
> director, Experiments in Cinema
> el presidente, Basement Films
> lecturer, Dept of Cinematic Arts UNM
> visiting lecturer, UCSC
> board of advisors, Ann Arbor Film Festival
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Re: [Frameworks] Avant garde DVDs

2012-04-10 Thread חן שינברג
Thank you very much for the information.
Chen

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ב-Apr 9, 2012, בשעה 7:54, Pip Chodorov  כתב/ה:

> Kim's Video carries some of our DVDs, and there 
> may soon be a new venue in Williamsburg.
> But the best way is still to order them on our blog, or on amazon.fr
> Pip Chodorov, Re:Voir
> 
> 
> At 9:45 +0100 9/04/12, ÁÔݘȕ·¯’ wrote:
>> Does anybody know where can I buy re-voir DVDs 
>> or any other avant-garde DVDs in NY ?
>> Thanks
>> Chen
>> 
>> 
> 
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[Frameworks] Avant garde DVDs

2012-04-08 Thread חן שינברג
Does anybody know where can I buy re-voir DVDs or any other avant-garde DVDs in 
NY ?
Thanks
Chen

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ב-Apr 9, 2012, בשעה 7:28, C Keefer  כתב/ה:

> thanks, good to know...to clarify, we're not looking to buy a stand, but a 
> situation with a vendor where we can rent enough time/space & help to shoot 
> many cels
> 
> Cindy Keefer
> CVM
> www.centerforvisualmusic.org
> CVM email = cvmaccess at gmail.com
> 
> 
> -Original Message-
>> From: ben.weinst...@mindspring.com
>> Sent: Apr 8, 2012 11:05 PM
>> To: C Keefer , Experimental Film Discussion List 
>> 
>> Subject: Re: [Frameworks] west coast oxberry animation stand?
>> 
>> San Francisco State has a 16 and 35 oxberry animation stand and they have a 
>> sweet oxberry optical printer with 2 filmgates, also 16 and 35.  Theyre not 
>> for sale but anyone can just go in there and use them.
>> 
>> 
>> -Original Message-
>>> From: C Keefer 
>>> Sent: Apr 8, 2012 10:55 PM
>>> To: frameworks@jonasmekasfilms.com
>>> Subject: [Frameworks] west coast oxberry animation stand?
>>> 
>>> 
>>> speaking of Oxberry stands - can anyone recommend a vendor with an Oxberry 
>>> animation stand in the southern CA, SF Bay Area or west coast? We need to 
>>> shoot many cels onto 35mm. In worst case we can do 16mm, but 35mm is 
>>> definitely preferred. We understand there are no vendors anymore in LA with 
>>> working stands for film.
>>> 
>>> thanks in advance,
>>> Cindy Keefer
>>> Center for Visual Music
>>> www.centerforvisualmusic.org
> 
> 
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