Re: [Frameworks] encoding dolby SR/D to print on 35mm film

[franco base]

Thanks Scott, but here the problem seems to be requested format , rather
than mixing/adapting the sound mix.
The Lab asked for sound already encoded as dolby SR/d.
Getting an AC3 format would not be a problem at all.
What we don't understand is whether this is a real issue or just the Lab
operator being a bit lazy :)

Hope the question is clearer now

Thanks again

Franco

Il lun 1 lug 2019, 23:32 Scott Dorsey  ha scritto:

> It's not THAT unusual to provide mono digital soundtracks, with audio all
> coming from the center channel.  AC-3 digital encoding on the film, just
> only one of the six channels used.  This is seen a lot for reissues of
> classic films although Woody Allen used it for his last few new releases.
>
> It's not related to Dolby SR at all.  It's "Dolby Digital."
> Yeah, I know the button on the machine is marked SR/D but that is
> marketing.
> --scott
>
>
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[Frameworks] encoding dolby SR/D to print on 35mm film

[franco base]

Hi all,
a member of Unzalab have to print mono sound recorded from zoom on a 35mm
print.
Movie and Sound Lab from Florence can print on 35 mm but they ask for
encoding dolby sr/d mix 5.1.
You know an audio studio that make this service? Better in Europe.
How Much It cost more or less?
What's difference from dolby SR?

Thanks a lot
Franco
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[Frameworks] looking for super8 and 16mm Film Developing Machine

[franco base]

Hi all
In Unzalab/Milan we are looking for a
super8 and a 16mm Film Developing Machine.
Is There anyone can help us?

Thanks
Francesco
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Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

[franco base]

2 of film that we make in our lab Unzalab (first Unza!) :

Deriva (2012):
https://www.youtube.com/watch?v=C-rpa3sgRZw


Interviste Mute a Niguarda (2010):
https://vimeo.com/87479286




2018-07-15 15:39 GMT+02:00 Madison Brookshire :

> I highly recommend Rithy Panh, *S-21: The Khmer Rouge Killing Machine*,
> 2003 https://en.wikipedia.org/wiki/S-21:_The_Khmer_Rouge_Killing_Machine
>
> Madison
>
> On Sat, Jul 14, 2018 at 5:39 PM Cinema Project 
> wrote:
>
>> Anything by Eva Marie Rodbro would probably fit, especially *Dan Mark*
>> (2014) or *I Touched Her Legs (2010)*.
>> Here is an interview where she talks about her process of working with
>> people:
>>
>> http://howtoworktogether.org/wp-content/uploads/Eva_Marie_Rodbro_HTWT.pdf
>>
>> Heather
>>
>> On Tue, Jul 10, 2018 at 10:22 AM, Sonya Mladenova <
>> sonya.mladen...@gmail.com> wrote:
>>
>>> Hello everyone,
>>>
>>> Looking for documentary films shot with/within a group of people engaged
>>> in an activity or some kind of project, independently or in an organized
>>> environment,* in which the filmmaker is a visible and/or an active
>>> participatory presence*. I'm especially interested in films from the
>>> last 25-30 years. I'm investigating the relationship between the filmed
>>> person(s) and the person(s) filming, whatever the configuration.
>>>
>>> Somes examples, but not limited in scope:
>>> Starless Dreams by Mehrdad Oskouei
>>> À ciel ouvert by Mariana Otero
>>> La moindre des choses by Nicolas Philibert
>>>
>>> Many many thanks,
>>>
>>> Sonya
>>>
>>>
>>>
>>>
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>>>
>>
>>
>> --
>> *Cinema Project*
>> www.cinemaproject.org
>> 971-266-0085
>> PO Box 5991
>> Portland, OR 97228
>>
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[Frameworks] Jonas Mekas contacts

[franco base]

Hi,
Does anyone have contacts for Jonas Mekas? He will come to Italy at the
begin of March and I'd write him.
Thanks
F
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[Frameworks] main drive worm stop run in Bell Howell tq3 specialist

[franco base]

Hi all,
I have a Bell Howell tq3 specialist.
It works well but suddenly drive worm stop run, so it doesn't run and take
the film.
Fuse are ok. Any tips to understand if problem is simple to solve?

Thanks a lot
f
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Re: [Frameworks] Svema 16mm

[franco base]

Standard reversal process
http://www.oocities.org/submini2003/process/proces-svema.htm


Il 9 mar 2017 15:13, "Pip Chodorov"  ha scritto:

> And Nicolas would give out the formula if you ask micely.
>
>
> At 9:08 -0500 9/03/17, Scott Dorsey wrote:
>
>> The color film is likely not to be processable easily (although it's not
>> rem-jet backed so if you could make up the chemistry from reagents you
>> could likely run it.)
>>
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[Frameworks] orwo un54/n74 dev as Negative

[franco base]

Hi,
have you got some experience to share
with orwo un54 and n74 film developed as negative?

I'd like know the developer and times also for pull and push processing,
particularly for the n74 exposed at 800/1600 asa.

Thanks a lot.
F.
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Re: [Frameworks] Bi-packing acetate in a Bolex

[franco base]

Hi.
As Francisco, I'd like to read:
*Bipacking with a Bolex - American Cinematographer, March 1964,p.140 Day,W.
Percy*

Anyone from Usa can share this article?
Thanks a lot

2015-12-04 10:41 GMT+01:00 :

> I have done a fair amount of bi-packing acetate neg with polyester print
> stock, and polyester with polyester, and it works fine. Occasionally a
> frame slips, maybe every 500or 600 feet, but it works well and there's been
> no damage to the camera that I can detect,
>
> Nicky.
>
>
>
> -Original Message-
> From: Francisco Torres 
> To: Experimental Film Discussion List 
> Sent: Thu, 3 Dec 2015 17:45
> Subject: Re: [Frameworks] Bi-packing acetate in a Bolex
>
> maybe some one in the US  could go to a library and check this out -
> *Bipacking with a Bolex - American Cinematographer, March 1964,p.140
> Day,W. Percy*
>
> 2015-12-03 9:03 GMT-04:00 Chris G :
>
>> I've seen pieces that were shot bi-packed in a Bolex using camera stocks.
>> I've shot a fair amount of acetate stock in camera, both single frame and
>> continuous without issue. I guess I'll have to do dummy load tests with
>> acetate-polyester then acetate-acetate.
>>
>>
>> On Dec 3, 2015, at 08:30, Bernd Lützeler  wrote:
>>
>> I have heard of this idea, using the Bolex as a contact printer. Not with
>> these particular stocks. Rather like a rumor...
>>
>> Bernd.
>>
>>
>> Am 03.12.2015 um 06:19 schrieb Dominic Angerame <
>> dominic.anger...@gmail.com>:
>>
>> I think its a big mistake to attempt. There does not seem to be room for
>> the thickness of the stock and the Bolex has no registration pin to keep
>> frames steady. I would not like to damage my Bolex through bi-paking.
>>
>> Dominic
>>
>> On Tue, Dec 1, 2015 at 9:49 AM, Francisco Torres 
>> wrote:
>>
>>>
>>> try this book-
>>>
>>> Techniques of Special Effects of Cinematography By Raymond Fielding
>>>
>>> https://www.google.com.pr/search?tbo=p=bks=isbn:1136055533
>>>
>>> the nypl used to have it years ago.
>>>
>>> it cites this article---
>>>
>>> *'' bipacking with a bolex'', American Cinematographer, March 1964,p.140
>>> Day,W. Percy*
>>>
>>> 2015-12-01 7:44 GMT-04:00 Chris G :
>>>
 Hi all,

 I was wondering if it was especially idiotic to bi-pack two
 acetate-base stocks (in this case both Kodak Hi-Con) in a Bolex for mattes
 while running it slowly with an animation motor.

 Thanks!
 Chris

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Re: [Frameworks] Shower scenes...

[franco base]

the driller killer

2016-01-01 4:11 GMT+01:00 Nathaniel Draper :

> Or of “Carrie,” for that matter
>
> On Dec 31, 2015, at 7:03 PM, Edward Choi  wrote:
>
> Opening of De Palma's Dressed to Kill
>
> On Thursday, December 31, 2015, Adeena Mey  wrote:
>
>> Robert Whitman's 'Shower' (1964)
>>
>>
>> Sent from my iPhone
>>
>> > On 1 Jan 2016, at 00:27, "Kenneth Linehan" 
>> wrote:
>> >
>> > There is a shower scene in Paranoid Park by Gus Van Sant, with some
>> really excellent sound work by Hildegarde Westerkamp
>> >
>> >
>> >
>> >> On Dec 31, 2015, at 3:14 PM, Daniel Hess  wrote:
>> >>
>> >> Hello all,
>> >>
>> >> I need to call on the great well of obsessive cinema knowledge that is
>> Frameworks. I am on a mission to collect as many shower/bath scenes as
>> possible. How many films with a shower/bath scene can you recall? Don't
>> forget prison showers, bathhouse showers (I will also allow sauna scenes),
>> someone cleaning a shower, dog showers...
>> >>
>> >> Thanks in advance.
>> >>
>> >> Daniel
>> >> ___
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[Frameworks] 16mm projector bell tq iii specialist

[franco base]

Hi all,
I buy this projector,
but when I try to project the image is really bad
as if  the film loses the loop.
I see that the  loop botton is on the top of projector but i cannot push it
if the film is running.
Anyway I'm not really sure that the lost loop is the problem
You know this projector? Have you any tips to have a good image?

thanks a lot
fb
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[Frameworks] countryside film

[franco base]

Hi
I'm looking for experimental films where the idyllic vision of the
countryside is overturned. Films that show the violence and ignorance that
reign in the little villages in opposition, for example, with the hippie
vision of the countryside.

Non experimental films are welcome also.
I think to:
Hunting Scenes from Bavaria little village
La Poison
Straw Dogs

Thanks a lot.


f
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Re: [Frameworks] Islands in experimental film and video

[franco base]

Alla short documentary by Vittorio de Seta. In the 50' he  filmed italian
island.



Il 22/giu/2014 23:31 Pigott, Michael m.g.pig...@warwick.ac.uk ha
scritto:

 Dear Frameworkers,



 I'm  de together a piece about the use of islands as locations in recent
experimental film and video. I'm focussing on Ben Rivers' Slow Action and
Simon Faithfull's Stromness. I am building a list of other work that
involves islands at the moment, and I would be very grateful for your
suggestions of other experimental and artists' work (recent or historical)
that are about islands or use islands as locations.



 Thanks in advance!



 Michael Pigott




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Re: [Frameworks] insect islands

[franco base]

insect:
yoko ono fly


2013/12/20 Gene Youngblood ato...@comcast.net

 The opening of L'Age d'Or has both if you connect the scorpion to the
 arrival of civilization on Majorca.

 -Original Message- From: David Tetzlaff
 Sent: Friday, December 20, 2013 9:41 AM
 To: Experimental Film Discussion List
 Subject: Re: [Frameworks] insect islands


 My fave insect on an island movie isn't experimental: Sherman's March. You
 must respect the authorita of the Blood Sucking Cone Nose!


 On Dec 19, 2013, at 9:18 PM, Chuck Kleinhans wrote:

  Are these two separate things (any or all insects; any or all islands),
 or do you mean insects living on islands?


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[Frameworks] print super8 negative b/w to positive

[franco base]

Hi.
You know a Lab where is possible print a super 8 Black and White Negative
(from Kodak Tri-x) to super8 Positive. Or 16mm positive.
Andec have this service but only for colour film.

Thanks
f.
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Re: [Frameworks] call to show in a real Cinema

[franco base]

Yes sure, It's true. Why not?
If you are interesting to show contact me.
No problem for a place where sleep,
maybe we can pay also travel expenses.

ciao
f.


2013/6/21 Bernd Luetzeler fi...@gmx.de

 I just googled it and it seems to be true:
 http://www.milanox.eu/occupato-ex-cinema-maestoso-in-ple-lodi/
 https://www.facebook.com/Ri.make1/photos

 Am 20.06.2013 um 12:59 schrieb elliott...@aol.com:

 That is what I know the word to mean, however I do not understand the
 purpose of your post. Are you offering a venue to show films that you squat
 in?
 I had a friend in UK, who i stayed with for awhile, who was in a Squat and
 it was a very loving and unique environment. All were good people, trying
 to find a way to make it in society, which they all have by now. But it was
 a good help for them to have free or low rent.


 -Original Message-
 From: nicky.hamlyn nicky.ham...@talktalk.net
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Sent: Thu, Jun 20, 2013 2:18 am
 Subject: Re: [Frameworks] call to show in a real Cinema

  Squatting is the occupation of an empty building, nothing to do with
 projection facilities.

  In the 1970s, hundreds, if not thousands, of empty buildings in London
 were squatted by homeless people. Hard to imagine now, especially since it
 became illegal this year in the UK,

  Nicky.

  From: elliott...@aol.com
 Reply-To: Experimental Film Discussion List 
 frameworks@jonasmekasfilms.com
 Date: Wed, 19 Jun 2013 21:42:21 -0400 (EDT)
 To: frameworks@jonasmekasfilms.com
 Subject: Re: [Frameworks] call to show in a real Cinema

  What do you mean by Squotted Can they show films digitally. It was
 shot on film but is finished in digital format.


 -Original Message-
 From: franco base frenk.ca...@gmail.com
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Sent: Wed, Jun 19, 2013 8:07 pm
 Subject: [Frameworks] call to show in a real Cinema

Dear Frameworkers,
  in Milan, Italy, a real cinema was squotted yesterday.
  All frameworkers that can go to Milan are welcome ,and can show their
 film.
   Please contact me.
  You can see the cinema in the attached Photo

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Re: [Frameworks] call to show in a real Cinema

[franco base]

There is
super8,
16mm
not yet 35mm.

I hope it continues.



2013/6/21 Cari Machet carimac...@gmail.com

 GREAT NEWS THANKS!!

 i knew about theatres in italy but not a cinema i will spread the news

 CONGRATES!!!

 On 6/21/13, Bernd Luetzeler fi...@gmx.de wrote:
  Hi Franco,
 
  That's really amazing, what formats are you able to screen?
  Is there 16mm and 35mm?
 
  ciao
 
  Bernd
 
 
  Am 21.06.2013 um 12:50 schrieb franco base:
 
  Yes sure, It's true. Why not?
  If you are interesting to show contact me.
  No problem for a place where sleep,
  maybe we can pay also travel expenses.
 
  ciao
  f.
 
 
  2013/6/21 Bernd Luetzeler fi...@gmx.de
  I just googled it and it seems to be true:
  http://www.milanox.eu/occupato-ex-cinema-maestoso-in-ple-lodi/
  https://www.facebook.com/Ri.make1/photos
 
  Am 20.06.2013 um 12:59 schrieb elliott...@aol.com:
 
  That is what I know the word to mean, however I do not understand the
  purpose of your post. Are you offering a venue to show films that you
  squat in?
  I had a friend in UK, who i stayed with for awhile, who was in a Squat
  and it was a very loving and unique environment. All were good people,
  trying to find a way to make it in society, which they all have by now.
  But it was a good help for them to have free or low rent.
 
 
  -Original Message-
  From: nicky.hamlyn nicky.ham...@talktalk.net
  To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
  Sent: Thu, Jun 20, 2013 2:18 am
  Subject: Re: [Frameworks] call to show in a real Cinema
 
  Squatting is the occupation of an empty building, nothing to do with
  projection facilities.
 
  In the 1970s, hundreds, if not thousands, of empty buildings in London
  were squatted by homeless people. Hard to imagine now, especially since
  it became illegal this year in the UK,
 
  Nicky.
 
  From: elliott...@aol.com
  Reply-To: Experimental Film Discussion List
  frameworks@jonasmekasfilms.com
  Date: Wed, 19 Jun 2013 21:42:21 -0400 (EDT)
  To: frameworks@jonasmekasfilms.com
  Subject: Re: [Frameworks] call to show in a real Cinema
 
  What do you mean by Squotted Can they show films digitally. It was
 shot
  on film but is finished in digital format.
 
 
  -Original Message-
  From: franco base frenk.ca...@gmail.com
  To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
  Sent: Wed, Jun 19, 2013 8:07 pm
  Subject: [Frameworks] call to show in a real Cinema
 
  Dear Frameworkers,
  in Milan, Italy, a real cinema was squotted yesterday.
  All frameworkers that can go to Milan are welcome ,and can show their
  film.
  Please contact me.
  You can see the cinema in the attached Photo
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 mailman-mail5.webfaction.com/listinfo/frameworks
 
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 mailman-mail5.webfaction.com/listinfo/frameworks
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 --
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 NYC 646-436-7795
 carimac...@gmail.com
 AIM carismachet
 Skype carimachet - 646-652-6434
 Syria +963-099 277 3243
 Amman +962 077 636 9407
 Berlin +49 152 11779219
 Twitter: @carimachet https://twitter.com/carimachet

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Re: [Frameworks] yellow brown film

[franco base]

??


2013/5/14 Francisco Torres fjtorre...@gmail.com

 B/W Did you finally figure out the devolping method?


 On Tue, May 14, 2013 at 5:51 AM, franco base frenk.ca...@gmail.comwrote:

 Hi Franciso.
 I don't use filter beacuse I'm shooting on Tri-x.




 2013/5/13 Francisco Torres fjtorre...@gmail.com

 Why not just use a filter?


 On Sun, May 12, 2013 at 8:21 PM, franco base frenk.ca...@gmail.comwrote:

 Thanks Josh.
 It works. Non bad

 Now I'd to try toner (yellow and Blu).
 Have you got some experience?
 Standard process is to to use toner after fix.
 Have you tried after the first development.

 Ciao






 2013/2/8 Joey bardenm...@yahoo.com

 Franco, listen to Josh. He knows his stuff.

 Joey



   --
 *From:* Josh Lewis McConnell m.joshuale...@gmail.com

 *To:* Experimental Film Discussion List 
 frameworks@jonasmekasfilms.com
 *Sent:* Friday, February 8, 2013 9:54 AM
 *Subject:* Re: [Frameworks] yellow brown film

 Franco--try switching to a potassium dichromate bleach, then wash the
 film only with very cold water before the redevelopment--the residue
 will usually stain the film brown/orange.

 Josh

 1717 Troutman Street
 Suite 244
 Ridgewood, NY 11385
 (201) 952 23866
 m.joshuale...@gmail.com

 On Fri, Feb 8, 2013 at 6:33 AM, franco base frenk.ca...@gmail.com
 wrote:
  Thanks you have right.
  Stupid error.
  I try again and I have the positive Image,
  but not yellow/brown effect.
  Naturally after bleach the the film was yellow/brown
  but the second exposition and the second development and the fix
  remove all the toning.
  It's strange.
  Maybe I will'try with sepia toning
  but I'd prefer have it with bleach,
  because I don't care long and stable effetc.
 
 
 
 
  2013/2/5 Scott Dorsey klu...@panix.com
 
  Okay... you have developed a silver image bleached the silver
 image
  away, then the fixer removes all residual latent silver from the
 emulsion.
 
  You need some kind of redevelopment.
 
  Have you considered sepia toning it?  It's stinky and a pain, but
 gives
  a stable long-lasting yellow-brown image.
  --scott
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Re: [Frameworks] yellow brown film

[franco base]

Thanks Josh.
It works. Non bad

Now I'd to try toner (yellow and Blu).
Have you got some experience?
Standard process is to to use toner after fix.
Have you tried after the first development.

Ciao






2013/2/8 Joey bardenm...@yahoo.com

 Franco, listen to Josh. He knows his stuff.

 Joey



   --
 *From:* Josh Lewis McConnell m.joshuale...@gmail.com

 *To:* Experimental Film Discussion List frameworks@jonasmekasfilms.com
 *Sent:* Friday, February 8, 2013 9:54 AM
 *Subject:* Re: [Frameworks] yellow brown film

 Franco--try switching to a potassium dichromate bleach, then wash the
 film only with very cold water before the redevelopment--the residue
 will usually stain the film brown/orange.

 Josh

 1717 Troutman Street
 Suite 244
 Ridgewood, NY 11385
 (201) 952 23866
 m.joshuale...@gmail.com

 On Fri, Feb 8, 2013 at 6:33 AM, franco base frenk.ca...@gmail.com wrote:
  Thanks you have right.
  Stupid error.
  I try again and I have the positive Image,
  but not yellow/brown effect.
  Naturally after bleach the the film was yellow/brown
  but the second exposition and the second development and the fix
  remove all the toning.
  It's strange.
  Maybe I will'try with sepia toning
  but I'd prefer have it with bleach,
  because I don't care long and stable effetc.
 
 
 
 
  2013/2/5 Scott Dorsey klu...@panix.com
 
  Okay... you have developed a silver image bleached the silver image
  away, then the fixer removes all residual latent silver from the
 emulsion.
 
  You need some kind of redevelopment.
 
  Have you considered sepia toning it?  It's stinky and a pain, but gives
  a stable long-lasting yellow-brown image.
  --scott
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[Frameworks] la mamain et la putain

[franco base]

hi you know if is possible rent
o buy a 16mm print of la mamain et la putain?

Europe is better

thanks
f
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[Frameworks] yellow brown film

[franco base]

Hi.
I want a film with yellow/brown abstract image.
So following my usual development reversal process,I have jumped the clear
bath.
But something didn't work beacuse I have a completely transparent film.

So the process I use is :

- first developer (Neutol 1+3) 12 min
- wash 5 minutes
- Bleach 5 minutes ( solution A: Potassium permanganate (KMnO4) 4g /liter +
solution B: Sodium hydrogen sulfat*e (**NaHSO4) 35g/liter )
*
-Fix 1+7 5 minutes
-wash


What is wrong?
Mybe this kind of Bleach (In my usually reversal process it works very well)
Any tips?

thanks
f.
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[Frameworks] reversal Process

[franco base]

Hi.
I read this document:
http://www.filmlabs.org/docs/inversiblenb.pdf

It refers to article:
The nomenclature of photographic reversal effects

You know where I can find this article?


Thanks
f.
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Re: [Frameworks] new critical studies film course in car culture

[franco base]

One of the best animation movie about car

by Bruno Bozzetto
Il signor Rossi compra l'automobile
Mr Rossi buy a car
1966

http://www.youtube.com/watch?v=DQksyniUqPo



2012/12/15 Jack j...@jacktext.net

 The book lost highways: the illustrated history of the road movie that I
 co-edited has some essays that may be of interest.

 Jack
 Sent from my iPhone

 On 16/12/2012, at 2:47 AM, Bryan Konefsky bkonef...@gmail.com wrote:

 Thanks everyone for your input... still hoping to get a few more film
 ideas AND suggestions on readings.
 best,
 bryan konefsky

 On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:

 Laurel and Hardy is Two Tars


 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:

 The about to open, On The Road, and an almost endless stream of road
 movies in Hollywood.

 There's a famous Laurel and Hardy film (whose name I forget at the
 moment) which includes tearing a car apart in a dispute.

 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.

 Chuck Kleinhans






 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
  Hello Frameworkers - I am in the early moments of developing a
 critical studies course that looks at different ways the automobile has
 been imagined in cinema.  To this end I'd love to hear from ya'll with
 titles of films that you think might be useful to explore/expand this idea
 and readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great
 text titled Car Fetish.
 
  OK, let's hear what ya got!
  best,



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 AS220 Communications Director
 da...@as220.org
 (401) 831-9327 x121



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 --
 Bryan Konefsky
 director, Experiments in Cinema
 presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

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Re: [Frameworks] flickering

[franco base]

Thanks.
First I'll try to shoot at 6 fps.
It Seems more simple solution.
John if you remember the filmaker name,
write me please.

Thanks
f.



2012/12/3 John Woods jawood...@yahoo.ca

 Try projecting at a slower frame rate, there are many variable speed super
 8 projectors that could project at rates like 12, 9 or 6 fps. Your camera
 also might be able to shoot at a rate that could match the slower
 projector speed. IIRC there was a British filmmaker whose name escapes me,
 active in the 70s and 80s, who shot and projected his films at 6 fps.

 You could also try modifying the shutter blade on the projector. Its not
 my area of expertise but I think that if you had fewer shutter blades that
 you would get more flicker.

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Re: [Frameworks] flickering

[franco base]

too banal?




2012/11/30 franco base frenk.ca...@gmail.com

 Hi.
 I'd have flickering using super8.

 I can make using camera and shoothing changing exposure

 If I'd use projector to have flckering what is the way?
 Is there some projector that flickering better?


 Thanks
 f.
 b.


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[Frameworks] flickering

[franco base]

Hi.
I'd have flickering using super8.

I can make using camera and shoothing changing exposure

If I'd use projector to have flckering what is the way?
Is there some projector that flickering better?


Thanks
f.
b.
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[Frameworks] film about food

[franco base]

Hi.
I'm organizing a experimantal film exhibition about fodd.
Have you got  suggestion about film and artist.
I'd like have 16mm or super8 or 8mm.
This film should be readily available for hire.

thanks a lot.
F.
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Re: [Frameworks] (no subject)

[franco base]

Hi.
i buy(?)that printer from Munich.
The man say that it doesn' t work.
You think that I can go to Muncih(1000 km ) to take the printer?
is it easy to repair?


f.


2012/6/17 R.L. Wilson twoin...@hotmail.com


 http://www.blk-ventures.com/wp-blacklake/wp-content/themes/centita/googles.html?awe=egs.jhjrth=yug.gdfeec=iwho

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Re: [Frameworks] Abstract Nonfiction/Documentary

[franco base]

All film by Artavazd *Pelechian*.




2012/3/7 George Robinson george.robinson.communicati...@gmail.com

  *sleep furiously* by Gideon Koppel

 George Robinson



 On 3/7/2012 11:40 AM, Lars Fuchs wrote:

 Dear Frameworkers - I am looking for inspiration for a film project. I
 would like to see non fiction or documentary films that are abstract or
 make extensive use of abstract imagery or sound. Can be narrative, loosely
 narrative, or entirely non-narrative.

  I am already familiar with Man With The Movie Camera, Berlin: Symphony
 of Great City, Manhatta, Rain, Koyanisqaatsi, Baraka. I'd like to know if
 there are others, especially those that lean towards more poetic or lyrical
 imagery. But any all suggestions welcome.

  -Lars


  --
 *Honk! If you like funny. http://www.honkthemovie.com*
 *\*



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Re: [Frameworks] Eclair NPR

[franco base]

more or less
how much is Eclair Npr whit accesories?
Honest price


2012/3/2 william santen williamsan...@gmail.com

 Cancel Cancel!
 There was a guy in Los Angeles who repairs motors..  Duall claims to
 repair but they actually just steal your money.  I spent a year and
 $1200 trying to get the motor repaired/ writing to forums etc.,
 shipping the camera to Los Angeles, working with Duall in NYC..  In
 the end, I ended up with a stolen motor (so I was told) that squeaked
 and a worthless camera.

 When Eclair NPR camera were built, they did not release the specs for
 the motor or circuitry board.  There are people who can cobble them
 together- but after a year, I was unable to locate an honest mechanic.

 It is a shame-  the cameras are affordable and quite nice (when they work).

 Good Luck
 Bill


 On Fri, Mar 2, 2012 at 12:35 AM, mariah garnett
 mariah.garn...@gmail.com wrote:
  Hello everyone -
  i just bought an eclair NPR off ebay and was told after the fact that the
  motor is broken.The seller's offering to knock the price down to $370 or
 let
  me cancel the sale. Anyone know how much an NPR motor would cost to
 repair
  or replace?
  or know any good 16mm camera repair places that work for relatively
 cheap in
  the LA area (or who have free shipping)?
  all advice appreciated...
  --
 
 
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Re: [Frameworks] books about Film and Perception

[franco base]

thanks
a lot of material to start.

ciao


2012/2/21 Francisco Torres fjtorre...@gmail.com



 The Cinematic Apparatus edited by De Lauretis

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[Frameworks] books about Film and Perception

[franco base]

Hi.
Can you suggest me some books
about connection between film and Visual Perception?
Something like Arnheim's Art and Visual Perception focalized on Film.
For example
Id' like to investigate the behavoir of human brain during the black
intervals between frames
or during flicker or during transition from negative to positive...


Thanks in advance

F.
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