Re: [Frameworks] FLEX - rated kick ass by an all female jury

[Warren Cockerham]

.. even after a second (and third) look, I didn't notice my typo until
after I hit "send"

that last honorable mention should read:

*Bay of Plenty *by Milva Stutz
for its humor and deconstruction of gender stereotypes

good night everyone!  I'm tired..
- Warren

On Mon, Feb 11, 2019 at 8:01 PM Warren Cockerham 
wrote:

> The* FL*orida *EX*perimental Film/Video Festival ended yesterday with an
> awards ceremony at the Florida Museum of Photographic Arts (FMoPA). The
> FLEX '19 jurors , Nazli
> Dinçel, Almudena Escobar López, and Dana Plays deliberated for a few hours
> yesterday and decided on the following awards:
>
>
> *https://www.flexfest.org/flex-19-jury-award-winners/
> *
>
>
> *FLEX ’19 Jury Award Winners*
>
> *Jury Cash Awards ($300 each)*
>
> *Love and the Epiphanists* by Scott Stark
> for combining multiple media formats to challenge narratives
> that are the basis of the Hollywood industry
>
> *The Eddies* by Madsen Minax
> for the wonderful and deep investigation of masculinity about what guns
> mean for real
>
> *Foreclosed Home* by Lisa Danker
> for its censorious use of archival materials relating to the personal
> history
> of Florida.
>
> *Becoming* by Ariel Teal
> for creating a film not about blaming but becoming
>
> *The Scott Nygren Memorial Award ($300) **
>
> *Take it Down *by Sabine Gruffat
> for interrogating the iconographic landscape of American tearing down
> racist monuments ONE BY ONE erasing them from history
>
> *Acknowledges the vision of a filmmaker that merges the forms of
> documentary and experimental film hybridizing the forms while attempting to
> work beyond them. This Award was established to honor the memory of a long
> time FLEX supporter Scott Nygren.
>
> *Kodak Stock Awards ($200 in stock each)*
>
> Story of the Dreaming Water by Brittany Gravely
> for its playful optical work
>
> *Winter’s First Moons *by Kathleen Rugh
> for its humor and its smart use of found sound
>
> *What is Nothing (After What is Nothing)* by Kristin Reeves
> for its examination of medical pain
>
> *Travel Stop *by Mike Gibisser
> for the true ethnographic examination of a culture where the filmmaker
> actually belongs
>
> *A Chorus of Black Voids Sings* by Mike Morris
> for its investigation of film destruction
>
> *Fifth Metacarpal* by Scott Fitzpatrick
> for its bold investigation of what consent can be
>
> *Honorable Mentions*
>
> *Ark* by Lynne Siefert
> for its critique of its specific place and a critique of culture at large
>
>  by Milva Stutz
> for its humor and deconstruction of gender stereotypes
>
>
> LONG LIVE FLEX!
>
> Warren Cockerham
> Tampa, FL
>
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[Frameworks] FLEX - rated kick ass by an all female jury

[Warren Cockerham]

The* FL*orida *EX*perimental Film/Video Festival ended yesterday with an
awards ceremony at the Florida Museum of Photographic Arts (FMoPA). The
FLEX '19 jurors , Nazli Dinçel,
Almudena Escobar López, and Dana Plays deliberated for a few hours
yesterday and decided on the following awards:


*https://www.flexfest.org/flex-19-jury-award-winners/
*


*FLEX ’19 Jury Award Winners*

*Jury Cash Awards ($300 each)*

*Love and the Epiphanists* by Scott Stark
for combining multiple media formats to challenge narratives
that are the basis of the Hollywood industry

*The Eddies* by Madsen Minax
for the wonderful and deep investigation of masculinity about what guns
mean for real

*Foreclosed Home* by Lisa Danker
for its censorious use of archival materials relating to the personal
history
of Florida.

*Becoming* by Ariel Teal
for creating a film not about blaming but becoming

*The Scott Nygren Memorial Award ($300) **

*Take it Down *by Sabine Gruffat
for interrogating the iconographic landscape of American tearing down
racist monuments ONE BY ONE erasing them from history

*Acknowledges the vision of a filmmaker that merges the forms of
documentary and experimental film hybridizing the forms while attempting to
work beyond them. This Award was established to honor the memory of a long
time FLEX supporter Scott Nygren.

*Kodak Stock Awards ($200 in stock each)*

Story of the Dreaming Water by Brittany Gravely
for its playful optical work

*Winter’s First Moons *by Kathleen Rugh
for its humor and its smart use of found sound

*What is Nothing (After What is Nothing)* by Kristin Reeves
for its examination of medical pain

*Travel Stop *by Mike Gibisser
for the true ethnographic examination of a culture where the filmmaker
actually belongs

*A Chorus of Black Voids Sings* by Mike Morris
for its investigation of film destruction

*Fifth Metacarpal* by Scott Fitzpatrick
for its bold investigation of what consent can be

*Honorable Mentions*

*Ark* by Lynne Siefert
for its critique of its specific place and a critique of culture at large

 by Milva Stutz
for its humor and deconstruction of gender stereotypes


LONG LIVE FLEX!

Warren Cockerham
Tampa, FL
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