ethal Amounts*
> 8 PM til closing, 1226 West 7th
> *THE SINEMA OF NICK ZEDD*
> *The Bogus Man* starring Grier Lankton, David McDermott, Rafik;* Thrust
> In Me* starring Nick Zedd, Margot Damien, Don Houston;* Police State*
> starring Nick Zedd, Willoughby Sharp, Rockets Redglare, Flip Crowley;*
> War Is Menstrual Envy excerpt* starring Annie Sprinkle, Kembra Pfahler,
> Ray;* Ecstasy In Entropy* starring Annie Sprinkle, Brenda Bergman, Nick
> Bohn, Daryl Free, World Famous BOB; * Why Do You Exist* starring Mike
> Diana, World Famous BOB, Kembra Pfahler, Little Annie, Solange Monnier,
> Daryl Free, Dr. Ducky Doolittle;* Tom Thum*b starring Steen Jorgensen,
> Gritt Uldall Jessen, Kajtek Zedd;* Thus Spake Zarathustra* starring Nick
> Zedd, Rev Pat Moonblood, Saint Rev Jen;* Paintings 2009-11, No Plague
> Like Home* starring Saint Rev Jen, Vox;* Demonic Sweaters* starring Gio
> Guzman, Diriak Romay, Jose Luis Cruz, Ivania, Odiosa Athena, Zerak Zedd;
> Admission $10
>
> 7/16
> Montreal, Quebec h2x2v1: *Cinema Excentris*
> 9 PM, 3536 St-Laurent
> *VISIONS 16.07.15 = ROBERT TODD | SHORTS*
> VISIONS en collaboration avec Double Negative Collective présente LA
> POETIQUE DE L'ESPACE : LES FILMS DE ROBERT TODD (16mm, 70mins) 16.07.15 |
> 21h | Cinema Excentris | En présence du cinéaste | Filmmaker present copies
> 16mm | 16mm prints sans dialogues | no dialogue "A specialist in lyrical
> 16mm filmmaking as well as a sound and visual artist, Robert Todd
> continually produces short works that resist categorization." « Spécialiste
> de la réalisation de films lyriques tournés en 16mm et artiste en arts
> sonores et visuels, Robert Todd réalise incessamment de courts films qui
> résistent à toute catégorisation. »
>
> 7/16
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ba66f0bd38&e=4e65756555>
> 6:15 pm, New York, NY.
> *ICP: BARR/GIBBONS/AUDER PROGRAM*
> Given the blatant parallels between voyeurism and the cinema, it is no
> surprise that artists have used it as a point of departure for works that
> can be in turn hilarious and sobering. Burt Bar’s THE WOMAN NEXT DOOR
> utilizes refined shots, minimal dialogue, and an ambient soundtrack to
> create a stripped-down examination of isolation and voyeurism as we follow
> a man’s evolution from curious neighbor to a full-fledged voyeur. Barr
> explains, “The man’s life is so restrictive, that every sound she makes,
> every glimpse of her becomes a monumental event.” The title reveals the
> basic premise for Joe Gibbons’s SPYING, a brilliant and perverse work
> described by J. Hoberman as, “An exercise in applied voyeurism – a
> hilariously perverse MAN WITH A MOVIE CAMERA.” Michel Auder’s THE
> CONVERSATION, BROOKLYN finds him eavesdropping on two women as they talk
> about their lives, sex, drugs, motherhood, and more. Auder has said, “That
> really might be the most transgressive video I ever made because you really
> see those two young women talking…. They are about to be women, and they
> are talking right there on my stoop and I can hear them from my studio and
> I just put my camera out and it just happened.” Burt Barr THE WOMAN NEXT
> DOOR (1984, 19 min, video) Joe Gibbons SPYING (1977-78, 31.5 min, Super
> 8mm-to-16mm. Preserved by Bard College with support from the National Film
> Preservation Foundation.) Michel Auder THE CONVERSATION, BROOKLYN (2003, 4
> min, digital) Total running time: ca. 60 min.
>
> *SUNDAY, JULY 17, 2016*
>
> 7/17
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fadd9b9e29&e=4e65756555>
> 8:00 pm, New York, NY.
> *ICP: BARR/GIBBONS/AUDER PROGRAM*
> See notes for July 16, 6:15 pm.
> --
>
> *Let us know about your alternative film/video event!*
>
> Enter your event announcements by going to the Flicker Weekly Listing Form
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b4b03c18bd&e=4e65756555>
> .
>
> To receive the weekly listing via email, send a message to Subscribe
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=42d844a69a&e=4e65756555>.
> To unsubscribe see the link at the bottom of this email.
>
>
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fe2170efd0&e=4e65756555>
>
>
>
>
>
>
>
> This email was sent to frameworks@jonasmekasfilms.com
> *why did I get this?*
> <http://hi-beam.us9.list-manage1.com/about?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=d0bf93ad3a>
> unsubscribe from this list
> <http://hi-beam.us9.list-manage1.com/unsubscribe?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=d0bf93ad3a>
> update subscription preferences
> <http://hi-beam.us9.list-manage.com/profile?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555>
> Flicker · nowhere · San Francisco, CA 94110 · USA
>
> [image: Email Marketing Powered by MailChimp]
> <http://www.mailchimp.com/monkey-rewards/?utm_source=freemium_newsletter&utm_medium=email&utm_campaign=monkey_rewards&aid=e4e99825c1d97f8de6eaffad3&afl=1>
>
> -- Forwarded message --
> From: Morgan Hoyle-Combs
> To: Experimental Film Discussion List
> Cc:
> Date: Sat, 9 Jul 2016 19:52:58 -0700
> Subject: [Frameworks] Rephotographing 16mm
> Hello all,
>
> One of my 16mm films came out a little too dense. It was a Double X roll
> processed as a reversal but the end result was rather dark. There's still
> images but they need to be blown out. Is there a way to rephotograph the
> roll to give it more contrast? Could this be done via optical printer?
>
> Let me know whatever helps!
>
> -Morgan
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks