Re: [Frameworks] new critical studies film course in car culture

2013-01-14 Thread matt's frameworks address
For Hollywood cinema at its worst, it might be interesting to look at
recent blockbusters such as the Transformers series or recent James Bond
007 films that have inked product placement sponsorship deals with car
companies, essentially turning the films into 2 hour long car commercials.
There was also the short-lived BMW Films series that tabbed some
respected directors to make short films that, you guessed it, somehow
prominently feature a BMW.  And of course the Pixar film Cars.

I don't suggest these as good films, but rather interesting examples of how
car culture, society, and cinema have recently interacted.

-Matt



On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.com wrote:


 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.

 OK, let's hear what ya got!
 best,
 --
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
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Re: [Frameworks] new critical studies film course in car culture

2013-01-14 Thread Brecht Debackere
Some titles you probably already know:
Len Lye made 'Rhythm', about the construction of a car
'Christine' (based on Stephen Kings novel)
There's of course the fast and furious series, the Blues Brothers movies which 
seem to focus especially on police-car crashes, the gone in 60 seconds movies 
(old and new), Bullit, Days of Thunder,...


On 14 Jan 2013, at 19:38, matt's frameworks address wrote:

 For Hollywood cinema at its worst, it might be interesting to look at recent 
 blockbusters such as the Transformers series or recent James Bond 007 films 
 that have inked product placement sponsorship deals with car companies, 
 essentially turning the films into 2 hour long car commercials.  There was 
 also the short-lived BMW Films series that tabbed some respected directors 
 to make short films that, you guessed it, somehow prominently feature a BMW.  
 And of course the Pixar film Cars.
 
 I don't suggest these as good films, but rather interesting examples of how 
 car culture, society, and cinema have recently interacted.
 
 -Matt
 
 
 
 On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.com wrote:
 
 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been imagined 
 in cinema.  To this end I'd love to hear from ya'll with titles of films that 
 you think might be useful to explore/expand this idea and readings that might 
 also dovetail themes that might be explored.
 
 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.
 
 OK, let's hear what ya got!
 best,
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
 -- 
 ---
 www.rodeofilmco.com
 --- 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] new critical studies film course in car culture

2013-01-14 Thread Brecht Debackere
And 'Crash' naturally, by Cronenberg, based on G.J. Ballard's novel. 


On 14 Jan 2013, at 19:53, Brecht Debackere wrote:

 Some titles you probably already know:
 Len Lye made 'Rhythm', about the construction of a car
 'Christine' (based on Stephen Kings novel)
 There's of course the fast and furious series, the Blues Brothers movies 
 which seem to focus especially on police-car crashes, the gone in 60 seconds 
 movies (old and new), Bullit, Days of Thunder,...
 
 
 On 14 Jan 2013, at 19:38, matt's frameworks address wrote:
 
 For Hollywood cinema at its worst, it might be interesting to look at recent 
 blockbusters such as the Transformers series or recent James Bond 007 
 films that have inked product placement sponsorship deals with car 
 companies, essentially turning the films into 2 hour long car commercials.  
 There was also the short-lived BMW Films series that tabbed some respected 
 directors to make short films that, you guessed it, somehow prominently 
 feature a BMW.  And of course the Pixar film Cars.
 
 I don't suggest these as good films, but rather interesting examples of how 
 car culture, society, and cinema have recently interacted.
 
 -Matt
 
 
 
 On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.com wrote:
 
 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been imagined 
 in cinema.  To this end I'd love to hear from ya'll with titles of films 
 that you think might be useful to explore/expand this idea and readings that 
 might also dovetail themes that might be explored.
 
 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.
 
 OK, let's hear what ya got!
 best,
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
 -- 
 ---
 www.rodeofilmco.com
 --- 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] new critical studies film course in car culture

2013-01-14 Thread Nicholas Hamlyn
'Vanishing Point': http://www.imdb.com/title/tt0067927/ 

'Point Blank' has some good crunching scenes: 
http://www.imdb.com/title/tt0062138/

Loath to mention it, but Cremaster 3 by Matthew Barney.

Nicky.


On 14 Jan 2013, at 18:55, Brecht Debackere wrote:

 And 'Crash' naturally, by Cronenberg, based on G.J. Ballard's novel. 
 
 
 On 14 Jan 2013, at 19:53, Brecht Debackere wrote:
 
 Some titles you probably already know:
 Len Lye made 'Rhythm', about the construction of a car
 'Christine' (based on Stephen Kings novel)
 There's of course the fast and furious series, the Blues Brothers movies 
 which seem to focus especially on police-car crashes, the gone in 60 seconds 
 movies (old and new), Bullit, Days of Thunder,...
 
 
 On 14 Jan 2013, at 19:38, matt's frameworks address wrote:
 
 For Hollywood cinema at its worst, it might be interesting to look at 
 recent blockbusters such as the Transformers series or recent James Bond 
 007 films that have inked product placement sponsorship deals with car 
 companies, essentially turning the films into 2 hour long car commercials.  
 There was also the short-lived BMW Films series that tabbed some 
 respected directors to make short films that, you guessed it, somehow 
 prominently feature a BMW.  And of course the Pixar film Cars.
 
 I don't suggest these as good films, but rather interesting examples of how 
 car culture, society, and cinema have recently interacted.
 
 -Matt
 
 
 
 On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.com wrote:
 
 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been 
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of 
 films that you think might be useful to explore/expand this idea and 
 readings that might also dovetail themes that might be explored.
 
 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.
 
 OK, let's hear what ya got!
 best,
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
 -- 
 ---
 www.rodeofilmco.com
 --- 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 ___
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 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] new critical studies film course in car culture

2013-01-14 Thread Nicholas Hamlyn
More:

Kenneth Anger: Kustom Kar Kommandos.
Ernie Gehr: Shift.
The French Connection.
Steven Spielberg: Duel.

Nicky.


On 14 Jan 2013, at 20:16, Nicholas Hamlyn wrote:

 'Vanishing Point': http://www.imdb.com/title/tt0067927/ 
 
 'Point Blank' has some good crunching scenes: 
 http://www.imdb.com/title/tt0062138/
 
 Loath to mention it, but Cremaster 3 by Matthew Barney.
 
 Nicky.
 
 
 On 14 Jan 2013, at 18:55, Brecht Debackere wrote:
 
 And 'Crash' naturally, by Cronenberg, based on G.J. Ballard's novel. 
 
 
 On 14 Jan 2013, at 19:53, Brecht Debackere wrote:
 
 Some titles you probably already know:
 Len Lye made 'Rhythm', about the construction of a car
 'Christine' (based on Stephen Kings novel)
 There's of course the fast and furious series, the Blues Brothers movies 
 which seem to focus especially on police-car crashes, the gone in 60 
 seconds movies (old and new), Bullit, Days of Thunder,...
 
 
 On 14 Jan 2013, at 19:38, matt's frameworks address wrote:
 
 For Hollywood cinema at its worst, it might be interesting to look at 
 recent blockbusters such as the Transformers series or recent James Bond 
 007 films that have inked product placement sponsorship deals with car 
 companies, essentially turning the films into 2 hour long car commercials. 
  There was also the short-lived BMW Films series that tabbed some 
 respected directors to make short films that, you guessed it, somehow 
 prominently feature a BMW.  And of course the Pixar film Cars.
 
 I don't suggest these as good films, but rather interesting examples of 
 how car culture, society, and cinema have recently interacted.
 
 -Matt
 
 
 
 On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.com 
 wrote:
 
 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been 
 imagined in cinema.  To this end I'd love to hear from ya'll with titles 
 of films that you think might be useful to explore/expand this idea and 
 readings that might also dovetail themes that might be explored.
 
 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.
 
 OK, let's hear what ya got!
 best,
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
 -- 
 ---
 www.rodeofilmco.com
 --- 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
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 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
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 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
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Re: [Frameworks] new critical studies film course in car culture

2013-01-14 Thread Kathryn MacKay
Chevelle, and Century, by Kevin Jerome Everson

also his film Cinnamon, about a young female drag racer...

On Mon, Jan 14, 2013 at 4:27 PM, Nicholas Hamlyn
nicky.ham...@talktalk.netwrote:

 More:

 Kenneth Anger: Kustom Kar Kommandos.
 Ernie Gehr: Shift.
 The French Connection.
 Steven Spielberg: Duel.

 Nicky.


 On 14 Jan 2013, at 20:16, Nicholas Hamlyn wrote:

 'Vanishing Point': http://www.imdb.com/title/tt0067927/

 'Point Blank' has some good crunching scenes:
 http://www.imdb.com/title/tt0062138/

 Loath to mention it, but Cremaster 3 by Matthew Barney.

 Nicky.


 On 14 Jan 2013, at 18:55, Brecht Debackere wrote:

 And 'Crash' naturally, by Cronenberg, based on G.J. Ballard's novel.


 On 14 Jan 2013, at 19:53, Brecht Debackere wrote:

 Some titles you probably already know:
 Len Lye made 'Rhythm', about the construction of a car
 'Christine' (based on Stephen Kings novel)
 There's of course the fast and furious series, the Blues Brothers movies
 which seem to focus especially on police-car crashes, the gone in 60
 seconds movies (old and new), Bullit, Days of Thunder,...


 On 14 Jan 2013, at 19:38, matt's frameworks address wrote:

 For Hollywood cinema at its worst, it might be interesting to look at
 recent blockbusters such as the Transformers series or recent James Bond
 007 films that have inked product placement sponsorship deals with car
 companies, essentially turning the films into 2 hour long car commercials.
 There was also the short-lived BMW Films series that tabbed some
 respected directors to make short films that, you guessed it, somehow
 prominently feature a BMW.  And of course the Pixar film Cars.

 I don't suggest these as good films, but rather interesting examples of
 how car culture, society, and cinema have recently interacted.

 -Matt



 On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.comwrote:


 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.

 OK, let's hear what ya got!
 best,
 --
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 ---
 www.rodeofilmco.com
 ---
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


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Re: [Frameworks] new critical studies film course in car culture

2013-01-14 Thread Nicholas Hamlyn
And his 'The Pritchard'.


On 14 Jan 2013, at 21:46, Kathryn MacKay wrote:

 Chevelle, and Century, by Kevin Jerome Everson
 
 also his film Cinnamon, about a young female drag racer... 
 
 On Mon, Jan 14, 2013 at 4:27 PM, Nicholas Hamlyn nicky.ham...@talktalk.net 
 wrote:
 More:
 
 Kenneth Anger: Kustom Kar Kommandos.
 Ernie Gehr: Shift.
 The French Connection.
 Steven Spielberg: Duel.
 
 Nicky.
 
 
 On 14 Jan 2013, at 20:16, Nicholas Hamlyn wrote:
 
 'Vanishing Point': http://www.imdb.com/title/tt0067927/ 
 
 'Point Blank' has some good crunching scenes: 
 http://www.imdb.com/title/tt0062138/
 
 Loath to mention it, but Cremaster 3 by Matthew Barney.
 
 Nicky.
 
 
 On 14 Jan 2013, at 18:55, Brecht Debackere wrote:
 
 And 'Crash' naturally, by Cronenberg, based on G.J. Ballard's novel. 
 
 
 On 14 Jan 2013, at 19:53, Brecht Debackere wrote:
 
 Some titles you probably already know:
 Len Lye made 'Rhythm', about the construction of a car
 'Christine' (based on Stephen Kings novel)
 There's of course the fast and furious series, the Blues Brothers movies 
 which seem to focus especially on police-car crashes, the gone in 60 
 seconds movies (old and new), Bullit, Days of Thunder,...
 
 
 On 14 Jan 2013, at 19:38, matt's frameworks address wrote:
 
 For Hollywood cinema at its worst, it might be interesting to look at 
 recent blockbusters such as the Transformers series or recent James 
 Bond 007 films that have inked product placement sponsorship deals with 
 car companies, essentially turning the films into 2 hour long car 
 commercials.  There was also the short-lived BMW Films series that 
 tabbed some respected directors to make short films that, you guessed it, 
 somehow prominently feature a BMW.  And of course the Pixar film Cars.
 
 I don't suggest these as good films, but rather interesting examples of 
 how car culture, society, and cinema have recently interacted.
 
 -Matt
 
 
 
 On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.com 
 wrote:
 
 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been 
 imagined in cinema.  To this end I'd love to hear from ya'll with titles 
 of films that you think might be useful to explore/expand this idea and 
 readings that might also dovetail themes that might be explored.
 
 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.
 
 OK, let's hear what ya got!
 best,
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
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 ---
 www.rodeofilmco.com
 --- 
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 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
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 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
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Re: [Frameworks] new critical studies film course in car culture

2012-12-19 Thread Adam Hyman
Those are the films I was thinking of:
Explosion of a Motor Car also 1900
How It Feels To Be Run Over (1900)


On 12/19/12 10:10 AM, Gawthrop, Rob rob.gawth...@falmouth.ac.uk wrote:

 And his Explosion of a Motor Car also 1900

Rob


On 15/12/2012 05:18,
 Ryder White ryder.wh...@gmail.com wrote:

 How about How It Feels To Be
 Run Over (1900) by the Hepworth
 Manufacturing Co? Potentially the earliest
 film to feature an automobile
 (but I'm not putting that on the record).
 

 RW


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Re: [Frameworks] new critical studies film course in car culture

2012-12-19 Thread Gawthrop, Rob
An Interesting Story 1905 George Albert Smith


On 19/12/2012 18:19, Adam Hyman a...@lafilmforum.org wrote:

 Those are the films I was thinking of:
Explosion of a Motor Car also
 1900
How It Feels To Be Run Over (1900)


On 12/19/12 10:10 AM, Gawthrop,
 Rob rob.gawth...@falmouth.ac.uk wrote:

 And his Explosion of a Motor
 Car also 1900

Rob


On 15/12/2012 05:18,
 Ryder White
 ryder.wh...@gmail.com wrote:

 How about How It Feels To Be
 Run Over
 (1900) by the Hepworth
 Manufacturing Co? Potentially the earliest
 film to
 feature an automobile
 (but I'm not putting that on the record).
 


 RW


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 list
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 nfo/frameworks


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Re: [Frameworks] new critical studies film course in car culture

2012-12-18 Thread Eli Horwatt
As if you wanted any more:

I believe Adam may have been talking about Buster Keaton's Three Ages
where a car falls apart while he's driving it.

Robert Morris - Gas Station: http://www.youtube.com/watch?v=ASXqAFBWFgw
 and http://lux.org.uk/collection/works/gas-station

The first hour or so of Matthew Barney's Cremaster 3 (widely pirated
online) features several Ford Mustangs destroying a Model-T for an extended
period of time.

Also worthy of mention is a lesser known artist book by  Ed Ruscha called
Royal Road Test involving a forensic photographic construction of the
effects of throwing a type writer out of a fast moving car.



On Mon, Dec 17, 2012 at 8:21 PM, Bryan Konefsky bkonef...@gmail.com wrote:

 Holy Canoli - I can't believe the response to my auto-inquiry!  Thanks
 everyone for the suggestions - can't wait to dive into this new course!

 best to everyone.
 bryan konefsky





 On Sun, Dec 16, 2012 at 8:03 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:

 Late additions:
 the new cult mumblecore film BELLFLOWER
 Paul Schrader's 1978 film about auto workers: BLUE COLLAR




 Chuck Kleinhans
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 --
 Bryan Konefsky
 director, Experiments in Cinema
 presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

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-- 
Eli Horwatt
York University, Toronto
Ph.D. Student - Cinema  Media Studies
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Re: [Frameworks] new critical studies film course in car culture

2012-12-18 Thread Amy Basen
Anyone mention Len Lye's RHYTHM yet?

-a

On Mon, Dec 17, 2012 at 5:21 PM, Bryan Konefsky bkonef...@gmail.com wrote:

 Holy Canoli - I can't believe the response to my auto-inquiry!  Thanks
 everyone for the suggestions - can't wait to dive into this new course!

 best to everyone.
 bryan konefsky




 On Sun, Dec 16, 2012 at 8:03 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:

 Late additions:
 the new cult mumblecore film BELLFLOWER
 Paul Schrader's 1978 film about auto workers: BLUE COLLAR




 Chuck Kleinhans
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 Bryan Konefsky
 director, Experiments in Cinema
 presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

 ___
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-- 
Amy Basen
California Institute of the Arts
Film Services Manager
24700 McBean Parkway
Valencia, CA 91355
661-253-7886
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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread Caryn Cline
To all of these great suggestions for Bryan, I'd like to add *The Conformist
*, which uses a car trip as a central trope.

Best,

CC


On Sat, Dec 15, 2012 at 5:32 PM, franco base frenk.ca...@gmail.com wrote:

 One of the best animation movie about car

 by Bruno Bozzetto
 Il signor Rossi compra l'automobile
 Mr Rossi buy a car
 1966

 http://www.youtube.com/watch?v=DQksyniUqPo



 2012/12/15 Jack j...@jacktext.net

 The book lost highways: the illustrated history of the road movie that I
 co-edited has some essays that may be of interest.

 Jack
 Sent from my iPhone

 On 16/12/2012, at 2:47 AM, Bryan Konefsky bkonef...@gmail.com wrote:

 Thanks everyone for your input... still hoping to get a few more film
 ideas AND suggestions on readings.
 best,
 bryan konefsky

 On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:

 Laurel and Hardy is Two Tars


 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:

 The about to open, On The Road, and an almost endless stream of road
 movies in Hollywood.

 There's a famous Laurel and Hardy film (whose name I forget at the
 moment) which includes tearing a car apart in a dispute.

 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.

 Chuck Kleinhans






 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
  Hello Frameworkers - I am in the early moments of developing a
 critical studies course that looks at different ways the automobile has
 been imagined in cinema.  To this end I'd love to hear from ya'll with
 titles of films that you think might be useful to explore/expand this idea
 and readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great
 text titled Car Fetish.
 
  OK, let's hear what ya got!
  best,



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
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 --
 Dave Dvorchak
 AS220 Communications Director
 da...@as220.org
 (401) 831-9327 x121



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 presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

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vimeo.com/carynyc
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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread Andy Ditzler
Much of the first half of Psycho takes place in Janet Leigh's car. She also
buys a used car in this film, in an agitated state.

The opening nightmare sequence of Fellini's 8 1/2 features Mastroianni
trapped in his car, in a traffic jam. This reminds me of REM's video for
Everybody Hurts, also featuring a traffic jam.

Buster Keaton's driverless car in Sherlock Jr.

Len Lye's Rhythm shows a car being constructed in one minute.

Matthew Barney's Cremaster series:
#2 = Gary Gilmore murder sequence at a gas station - the interior space of
the car is extended as a portal
#3 = extended demolition derby in lobby of Chrysler building
#4 consists of a long car race around the perimeter of the Isle of Man
Barney's De Lama Lamina features a moving installation on a trio
eletrico float during Carnaval in Rio. The mechanics of the truck carrying
the float are heavily involved in the installation.

Charlemagne Palestine has a video piece where he rides a motorcycle around
an island (Island Song?) over and over, singing to himself.

Best,

Andy Ditzler


On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.com wrote:


 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.

 OK, let's hear what ya got!
 best,
 --
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread r e
Chen - I was going to suggest these two precisely - we have similar taste I
guess!


On Fri, Dec 14, 2012 at 7:54 PM, חן שינברג chen...@netvision.net.il wrote:

 Kustom Kar Kommandos by Kenneth Anger .1965

 Weekend by Jean Luc Godard. 1967


 Chen S


 נשלח מה-iPhone שלי

 ב-14 בדצמ 2012, בשעה 19:57, Bryan Konefsky bkonef...@gmail.com כתב/ה:


 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.

 OK, let's hear what ya got!
 best,
 --
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

 ___

 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


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-- 

...
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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread Chen Sheinberg
I guess so :-)

two great films!

Chen

 

  _  

From: frameworks-boun...@jonasmekasfilms.com
[mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of r e
Sent: Tuesday, December 18, 2012 12:00 AM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] new critical studies film course in car culture

 

Chen - I was going to suggest these two precisely - we have similar taste I
guess!

 

On Fri, Dec 14, 2012 at 7:54 PM, חן שינברג chen...@netvision.net.il wrote:

Kustom Kar Kommandos by Kenneth Anger .1965

 

Weekend by Jean Luc Godard. 1967

 

 

Chen S

 

נשלח מה-iPhone שלי


ב-14 בדצמ 2012, בשעה 19:57, Bryan Konefsky bkonef...@gmail.com כתב/ה:


Hello Frameworkers - I am in the early moments of developing a critical
studies course that looks at different ways the automobile has been imagined
in cinema.  To this end I'd love to hear from ya'll with titles of films
that you think might be useful to explore/expand this idea and readings that
might also dovetail themes that might be explored.

Do know that my pal Antoni Pinent recently turned me on to a great text
titled Car Fetish.

OK, let's hear what ya got!
best,
-- 
Bryan Konefsky
director, Experiments in Cinema
el presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival

___


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-- 

 

...

 

 

 

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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread Ekrem Serdar
Kiarostami flicks? Like, a whole bunch of them, with a good chunk of scenes
taking place while driving. Taste of Cherry, etc... Not an imagining
perhaps, but a social / cinematic space.


On Mon, Dec 17, 2012 at 4:21 PM, Chen Sheinberg chen...@netvision.net.ilwrote:

  I guess so J

 two great films!

 Chen

 ** **
  --

 *From:* frameworks-boun...@jonasmekasfilms.com [mailto:
 frameworks-boun...@jonasmekasfilms.com] *On Behalf Of *r e
 *Sent:* Tuesday, December 18, 2012 12:00 AM
 *To:* Experimental Film Discussion List
 *Subject:* Re: [Frameworks] new critical studies film course in car
 culture

 ** **

 Chen - I was going to suggest these two precisely - we have similar taste
 I guess!

 ** **

 On Fri, Dec 14, 2012 at 7:54 PM, חן שינברג chen...@netvision.net.il
 wrote:

 Kustom Kar Kommandos by Kenneth Anger .1965

 ** **

 Weekend by Jean Luc Godard. 1967

 ** **

 ** **

 Chen S

 ** **

 נשלח מה-iPhone שלי


 ב-14 בדצמ 2012, בשעה 19:57, Bryan Konefsky bkonef...@gmail.com כתב/ה:***
 *


 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.

 OK, let's hear what ya got!
 best,
 --
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

   ___


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 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


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 -- 

 ** **

 ...

 ** **

 ** **

 ** **

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-- 
ekremserdar.info
austin, tx
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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread Nicholas Hamlyn
How about La Grande Bouffe, in which Marcello Mastroianni freezes to death in 
his sports car, maybe a Bugatti?,

Nicky.


On 17 Dec 2012, at 21:57, Caryn Cline wrote:

 To all of these great suggestions for Bryan, I'd like to add The Conformist, 
 which uses a car trip as a central trope.
 
 Best,
 
 CC
 
 
 On Sat, Dec 15, 2012 at 5:32 PM, franco base frenk.ca...@gmail.com wrote:
 One of the best animation movie about car
 
 by Bruno Bozzetto
 Il signor Rossi compra l'automobile
 Mr Rossi buy a car
 1966
 
 http://www.youtube.com/watch?v=DQksyniUqPo
 
 
 
 2012/12/15 Jack j...@jacktext.net
 The book lost highways: the illustrated history of the road movie that I 
 co-edited has some essays that may be of interest. 
 
 Jack
 Sent from my iPhone
 
 On 16/12/2012, at 2:47 AM, Bryan Konefsky bkonef...@gmail.com wrote:
 
 Thanks everyone for your input... still hoping to get a few more film ideas 
 AND suggestions on readings.
 best,
 bryan konefsky
 
 On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:
 Laurel and Hardy is Two Tars
 
 
 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans chuck...@northwestern.edu 
 wrote:
 The about to open, On The Road, and an almost endless stream of road movies 
 in Hollywood.
 
 There's a famous Laurel and Hardy film (whose name I forget at the moment) 
 which includes tearing a car apart in a dispute.
 
 Not about film, per se, but in the 1920s the expansion of relatively 
 inexpensive autos created a certain moral panic around cars as mobile 
 bedrooms for young people who could escape being chaperoned.
 
 Chuck Kleinhans
 
 
 
 
 
 
 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:
 
 
  Hello Frameworkers - I am in the early moments of developing a critical 
  studies course that looks at different ways the automobile has been 
  imagined in cinema.  To this end I'd love to hear from ya'll with titles 
  of films that you think might be useful to explore/expand this idea and 
  readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great text 
  titled Car Fetish.
 
  OK, let's hear what ya got!
  best,
 
 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 -- 
 Dave Dvorchak
 AS220 Communications Director
 da...@as220.org
 (401) 831-9327 x121
 
 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
 -- 
 Caryn Cline
 Filmmaker and Teacher
 New York City and Seattle, WA
 vimeo.com/carynyc
 
 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread Robbie
Two for the road.

Sent from my iPod

On Dec 15, 2012, at 3:58 PM, Jack j...@jacktext.net wrote:

 The book lost highways: the illustrated history of the road movie that I 
 co-edited has some essays that may be of interest. 
 Jack
 Sent from my iPhone
 
 On 16/12/2012, at 2:47 AM, Bryan Konefsky bkonef...@gmail.com wrote:
 
 Thanks everyone for your input... still hoping to get a few more film ideas 
 AND suggestions on readings.
 best,
 bryan konefsky
 
 On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:
 Laurel and Hardy is Two Tars
 
 
 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:
 The about to open, On The Road, and an almost endless stream of road 
 movies in Hollywood.
 
 There's a famous Laurel and Hardy film (whose name I forget at the moment) 
 which includes tearing a car apart in a dispute.
 
 Not about film, per se, but in the 1920s the expansion of relatively 
 inexpensive autos created a certain moral panic around cars as mobile 
 bedrooms for young people who could escape being chaperoned.
 
 Chuck Kleinhans
 
 
 
 
 
 
 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:
 
 
  Hello Frameworkers - I am in the early moments of developing a critical 
  studies course that looks at different ways the automobile has been 
  imagined in cinema.  To this end I'd love to hear from ya'll with titles 
  of films that you think might be useful to explore/expand this idea and 
  readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great text 
  titled Car Fetish.
 
  OK, let's hear what ya got!
  best,
 
 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 -- 
 Dave Dvorchak
 AS220 Communications Director
 da...@as220.org
 (401) 831-9327 x121
 
 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread Colinet André
How about the french mainstream comedy “Le Corniaud”, from Gérard Oury with 
Bourvil and Louis de Funès, in which a cadillac is transformed to hide gold an 
diamants.
Best.
A.C.




From: Nicholas Hamlyn 
Sent: Monday, December 17, 2012 11:36 PM
To: Experimental Film Discussion List 
Subject: Re: [Frameworks] new critical studies film course in car culture

How about La Grande Bouffe, in which Marcello Mastroianni freezes to death in 
his sports car, maybe a Bugatti?, 

Nicky.


On 17 Dec 2012, at 21:57, Caryn Cline wrote:


  To all of these great suggestions for Bryan, I'd like to add The Conformist, 
which uses a car trip as a central trope. 

  Best,

  CC



  On Sat, Dec 15, 2012 at 5:32 PM, franco base frenk.ca...@gmail.com wrote:

One of the best animation movie about car 

by Bruno Bozzetto
Il signor Rossi compra l'automobile
Mr Rossi buy a car
1966

http://www.youtube.com/watch?v=DQksyniUqPo





2012/12/15 Jack j...@jacktext.net

  The book lost highways: the illustrated history of the road movie that I 
co-edited has some essays that may be of interest.  

  Jack
  Sent from my iPhone

  On 16/12/2012, at 2:47 AM, Bryan Konefsky bkonef...@gmail.com wrote:


Thanks everyone for your input... still hoping to get a few more film 
ideas AND suggestions on readings.
best,
bryan konefsky


On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:

  Laurel and Hardy is Two Tars 



  On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
chuck...@northwestern.edu wrote:

The about to open, On The Road, and an almost endless stream of 
road movies in Hollywood.

There's a famous Laurel and Hardy film (whose name I forget at the 
moment) which includes tearing a car apart in a dispute.

Not about film, per se, but in the 1920s the expansion of 
relatively inexpensive autos created a certain moral panic around cars as 
mobile bedrooms for young people who could escape being chaperoned.

Chuck Kleinhans







On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:


 Hello Frameworkers - I am in the early moments of developing a 
critical studies course that looks at different ways the automobile has been 
imagined in cinema.  To this end I'd love to hear from ya'll with titles of 
films that you think might be useful to explore/expand this idea and readings 
that might also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a 
great text titled Car Fetish.

 OK, let's hear what ya got!
 best,




___
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  -- 
  Dave Dvorchak 
  AS220 Communications Director
  da...@as220.org
  (401) 831-9327 x121



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-- 
Bryan Konefsky
director, Experiments in Cinema
presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival

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  -- 
  Caryn Cline
  Filmmaker and Teacher
  New York City and Seattle, WA
  vimeo.com/carynyc




  ___
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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread Bryan Konefsky
Holy Canoli - I can't believe the response to my auto-inquiry!  Thanks
everyone for the suggestions - can't wait to dive into this new course!

best to everyone.
bryan konefsky




On Sun, Dec 16, 2012 at 8:03 PM, Chuck Kleinhans
chuck...@northwestern.eduwrote:

 Late additions:
 the new cult mumblecore film BELLFLOWER
 Paul Schrader's 1978 film about auto workers: BLUE COLLAR




 Chuck Kleinhans
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director, Experiments in Cinema
presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival
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Re: [Frameworks] new critical studies film course in car culture

2012-12-17 Thread David Baker

There is an auto-inquisition of sorts in John Carpenter's original 1976
Assault On Precinct 13 with a murderous episode at an ice cream truck
as catalyst. Terrific moments of terror are triggered when cars are  
simply

pushed from behind across a deserted parking lot.

Otherwise there is Lemmy Caution's Ford Galaxie 500 (Mustang)
standing in as a spaceship in Godard's Alphaville
and then too the Syd Mead designed Spinners
marvelous futuristic extrapolations of the automobile in Blade Runner.

I love the unique atmosphere established in scenes with stolen cars,
Louis Malle's Ascenseur pour l'echafaud (1958)
and of course with the car thief Belmondo plays in Breathless.

Now I am thinking too about the 1949 Buick Roadmaster Convertible  
driven in Rain Man,

and the yellow and white VW T2 Microbus
in Little Miss Sunshine.

-DB

On Dec 17, 2012, at 8:21 PM, Bryan Konefsky wrote:

Holy Canoli - I can't believe the response to my auto-inquiry!   
Thanks everyone for the suggestions - can't wait to dive into this  
new course!


best to everyone.
bryan konefsky




On Sun, Dec 16, 2012 at 8:03 PM, Chuck Kleinhans chuck...@northwestern.edu 
 wrote:

Late additions:
the new cult mumblecore film BELLFLOWER
Paul Schrader's 1978 film about auto workers: BLUE COLLAR




Chuck Kleinhans
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--
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director, Experiments in Cinema
presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival
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Re: [Frameworks] new critical studies film course in car culture

2012-12-16 Thread mariah garnett
Pit stop - jack hill
Sex garage - fred halstead
There's a performance video of Dawn Kasper crashing her truck.
I don't know if there's movie documentation of this but Chris Burden's
Trans-fixed could be interesting to look at...
Matthew Barney's cremaster 3 is about cars, I'm sorry to say...
Last scene in community action center by a.l. Steiner and a.k. Burns
also, i haven't seen it yet but Holy Motors which just came out is about a
guy who drives around in a limo and every time he gets out he's a different
character. I've heard its weird and good.

have these been mentioned?
mad max
christine
lost highway


On Dec 14, 2012, at 3:48 PM, Abigail Severance bellec...@mac.com wrote:

a experimental short from late '90s called Pass (woman director, can't
remember name) - played at MadCat Festival...
Wanda
Weekend
Betzy Bromberg's A Darkness Swallowed, framed/instigated by single photo of
car
Killer of Sheep - country drive/flat tire sequence/mobility; picking up car
engine  dropping it out of back of truck
A Band Apart (reading Odile while driving)
Faster Pussycat Kill Kill
Divingbell  the Butterfly
Two Lane Blacktop
Drive
Vagabond
Bonnie  Clyde
Landscape Suicide - long driving shots of approaching sites of murders,
with local radio playing
the drive home in Fat Girl
Cathy Crane's On the Line and The Girl From Marseilles
La Strada
Thom Andersen's Get Out of the Car
Grease (!)
The Rain People
The Graduate
Footloose

*Abigail Severance *
Faculty, CalArts Film Directing Program
asev...@calarts.edu ||  310-508-0352




On Dec 14, 2012, at 1:49 PM, David Dvorchak wrote:

Laurel and Hardy is Two Tars

On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans
chuck...@northwestern.eduwrote:

 The about to open, On The Road, and an almost endless stream of road
 movies in Hollywood.

 There's a famous Laurel and Hardy film (whose name I forget at the moment)
 which includes tearing a car apart in a dispute.

 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.

 Chuck Kleinhans






 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
  Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.
 
  OK, let's hear what ya got!
  best,



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




-- 
Dave Dvorchak
AS220 Communications Director
da...@as220.org
(401) 831-9327 x121


___
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Re: [Frameworks] new critical studies film course in car culture

2012-12-16 Thread Chuck Kleinhans
Late additions: 
the new cult mumblecore film BELLFLOWER
Paul Schrader's 1978 film about auto workers: BLUE COLLAR




Chuck Kleinhans
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Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread Bryan Konefsky
Thanks everyone for your input... still hoping to get a few more film ideas
AND suggestions on readings.
best,
bryan konefsky

On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:

 Laurel and Hardy is Two Tars


 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:

 The about to open, On The Road, and an almost endless stream of road
 movies in Hollywood.

 There's a famous Laurel and Hardy film (whose name I forget at the
 moment) which includes tearing a car apart in a dispute.

 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.

 Chuck Kleinhans






 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
  Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.
 
  OK, let's hear what ya got!
  best,



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 Dave Dvorchak
 AS220 Communications Director
 da...@as220.org
 (401) 831-9327 x121



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




-- 
Bryan Konefsky
director, Experiments in Cinema
presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival
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Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread Amy Sloper
Hi Bryan,
Autopia: Cars and Culture, eds. Peter Wollen and Joe Kerr is a good place
to look.  There are at least one or two essays specifically and on cars and
cinema.
-Amy

On Sat, Dec 15, 2012 at 10:47 AM, Bryan Konefsky bkonef...@gmail.comwrote:

 Thanks everyone for your input... still hoping to get a few more film
 ideas AND suggestions on readings.
 best,
 bryan konefsky


 On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:

 Laurel and Hardy is Two Tars


 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:

 The about to open, On The Road, and an almost endless stream of road
 movies in Hollywood.

 There's a famous Laurel and Hardy film (whose name I forget at the
 moment) which includes tearing a car apart in a dispute.

 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.

 Chuck Kleinhans






 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
  Hello Frameworkers - I am in the early moments of developing a
 critical studies course that looks at different ways the automobile has
 been imagined in cinema.  To this end I'd love to hear from ya'll with
 titles of films that you think might be useful to explore/expand this idea
 and readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great
 text titled Car Fetish.
 
  OK, let's hear what ya got!
  best,



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 Dave Dvorchak
 AS220 Communications Director
 da...@as220.org
 (401) 831-9327 x121



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 Bryan Konefsky
 director, Experiments in Cinema
 presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


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Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread Rory Brosius







Good morning all.
Here is a few that might qualify (sorry for any repeats):
Crash (1996 - David Cronenberg)Christine (1983 - John Carpenter)Gone in 
Sixty Seconds (1974 - H. B. Halicki)Gone in Sixty Seconds (2000 - Remake - 
Dominic Sena)Trucks (1997 - TV Movie - Chris Thomson)Ferris Bueller's Day 
Off (1986 - John Hughes)Grease (1978 - Randal Kleiser)Viper (1993-1994 and 
1996-1999 - TV Series - Creators: Danny Bilson,and Paul De Meo)Knight Rider 
(1982-1986 - TV Series - Creator: Glen A. Larson)
Virtually any James Bond film
These might qualify, but they border more on car chase/action films/road films:
Ronin (1998 - Jon Frankenheimer)Bullitt (1968 - Peter Yates)The Italian 
Job (1969 - Peter Collinson)Death Race 2000 (1975 - Paul Bartel)Two-Lane 
Blacktop (1971 - Monte Hellman)Duel (1971 - Steven Spielberg) Mad Max 2: 
The Road Warrior (1981 - George Miller)
Any of the Fast and the Furious films.
All supplementary info was confirmed with IMDB so it should be accurate. As for 
reading, there is one title I can confirm is solid from what I have read of it:
The Automobile in American History and Culture: A Reference Guide (Michael 
Berger)
You can find it here: 
http://www.amazon.com/Automobile-American-History-Culture-Reference/dp/0313245584/ref=sr_1_1?s=booksie=UTF8qid=1355595109sr=1-1keywords=michael+l.+berger
Brian, an interesting segment of of your overview might be to explore the 
objectification of women in cinema when compared with nearly every car 
commercial ever made. 
There is an interesting episode of AMC's Mad Men in which there is a pitch 
for the Jaguar advertising campaign that explores the birth of this concept in 
television commercial advertising. The scene actually jumps back and forth 
between the pitch and one of the main characters Joan played masterfully by 
Christina Hendricks. She actually has agreed to get her firm the advertising 
contract by sleeping with a Jaguar executive. The scene is quite tragic because 
the partners in her firm have actually considered letting her go through with 
it. The only one who actually comes to tell her not to, comes too late. A small 
moment, but it covers quite a bit with regards to the automobile, sex, sexism, 
and greed.
You can find it here:http://www.youtube.com/watch?v=2yWzlUGQWWM
Hope this helps!
Have a great holiday.Rory BrosiusDate: Sat, 15 Dec 2012 08:47:04 -0700
From: bkonef...@gmail.com
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] new critical studies film course in car culture

Thanks everyone for your input... still hoping to get a few more film ideas AND 
suggestions on readings.
best,
bryan konefsky

On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:

Laurel and Hardy is Two Tars

On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans chuck...@northwestern.edu 
wrote:


The about to open, On The Road, and an almost endless stream of road movies in 
Hollywood.



There's a famous Laurel and Hardy film (whose name I forget at the moment) 
which includes tearing a car apart in a dispute.



Not about film, per se, but in the 1920s the expansion of relatively 
inexpensive autos created a certain moral panic around cars as mobile bedrooms 
for young people who could escape being chaperoned.



Chuck Kleinhans













On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:





 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been imagined 
 in cinema.  To this end I'd love to hear from ya'll with titles of films that 
 you think might be useful to explore/expand this idea and readings that might 
 also dovetail themes that might be explored.





 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.



 OK, let's hear what ya got!

 best,







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FrameWorks@jonasmekasfilms.com

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(401) 831-9327 x121




___

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-- 
Bryan Konefsky
director, Experiments in Cinema
presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival



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Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread Francisco Torres
The most essential film- Anger's  Kustom Kar Kommandos.
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Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread Jon Dieringer
 My all-time favorite car movie is Fellini's Toby Dammit
http://youtu.be/loLRanmHTEY?t=4m34s
(at the Hammer Museum someone had paired it brilliantly with Carl Dreyer's
They Caught the Ferry—a motorcycle movie [does that count?])

Tony Lowe and Akiva Saunders' Arabian Drift is a compilation of Middle
Eastern/Saudi car culture, which maybe unexpectedly is closely tied to
homoerotic desire (this is not made explicit here but could be supplemented
with readings)
http://astral-projects.com/arabiandrift.html

Moonshine movies dig into the ideology of car culture:
Thunder Road
Moonrunners http://www.youtube.com/watch?v=frYqIfzhKfc
The Last American Hero

There are some great car commercials:

Alexandre Alexeieff's Renault commercial:
http://www.youtube.com/watch?v=pHWsiyKfeZs (the quality here is poor, but
there's a good PAL dvd)

This 1963 German VW commercial is like a quirky little structural film:
http://www.youtube.com/watch?v=O5AVnrRcXqM

There's not only Cronenberg's Crash, but Ballard made his own
semi-adaptation of it for the BBC in 1971:
http://www.youtube.com/watch?v=HT2eECKvdTc

W.C. Fields' Road Hogs from If I Had a Million is pretty stellar
http://www.youtube.com/watch?v=RDSW-ybm0mg

And what about Drive? Ryan Gosling is a dreamboat. The Transporter movies
would make an interesting contribution, particularly because they are
a commercial feature film franchise that emerged out of a BMW sponsored
short film series.

Good luck!

Jon

On Sat, Dec 15, 2012 at 1:01 PM, frameworks-requ...@jonasmekasfilms.comwrote:



 -- Forwarded message --
 From: Bryan Konefsky bkonef...@gmail.com
 To: frameworks@jonasmekasfilms.com
 Cc:
 Date: Fri, 14 Dec 2012 12:57:24 -0700
 Subject: [Frameworks] new critical studies film course in car culture

 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.

 OK, let's hear what ya got!
 best,
 --
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival


-- 
*SCREEN SLATE http://www.screenslate.com/ / PUBLISHER/EDITOR /
INDEPENDENT, REPERTORY  GALLERY SCREENING LISTINGS*
*330.265.3875 / jon.dierin...@gmail.com / follow screen slate on
facebookhttp://www.facebook.com/screenslate
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Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread franco base
One of the best animation movie about car

by Bruno Bozzetto
Il signor Rossi compra l'automobile
Mr Rossi buy a car
1966

http://www.youtube.com/watch?v=DQksyniUqPo



2012/12/15 Jack j...@jacktext.net

 The book lost highways: the illustrated history of the road movie that I
 co-edited has some essays that may be of interest.

 Jack
 Sent from my iPhone

 On 16/12/2012, at 2:47 AM, Bryan Konefsky bkonef...@gmail.com wrote:

 Thanks everyone for your input... still hoping to get a few more film
 ideas AND suggestions on readings.
 best,
 bryan konefsky

 On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak da...@as220.org wrote:

 Laurel and Hardy is Two Tars


 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:

 The about to open, On The Road, and an almost endless stream of road
 movies in Hollywood.

 There's a famous Laurel and Hardy film (whose name I forget at the
 moment) which includes tearing a car apart in a dispute.

 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.

 Chuck Kleinhans






 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
  Hello Frameworkers - I am in the early moments of developing a
 critical studies course that looks at different ways the automobile has
 been imagined in cinema.  To this end I'd love to hear from ya'll with
 titles of films that you think might be useful to explore/expand this idea
 and readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great
 text titled Car Fetish.
 
  OK, let's hear what ya got!
  best,



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 Dave Dvorchak
 AS220 Communications Director
 da...@as220.org
 (401) 831-9327 x121



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 Bryan Konefsky
 director, Experiments in Cinema
 presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


 ___
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 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


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Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread Chuck Kleinhans
for Mobile Homes: 

Albert Brooks, LOST IN AMERICA, 1985

if we're going to do motorcycles too: wow, that would be a lot.  How about 
riding lawnmowers?

But the car film really is a variant on the journey motif, right?  So we'd we 
have to start, narratively,  with the OT book of Exodus, The Odyssey, the 
Crusades, etc. sea voyages, and wagon trains west, etc. etc. through space 
travel.  For the US, at least, the car, the open road, and such are part of a 
myth of westward expansion, the Turner Thesis, etc.  Might be good to figure 
out what is the master trope here, and then what the car  specifically 
contributes to it.

Chuck Kleinhans
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Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread Adam Hyman
Most of the suggestions are.  But I think what is interesting about those
very early car films, including the Hepworth film also mentioned, is that
the films are confronting the social anxieties over this new technology, as
it happens.  As such, it's a visual representation of one element of the
industrial revolution, and the general suspicion of it, its dangers, and so
forth.

Contrast that with the industrial films of cars coming of the Ford factory
line in the late teens and 1920s.

Or, another suggestion for a film (or two): A Trip Down Market Street (1905
and 1906 versions).  Just see how there is still no universal socialization
for the separation of cars, horse-drawn carriages, and people.




On 12/15/12 6:13 PM, Chuck Kleinhans chuck...@northwestern.edu wrote:

 for Mobile Homes: 

Albert Brooks, LOST IN AMERICA, 1985

if we're going to do
 motorcycles too: wow, that would be a lot.  How about riding lawnmowers?

But
 the car film really is a variant on the journey motif, right?  So we'd we have
 to start, narratively,  with the OT book of Exodus, The Odyssey, the Crusades,
 etc. sea voyages, and wagon trains west, etc. etc. through space travel.  For
 the US, at least, the car, the open road, and such are part of a myth of
 westward expansion, the Turner Thesis, etc.  Might be good to figure out what
 is the master trope here, and then what the car  specifically contributes to
 it.

Chuck 
 Kleinhans
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 list
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 nfo/frameworks



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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Tom Whiteside
Harrod Blank's films about car art. Su Friedrich's Rules of the Road. Some of 
the Jam Handy industrial films made for Chevrolet in the 1950's  have been 
called Corporate Surrealism, the ones I know that best fit this description 
are Hall of Wonders and You're Ahead, Mr. X.   Also the Jam Handy Chevrolet 
endurance test films - a pickup truck climbs Pikes Peak off-road in Meeting 
the Challenge (1949), and in Daring the Darien three red Corvairs cross the 
dense rain forest of the Darien Gap, again off road simply because there is 
no road. They cut their way through the jungle with machetes to prove the 
durability of the Corvair, absolutely ridiculous. There was a rather 
fascinating doc from the Middle East a few years back, The Beetle.

And the O. Winston Link photograph from the back of the drive-in with plane on 
the screen and train passing by. The plane on screen was a trick, but as usual 
the train was the real deal, that was his specialty. The guy used to set up 
something like a quarter mile of flashes to get a shot.

- Tom  Durham Cinematheque

From: frameworks-boun...@jonasmekasfilms.com 
[mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of Bryan Konefsky
Sent: Friday, December 14, 2012 2:57 PM
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] new critical studies film course in car culture


Hello Frameworkers - I am in the early moments of developing a critical studies 
course that looks at different ways the automobile has been imagined in cinema. 
 To this end I'd love to hear from ya'll with titles of films that you think 
might be useful to explore/expand this idea and readings that might also 
dovetail themes that might be explored.

Do know that my pal Antoni Pinent recently turned me on to a great text titled 
Car Fetish.

OK, let's hear what ya got!
best,
--
Bryan Konefsky
director, Experiments in Cinema
el presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Chuck Kleinhans
The about to open, On The Road, and an almost endless stream of road movies in 
Hollywood.

There's a famous Laurel and Hardy film (whose name I forget at the moment) 
which includes tearing a car apart in a dispute.

Not about film, per se, but in the 1920s the expansion of relatively 
inexpensive autos created a certain moral panic around cars as mobile bedrooms 
for young people who could escape being chaperoned.

Chuck Kleinhans






On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been imagined 
 in cinema.  To this end I'd love to hear from ya'll with titles of films that 
 you think might be useful to explore/expand this idea and readings that might 
 also dovetail themes that might be explored.
 
 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.
 
 OK, let's hear what ya got!
 best,



___
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Tom Whiteside
The LH in question is Big Business. Deconstruction indeed.

-Original Message-
From: frameworks-boun...@jonasmekasfilms.com 
[mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of Chuck Kleinhans
Sent: Friday, December 14, 2012 4:47 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] new critical studies film course in car culture

The about to open, On The Road, and an almost endless stream of road movies in 
Hollywood.

There's a famous Laurel and Hardy film (whose name I forget at the moment) 
which includes tearing a car apart in a dispute.

Not about film, per se, but in the 1920s the expansion of relatively 
inexpensive autos created a certain moral panic around cars as mobile bedrooms 
for young people who could escape being chaperoned.

Chuck Kleinhans






On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been imagined 
 in cinema.  To this end I'd love to hear from ya'll with titles of films that 
 you think might be useful to explore/expand this idea and readings that might 
 also dovetail themes that might be explored.
 
 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.
 
 OK, let's hear what ya got!
 best,



___
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread David Dvorchak
Laurel and Hardy is Two Tars

On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans
chuck...@northwestern.eduwrote:

 The about to open, On The Road, and an almost endless stream of road
 movies in Hollywood.

 There's a famous Laurel and Hardy film (whose name I forget at the moment)
 which includes tearing a car apart in a dispute.

 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.

 Chuck Kleinhans






 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
  Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.
 
  OK, let's hear what ya got!
  best,



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




-- 
Dave Dvorchak
AS220 Communications Director
da...@as220.org
(401) 831-9327 x121
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Tom Whiteside
The two reeler where LH destroy Jim Finlayson's automobile (because he won't 
buy a Christmas tree) is Big Business.


From: frameworks-boun...@jonasmekasfilms.com 
[mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of David Dvorchak
Sent: Friday, December 14, 2012 4:49 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] new critical studies film course in car culture

Laurel and Hardy is Two Tars
On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
chuck...@northwestern.edumailto:chuck...@northwestern.edu wrote:
The about to open, On The Road, and an almost endless stream of road movies in 
Hollywood.

There's a famous Laurel and Hardy film (whose name I forget at the moment) 
which includes tearing a car apart in a dispute.

Not about film, per se, but in the 1920s the expansion of relatively 
inexpensive autos created a certain moral panic around cars as mobile bedrooms 
for young people who could escape being chaperoned.

Chuck Kleinhans






On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:


 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been imagined 
 in cinema.  To this end I'd love to hear from ya'll with titles of films that 
 you think might be useful to explore/expand this idea and readings that might 
 also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.

 OK, let's hear what ya got!
 best,


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FrameWorks@jonasmekasfilms.commailto:FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks



--
Dave Dvorchak
AS220 Communications Director
da...@as220.orgmailto:da...@as220.org
(401) 831-9327 x121


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Adam Hyman
There¹s very early silent, totally blanking on it right now but one of you
will know, which a man and car blowing up, and the man is in pieces and gets
reassembled ­ something like that.  Pretty vague, but at the same time, I¹m
sure someone will know of what I speak.


On 12/14/12 1:49 PM, David Dvorchak da...@as220.org wrote:

 Laurel and Hardy is Two Tars
 
 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans chuck...@northwestern.edu
 wrote:
 The about to open, On The Road, and an almost endless stream of road movies
 in Hollywood.
 
 There's a famous Laurel and Hardy film (whose name I forget at the moment)
 which includes tearing a car apart in a dispute.
 
 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.
 
 Chuck Kleinhans
 
 
 
 
 
 
 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:
 
 
  Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been imagined
 in cinema.  To this end I'd love to hear from ya'll with titles of films
 that you think might be useful to explore/expand this idea and readings that
 might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.
 
  OK, let's hear what ya got!
  best,
 
 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Ryan Marino
Two Lane Blacktop is essential.

On Fri, Dec 14, 2012 at 4:56 PM, Adam Hyman a...@lafilmforum.org wrote:

  There’s very early silent, totally blanking on it right now but one of
 you will know, which a man and car blowing up, and the man is in pieces and
 gets reassembled – something like that.  Pretty vague, but at the same
 time, I’m sure someone will know of what I speak.



 On 12/14/12 1:49 PM, David Dvorchak da...@as220.org wrote:

 Laurel and Hardy is Two Tars

 On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans 
 chuck...@northwestern.edu wrote:

 The about to open, On The Road, and an almost endless stream of road
 movies in Hollywood.

 There's a famous Laurel and Hardy film (whose name I forget at the moment)
 which includes tearing a car apart in a dispute.

 Not about film, per se, but in the 1920s the expansion of relatively
 inexpensive autos created a certain moral panic around cars as mobile
 bedrooms for young people who could escape being chaperoned.

 Chuck Kleinhans






 On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:

 
  Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.
 
  Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.
 
  OK, let's hear what ya got!
  best,



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www.ryanmarino.com
www.imminentfrequencies.com
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Fred Camper
Quoting Bryan Konefsky bkonef...@gmail.com:

 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

Transparency (Ernie Gehr)
Kustom Kar Kommandos (Kenneth Anger)
Rebel Without a Cause (Nicholas Ray)
Kiss Me Deadly (Robert Aldrich)
Two Lane Blacktop (Monte Hellman)

Fred Camper
Chicago


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Ronald Gregg
And Death Race 2000.

On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper f...@fredcamper.com wrote:

 Quoting Bryan Konefsky bkonef...@gmail.com:

  Hello Frameworkers - I am in the early moments of developing a critical
  studies course that looks at different ways the automobile has been
  imagined in cinema.  To this end I'd love to hear from ya'll with titles
 of
  films that you think might be useful to explore/expand this idea and
  readings that might also dovetail themes that might be explored.

 Transparency (Ernie Gehr)
 Kustom Kar Kommandos (Kenneth Anger)
 Rebel Without a Cause (Nicholas Ray)
 Kiss Me Deadly (Robert Aldrich)
 Two Lane Blacktop (Monte Hellman)

 Fred Camper
 Chicago


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Jen Proctor
David Cronenberg's CRASH.


On Fri, Dec 14, 2012 at 5:37 PM, Ronald Gregg ronald.gr...@yale.edu wrote:

 And Death Race 2000.


 On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper f...@fredcamper.com wrote:

 Quoting Bryan Konefsky bkonef...@gmail.com:

  Hello Frameworkers - I am in the early moments of developing a critical
  studies course that looks at different ways the automobile has been
  imagined in cinema.  To this end I'd love to hear from ya'll with
 titles of
  films that you think might be useful to explore/expand this idea and
  readings that might also dovetail themes that might be explored.

 Transparency (Ernie Gehr)
 Kustom Kar Kommandos (Kenneth Anger)
 Rebel Without a Cause (Nicholas Ray)
 Kiss Me Deadly (Robert Aldrich)
 Two Lane Blacktop (Monte Hellman)

 Fred Camper
 Chicago


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-- 
Jennifer Proctor
Assistant Professor, Journalism and Screen Studies
Department of Language, Culture, and Communication
University of Michigan-Dearborn

http://www.casl.umd.umich.edu/index.php?id=685157
http://jenniferproctor.com
http://lostinlight.org
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread David Dvorchak
Gone in 60 Seconds (1974) and Vanishing Point cannot be overlooked here.

Also, The Car of Your Dreams is a wonderfully crazy compilation of car
commercials, it's probably on Youtube and was fairly common to find 16mm
prints of also - had a few pass through my hands.

On Fri, Dec 14, 2012 at 5:38 PM, Jen Proctor proctor.jenni...@gmail.comwrote:

 David Cronenberg's CRASH.


 On Fri, Dec 14, 2012 at 5:37 PM, Ronald Gregg ronald.gr...@yale.eduwrote:

 And Death Race 2000.


 On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper f...@fredcamper.com wrote:

 Quoting Bryan Konefsky bkonef...@gmail.com:

  Hello Frameworkers - I am in the early moments of developing a critical
  studies course that looks at different ways the automobile has been
  imagined in cinema.  To this end I'd love to hear from ya'll with
 titles of
  films that you think might be useful to explore/expand this idea and
  readings that might also dovetail themes that might be explored.

 Transparency (Ernie Gehr)
 Kustom Kar Kommandos (Kenneth Anger)
 Rebel Without a Cause (Nicholas Ray)
 Kiss Me Deadly (Robert Aldrich)
 Two Lane Blacktop (Monte Hellman)

 Fred Camper
 Chicago


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 --
 Jennifer Proctor
 Assistant Professor, Journalism and Screen Studies
 Department of Language, Culture, and Communication
 University of Michigan-Dearborn

 http://www.casl.umd.umich.edu/index.php?id=685157
 http://jenniferproctor.com
 http://lostinlight.org


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Dave Dvorchak
AS220 Communications Director
da...@as220.org
(401) 831-9327 x121
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Peter Mudie
Fergus Walking (part 2 in the 3 part Autumn Scenes) – William Raban, UK (not 
US), 1978.
P

And Death Race 2000.

On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper 
f...@fredcamper.commailto:f...@fredcamper.com wrote:
Quoting Bryan Konefsky bkonef...@gmail.commailto:bkonef...@gmail.com:

 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

Transparency (Ernie Gehr)
Kustom Kar Kommandos (Kenneth Anger)
Rebel Without a Cause (Nicholas Ray)
Kiss Me Deadly (Robert Aldrich)
Two Lane Blacktop (Monte Hellman)

Fred Camper
Chicago


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Peter Mudie
Seated Figures – Michael Snow, Cdn., 1988.
P

Fergus Walking (part 2 in the 3 part Autumn Scenes) – William Raban, UK (not 
US), 1978.
P

And Death Race 2000.

On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper 
f...@fredcamper.commailto:f...@fredcamper.com wrote:
Quoting Bryan Konefsky bkonef...@gmail.commailto:bkonef...@gmail.com:

 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

Transparency (Ernie Gehr)
Kustom Kar Kommandos (Kenneth Anger)
Rebel Without a Cause (Nicholas Ray)
Kiss Me Deadly (Robert Aldrich)
Two Lane Blacktop (Monte Hellman)

Fred Camper
Chicago


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Adam Hyman
Another one on which I¹m forgetting the title.  French, short, 1970s, about
10 minutes.  Man gets in sports car, races at seemingly high speeds through
Paris city streets, much POV through car window, ending at a meeting with a
a woman ­ ah, yes, ³Rendezvous² by Claude Lelouch, 1976
http://en.wikipedia.org/wiki/C%27%C3%A9tait_un_rendez-vous

Watch it:
http://www.boreme.com/posting.php?id=14353


On 12/14/12 2:44 PM, Daniela Bajar filmc...@pragda.com wrote:

 Traffic, by Jacques Tati from 1971
 
 --
 Daniela Bajar
 Pragda
 302 Bedford Ave., # 136
 Brooklyn, NY 11249
 
 Pragda: www.pragda.com http://www.pragda.com
 Spanish Film Club: www.spanishfilmclub.com http://www.spanishfilmclub.com
 
 On Dec 14, 2012, at 4:38 PM, Jen Proctor proctor.jenni...@gmail.com wrote:
 
 David Cronenberg's CRASH.
 
 
 On Fri, Dec 14, 2012 at 5:37 PM, Ronald Gregg ronald.gr...@yale.edu wrote:
 And Death Race 2000.
 
 
 On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper f...@fredcamper.com wrote:
 Quoting Bryan Konefsky bkonef...@gmail.com:
 
  Hello Frameworkers - I am in the early moments of developing a critical
  studies course that looks at different ways the automobile has been
  imagined in cinema.  To this end I'd love to hear from ya'll with titles
 of
  films that you think might be useful to explore/expand this idea and
  readings that might also dovetail themes that might be explored.
 
 Transparency (Ernie Gehr)
 Kustom Kar Kommandos (Kenneth Anger)
 Rebel Without a Cause (Nicholas Ray)
 Kiss Me Deadly (Robert Aldrich)
 Two Lane Blacktop (Monte Hellman)
 
 Fred Camper
 Chicago
 
 
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 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
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 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Jack
Maybe Weekend? Cars That Ate Paris, radio on, kustom kar komandos, crash..
Jack

Sent from my iPhone

On 15/12/2012, at 9:49 AM, Peter Mudie peter.mu...@uwa.edu.au wrote:

 Hollywood commercial stuff:
 Vanishing Point, 1971 (great car)
 
 Seated Figures – Michael Snow, Cdn., 1988.
 P
 
 Fergus Walking (part 2 in the 3 part Autumn Scenes) – William Raban, UK (not 
 US), 1978.
 P
 
 And Death Race 2000.
 
 On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper  f...@fredcamper.com wrote:
 Quoting Bryan Konefsky bkonef...@gmail.com:
 
  Hello Frameworkers - I am in the early moments of developing a critical
  studies course that looks at different ways the automobile has been
  imagined in cinema.  To this end I'd love to hear from ya'll with titles of
  films that you think might be useful to explore/expand this idea and
  readings that might also dovetail themes that might be explored.
 
 Transparency (Ernie Gehr)
 Kustom Kar Kommandos (Kenneth Anger)
 Rebel Without a Cause (Nicholas Ray)
 Kiss Me Deadly (Robert Aldrich)
 Two Lane Blacktop (Monte Hellman)
 
 Fred Camper
 Chicago
 
 
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Adam Hyman
And a thread with various cars accidents in silent films:
http://www.nitrateville.com/viewtopic.php?f=3t=12134

One pair describes the film I mentioned earlier:
 ³One of the earliest British trick films (EXTRAORDINARY CAB ACCIDENT, 1903)
 concerns an auto. A car drives into the picture and stops, and after a moment
 suddenly explodes. Pieces of machinery and body parts fall from the top of the
 frame and a policeman walks over and begins in a laconic manner to make an
 inventory in his notebook.²

³I have a copy of that short, though I believe my copy is titled AN
AUTOMOBILE EXPLOSION.  It's nice to see a Pythonesque sight gag near the
start of filmdom, as well as the patented British art of Understatement at
it's best...well done.²

No re-assembly in this though; that must be something else.


On 12/14/12 2:44 PM, Daniela Bajar filmc...@pragda.com wrote:

 Traffic, by Jacques Tati from 1971
 
 --
 Daniela Bajar
 Pragda
 302 Bedford Ave., # 136
 Brooklyn, NY 11249
 
 Pragda: www.pragda.com http://www.pragda.com
 Spanish Film Club: www.spanishfilmclub.com http://www.spanishfilmclub.com
 
 On Dec 14, 2012, at 4:38 PM, Jen Proctor proctor.jenni...@gmail.com wrote:
 
 David Cronenberg's CRASH.
 
 
 On Fri, Dec 14, 2012 at 5:37 PM, Ronald Gregg ronald.gr...@yale.edu wrote:
 And Death Race 2000.
 
 
 On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper f...@fredcamper.com wrote:
 Quoting Bryan Konefsky bkonef...@gmail.com:
 
  Hello Frameworkers - I am in the early moments of developing a critical
  studies course that looks at different ways the automobile has been
  imagined in cinema.  To this end I'd love to hear from ya'll with titles
 of
  films that you think might be useful to explore/expand this idea and
  readings that might also dovetail themes that might be explored.
 
 Transparency (Ernie Gehr)
 Kustom Kar Kommandos (Kenneth Anger)
 Rebel Without a Cause (Nicholas Ray)
 Kiss Me Deadly (Robert Aldrich)
 Two Lane Blacktop (Monte Hellman)
 
 Fred Camper
 Chicago
 
 
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 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
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 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Gene Youngblood
I already mentioned this to Bryan but thought I’d share it with the list, 
regarding luxury and fantasy cars from the 1930s. Cocteau put several in 
Orpheus, and there’s a neat one in Topper. And in another world, the custom 
racer in Pandora and the Flying Dutchman. Then there’s the James Bond cars, and 
one could link the drag race in Rebel Without a Cause, with the re-enactment of 
James Dean’s fatal crash in “Crash.” In fact, Crash is just as iconic as Two 
Lane Blacktop as a Car Imaginary, and a thousand times more interesting. The 
opening sequence of “Written on the Wind” is another indelible auto wet dream.

From: Bryan Konefsky 
Sent: Friday, December 14, 2012 12:57 PM
To: frameworks@jonasmekasfilms.com 
Subject: [Frameworks] new critical studies film course in car culture


Hello Frameworkers - I am in the early moments of developing a critical studies 
course that looks at different ways the automobile has been imagined in cinema. 
 To this end I'd love to hear from ya'll with titles of films that you think 
might be useful to explore/expand this idea and readings that might also 
dovetail themes that might be explored.

Do know that my pal Antoni Pinent recently turned me on to a great text titled 
Car Fetish.

OK, let's hear what ya got!
best,
-- 
Bryan Konefsky
director, Experiments in Cinema
el presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival




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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Jack
Some others Cosmopolis (Cronenberg), also how about kids movies like Herbie  
Chitty Chitty Bang Bang? 
Jack
Sent from my iPhone

On 15/12/2012, at 10:02 AM, Peter Mudie peter.mu...@uwa.edu.au wrote:

 Talking about great cars, very hard to forget the Citroën DS21:
 Le Samouraï, Jean-Pierre Melville, Fr., 1967.
 P
 
 Hollywood commercial stuff:
 Vanishing Point, 1971 (great car)
 
 Seated Figures – Michael Snow, Cdn., 1988.
 P
 
 Fergus Walking (part 2 in the 3 part Autumn Scenes) – William Raban, UK (not 
 US), 1978.
 P
 
 And Death Race 2000.
 
 On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper  f...@fredcamper.com wrote:
 Quoting Bryan Konefsky bkonef...@gmail.com:
 
  Hello Frameworkers - I am in the early moments of developing a critical
  studies course that looks at different ways the automobile has been
  imagined in cinema.  To this end I'd love to hear from ya'll with titles of
  films that you think might be useful to explore/expand this idea and
  readings that might also dovetail themes that might be explored.
 
 Transparency (Ernie Gehr)
 Kustom Kar Kommandos (Kenneth Anger)
 Rebel Without a Cause (Nicholas Ray)
 Kiss Me Deadly (Robert Aldrich)
 Two Lane Blacktop (Monte Hellman)
 
 Fred Camper
 Chicago
 
 
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 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Peter Mudie
Oops, forgot:
Taxi Driver, Scorcese 1976.

From an institutional point of view, I would imagine a course on cars in film 
would be very popular – almost every exchange based product out of Hollywood 
features a car in the obligatory chase sequence. But if it's a critical course 
I would imagine that you would be looking at the breadth of 
analogies/metaphors/faculties that a 'vehicle' represented (not imagined) can 
function as/perform in relation to a time formed construct. The other stuff is 
just a series of laughs and sips of nostalgic tea in a dark room – no one will 
learn much from that.
Good luck with it.
P

Talking about great cars, very hard to forget the Citroën DS21:
Le Samouraï, Jean-Pierre Melville, Fr., 1967.
P

Hollywood commercial stuff:
Vanishing Point, 1971 (great car)

Seated Figures – Michael Snow, Cdn., 1988.
P

Fergus Walking (part 2 in the 3 part Autumn Scenes) – William Raban, UK (not 
US), 1978.
P

And Death Race 2000.

On Fri, Dec 14, 2012 at 5:36 PM, Fred Camper 
f...@fredcamper.commailto:f...@fredcamper.com wrote:
Quoting Bryan Konefsky bkonef...@gmail.commailto:bkonef...@gmail.com:

 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

Transparency (Ernie Gehr)
Kustom Kar Kommandos (Kenneth Anger)
Rebel Without a Cause (Nicholas Ray)
Kiss Me Deadly (Robert Aldrich)
Two Lane Blacktop (Monte Hellman)

Fred Camper
Chicago


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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread David Baker
Powerful automobile related imaginings occurred in the early sixties
beginning with Disney's flying car flubber apotheosis in The Absent  
Minded Professor (1961)
  followed by the anthropomorphic VW Herbie films beginning in 1963  
including The Love Bug (1968).
  If you will allow television episodes, the 1965 single season sitcom
My Mother The Car in which a man's mother is reincarnated as a 1928  
Porter Touring Car
might be considered.
The seriality in Andy Warhol's  Car Crash Paintings of 1963 might be  
thought of filmically.
The first appearance of the Munster's Koach in the television sitcom
The Munsters (1964-66) was a marvel merging hot rod hybridity and  
familial functionality,
Grandpa Munster's vehicle
called the Drag-u-la, from the episode called Hot Rod Herman was  
essentially a super charged coffin
on wheels,it also appeared in the 1966 film
Munster Go Home.

A precursor to the Munster Koach might be found in an uproarious
1934 episode of The Little Rascals
called Hi' Neighbor in which Spanky and his gang build a mad ad hoc  
fire truck
to meet the challenge of an affluent newcomer's girlfriend wooing toy  
car.

Not of the imagination but still interesting is a short film document  
on Youtube and elsewhere
of the first Indy 500 race, May 30,1911
complete with a spectacular accident.

The ecstatic (neon-lit?) cruising footage from Floyd Mutrux's Dusty  
and Sweets McGee (1971)
photographed by William A. Fraker
which is said to have influenced George Lucas's American Graffiti is a
personal favorite.

I can't fail to mention Kathryn Bigelow's The Loveless
and the unforgettable RV roving vampires in her Near Dark.

The car race in Rebel Without A Cause comes to mind.

I recollect a video Fred Worden exhibited at Anthology several years  
ago bound entirely
by travel in a moving automobile on a Thruway (the title escapes me).

Ernie Gehr's Auto-collider series.
(Additionally Ernie's digital interlaced masterpiece Crystal Palace  
(2002) was shot from the open
window of a moving car.)

Then there is Michael Bay's Transformers (2007) which I have not seen
but understand involves  four wheeled transformational entities.

-DB

On Dec 14, 2012, at 2:57 PM, Bryan Konefsky wrote:


 Hello Frameworkers - I am in the early moments of developing a  
 critical studies course that looks at different ways the automobile  
 has been imagined in cinema.  To this end I'd love to hear from  
 ya'll with titles of films that you think might be useful to explore/ 
 expand this idea and readings that might also dovetail themes that  
 might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great  
 text titled Car Fetish.

 OK, let's hear what ya got!
 best,
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Jeff Kreines
Obvious, but two films made right before their directors ruined Hollywood 
filmmaking:

Sugarland Express
American Graffiti

Of course Kustom Kar Kommandos, too.

Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Warren Cockerham
You've quite a list forming here: industrial, underground, experimental, 
commercial, etc. 

Here's 2 contemporary commercial films that probably should be in the mix for 
better or worse. Tarantino's DEATH PROOF (2007) and Nicolas Refn's DRIVE 
(2011). 

Art/experimental... Phil Solomon's LAST DAY IN A LONELY PLACE (2007) utilizes 
the auto-fetishistic Grand Theft Auto video game series. But, it may be a 
car-less piece if memory serves

Warren




On Dec 14, 2012, at 2:57 PM, Bryan Konefsky bkonef...@gmail.com wrote:

 
 Hello Frameworkers - I am in the early moments of developing a critical 
 studies course that looks at different ways the automobile has been imagined 
 in cinema.  To this end I'd love to hear from ya'll with titles of films that 
 you think might be useful to explore/expand this idea and readings that might 
 also dovetail themes that might be explored.
 
 Do know that my pal Antoni Pinent recently turned me on to a great text 
 titled Car Fetish.
 
 OK, let's hear what ya got!
 best,
 -- 
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival
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Re: [Frameworks] new critical studies film course in car culture

2012-12-14 Thread Jim Flannery

_Repo Man_ is always intense.

Also, _Signal 30_ / _Red Asphalt_ etc.

Might be worth dipping into related media of the early 60s -- Beach
Boys' car-oriented records, Pete Millar's CARtoons, Ed Big Daddy Roth.

Tex Avery's _Car of Tomorrow_ https://www.youtube.com/watch?v=9bBpDNRP5qQ


-- 
 Jim Flannery
 j...@newgrangemedia.com


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