[Goanet-News] A Tribute To My First Reader (Anthony Gomes)

2015-12-21 Thread Goanet Reader
Anthony Gomes, MD, FACC, FAHA
anthony.go...@mountsinai.org

I was informed through your pages, and just yesterday by a
mutual friend, the poet Ralph Nazareth, of the recent passing
away of João da Veiga Coutinho at the age of 97 years.

  Undoubtedly, the death of a friend, a relative, a
  parent, a husband or wife is saddening and
  overwhelming; however, in João’s case, in his death
  we can amply celebrate his long, productive life
  full of humanity.

João, of Margão, Goa, wore many hats in his lifetime, more
than anyone I have known. He was a priest, a World War II POW
camp translator, foreign correspondent, aid worker,
professor, philosopher, theologian, a great
conversationalist, a published author, husband and father,
and a cook who could create Goan dishes with authenticity. He
is survived by his wife, Barbara W. Weber, and his son Ravi.

I first met João in the early 1970's in the company of his
late brother, Fr. Lucio da Veiga Coutinho -- a friend of mine
and my late wife Marina Flores -- who was then visiting New
York, and who often consulted me regarding his heart
problems. We kept in touch sporadically, and met again when
Fr. Lucio had his coronary bypass surgery in the US.

  Many years later, I was contacted by his publisher,
  the poet Ralph Nazareth, professor of literature,
  and President of Yuganta Press, Stamford,
  Connecticut, who had also been the publisher of my
  first poetry collection, *Visions from Grymes
  Hill*. He kindly requested me to arrange a book
  reading for João's debut non-fiction book entitled
  *A Kind of Absence: Life in the Shadow of History*,
  at my home in Staten Island, New York. I was
  thoroughly pleased and excited to host such a
  celebration for João’s book. It was a wonderful
  affair on a spring afternoon in early June with the
  azaleas, rhododendrons, and roses in full bloom.

The reading was attended by a host of prominent writers, of
Goan and Manglorean origin, including, Dr. Jose Pereira, Dr.
George Coelho, Victor Rangel Ribeiro, the poet and publisher
Ralph Nazareth, and Richard Crasta, to mention but a few.

Although many aspects of João’s  book were controversial,
particularly regarding Goan culture, the book was written in
an essay style and highly provocative, reflective and
meditative, inciting a lively discussion and a sense of
curiosity. Some years later, a Portuguese translation of the
book was published in Portugal by the Fundacão Oriente.

Perhaps the best elements in the book included the theme of
Absence exemplified in the loss of vital connection with the
ancestral land, a recurring theme in today's globalized
world, and importantly, the lack of history of one's own,
since in his view it was the Portuguese who wrote their own
history in the land of Goa: the Colonizer over the Colonized.

In his final essay, Genesis, João writes realistically about
the evolution of Goan culture: "A sense of Goanness appeared.
There emerged a new interest in things Goan, Goan political
and social history as distinct from the exploits of
Portuguese heroes and rulers, in ancient local institutions,
their evolution or erosion, family histories, and biographies
of significant men... a new style of Goan architecture... a
new authentically Goan cuisine, ballroom dancing and the
mandó, an art song and dance which created its own
choreography as well as its lyrics and music." Undoubtedly,
these very elements of Goannness, or culture, outlined above
are at risk of dilution and perhaps even extinction over
time, and should be preserved at all costs.

João lived with his family in Pennsylvania where I once spend
a day with him discussing my novel, and American power and
its effects on the world. Soon thereafter, João, together
with his family settled in the warm and dry climate of New
Mexico, when sometimes we communicated by phone. I personally
owe a debt of gratitude to João since after reading just two
chapters of my novel, *The Sting of Peppercorns*, he brimmed
with excitement encouraging me to complete the book; he was
my first reader. --Anthony Gomes, MD, FACC, FAHA

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[Goanet] A Tribute To My First Reader (Anthony Gomes)

2015-12-21 Thread Goanet Reader
Anthony Gomes, MD, FACC, FAHA
anthony.go...@mountsinai.org

I was informed through your pages, and just yesterday by a
mutual friend, the poet Ralph Nazareth, of the recent passing
away of João da Veiga Coutinho at the age of 97 years.

  Undoubtedly, the death of a friend, a relative, a
  parent, a husband or wife is saddening and
  overwhelming; however, in João’s case, in his death
  we can amply celebrate his long, productive life
  full of humanity.

João, of Margão, Goa, wore many hats in his lifetime, more
than anyone I have known. He was a priest, a World War II POW
camp translator, foreign correspondent, aid worker,
professor, philosopher, theologian, a great
conversationalist, a published author, husband and father,
and a cook who could create Goan dishes with authenticity. He
is survived by his wife, Barbara W. Weber, and his son Ravi.

I first met João in the early 1970's in the company of his
late brother, Fr. Lucio da Veiga Coutinho -- a friend of mine
and my late wife Marina Flores -- who was then visiting New
York, and who often consulted me regarding his heart
problems. We kept in touch sporadically, and met again when
Fr. Lucio had his coronary bypass surgery in the US.

  Many years later, I was contacted by his publisher,
  the poet Ralph Nazareth, professor of literature,
  and President of Yuganta Press, Stamford,
  Connecticut, who had also been the publisher of my
  first poetry collection, *Visions from Grymes
  Hill*. He kindly requested me to arrange a book
  reading for João's debut non-fiction book entitled
  *A Kind of Absence: Life in the Shadow of History*,
  at my home in Staten Island, New York. I was
  thoroughly pleased and excited to host such a
  celebration for João’s book. It was a wonderful
  affair on a spring afternoon in early June with the
  azaleas, rhododendrons, and roses in full bloom.

The reading was attended by a host of prominent writers, of
Goan and Manglorean origin, including, Dr. Jose Pereira, Dr.
George Coelho, Victor Rangel Ribeiro, the poet and publisher
Ralph Nazareth, and Richard Crasta, to mention but a few.

Although many aspects of João’s  book were controversial,
particularly regarding Goan culture, the book was written in
an essay style and highly provocative, reflective and
meditative, inciting a lively discussion and a sense of
curiosity. Some years later, a Portuguese translation of the
book was published in Portugal by the Fundacão Oriente.

Perhaps the best elements in the book included the theme of
Absence exemplified in the loss of vital connection with the
ancestral land, a recurring theme in today's globalized
world, and importantly, the lack of history of one's own,
since in his view it was the Portuguese who wrote their own
history in the land of Goa: the Colonizer over the Colonized.

In his final essay, Genesis, João writes realistically about
the evolution of Goan culture: "A sense of Goanness appeared.
There emerged a new interest in things Goan, Goan political
and social history as distinct from the exploits of
Portuguese heroes and rulers, in ancient local institutions,
their evolution or erosion, family histories, and biographies
of significant men... a new style of Goan architecture... a
new authentically Goan cuisine, ballroom dancing and the
mandó, an art song and dance which created its own
choreography as well as its lyrics and music." Undoubtedly,
these very elements of Goannness, or culture, outlined above
are at risk of dilution and perhaps even extinction over
time, and should be preserved at all costs.

João lived with his family in Pennsylvania where I once spend
a day with him discussing my novel, and American power and
its effects on the world. Soon thereafter, João, together
with his family settled in the warm and dry climate of New
Mexico, when sometimes we communicated by phone. I personally
owe a debt of gratitude to João since after reading just two
chapters of my novel, *The Sting of Peppercorns*, he brimmed
with excitement encouraging me to complete the book; he was
my first reader. --Anthony Gomes, MD, FACC, FAHA


[Goanet] Goa State Awards to Rita Rose, Joe Rose etc

2015-12-21 Thread JoeGoaUk
 
  Goa State Awards to Rita Rose, Joe Rose etc 

Goa State Cultural Awards 2015

Awards presentation at the hands of Nana Patekar (Film Actor)  on 20.12.15 at 
Institute Menezes Braganza Hall (IMB), Panaji Goa.

or visit here 
More updates here
http://joegoauk-tiatr.blogspot.in/2015/12/goa-state-awards-to-rita-rose-joe-rose.html

 
Pics

Joe Rose
Watch video below
https://www.flickr.com/photos/joegoauktiatr16/23511592929/in/photostream
https://www.flickr.com/photos/joegoauktiatr16/23251321464/in/photostream/

https://www.flickr.com/photos/joegoauktiatr16/23879505135/in/photostream/

https://www.flickr.com/photos/joegoauktiatr16/23797005481/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23879507575/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23771171662/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23583788700/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23583790750/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23583802090/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23853462196/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23511773009/in/photostream/

 Rita Rose
Watch Video below
https://www.flickr.com/photos/joegoauktiatr16/23853465936/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23853467396/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23511667329/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23251407764/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23251368594/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23252741953/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23583832720/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23853455446/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23879562425/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23879564885/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23511660329/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23771236632/in/photostream/
 
Maendra Alvares
(Bigfoot/Ancestral Goa, Loutolim)
https://www.flickr.com/photos/joegoauktiatr16/23797026521/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23853424366/in/photostream/

https://www.flickr.com/photos/joegoauktiatr16/23252719923/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23879544645/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23251363684/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23797056561/in/photostream/

 Group photos
Awardees, VIPs
Avdhut Kamat (Drama), Ujwala Kamat Tarcar (Drama),  , Pradeep Borkar (Drama),  
Joe Rose (Tiatr), Rita Rose (Tiatr), Dilip Borkar (Literature), Gurunath V Naik 
(Literature),   Rajendra Singbal (indian Music), Leopoldina Figueiredo (Western 
Music), Radhakrishna V Shetye (Bhajan), Shiva A Tamhankar (Bhajan), Maendra 
Alvares (Fine Art/Craft). 


Best Cultural Institution award to Goa Cultural & Social Centre, Panaji
https://www.flickr.com/photos/joegoauktiatr16/23797226451/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23252924623/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23797046741/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23771388362/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23511821339/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23853628716/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23771403872/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23797243561/in/photostream/

Nana Patekar
https://www.flickr.com/photos/joegoauktiatr16/23797133641/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23771299972/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23771254762/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23771302392/in/photostream/

Leopoldina Figueiredo
https://www.flickr.com/photos/joegoauktiatr16/23251411554/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23771261472/in/photostream/
Dilip Borkar
https://www.flickr.com/photos/joegoauktiatr16/23252875763/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23252879183/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23797194761/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23853598366/in/photostream/ 

Stage etc
https://www.flickr.com/photos/joegoauktiatr16/23511695349/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23584024050/in/photostream/

Audience, Hall
>From the rear view
https://www.flickr.com/photos/joegoauktiatr16/23252810143/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23853522876/in/photostream/
https://www.flickr.com/photos/joegoauktiatr16/23853529036/in/photostream/

Front View with some awardees
https://www.flickr.com/photos/joegoauktiatr16/23251426814/in/photostream/

[Goanet] Cyril Almeida in TOI: "there’s intellectual vibrancy in Goa’

2015-12-21 Thread V M
http://timesofindia.indiatimes.com/city/goa/Beach-life-is-a-preconceived-notion-theres-intellectual-vibrancy-in-Goa/articleshow/50164670.cms

Pakistani journalist of Goan origin, Cyril Almeida, has come a long
way from his home in Islamabad, crossing Wagah, to India from Atari,
Amritsar, then to Mumbai via Delhi until finally landing in Goa.

He undertook the tediously long journey and abided by the staunch
imposition of a city-specific visa to be part of the Goa arts and
literary festival (GALF) for the third consecutive year.

"People in Goa are very kind and have great interest to know what
Pakistan is like," he said.

The Almeidas moved to pre-partition Pakistan when Karachi was part of
the Bombay presidency. When the partition took place, 30 years later,
the family decided to stay on as there was a thriving Goan community
in Karachi. "That is how the origins of Goans in Pakistan began," he
said.

Although this is Almeida's third visit to Goa, the rest of his family
are visiting the sunny state for the first time ever. "They are very
excited to be here," he confessed.

Almeida, who speaks impeccable English and Urdu says that he doesn't
know Konkani, but finds familiarities in the linguistic skills of the
locals.

"The accent, expressions and pronunciations of the Goan vernacular
sound very familiar to my ear. Two generations ago, people would
either speak Konkani or be familiar with it, but, now we largely speak
Pakistani English," he said.

Asked what his preconceived notions of Goa were, he said, "I had heard
of two Goas; one of the party and beach life and the other of the
traditional life which revolves around the community and Catholic
Church. On first coming here, what struck me was that people have a
thoroughly modern, sophisticated and international lives in Goa and
there is an intellectual vibrancy out here." Thus instead of getting a
culture shock, Almeida experienced a "culture familiarity".

"Some of the cuisine is thoroughly recognizable to what my grandmother
used to cook, like the fish and prawn curries, traditional dried
seafood etc. Familiarity with the traditional names of these dishes
had slipped with the passage of time, but the taste continues to
remain the same."

He further added that he takes home the Goan rechado masala on each visit.

Asked about the minority communities in Pakistan, Almeida said that
the precise figure of the Pakistani population is unclear as they
haven't had a census since 1998. It could be roughly about 200 million
people of which 98% are Muslims and the rest form the minority.

"The minorities are spread out in various parts of the country. Hindus
tend to be concentrated in Sindh and Christians in Punjab while some
Parsis are in Karachi."

Though the older generation of Goans in Pakistan still visits Goa for
the feast of St Francis Xavier, most of the younger generation have
moved out and settled in western nations. "People are still trying to
hang on to their cultural past but it's hard with the shrinking
population." he said.

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[Goanet] Isn?t Liberation a cruel joke when Goa is in chains?

2015-12-21 Thread Bernado Colaco
Goa is today faced by a rule of scoundrels. Divided by religion there is no 
future in a place which is now like the Cuba of Fulgencio Batista ie.: a land 
of putaria. Shame on those who call it liberation.
BC
 


Don't understand the significance of a question mark. The state of Goa
today doesn't need to be seen through a keyhole. It should be an assertion
that Goa's Liberation has become sour for many Goans. It isn't that all
Goans have benefitted from Liberation.
Just as there are the "spoils of war", there are "spoils of Liberation".
Goans are in charge of their destiny. There are some Catholic miisters in
the government, if one wants to pin down the government for pushing its
Hinduvta agenda.
If Goa is falling apart, as one is led to believe, it is the unmaking of
Goa by those who care a damn. Is Liberation to be blamed for it? Liberation
wasn't an illusion. It was blood and bravery. People laid down their lives.
Those who fought for it, fought for an ideal.
What became of India? What has become of Goa? Progress yes, and, at the
same time, worse things that effect the livelihood of Goans.

Eugene


   

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[Goanet] DEBATE: History... that's only in the movies (Aakar Patel, in ToI)

2015-12-21 Thread Goanet Reader
http://blogs.timesofindia.indiatimes.com/aakarvani/bajirao-the-great-hindu-nationalist-thats-only-in-the-movies/

Bajirao the great Hindu nationalist -- That's only in the movies
Aakar Patel in Aakarvani | India | TOI

I think I'll write about Bajirao Mastani today. I have not
seen the movie, nor do I intend to (only one Gujarati makes
the cut as director of watchable pap and that is neither
Sanjay Leela Bhansali nor Sajid Nadiadwala, but Manmohan
Desai, a true master). However, I have read Bajirao Mastani's
reviews and one of them said to my alarm, that the film
"explores the romantic side of 18th-century Maratha general
Bajirao Ballal Bhat, who fought and won 40 battles against
the Mughals with an aim to create a unified Hindu kingdom or
Akhand Bharatvarsha".

  Whoa, hold it right there. First, the Marathas only
  ever wanted a Marathi kingdom for themselves. It
  was not unified, hardly *akhand* and never Hindu.
  The Marathas were despised by other Hindu rulers,
  and disliked by non-Marathi Hindus as well, as
  history shows us.

Bajirao and the Marathas campaigned for one thing alone, and
it was called *chauth*. It meant a fourth of all revenue from
other kingdoms, no matter what the faith of king and subject,
and at collecting this Bajirao and the rest were efficient.

Maratha extortion caused Jaipur's Ishwari Singh to commit
suicide in December 1750. Sir Jadunath Sarkar (the Manmohan
Desai of our historians) writes of what followed in his
four-volume classic, *Fall of the Mughal Empire*: "On 10
January, some 4,000 Marathas entered Jaipur... (and)
despising the helpless condition of a king propped up by
their arms, seemed to have behaved towards Jaipur as a city
taken by storm. Suddenly the pent-up hatred of the Rajputs
burst forth; a riot broke out at noon, and the citizens
attacked the unsuspecting Marathas. For nine hours slaughter
and pillage raged."

The Marathas first invaded Bengal in 1742. Of their
behaviour, the *New Cambridge History of India* tells us that
"all authorities, both Indian and European are agreed". A
contemporary writer calls them "slayers of pregnant women and
infants" and Sarkar has recorded their gang-rape of Hindu
women, inexplicably stuffing the mouths of their victims with
dust and breaking their arms and tying them behind their
backs. The only Indian to try and protect his subjects
against the Marathas incidentally, was the Mughal governor
Ali Vardi Khan. So much for Akhand Bharat.

  But I must say that the Marathas did not behave
  differently from any other ruler or warrior
  community, and the idea of a unified Hindu
  sentiment exists only in the imagination of those
  who get their history from the movies.

What the Marathas did striking north from the south, the
Sikhs did in the opposite direction (they called their
extortion 'rakhi', or protection, and it was 10% for all
Indians). It is undeniably true on the other hand that the
Marathas were originals.

It is important for this romance between Bajirao and Mastani
that she knew how to ride well because there were no
palanquins and howdahs travelling with the Marathas as there
were with the Mughals.

  The Marathas were the Mongols of South Asia, always
  on horseback, and with no infantry and no giant
  camp behind. Even the scavengers who followed them
  around, the bargis, rode. When the monsoons ended,
  the Maratha army, about 40,000 men, rode across the
  Narmada and Tapi, the border that marked off the
  Deccan, and attacked 'Hindustan'.

Shivaji always organised this on a particular day: Dussehra
(Bal Thackeray continued this tradition of declaring war on
other Indians with his fiery Dussehra speeches). After the
death of the peasant king, power passed to the Brahmin
peshwas of whom the best was Bajirao. As the Mughal fighting
ability and finances (the two being interchangeable) declined
after Aurangzeb, the Marathas began penetrating increasingly
into hitherto unknown territory in the north. It was the
young Bajirao, then only in his teens, who determined,
rightly, in one of these raids that the Mughals had gone soft
and could no longer defend the realm.

  From this point on, the Marathas began holding
  ground instead of just taking their horses back. It
  is why we see Marathi names like Holkar and Scindia
  and Gaekwad in parts of India they do not naturally
  belong. Everyone grabbed what they could and held
  onto it, there was no Hindu or Bharat angle to any
  of it.

Bajirao had one good battlefield victory, against Chin Qilich
Khan, first Nizam of Hyderabad. It was a positional win,
meaning the arrangement of Bajirao's force gave no space for
Khan and he gave up without much fighting. Like chess.

A similar situation came in Panipat, when Abdali positioned
the Marathas out. Bravely, the Marathas 

[Goanet] Elano's arrest & unsporting conduct by FC Goa Team management

2015-12-21 Thread Sandeep Heble
It was a bit silly on the part of the Margao Police to register an FIR for
what transpired in the heat of the moment during the Indian Super League
Football Finals between FC Goa & Chennaiyin FC. Incidents of non serious
nature like elbowing & head butting are common occurrences in football and
what happens in the stadium must remain in the stadium. The team management
perhaps went overboard to take the matter up before the Police when they
could easily have brought this up before the match officials or the
disciplinary committee which is the proper authority to deal with such
incidents. FIFA have their own disciplinary code and regulations and one
does not lodge a Police complaint against a foul that occurs during a
match, either on field or off it. Football is a contact sport where players
get physically as well as emotionally drawn into all the excitement.
Passions & tempers run high & at times, such incidents do occur. Was Zidane
arrested for headbutting Materaazi? Were Voller & Rijkaard arrested for
kicking one another? Was Subroto Paul arrested when he punched Christiano
Junior which even resulted in his death? Such incidents are sad, they
shouldn't happen but they do and that is what makes football one of the
most debated, popular & interesting sports in the World. The incident which
reportedly occurred in the dug-out has left a sour taste to an otherwise
exciting finals. It was clearly an error of judgment on the management's
part to get the Chennai captain Elano Blumer arrested for unintentional
elbowing its co-owner. The FC Goa team also boycotted the match
presentation which was sad. In a game, one has to win & one has to lose and
this should be accepted sportingly & graciously. The FC Goa management
needs to sort this matter out at the earliest & make amends. Football is a
religion in Goa & forgive & forget should be the best way out.

Sandeep Heble
Panjim- Goa
9326129171

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[Goanet] How many of you gone digital (TV)?

2015-12-21 Thread JoeGoaUk
 
How many of you gone digital TV?
Last date  to switchover is 31.12.15
When we call our local operator last, they say out of stock and that it would 
cost Rs.2000 plus Rs.50 extra per month (350pm) 
For basic free to view channels package, I think it should cost Rs.100 or 150 
p.m, thats what I remember reading somewhere.
Don't know if free to view package includes Goa news channels
Nor We know whats on offer with Sonali Cable

Go Digital, Get Set Top Box
Today's advert
https://www.flickr.com/photos/joegoauk73/23899598935/

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Goanet annual year-end meet in Goa: if you're reading this, you're
eligible to join us! Dec 28, 2015 @ 11 am Fundacao Oriente, Panjim
Confirm your participation with a short email to goa...@goanet.org
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