Re: [Goanet] DEBATE: History... that's only in the movies (Aakar Patel, in ToI)

2015-12-26 Thread Wendell Rodricks
Totally agree with you Rico. You are saying what I feel too.
When I said tweaked I mean tweaked by whoever is writing it. Read history as 
written by the Greeks re Alexander on India. Then read the same battle by 
Indian historians. Both versions are vastly different.
As for the film, I liked the film.
The author who wrote the article did not see the movie and used it as a 
referral for another point. Fine by me. 
The point is that history is written most often by the victorious and it is not 
necessarily the correct version as yo well pointed outré Shivaji. To many he is 
a hero but to the Brits they called him a Mountain Rat 
Best we accept all points of view
W

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On 25-Dec-2015, at 3:15 PM,  Frederick FN Noronha फ्रेड्रिक नोरोन्या *فريدريك 
نورونيا   wrote:

> Dear Wendell, 
> 
> The issue is not so much about the *film*, as about the way history gets 
> depicted in our parts of the world (and I guess elsewhere too). These myths 
> go beyond films and are consistently celebrated in daily life too. Aakar 
> Patel might have done a good job by questioning it in a rather articulated 
> way.
> 
> Feature films and fictionalised films have every right to create myths; but 
> history doesn't. Questionable versions can be challenged, and should be.
> 
> In today's Goa, Shivaji is treated as a hero. Wonder what he meant to 
> villagers of another era living  along the then 'international border' in 
> places like your Colvale, Tivim, Siolim or Aldona. That reality our ancestors 
> of another generation might have a story about; but do they have the voice to 
> do so? If we portray him as someone out to save a religion, then we're 
> setting misleading terms of discourse.
> 
> Your justification about history being "tweaked" doesn't seem to hold much 
> water, given that this is promoted by a supposedly secular state, and it has 
> serious implications for current day religious infighting. If politicians 
> want to ascend power based on religious infighting, we might not be able to 
> stop them... but at least we should not justify them.
> 
> Happy Good Governance day!
> 
> FN 
> 
> On 24 December 2015 at 19:11, Wendell Rodricks  
> wrote:
>> It is a sumptuous film.
>> And the director has every right to create his version as he has many 
>> factors to consider from investors to the public making the movies hit. 
>> Those that want to portray another Bajirao are free to do so. Not that I am 
>> carrying a candle for the film nor Hindi cinema staying  truthful to 
>> history. The end was a sob drama for janta consumption, who doesn't like 
>> lovers who die or killed off at the end?, It has been done ad nauseum in 
>> poetry, literature, film
>> As for a great Hindu nationalist, history is written and tweaked depending 
>> who is writing it.
>> In my research for Moda Goa, it was as if. history writers were writing 
>> about different events depending on the victorious or loosing sides
>> At this time of Hindu pride,it is natural for some to push the cause for 
>> Hindu Nationalism
>> W 
>  

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Re: [Goanet] DEBATE: History... that's only in the movies (Aakar Patel, in ToI)

2015-12-25 Thread Frederick FN Noronha फ्रेड्रिक नोरोन्या *فريدريك نورونيا
Dear Wendell,

The issue is not so much about the *film*, as about the way history gets
depicted in our parts of the world (and I guess elsewhere too). These myths
go beyond films and are consistently celebrated in daily life too. Aakar
Patel might have done a good job by questioning it in a rather articulated
way.

Feature films and fictionalised films have every right to create myths; but
history doesn't. Questionable versions can be challenged, and should be.

In today's Goa, Shivaji is treated as a hero. Wonder what he meant to
villagers of another era living  along the then 'international border' in
places like your Colvale, Tivim, Siolim or Aldona. That reality our
ancestors of another generation might have a story about; but do they have
the voice to do so? If we portray him as someone out to save a religion,
then we're setting misleading terms of discourse.

Your justification about history being "tweaked" doesn't seem to hold much
water, given that this is promoted by a supposedly secular state, and it
has serious implications for current day religious infighting. If
politicians want to ascend power based on religious infighting, we might
not be able to stop them... but at least we should not justify them.

Happy Good Governance day!

FN

On 24 December 2015 at 19:11, Wendell Rodricks 
wrote:

> It is a sumptuous film.
> And the director has every right to create his version as he has many
> factors to consider from investors to the public making the movies hit.
> Those that want to portray another Bajirao are free to do so. Not that I am
> carrying a candle for the film nor Hindi cinema staying  truthful to
> history. The end was a sob drama for janta consumption, who doesn't like
> lovers who die or killed off at the end?, It has been done ad nauseum in
> poetry, literature, film
> As for a great Hindu nationalist, history is written and tweaked depending
> who is writing it.
> In my research for Moda Goa, it was as if. history writers were writing
> about different events depending on the victorious or loosing sides
> At this time of Hindu pride,it is natural for some to push the cause for
> Hindu Nationalism
> W
>

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Goanet annual year-end meet in Goa: if you're reading this, you're
eligible to join us! Dec 28, 2015 @ 11 am Fundacao Oriente, Panjim
Confirm your participation with a short email to goa...@goanet.org
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[Goanet] DEBATE: History... that's only in the movies (Aakar Patel, in ToI)

2015-12-21 Thread Goanet Reader
http://blogs.timesofindia.indiatimes.com/aakarvani/bajirao-the-great-hindu-nationalist-thats-only-in-the-movies/

Bajirao the great Hindu nationalist -- That's only in the movies
Aakar Patel in Aakarvani | India | TOI

I think I'll write about Bajirao Mastani today. I have not
seen the movie, nor do I intend to (only one Gujarati makes
the cut as director of watchable pap and that is neither
Sanjay Leela Bhansali nor Sajid Nadiadwala, but Manmohan
Desai, a true master). However, I have read Bajirao Mastani's
reviews and one of them said to my alarm, that the film
"explores the romantic side of 18th-century Maratha general
Bajirao Ballal Bhat, who fought and won 40 battles against
the Mughals with an aim to create a unified Hindu kingdom or
Akhand Bharatvarsha".

  Whoa, hold it right there. First, the Marathas only
  ever wanted a Marathi kingdom for themselves. It
  was not unified, hardly *akhand* and never Hindu.
  The Marathas were despised by other Hindu rulers,
  and disliked by non-Marathi Hindus as well, as
  history shows us.

Bajirao and the Marathas campaigned for one thing alone, and
it was called *chauth*. It meant a fourth of all revenue from
other kingdoms, no matter what the faith of king and subject,
and at collecting this Bajirao and the rest were efficient.

Maratha extortion caused Jaipur's Ishwari Singh to commit
suicide in December 1750. Sir Jadunath Sarkar (the Manmohan
Desai of our historians) writes of what followed in his
four-volume classic, *Fall of the Mughal Empire*: "On 10
January, some 4,000 Marathas entered Jaipur... (and)
despising the helpless condition of a king propped up by
their arms, seemed to have behaved towards Jaipur as a city
taken by storm. Suddenly the pent-up hatred of the Rajputs
burst forth; a riot broke out at noon, and the citizens
attacked the unsuspecting Marathas. For nine hours slaughter
and pillage raged."

The Marathas first invaded Bengal in 1742. Of their
behaviour, the *New Cambridge History of India* tells us that
"all authorities, both Indian and European are agreed". A
contemporary writer calls them "slayers of pregnant women and
infants" and Sarkar has recorded their gang-rape of Hindu
women, inexplicably stuffing the mouths of their victims with
dust and breaking their arms and tying them behind their
backs. The only Indian to try and protect his subjects
against the Marathas incidentally, was the Mughal governor
Ali Vardi Khan. So much for Akhand Bharat.

  But I must say that the Marathas did not behave
  differently from any other ruler or warrior
  community, and the idea of a unified Hindu
  sentiment exists only in the imagination of those
  who get their history from the movies.

What the Marathas did striking north from the south, the
Sikhs did in the opposite direction (they called their
extortion 'rakhi', or protection, and it was 10% for all
Indians). It is undeniably true on the other hand that the
Marathas were originals.

It is important for this romance between Bajirao and Mastani
that she knew how to ride well because there were no
palanquins and howdahs travelling with the Marathas as there
were with the Mughals.

  The Marathas were the Mongols of South Asia, always
  on horseback, and with no infantry and no giant
  camp behind. Even the scavengers who followed them
  around, the bargis, rode. When the monsoons ended,
  the Maratha army, about 40,000 men, rode across the
  Narmada and Tapi, the border that marked off the
  Deccan, and attacked 'Hindustan'.

Shivaji always organised this on a particular day: Dussehra
(Bal Thackeray continued this tradition of declaring war on
other Indians with his fiery Dussehra speeches). After the
death of the peasant king, power passed to the Brahmin
peshwas of whom the best was Bajirao. As the Mughal fighting
ability and finances (the two being interchangeable) declined
after Aurangzeb, the Marathas began penetrating increasingly
into hitherto unknown territory in the north. It was the
young Bajirao, then only in his teens, who determined,
rightly, in one of these raids that the Mughals had gone soft
and could no longer defend the realm.

  From this point on, the Marathas began holding
  ground instead of just taking their horses back. It
  is why we see Marathi names like Holkar and Scindia
  and Gaekwad in parts of India they do not naturally
  belong. Everyone grabbed what they could and held
  onto it, there was no Hindu or Bharat angle to any
  of it.

Bajirao had one good battlefield victory, against Chin Qilich
Khan, first Nizam of Hyderabad. It was a positional win,
meaning the arrangement of Bajirao's force gave no space for
Khan and he gave up without much fighting. Like chess.

A similar situation came in Panipat, when Abdali positioned
the Marathas out. Bravely, the Marathas c