Re: [h-cost] Special Membership Rate for Costume-Con 28 UPDATE

2010-01-02 Thread cc2010milw
In a message dated 1/1/2010 1:00:37 PM Central Standard Time, 
cc2010m...@cs.com writes: 
> 
> Welcome to 2010! 
> 
> As a special incentive to come to Costume-Con 28, we are rolling back the 
> membership rate to $70! But only for a few days! This rate will only be 
> valid 
> until the end of Monday, January 4th. You can find the form at 
> http://www.cc28.org/memberships.php. Just write the phrase "This never 
> happened to the other guy" on the form. You can make payment via PayPal to 
> cc2010m...@cs.com.
> 
> Henry W. Osier
> Chairman, Costume-Con 28
> May 7 to May 10, 2010 in Milwaukee, Wisconsin
> www.CC28.org
> Look for our fan page on Facebook!
> And on Twitter: CostumeCon28
> Got questions? 
> Join the CostumeCon Yahoo group! 
> 

Extend that to January 15th! Feel free to spread the word to everyone!

Henry W. Osier
Chairman, Costume-Con 28
May 7 to May 10, 2010 in Milwaukee, Wisconsin
www.CC28.org
Look for our fan page on Facebook!
And on Twitter: CostumeCon28
Got questions? 
Join the CostumeCon Yahoo group! 
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Re: [h-cost] Online dictionary of colors with color swatches

2010-01-02 Thread Lavolta Press




Sounds like a fine resolution for the new year. You're the one who said
my comments were erroneous and that people should go elsewhere for
information. Maybe it's Mercury Retrograde having a go at us, because I
thought it was possible to have a discussion on the topic.



I merely posted a URL. If you want to point out a dozen reasons why it's 
useless and a bad URL . . . And if you want to establish you're a 
printing expert so you can find a new job, this is not the best list to 
do it on.


Fran
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Re: [h-cost] Online dictionary of colors with color swatches

2010-01-02 Thread Carol Kocian


On Jan 2, 2010, at 2:05 PM, Kimiko Small wrote:


Then may I suggest we drop this topic asap? Please?
 Kimiko


 I'm still interested in hearing other experiences with using  
color systems regarding historic costuming.


 One other benefit for those who work with printers — if it's a  
web printer (printing from a large roll of paper rather than sheet- 
fed) you can ask for a butt roll. That's the end of the roll, still  
with a good amount of paper on it. When they change rolls, they do  
not let the old one run out, as it takes time to re-thread the press.


 Anyway, there's plenty of paper left over on a butt roll and  
it's great for making or altering patterns.





But hey, I'm not in the mood to play one-upmanship games.



Fran


 Sounds like a fine resolution for the new year. You're the one  
who said my comments were erroneous and that people should go  
elsewhere for information. Maybe it's Mercury Retrograde having a go  
at us, because I thought it was possible to have a discussion on the  
topic.


 -Carol
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Re: [h-cost] Online dictionary of colors with color swatches

2010-01-02 Thread Ann Catelli
They've always been chemical.  If you can touch it, it's either a chemical, or 
a mix of chemicals.

Perhaps you mean "synthetic".

Ann in CT

--- On Fri, 1/1/10, Sharon Collier  wrote:

> Burnt umber is what you get when you
> literally burn Umber, which is a type
> of clay. Ocher is another clay type. It is one of the older
> colors, made of
> real stuff (like ground rock) instead of dye. Nowadays,
> though, they're
> probably all chemical. 


  
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Re: [h-cost] Online dictionary of colors with color swatches

2010-01-02 Thread Lavolta Press
Fine with me. I have two books to lay out and proof. I was just throwing 
out a URL I ran across when I was researching something.


Fran
Lavolta Press
http://www.lavoltapress.com

On 1/2/2010 11:05 AM, Kimiko Small wrote:

Then may I suggest we drop this topic asap? Please?
  Kimiko

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Re: [h-cost] Online dictionary of colors with color swatches

2010-01-02 Thread Kimiko Small
Then may I suggest we drop this topic asap? Please?
 Kimiko 



> But hey, I'm not in the mood to play one-upmanship games.

> Fran


  
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Re: [h-cost] Online dictionary of colors with color swatches

2010-01-02 Thread Lavolta Press




It's a matter of professional tools vs the need for them, and how
precise does a costumer want to be with color. Design studios and
printers may well replace their pantone books every year. These days
many projects do colors with a CMYK build (instead of custom mixed ink),
and the CMYK can vary on press. When dealing with corporate identity
colors, it's an expensive mistake to have to reprint. Other projects
won't be as persnickety, so a slight color shift due to aging or fading
in the swatchbook won't have an impact.


I know all that, Carol. I HAVE done production work for 15 years, and 
usually the colors are CMYK. You seem to be talking more about spot 
colors, and everyone knows that spot color does not always correspond 
100% to CMYK. Pantone has a special spot-to-color swatch book to help. 
Personally, for a corporate logo, I'd just use spot color.


I've had this discussion with a fair number of other people who do 
production work. My point is that the swatchbooks DON'T fade perceptibly 
for several years if well kept. I've compared. Other people have 
compared. Pantone says you need to replace them every year but then, 
Pantone is the party who sells them.


But hey, I'm not in the mood to play one-upmanship games.

Fran
Lavolta Press
http://www.lavoltapress.com
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[h-cost] color chart

2010-01-02 Thread Cascio Michael
I found the color chart highly useful as a starting point for the color names I 
see when reading about costume.  I'll have to adjust my monitor to get truer 
images than what I'm currently seeing but this looks like fun.  Some charts I 
know use DMC wool tapestry yarn colors as a color reference when talking about 
naturally dyeing wool yarn or fabric.  It is often easily available around here 
(Midwest) and it's not too expensive if you want to buy a skein as a portable 
color reference for a particular fabric search.  Happy New Year everyone and 
may the costume gremlins avoid your house completely this year.
Cassandra




  
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Re: [h-cost] Online dictionary of colors with color swatches

2010-01-02 Thread Carol Kocian


On Jan 1, 2010, at 9:32 PM, Lavolta Press wrote:


For one thing, it's Pantone who recommends that the swatches be  
replaced every year. I'm only on my third Pantone fan, and I've  
been working with them for 15 years. When I've replaced them I've  
compared the old and new swatches. They don't fade to speak of  
unless you leave the swatches open on your desk when you are not  
using them, and obviously, the solution is keep them in a closed  
drawer. It may not matter to you if your employer is paying for  
them. And as far as production costs go, using a fan for several  
years instead of one doesn't save much money. Still, it can be done.


 It's a matter of professional tools vs the need for them, and  
how precise does a costumer want to be with color. Design studios and  
printers may well replace their pantone books every year. These days  
many projects do colors with a CMYK build (instead of custom mixed  
ink), and the CMYK can vary on press. When dealing with corporate  
identity colors, it's an expensive mistake to have to reprint. Other  
projects won't be as persnickety, so a slight color shift due to  
aging or fading in the swatchbook won't have an impact.



Do you know what the fabric printing and dyeing industry uses for  
swatch books? Do they use Pantone or something else?


 I don't know about professional fabric printing. The on-demand  
printing (such as Spoonflower) seem to be working it out with the  
efforts of users. This blog
http://blog.mammamadedesigns.com/archive/2008/08/13/spoonflower- 
fabric-development-series-5-color-calibration-part-c.aspx
has a color chart, shown as RGB (at the bottom of the page) and as  
printed fabric (at the top). Even taking into consideration the  
differences in photos, you can see some colors are different.


Here is a more direct example of some color shifts:
http://blog.mammamadedesigns.com/archive/2008/07/18/spoonflower- 
fabric-development-series-5-color-calibration-part-b.aspx

See how the green stems turned out the same color as the green field.

 This is the chart from Spoonflower:
http://blog.spoonflower.com/files/spoonflower_color_chart.tif
Where they removed a chunk of colors that tend to shift. And while  
they removed reds, I was seeing changes in blues and greens in the  
Mamamade example.


 The Mamamade blog goes through a lot of color information.

 Something I can imagine happening — say we have a vintage  
garment that's a print fabric that we want to repro. So we scan the  
fabric and then correct for any fading or yellowing. That's not  
enough, the colors also need to be redone to allow for the shift.  
Also subtle differences in color may not come out, such as in the  
calibration example. What if the fabric I want is a multitone madder  
print — some tones will come out the same.


 The PMS book or other color match system is not going to help  
here. The costumer needs to get color swatches of fabric printed on  
the actual intended fabric, on the machine that will be used. Luckily  
it's available.


 Also once calibrated, a user could also calibrate her monitor  
to more closely match what she will get from Spoonflower. It can be  
set up as a profile so I could toggle between that and a traditional  
color profile, to change back & forth depending on the project.


 -Carol
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