Re: [Hornlist] NY Phil/Phil

[Greg Campbell]

Luke Zyla wrote:
I guess you are correct.  He did select a high F.
That article is from (I believe) 1998. I thought I remembered reading 
that Myers exchanged the F-Bb-f for an F-Bb-eb some time later.

Greg

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[Hornlist] Re: Hvorostovsky...

[giovanniarcangeli]

Check out his latest Delos releases.

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Re: [Hornlist] NyPhil...

[Chris Tedesco]

I found a cassette tape of him singing russian arias in a box to be thrown
away, and I sold it on ebay for $5.

Chris

I do like his largo al factotum though
--- [EMAIL PROTECTED] wrote:
> Come on-Dmitri Hvorostovsky is the best!!!
> 
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[Hornlist] NyPhil...

[giovanniarcangeli]

Come on-Dmitri Hvorostovsky is the best!!!

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[Hornlist] Phil Myer's Horn...

[giovanniarcangeli]

OH! That's some hot banter about a horn-Ouch!  I guess now alot of people are 
going to start buying Engelbert Schmid's horn's.  Maybe Herr Schmid will do an IPO of 
stock and his company will stand to make many millions of Euros.  Don't get me wrong-I 
love the instruments he makes-best of the best-right up there with Lawsons and Bergs 
and Rauchs! There are others who make world-class instruments-too many to name-no 
offense intended.

All the best,

Giovanni :->

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Re: [Hornlist] NY Phil/Phil

[Chris Tedesco]

I missed it, what did he sing?  He's one of my favorite Baritones!

Naturally second only to Bryn.

chris
--- Margaret Dikel <[EMAIL PROTECTED]> wrote:
> At 05:58 AM 1/29/2004, you wrote:
> >I hope everyone had the opportunity to hear Phil Myers with the NY Phil play
> >Brahms 2nd last night.  He proved, once again, that he is one of the top
> >horn players of the world.
> 
> He was good, but Thomas Quasthoff was great!
> 
> Margaret
> 
> 
> Margaret Dikel
> JCCSO Librarian / Horn
> 11218 Ashley Drive, Rockville MD 20852
> 301-881-0122
> [EMAIL PROTECTED]
> 
> 
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[Hornlist] Boosey & Hawkes Horn -- Golden Oldie On eBay

[Alan Cole]

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3701190687&category=16215

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[Hornlist] Clarifying

[William Foss]

The etudes I played for the audition were: Kopprasch p. 13 #19 and, not 
Pottag-Hovey, but Preparatory Melodies p. 27 #67. So if you want to get out 
your books and see what I played, you can.

William Foss

"The various viewpoints on Horn tone are held with such fierce devotion that 
one encounters otherwise in religious controversies." -Gunther Schuller

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[Hornlist] Accepted!

[William Foss]

I just found out that I have been accepted into the 2004 Missouri FIne Arts 
Academy. Only 200 students from the entire state are chosen every year in 
areas such as Instrumental music, visual arts, vocal music, etc. That's 
about all I know about it. To get in I had to send off an audition tape with 
a slow, melodic etude and a technical etude, in addition to essays about 
fine arts in my life and my dreams for the future. For the melodic etude, I 
chose one from the Pottag book that I really liked that was also All State 
audition material. The technical was a page long exercise from Kopprasch; it 
was a killer. Just thought I should share this with all of you, whom I would 
like to thank for increasing my knowledge and helping me get this spot.

William Foss

"The various viewpoints on Horn tone are held with such fierce devotion that 
one encounters otherwise in religious controversies." -Gunther Schuller

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Re: [Hornlist] NY Phil/Phil

[Luke Zyla]

I guess you are correct.  He did select a high F.
Luke Zyla
email  [EMAIL PROTECTED]
- Original Message -
From: "Klaus Bjerre" <[EMAIL PROTECTED]>
To: "The Horn List" <[EMAIL PROTECTED]>
Sent: Thursday, January 29, 2004 5:45 PM
Subject: Re: [Hornlist] NY Phil/Phil


> Somehow your statement appears to be contradicted by
>
> 
>
> Worth a reading anyway!
>
> Klaus
>
> > From: "Luke Zyla" <[EMAIL PROTECTED]>
>
> > His horn does not have a high F side.  It is a high E-flat.
> > Luke Zyla
>
>
> > email  [EMAIL PROTECTED]
> > - Original Message -
> > From: "SANDRA CLARK" <[EMAIL PROTECTED]>
> > To: "The Horn List" <[EMAIL PROTECTED]>
> > Sent: Thursday, January 29, 2004 8:16 AM
> > Subject: Re: [Hornlist] NY Phil/Phil
> >
> >
> > Yes- I heartily agree!  And I hope everyone noticed how wonderful he
> > sounded - playing on the high F side of his Schmidt Triple!  The solo at
the
> > end of Movt. 1 was mostly F alto fingerings - as well as copious amounts
of
> > vibrato.
> >
> > I think the aspect I admire the most is that he's followed his heart.
He
> > grew up with a tradition that said "NO VIBRATO" and play on an 8D.  Now,
he
> > does what suits him - and makes great music that way.  Not that he
didn't
> > before - be even artists can change - grow - re-think their positions.
> >
> > Phil is a great example of that.
> >
> > Sandra Clark
> > Toledo Ohio
> >
> > - Original Message -
> > From: Luke Zyla
> > Sent: Thursday, January 29, 2004 6:01 AM
> > To: New Hornlist
> > Subject: [Hornlist] NY Phil/Phil
> >
> > I hope everyone had the opportunity to hear Phil Myers with the NY Phil
play
> > Brahms 2nd last night.  He proved, once again, that he is one of the top
> > horn players of the world.
> > CORdially,
> > Luke Zyla
> > email  [EMAIL PROTECTED]
> >
> >
> > ___
> > post: [EMAIL PROTECTED]
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> >
> >
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[Hornlist] Pittsburgh Konzertstuck Preview

[Scheimy]

Just an artical in the paper I found interesting.  I can't wait for the 
concert!
 Music Preview: PSO horn team shows mettle on tough pieces

Michael Scheimer, Pittsburgh 
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Re: [Hornlist] NY Phil/Phil

[c y]

nope it is high F
100 percent

Klaus Bjerre <[EMAIL PROTECTED]> wrote:
Somehow your statement appears to be contradicted by



Worth a reading anyway!

Klaus

> From: "Luke Zyla" 

> His horn does not have a high F side. It is a high E-flat.
> Luke Zyla


> email [EMAIL PROTECTED]
> - Original Message -
> From: "SANDRA CLARK" 
> To: "The Horn List" 
> Sent: Thursday, January 29, 2004 8:16 AM
> Subject: Re: [Hornlist] NY Phil/Phil
> 
> 
> Yes- I heartily agree! And I hope everyone noticed how wonderful he
> sounded - playing on the high F side of his Schmidt Triple! The solo at the
> end of Movt. 1 was mostly F alto fingerings - as well as copious amounts of
> vibrato.
> 
> I think the aspect I admire the most is that he's followed his heart. He
> grew up with a tradition that said "NO VIBRATO" and play on an 8D. Now, he
> does what suits him - and makes great music that way. Not that he didn't
> before - be even artists can change - grow - re-think their positions.
> 
> Phil is a great example of that.
> 
> Sandra Clark
> Toledo Ohio
> 
> - Original Message -
> From: Luke Zyla
> Sent: Thursday, January 29, 2004 6:01 AM
> To: New Hornlist
> Subject: [Hornlist] NY Phil/Phil
> 
> I hope everyone had the opportunity to hear Phil Myers with the NY Phil play
> Brahms 2nd last night. He proved, once again, that he is one of the top
> horn players of the world.
> CORdially,
> Luke Zyla
> email [EMAIL PROTECTED]
> 
> 
> ___
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> 
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Re: [Hornlist] NY Phil/Phil

[Klaus Bjerre]

Somehow your statement appears to be contradicted by



Worth a reading anyway!

Klaus

> From: "Luke Zyla" <[EMAIL PROTECTED]>

> His horn does not have a high F side.  It is a high E-flat.
> Luke Zyla


> email  [EMAIL PROTECTED]
> - Original Message -
> From: "SANDRA CLARK" <[EMAIL PROTECTED]>
> To: "The Horn List" <[EMAIL PROTECTED]>
> Sent: Thursday, January 29, 2004 8:16 AM
> Subject: Re: [Hornlist] NY Phil/Phil
> 
> 
> Yes- I heartily agree!  And I hope everyone noticed how wonderful he
> sounded - playing on the high F side of his Schmidt Triple!  The solo at the
> end of Movt. 1 was mostly F alto fingerings - as well as copious amounts of
> vibrato.
> 
> I think the aspect I admire the most is that he's followed his heart.  He
> grew up with a tradition that said "NO VIBRATO" and play on an 8D.  Now, he
> does what suits him - and makes great music that way.  Not that he didn't
> before - be even artists can change - grow - re-think their positions.
> 
> Phil is a great example of that.
> 
> Sandra Clark
> Toledo Ohio
> 
> - Original Message -
> From: Luke Zyla
> Sent: Thursday, January 29, 2004 6:01 AM
> To: New Hornlist
> Subject: [Hornlist] NY Phil/Phil
> 
> I hope everyone had the opportunity to hear Phil Myers with the NY Phil play
> Brahms 2nd last night.  He proved, once again, that he is one of the top
> horn players of the world.
> CORdially,
> Luke Zyla
> email  [EMAIL PROTECTED]
> 
> 
> ___
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> 
> 
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Re: [Hornlist] NY Phil/Phil

[SANDRA CLARK]

I stand corrected  

- Original Message -
From: Luke Zyla
Sent: Thursday, January 29, 2004 5:24 PM
To: The Horn List
Subject: Re: [Hornlist] NY Phil/Phil

His horn does not have a high F side.  It is a high E-flat.
Luke Zyla
email  [EMAIL PROTECTED]
- Original Message -
From: "SANDRA CLARK" <[EMAIL PROTECTED]>
To: "The Horn List" <[EMAIL PROTECTED]>
Sent: Thursday, January 29, 2004 8:16 AM
Subject: Re: [Hornlist] NY Phil/Phil


Yes- I heartily agree!  And I hope everyone noticed how wonderful he
sounded - playing on the high F side of his Schmidt Triple!  The solo at the
end of Movt. 1 was mostly F alto fingerings - as well as copious amounts of
vibrato.

I think the aspect I admire the most is that he's followed his heart.  He
grew up with a tradition that said "NO VIBRATO" and play on an 8D.  Now, he
does what suits him - and makes great music that way.  Not that he didn't
before - be even artists can change - grow - re-think their positions.

Phil is a great example of that.

Sandra Clark
Toledo Ohio

- Original Message -
From: Luke Zyla
Sent: Thursday, January 29, 2004 6:01 AM
To: New Hornlist
Subject: [Hornlist] NY Phil/Phil

I hope everyone had the opportunity to hear Phil Myers with the NY Phil play
Brahms 2nd last night.  He proved, once again, that he is one of the top
horn players of the world.
CORdially,
Luke Zyla
email  [EMAIL PROTECTED]


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Re: [Hornlist] NY Phil/Phil

[Luke Zyla]

His horn does not have a high F side.  It is a high E-flat.
Luke Zyla
email  [EMAIL PROTECTED]
- Original Message -
From: "SANDRA CLARK" <[EMAIL PROTECTED]>
To: "The Horn List" <[EMAIL PROTECTED]>
Sent: Thursday, January 29, 2004 8:16 AM
Subject: Re: [Hornlist] NY Phil/Phil


Yes- I heartily agree!  And I hope everyone noticed how wonderful he
sounded - playing on the high F side of his Schmidt Triple!  The solo at the
end of Movt. 1 was mostly F alto fingerings - as well as copious amounts of
vibrato.

I think the aspect I admire the most is that he's followed his heart.  He
grew up with a tradition that said "NO VIBRATO" and play on an 8D.  Now, he
does what suits him - and makes great music that way.  Not that he didn't
before - be even artists can change - grow - re-think their positions.

Phil is a great example of that.

Sandra Clark
Toledo Ohio

- Original Message -
From: Luke Zyla
Sent: Thursday, January 29, 2004 6:01 AM
To: New Hornlist
Subject: [Hornlist] NY Phil/Phil

I hope everyone had the opportunity to hear Phil Myers with the NY Phil play
Brahms 2nd last night.  He proved, once again, that he is one of the top
horn players of the world.
CORdially,
Luke Zyla
email  [EMAIL PROTECTED]


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Re: [Hornlist] NY Phil/Phil

[Margaret Dikel]

At 05:58 AM 1/29/2004, you wrote:
I hope everyone had the opportunity to hear Phil Myers with the NY Phil play
Brahms 2nd last night.  He proved, once again, that he is one of the top
horn players of the world.
He was good, but Thomas Quasthoff was great!

Margaret

Margaret Dikel
JCCSO Librarian / Horn
11218 Ashley Drive, Rockville MD 20852
301-881-0122
[EMAIL PROTECTED]
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Re: [Hornlist] NY Phil/Phil

[SANDRA CLARK]

Yes- I heartily agree!  And I hope everyone noticed how wonderful he sounded - playing 
on the high F side of his Schmidt Triple!  The solo at the end of Movt. 1 was mostly F 
alto fingerings - as well as copious amounts of vibrato.   

I think the aspect I admire the most is that he's followed his heart.  He grew up with 
a tradition that said "NO VIBRATO" and play on an 8D.  Now, he does what suits him - 
and makes great music that way.  Not that he didn't before - be even artists can 
change - grow - re-think their positions.  

Phil is a great example of that.

Sandra Clark
Toledo Ohio

- Original Message -
From: Luke Zyla
Sent: Thursday, January 29, 2004 6:01 AM
To: New Hornlist
Subject: [Hornlist] NY Phil/Phil

I hope everyone had the opportunity to hear Phil Myers with the NY Phil play
Brahms 2nd last night.  He proved, once again, that he is one of the top
horn players of the world.
CORdially,
Luke Zyla
email  [EMAIL PROTECTED]


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RE: [Hornlist] de profundis

[Hans Pizka]

Ever heard about Verdis opera "Falstaff" - last act. Nice farts from 2nd
& 4rth horn on low E, bottom E, written on the first ledger line below
staff if modern bass clef is used. A big mess always, as this entrance
is not to be a loud fart but one of the tricky stinky ones. Much
poot-poot to get the note. Big laughter, hysterical laughter, while the
first horn has to continue with the very sad melody. They try to make me
laugh too, but unsuccessfully. Technique: if emotions or laughter is
coming up, think "sauerkraut" & everything works as usual.

Another famous fart instrument is the Contrabassoon, e.g. in Petrouchka.
=

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of David Goldberg
Sent: Wednesday, January 28, 2004 9:02 PM
To: The Horn List
Subject: [Hornlist] de profundis

On Wed, 28 Jan 2004, Hans Pizka wrote:

(re: farting)
> PS: By the way, we had this discussion before.

And a related subject that came up long ago: there are some musical
works
in which an instrument is called upon to simulate a fart.  Therefore,
serious hornists ought to practice the nuances so as to produce a high
quality fart.  The only one I remember occurs in the musical "Canterbury
Tales", and it is written in the horn part as a low Bb.  The effect was
a
real crowd-pleaser, but in all seriousness it had to sound just so, not
underdone or overdone, and that took some experimentation.  A little
different every night, of course.  On stage, an actor was on a ladder
trying to sneak into a woman's bedroom, and instead he got mooned and
took
one in the face.

At the time I didn't quite understand why the horn was selected for this
honor over the trombone, but I suppose that it makes sense - with proper
hand technique, the pitch can be rolled about as well as a 'bone could
do
it using the slide.  The guys behind me seemed envious - I heard them
practicing farting also.  I'm grateful that we didn't come to blows.


{  David Goldberg:  [EMAIL PROTECTED]  }
{ Math Dept, Washtenaw Community College }
 { Ann Arbor Michigan }


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[Hornlist] NY Phil/Phil

[Luke Zyla]

I hope everyone had the opportunity to hear Phil Myers with the NY Phil play
Brahms 2nd last night.  He proved, once again, that he is one of the top
horn players of the world.
CORdially,
Luke Zyla
email  [EMAIL PROTECTED]


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