RE: [Hornlist] Profound Remarks
From Nedo Pandolfi: Hmmm, that's not badit's PATHETIC. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of Robert Ward Sent: Sunday, January 16, 2005 11:04 PM To: The Horn List Subject: Re: [Hornlist] Profound Remarks From Dave Krehbiel - Perfect! If anything, it was a little off. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/pandolfi%40deerfield.edu ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Scanning Kopprasch
As far as I know, the copyright expires on the author's 25th deathday. That is, 25 years after he dies. (by the way, the beatles' copyright might expire this year). However, copyrights can be renewed, and if this is the case, it is illegal to sell or otherwise redistribute the material. The publisher may have renewed the copyright. Talk to them about it :) - Post your free ad now! Yahoo! Canada Personals ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: MD recorders
Dear readers, We have endorsements of the following models, then: Nomad Jukebox 3 HP iRiver 140 Marantz PMD670 William, specifications on the Nomad list only line in. Can you confirm that it works with a standard (1/8) microphone without a preamp? Also, can you upload by drag and drop rather than proprietary software? It would appear that the iRiver 340 and 140 support recording from an external microphone. The manuals do not show WAV as a recording format for the 340, only WMA and others. The 140 product manual does list recording to WAV format, with CD specs and up to 48khz. Steve, do you record to WAV or WMA? Also, can you confirm that you can in fact upload just by drag and drop rather than by proprietary software? Jeremy Hansen ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: MD recorders
Check out the new Hi MD series on Sonu's web site. * NOTE: An attachment named winmail.dat was deleted from this message because it contained a windows executableor other potentially dangerous file type.Contact the system administrator for more information.--_=_NextPart_001_01C4FCAE.0B133EF4-- ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Scanning Kopprasch (copyright)
from: Nick R [EMAIL PROTECTED] subject: [Hornlist] Scanning Kopprasch As far as I know, the copyright expires on the author's 25th deathday. That is, 25 years after he dies. (by the way, the beatles' copyright might expire this year). However, copyrights can be renewed, and if this is the case, it is illegal to sell or otherwise redistribute the material. The publisher may have renewed the copyright. Talk to them about it :) Perhaps that's the way the law works in Canada. The law in the US is that: * For works created after 1/1/1978: Author's life (or last surviving' author's life) + 70 years. * Works created but not published/copyrighted prior to 1/1/1978: Same as above, but no less than 25 years from date of publication if published prior to 12/31/2003. * Created and published/registered prior to that date: more complicated, but generally a total term of protection of 95 years if copyright renewed, and for some works it is no longer mandatory to apply for renewal to receive it. Ergo, all works published prior to 1910 are now in the public domain; some works published more recently will be in the public domain now if an expiring copyright was not renewed for those works originally published before 1964. This is a very simplified view, and not necessarily complete. For more information on the Byzantine and constantly changing US copyright situation, see http://www.copyright.gov/circs/circ1.html - (US Copyright office Circular 1) http://www.copyright.gov/circs/circ15a.pdf - (duration of copyright) It's always a good idea to talk to a copyright holder/publisher before attempting to reprint a work. Ron Boerger ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Profound remarks
Anton Horner: There are two types of horn players and they are not HIGH and LOW. They are GOOD and BAD! Anton Horner: You've got to have THE STUFF! Mason Jones: Get the right notes, the right rhythm and don't play too loud. It's a business. Mason Jones: Not so good. Bring that one back next week. Mason Jones: That was good. Do the next one. Ward Fearn: The whole idea is to get better than everyone else. Ward Fearn: If you can play all 60 Kopprasch well and play a good long tone on every note of the range, you can get a job. Ward Fearn: You've got to be ready for anything in this business. What if George Szell calls me right now for a recommendation? Sol Schoenbach (to a bassoonist in our octet): Why? Why? You go to the Julliard School of Music and you play like that! Why? Curtis student in WW class: Gosh, Mr. DeLancie, I don't know what happened. It sounded great at home! JDL: OK. We'll have class next week at your house! John DeLancie (to a student who had resigned from Curtis at the end of the term): So, (name withheld to protect the guilty), I hear you are not returning to The Institute next year. Are you getting out of music? Student: I'm going to study conducting. JDL: Oh! So you ARE getting out of music! Stanislaw Skowaczewski to me in the hallway before Bruckner 9: Kendall, are you all warmed off? SS to Dave Kamminga and me during rehearsal of Mozart Bb violin concerto: Horns, ees sounds great, but, sometimes, ees could be a little less. KB: You mean a little less great? Ormandy: Don't be afraid of them. There is no reason to be nervous. But, whatever happens, TRY NOT TO CRACK! Young, arrogant, upstart, fancy pants guest conductor: Mr. Jones, please play the solo this way, (sings solo). MJ: No. No. I'd rather play it musically. (orchestra shuffles feet). KB ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Copyright Law, Myth, Opinion, and the Public Domain
And, as Kopprasch is published by a certain company, it is still under copyright as long as this particular company exists, e.g. Breitkopf Haertel published (and edited) pieces before 1800. These pieces are still sold by the same company. So they are under copyright protection, no matter the author died over hundred years ago. Copyright law is complex. Consult a lawyer. According to my IP attorney, the creator of a work owns the copyright to the original (and derivative) work based on the date of first creation, not publication. That copyright ends at some point after his death, currently 70 years according to US copyright law (which is consistent with international law). The copyright holder can assign his rights to some other entity, but that does not change the date at which the copyright expires. If there are multiple authors, the expiration is life of the longest lived + 70 years. If a corporation creates the work, expiration is the shorter of 95 years after first publication or 120 years after creation. Under current law (US and International), since Kopprasch is dead, lo these many years, the copyright on his exercises has expired. Insofar as BH did not create the original work but merely published it, and regardless of any assignment that Kopprasch may have made to them, their edition is in the public domain. Bo ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Profound remarks
This was said at my lesson. Nothing's good unless it's perfect. - John Simonelli -Original Message- From: [EMAIL PROTECTED] Date: Mon, 17 Jan 2005 13:40:16 To:horn@music.memphis.edu Subject: [Hornlist] Re: Profound remarks Anton Horner: There are two types of horn players and they are not HIGH and LOW. They are GOOD and BAD! Anton Horner: You've got to have THE STUFF! Mason Jones: Get the right notes, the right rhythm and don't play too loud. It's a business. Mason Jones: Not so good. Bring that one back next week. Mason Jones: That was good. Do the next one. Ward Fearn: The whole idea is to get better than everyone else. Ward Fearn: If you can play all 60 Kopprasch well and play a good long tone on every note of the range, you can get a job. Ward Fearn: You've got to be ready for anything in this business. What if George Szell calls me right now for a recommendation? Sol Schoenbach (to a bassoonist in our octet): Why? Why? You go to the Julliard School of Music and you play like that! Why? Curtis student in WW class: Gosh, Mr. DeLancie, I don't know what happened. It sounded great at home! JDL: OK. We'll have class next week at your house! John DeLancie (to a student who had resigned from Curtis at the end of the term): So, (name withheld to protect the guilty), I hear you are not returning to The Institute next year. Are you getting out of music? Student: I'm going to study conducting. JDL: Oh! So you ARE getting out of music! Stanislaw Skowaczewski to me in the hallway before Bruckner 9: Kendall, are you all warmed off? SS to Dave Kamminga and me during rehearsal of Mozart Bb violin concerto: Horns, ees sounds great, but, sometimes, ees could be a little less. KB: You mean a little less great? Ormandy: Don't be afraid of them. There is no reason to be nervous. But, whatever happens, TRY NOT TO CRACK! Young, arrogant, upstart, fancy pants guest conductor: Mr. Jones, please play the solo this way, (sings solo). MJ: No. No. I'd rather play it musically. (orchestra shuffles feet). KB ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/gretchenzook%40cs.com Sent wirelessly via BlackBerry from T-Mobile.___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] MD Recorders
This reminds me. If you want to go SERIOUSLY technical, you can do what I tried once, and that was to just bring a laptop and record directly to disc via a microphone. One person that records recitals around here does something similar to this, and is able to turn out a CD at the end of the recital. He also uses a LOT of fancy mics, mixer boards, etc. though - so this is definitely not an inexpensive option. -William In a message dated 1/17/2005 11:20:58 A.M. Central Standard Time, [EMAIL PROTECTED] writes: Being able to upload to your computer digitally is important. I bought a Sony MD recorder that only has analog output, and I am sorry. Otherwise it's great for recording, and it's compact. However, getting the files onto a computer is a hassle--setting the level and waiting for the selection to play. I also had to buy an analog input--my Dell laptop only had monaural input. If your mikes need to be powered, make sure the unit does that. The Sony MD does supply power, but I had to attenuate it. By the way, iMic is the way to go if you need a stereo input to your computer. It uses the USB port. Herb Foster ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: Profound Remarks
Principal Trumpet to Principal Bassist (who was over 50) after bassist told conductor that his teacher said the opening of the Schubert Unfinished should be played in a different way: Perhaps you should ask for your money back. Rick Solis told me at a lesson (when I was 17) You know, I think you play better than I did at your age. The next lesson after I was less than stellar: Do you remember what I told you at your last lesson? Well, forget it! John Schreckengost Chicago, IL ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Scanning Kopprasch
The law is different in Europe, where the rights are protected until 70 years after the authors death, but if the piece is published, the company (mostly) owns the rights. So, if the publisher house still exists, their products are still under protection of the copyright law. == -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Nick R Sent: Monday, January 17, 2005 3:30 PM To: horn@music.memphis.edu Subject: [Hornlist] Scanning Kopprasch As far as I know, the copyright expires on the author's 25th deathday. That is, 25 years after he dies. (by the way, the beatles' copyright might expire this year). However, copyrights can be renewed, and if this is the case, it is illegal to sell or otherwise redistribute the material. The publisher may have renewed the copyright. Talk to them about it :) - Post your free ad now! Yahoo! Canada Personals ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/hans%40pizka.de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] MD Recorders, write SONY!!
Sony MD recorders ARE a hassle, but recording quality is excellent, even if you transfer using analogue. If you already own a Sony MD recorder, please join me and register your complaint with SONY about not being able to upload electronically. They designed that limiting feature because they were worried about copyright issues. They didn't consider that many musicians would buy the MD walkman to record live, public domain material for study and keepsakes. My complaint is also that this feature, (or non-feature) was not clearly disclosed when evaluating for purchase. Sincerely, Alan Medak, Partner Lampcraft Makers of ConcertLight and GigLight, portable lighting for musicians (323) 478-0566, phone (323) 417-4745, fax _www.lampcraft.com_ (http://www.lampcraft.com/) ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: MD recorders
Can you confirm that it works with a standard (1/8) microphone without a preamp? Also, can you upload by drag and drop rather than proprietary software? I use a Nomad JB3. You WILL need some sort of pre-amp in order to use a microphone, as the analogue input is line level (0.5V 50K impedance). There is some very good portable gear displayed on www.core-sound.com Pre-amps and digital converters (even better!) are available. Cheers, Graeme Evans (Principal Horn, Melbourne Symphony Orchestra) +61 3 9318 0690(H), +61 419 880371(B), +61 3 93180893(Fax) E-mail: [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Scanning Kopprasch
Actually, the length of protection in the U.S. depends on when a work was first created/published. The general rule now is that works are copyrighted for 70 years after the death of the author. Some institutional works are protected for up to 120 years. U.S. Copyrights no longer need to be renewed. This is no coincedence with the European rule that Professor Pizka cites. Copyright laws are subject to several international treaties, and so are fairly similar in most places. Matt Pollack Lawyer and Horn player Topsham, Maine [EMAIL PROTECTED] wrote: The law is different in Europe, where the rights are protected until 70 years after the authors death, but if the piece is published, the company (mostly) owns the rights. So, if the publisher house still exists, their products are still under protection of the copyright law. == -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Nick R Sent: Monday, January 17, 2005 3:30 PM To: horn@music.memphis.edu Subject: [Hornlist] Scanning Kopprasch As far as I know, the copyright expires on the author's 25th deathday. That is, 25 years after he dies. (by the way, the beatles' copyright might expire this year). However, copyrights can be renewed, and if this is the case, it is illegal to sell or otherwise redistribute the material. The publisher may have renewed the copyright. Talk to them about it :) - Post your free ad now! Yahoo! Canada Personals ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/hans%40pizka.de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/mpollack%40gwi.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] MD Recorders, write SONY!!
OK, what's the address that will get the most attention? You're right, I bought the Sony MD because the advertised features did not disclose that the unit was crippled. Herb Foster --- [EMAIL PROTECTED] wrote: Sony MD recorders ARE a hassle, but recording quality is excellent, even if you transfer using analogue. If you already own a Sony MD recorder, please join me and register your complaint with SONY about not being able to upload electronically. They designed that limiting feature because they were worried about copyright issues. They didn't consider that many musicians would buy the MD walkman to record live, public domain material for study and keepsakes. My complaint is also that this feature, (or non-feature) was not clearly disclosed when evaluating for purchase. Sincerely, Alan Medak, Partner Lampcraft Makers of ConcertLight and GigLight, portable lighting for musicians (323) 478-0566, phone (323) 417-4745, fax _www.lampcraft.com_ (http://www.lampcraft.com/) ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/herb_foster%40yahoo.com __ Do you Yahoo!? The all-new My Yahoo! - What will yours do? http://my.yahoo.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Scanning Kopprasch
I thought that in Europe the ccpyright expired after 70 years anyway hence the common practice of taking pieces out of print as they become public domain and making them hire only. All the best, Lawrence þaes ofereode - þisses swa maeg http://lawrenceyates.co.uk ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Profound remarks
Tom Kenny: Not too slow, not too fast. (about a Kopprasch study) Olav Traa in Montreal ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Intonation in different registers
Paul - Can you give us a list of all notes and their natural sharpness or flatness on the horn, or tell us where to go to look it up? Thanks, Ron ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Intonation in different registers
Sir Hans - am I right that the a to f interval is a minor 6th that we need to hear to tune to the piano's a. -that would be a well-tempered 6th, right ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: MD recorders
On my Jukebox Nomad 3, I can adjust the gain as high as I want if I set it to mic-in instead of line-in. Did you try those two settings? Perhaps yours was an earlier model? -William In a message dated 1/17/2005 4:02:11 P.M. Central Standard Time, [EMAIL PROTECTED] writes: I use a Nomad JB3. You WILL need some sort of pre-amp in order to use a microphone, as the analogue input is line level (0.5V 50K impedance). There is some very good portable gear displayed on www.core-sound.com Pre-amps and digital converters (even better!) are available. Cheers, ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Intonation in different registers
If you'll forgive a newbie chiming in, I don't think this question can be answered because each horn is different in construction and the degree of in- or out-of-tuneness (which the geeky among us might call inharmonicity) of different partials will vary with construction. One can, however, discuss the difference between a theoretically in-tune horn and even temperament - is that what you're asking? -S- -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] du] On Behalf Of [EMAIL PROTECTED] Sent: Monday, January 17, 2005 5:34 PM To: horn@music.memphis.edu Subject: Re: [Hornlist] Intonation in different registers Paul - Can you give us a list of all notes and their natural sharpness or flatness on the horn, or tell us where to go to look it up? Thanks, Ron ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/steve%40fridaysc omputer.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Profound remarks
At 05:31 PM 1/17/05 -0500, Olav Traa wrote: Tom Kenny: Not too slow, not too fast. (about a Kopprasch study) Olav Traa in Montreal Sort of half-fast. John Kowalchuk maker of mutes/horns/canoes/paddles/bikes Oshawa, Ontario http://home.ca.inter.net/~horn1 Canadians don't surf the net, we paddle it. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Copyright Law, Myth, Opinion, and the Public Domain
Be careful. Bo's post is correct right up until the end. A publisher's edition of an old work may still be protected by copyright law to some extent--even though the original work is in the public domain. If the publisher added any creative elements to the work (anything from explanatory notes to new or different musical notation), the publisher is the author of those added elements, and those added elements would be copyrighted as if it was new work of the publisher (95 years from publication, in the U.S., I believe). The original work would still be in the public domain. The trouble, however, can be in determining what is the original work and what is the new added elements. Because almost all publishers add something to works they publish, wholesale photocopying of a publisher's edition is very risky. Take an easy example. In high school, we read some Shakespeare plays with quite extensive footnotes to explain things (and I still didn't understand most of it!). Although Shakespeare's works are in the public domain, I could not have legally copied the book we read, because it had the publisher's annotations in it. I could have, however, hand-copied the actual Shakespeare work, and then distributed it as I wanted. Matt Pollack Lawyer (but not specialist in copyright law--it's just a hobby of mine) Amateur Horn player Topsham, Maine USA Bo Gusman wrote: Copyright law is complex. Consult a lawyer. [snip] Under current law (US and International), since Kopprasch is dead, lo these many years, the copyright on his exercises has expired. Insofar as BH did not create the original work but merely published it, and regardless of any assignment that Kopprasch may have made to them, their edition is in the public domain. Bo ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Looking for Giardinelli C series Gold Rim
Hi Steve: If you already have a silver screw rim, get it goldplated. The cost is generally fairly minimal, especially compared to purchasing a new gold plated rim. I've done this several times with my silver screw rims. Look up silver and gold plating firms in your yellow pages or, failing that, sometimes music stores (particularly those specializing in brass instruments) can get it done for you or recommend a source. Richard in Seattle - Original Message - From: Steve Freides [EMAIL PROTECTED] To: 'The Horn List' horn@music.memphis.edu Sent: Sunday, January 16, 2005 9:56 AM Subject: RE: [Hornlist] Looking for Giardinelli C series Gold Rim Ah. I've tried one Giardinelli mouthpiece, a C12 one piece, and liked the way I sound on it much better than on anything else, so I'm going to stick with Giardinelli for the time being, particularly since they're relatively inexpensive. My teacher said that anything from an 8 to a 15 is fair game for me at this point in time, so I'm getting cups in 8, 12, and 15, plus a gold and a silver rim so that I can experiment a bit to see what, if any, difference there is. The whole pile of cups and mouthpieces from Giardinelli, including one or two of their other series (G or S, if memory serves), cost me all of $100 in total. I guess these were all discounts or closeouts of some sort. -S- -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] du] On Behalf Of Chris Tedesco Sent: Sunday, January 16, 2005 11:53 AM To: The Horn List Subject: RE: [Hornlist] Looking for Giardinelli C series Gold Rim Oh sorry, I wasn't referring to a Giardinelli rim, but to a Lawson. I like the S series of rims from Giardinelli. Chris --- Steve Freides [EMAIL PROTECTED] wrote: Giardinelli sells the rim for less than $20, see http://www.giardinelli.com/srs7/g=brass/s=french/search?c=6968 -S- -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] du] On Behalf Of Chris Tedesco Sent: Sunday, January 16, 2005 11:37 AM To: The Horn List Subject: Re: [Hornlist] Looking for Giardinelli C series Gold Rim Make sure there is a return policy. I found out the hard way I prefer silver rims after buying a near $100 rim with gold plating. I was however able to replace it with a silver rim and gold cup for a very funky looking mouthpiece! Chris --- Steve Freides [EMAIL PROTECTED] wrote: I've settled on Giardinelli mouthpieces for the time being but I'd like to try a gold rim. http://www.giardinelli.com is out of stock on the gold rim and isn't expecting them until March so I'd like to find another source. If anyone knows of somewhere that's got them in hand, please let me know. Or, of course, if anyone has one they'd like to sell, that would be fine with me, too - I don't need a new one. Many thanks. -S- ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/tedesccj%40yahoo.com __ Do you Yahoo!? Yahoo! Mail - Helps protect you from nasty viruses. http://promotions.yahoo.com/new_mail ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/steve%40fridaysc omputer.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/tedesccj%40yahoo.com __ Do you Yahoo!? Yahoo! Mail - 250MB free storage. Do more. Manage less. http://info.mail.yahoo.com/mail_250 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/steve%40fridaysc omputer.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/hornfella%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Intonation in different registers - update
I assume I'm playing a well-tempered scale in these keys. Ron ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Profound remarks
From my twin sister, Rebecca (with apologies to Anton Horner): God made some horn players; others were made to say 'Would you like fries with that?' -Angela G. - Do you Yahoo!? Yahoo! Mail - now with 250MB free storage. Learn more. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Profound remarks
God made some people horn players. Others were not so fortunate. On Mon, 17 Jan 2005 19:34:36 -0800 (PST), Angela Gonzales [EMAIL PROTECTED] wrote: From my twin sister, Rebecca (with apologies to Anton Horner): God made some horn players; others were made to say 'Would you like fries with that?' -Angela G. - Do you Yahoo!? Yahoo! Mail - now with 250MB free storage. Learn more. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/taiven%40gmail.com -- A chief event of life is the day in which we have encountered a mind that startled us. When your life falls apart, always remember that I will be the one who will stay to help you pick the pieces up. When the rest of the world walks out on you, remember not to close the door because I am the one who will be walking in to help you through it all. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Intonation in different registers
Concert a1 on the piano our (F-Horn) written c2 (= concert f1) (played with the horn makes) a THIRD. The f1 is in best intonation on both sides of the regular double horn. = -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Monday, January 17, 2005 11:39 PM To: horn@music.memphis.edu Subject: Re: [Hornlist] Intonation in different registers Sir Hans - am I right that the a to f interval is a minor 6th that we need to hear to tune to the piano's a. -that would be a well-tempered 6th, right ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/hans%40pizka.de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Profound remarks
God Made some people horn players; WHY? WHY? WHY? ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] re;Young arrogant upstarts.......
Re:Young, arrogant, upstart, fancy pants guest conductor: Mr. Jones, please play the solo this way, (sings solo). MJ: No. No. I'd rather play it musically. (orchestra shuffles feet). Above is the best one I have ever heard. A funny one from a friend A famous arrogant player/teacher(not horn) is teaching a great student(now famous, and yes arrogant, not horn) Student plays some sweet passage, Teacher says, no, no play it like this teacher plays it. The student asks Now, did you want me to play it like that with the same notes out of tune? Harsh With most conductors these days I have three handy responses that can usally block any heavy fire my Horn section will come under. Myself being a Baritone voice and quite a ominous figure you can get the drift. Three simple words with theatrical inflection; fine. ok. allright. Matthew Scheffelman Horn __ Do you Yahoo!? Take Yahoo! Mail with you! Get it on your mobile phone. http://mobile.yahoo.com/maildemo ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
