RE: [Hornlist] Edgy Sound

2007-05-18 Thread Loren Mayhew
I used to play a Holton 281 and it was difficult to play loud without
sounding brassy. My Finke horn plays with a very good sound even when loud.
You might try changing the cup depth as Jerry suggested or a mouthpiece with
a larger bore, especially if you are using lots of air as you should be. I
use a #6 bore and this has made a world of difference for the better
soundwise and also improved my intonation.


Loren Mayhew
\@()
[EMAIL PROTECTED]

Dear List,
I play on a Holton 281 (a Farkas horn with a rose brass screw bell) and I 
have a problem with the edgy sound. I am going to describe it as best I can,

if something is unclear, let me know and I will try to clarify before 
someone gets angry (I realize that might take all the fun out of it).
There is a point on the dynamic spectrum at which I can no longer play with 
a 'normal' tone. At this point, which isn't very loud, the sound gets edgy 
and I don't feel that I have much control over the tone quality. For some 
time now, I have tried without success to get this problem under control. I 
realize that this brassy, edgy sound can sometimes be desirable as an 
effect. However, the undesirable sound is produced whether I am trying to 
sound brassy or not.
Is there a set of etudes for this kind of problem? I would appreciate any 
advice on the subject. Thanks in advance.

William Foss

Paul Ingraham's advice to young horn players:
Find a good teacher. Practice diligently. Watch what you say to your 
colleagues.

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Re: [Hornlist] Edgy Sound

2007-05-17 Thread William Foss

Dear List,
I play on a Holton 281 (a Farkas horn with a rose brass screw bell) and I 
have a problem with the edgy sound. I am going to describe it as best I can, 
if something is unclear, let me know and I will try to clarify before 
someone gets angry (I realize that might take all the fun out of it).
There is a point on the dynamic spectrum at which I can no longer play with 
a 'normal' tone. At this point, which isn't very loud, the sound gets edgy 
and I don't feel that I have much control over the tone quality. For some 
time now, I have tried without success to get this problem under control. I 
realize that this brassy, edgy sound can sometimes be desirable as an 
effect. However, the undesirable sound is produced whether I am trying to 
sound brassy or not.
Is there a set of etudes for this kind of problem? I would appreciate any 
advice on the subject. Thanks in advance.


William Foss

Paul Ingraham's advice to young horn players:
Find a good teacher. Practice diligently. Watch what you say to your 
colleagues.


_
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Re: [Hornlist] Edgy Sound

2007-05-17 Thread Jerryold99
Hi William,
 
A deeper cup will help take some of the 
edge off the tone.
 
Regards,Jerry



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Re: [Hornlist] Edgy Sound

2007-05-17 Thread Evan Cofsky
On 05/17 22:42, William Foss wrote:
 Dear List,
 There is a point on the dynamic spectrum at which I can no longer play with 
 a 'normal' tone. At this point, which isn't very loud, the sound gets edgy 
 and I don't feel that I have much control over the tone quality. For some 
 time now, I have tried without success to get this problem under control. I 
 realize that this brassy, edgy sound can sometimes be desirable as an 
 effect. However, the undesirable sound is produced whether I am trying to 
 sound brassy or not.

 Is there a set of etudes for this kind of problem? I would appreciate any 
 advice on the subject. Thanks in advance.

There are a lot of things that can cause this problem, and most seem
to hinge on being too tense while playing.  However, sometimes trying
to eliminate tension just makes it worse in a nice vicious cycle.

One thing that has worked well for me, instead of trying to force
myself to relax, is to spend some time each practice session at the
beginning just playing soft, long tones.  Then, gradually intensify
the sound without trying to play louder or more forcefully.  Just try
playing more.  Find the point where the sound isn't comfortable, and
then hold it just on the good side of that line.  Then bring it back
down, and try playing less instead of softer.

Over the course of many practice sessions, you'll start to have more
and more mastery over where that line is and how your playing relates
to it, and you'll also be able to move it depending on the situation
to a certain extent.

Hope this helps

-- 
Evan Cofsky [EMAIL PROTECTED]

Play in a classical music Garage Band.  See the world.
http://www.mylifeismusic.org/
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RE: [Hornlist] Edgy Sound

2007-05-17 Thread hans
What kind of a mouthpiece do you use ? Do you press your
lips together to fit into the mouthpiece ?
How about pressure (mouthpiece against lips), when you start
playing louder ? Do you press your lips more together when
getting louder again ?

===

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of William Foss
Sent: Thursday, May 17, 2007 11:42 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Edgy Sound

Dear List,
I play on a Holton 281 (a Farkas horn with a rose brass
screw bell) and I have a problem with the edgy sound. I am
going to describe it as best I can, if something is unclear,
let me know and I will try to clarify before someone gets
angry (I realize that might take all the fun out of it).
There is a point on the dynamic spectrum at which I can no
longer play with a 'normal' tone. At this point, which isn't
very loud, the sound gets edgy and I don't feel that I have
much control over the tone quality. For some time now, I
have tried without success to get this problem under
control. I realize that this brassy, edgy sound can
sometimes be desirable as an effect. However, the
undesirable sound is produced whether I am trying to sound
brassy or not.
Is there a set of etudes for this kind of problem? I would
appreciate any advice on the subject. Thanks in advance.

William Foss

Paul Ingraham's advice to young horn players:
Find a good teacher. Practice diligently. Watch what you say
to your colleagues.


_
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Windows Live Hotmail. 
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T_TAGHM_migration_HM_mini_2G_0507

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RE: [Hornlist] Edgy Sound

2007-05-17 Thread hans
Hello Evan, this is very NEW to me, the thing with the long
notes. I am really surprised.

Exactly that is the way, we have learned, how to start a
practise session.

I really wonder, that it must be mentioned  mentioned
again, that the ONLY way to good tone quality (incl.
centered sound  intonation) is over LONG NOTES (in many
ways)  SCALES.

What kind of music teachers are out there ?? Did many of
you ever receive real horn instructions ? I doubt it very
much, sorry.

===

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Evan Cofsky
Sent: Friday, May 18, 2007 5:48 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Edgy Sound

On 05/17 22:42, William Foss wrote:
 Dear List,
 There is a point on the dynamic spectrum at which I can no
longer play 
 with a 'normal' tone. At this point, which isn't very
loud, the sound 
 gets edgy and I don't feel that I have much control over
the tone 
 quality. For some time now, I have tried without success
to get this 
 problem under control. I realize that this brassy, edgy
sound can 
 sometimes be desirable as an effect. However, the
undesirable sound is 
 produced whether I am trying to sound brassy or not.

 Is there a set of etudes for this kind of problem? I would
appreciate 
 any advice on the subject. Thanks in advance.

There are a lot of things that can cause this problem, and
most seem to hinge on being too tense while playing.
However, sometimes trying to eliminate tension just makes it
worse in a nice vicious cycle.

One thing that has worked well for me, instead of trying to
force myself to relax, is to spend some time each practice
session at the beginning just playing soft, long tones.
Then, gradually intensify the sound without trying to play
louder or more forcefully.  Just try playing more.  Find
the point where the sound isn't comfortable, and then hold
it just on the good side of that line.  Then bring it back
down, and try playing less instead of softer.

Over the course of many practice sessions, you'll start to
have more and more mastery over where that line is and how
your playing relates to it, and you'll also be able to move
it depending on the situation to a certain extent.

Hope this helps

--
Evan Cofsky [EMAIL PROTECTED]

Play in a classical music Garage Band.  See the world.
http://www.mylifeismusic.org/
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Re: [Hornlist] Edgy Sound

2007-05-17 Thread Evan Cofsky
On 05/18 07:42, hans wrote:
 Hello Evan, this is very NEW to me, the thing with the long
 notes. I am really surprised.

I can't speak for anyone else here, or anywhere, but I've been
fortunate with teachers.  Even the ones I didn't necessarily agree
with (and often disagreed strongly, and with loud words and sounds) I
remember a lot from.

 Exactly that is the way, we have learned, how to start a
 practise session.

 I really wonder, that it must be mentioned  mentioned
 again, that the ONLY way to good tone quality (incl.
 centered sound  intonation) is over LONG NOTES (in many
 ways)  SCALES.

I do similar things each time I start practicing, and if I'm short on
time and can't warm up properly, I just lengthen the time I spend
doing these exercises.  They're deceptively simple, but the more you
explore the notes, the more shades and colors you discover, and the
more you can master moving the point the sound breaks farther and
closer.

And I really enjoy practicing non-traditional scales, and even Jazz
scales.  And improvising simple things, but still trying to capture
the feeling of every note the way the note wants to be, but still
coaxing it to be in the proper place for the scale and function.

-- 
Evan Cofsky [EMAIL PROTECTED]

Play in a classical music Garage Band.  See the world.
http://www.mylifeismusic.org/
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Re: [Hornlist] Edgy Sound

2007-05-17 Thread KendallBetts
 
Well, maybe works for some folks.  I'm different now.  I finally  got warmed 
up, just like John Barrows said I would, just like he did.  I  warmed up every 
day for years: Farkas, long tones, scales, arpeggios, you name  it.  One day 
I was warmed up.
 
Now I just pick the thing up and play a High C as loud as I can and go from  
there.  It's a great way to start the day!   Sometimes I miss it,  and that's 
a real confidence booster, too.  
 
I don't miss that other stuff but I do it now and then just for practice  
sake.
 
KB
 
In a message dated 5/18/2007 1:42:48 A.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

Hello  Evan, this is very NEW to me, the thing with the long
notes. I am really  surprised.

Exactly that is the way, we have learned, how to start  a
practise session.

I really wonder, that it must be mentioned   mentioned
again, that the ONLY way to good tone quality (incl.
centered  sound  intonation) is over LONG NOTES (in many
ways)   SCALES.

What kind of music teachers are out there ?? Did many  of
you ever receive real horn instructions ? I doubt it very
much,  sorry.

===

-Original  Message-
From:  [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]  On
Behalf Of Evan Cofsky
Sent: Friday, May 18, 2007 5:48 AM
To:  horn@music.memphis.edu
Subject: Re: [Hornlist] Edgy Sound

On 05/17  22:42, William Foss wrote:
 Dear List,
 There is a point on the  dynamic spectrum at which I can no
longer play 
 with a 'normal'  tone. At this point, which isn't very
loud, the sound 
 gets edgy  and I don't feel that I have much control over
the tone 
 quality.  For some time now, I have tried without success
to get this 
  problem under control. I realize that this brassy, edgy
sound can 
  sometimes be desirable as an effect. However, the
undesirable sound is  
 produced whether I am trying to sound brassy or not.

  Is there a set of etudes for this kind of problem? I would
appreciate  
 any advice on the subject. Thanks in advance.

There are a lot  of things that can cause this problem, and
most seem to hinge on being too  tense while playing.
However, sometimes trying to eliminate tension just  makes it
worse in a nice vicious cycle.

One thing that has worked  well for me, instead of trying to
force myself to relax, is to spend some  time each practice
session at the beginning just playing soft, long  tones.
Then, gradually intensify the sound without trying to play
louder  or more forcefully.  Just try playing more.  Find
the point  where the sound isn't comfortable, and then hold
it just on the good side  of that line.  Then bring it back
down, and try playing less instead  of softer.

Over the course of many practice sessions, you'll start  to
have more and more mastery over where that line is and how
your  playing relates to it, and you'll also be able to move
it depending on the  situation to a certain extent.

Hope this helps

--
Evan Cofsky  [EMAIL PROTECTED]

Play in a classical music Garage  Band.  See the  world.
http://www.mylifeismusic.org/
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