[Hornlist] Thank you

2008-10-02 Thread Dawn McCandless
Thank you all for the advice on the student with the tongue problem.  He will 
be glad to hear it isn't an impossiblity. As for his career, he is in 4th grade 
and is already playing bass viola.  Sooo  hard to say which direction he is 
heading. He has heard my horn playing in church. It has influenced a few 
younger people to enjoy their musical interests. 

DMM 
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[Hornlist] Thank you, Wendell, I feel exonerated!

2007-06-18 Thread Valerie WELLS
I don't know how many of you remember when Jeff Smiley and I were the center 
of controversy back in March, but, I now feel exonerated by the latest 
addendum Wendel Rider has posted on his website.  Wendell has graciously 
mentioned my name & Jeff Smiley's name for providing inspiration & feedback. 
 I'm impressed with Wendell's blatant honesty, integrity & humility.


Please note that Wendell recognizes that rolling in & out for range 
development not only gives rapid results for every student, but also 
improves tone & efficiency, and is a very important concept to teach horn 
players!  Wendell writes, "I now consider this to be one of the most 
important concepts and methodologies that I can provide to you as a horn 
player."


Wendell's approach is quite different from Jeff Smiley's, but I believe it 
will benefit many as it's based upon the same simple concepts of mechanics.  
To read his latest addendum, go to his website,   
http://www.wendellworld.com/html/HornBookSamples.html  scroll down to the 
purple box on the left, click Addendums & Extras.  In the preface to the 
addendum is where Wendell specifically mentions my name & Jeff Smiley.  
Thanks, Wendell!


I hope this is the beginning of some real changes in horn pedagogy.  No horn 
player should have to go through what I went through, but sadly many do.  35 
years ago, I was young, talented, concientious, but no matter how hard I 
worked, I could not break into the upper range.  No horn teacher was able to 
help me.  I finally found help a year ago from a trumpet teacher in Garland, 
TX who had the guts to break with tradition & put his unorthodox ideas in 
writing.  I now enjoy playing the full range of the instrument as I continue 
my growth & development, thanks to Jeff Smiley!  Balanced embouchure did not 
provide me with a "quick fix" or a "short cut" to the upper range.  It's 
still hard work, of course.  But Balanced Embouchure provided me the keys I 
needed to open the door to upper range development.


Valerie Wells, balanced embouchure student


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[Hornlist] Thank you, Melvin Baldwin

2007-03-07 Thread Valerie WELLS
I only joined the list this past weekend. I knew when I sent my very first post 
to this list, I'd run the risk of ruffling feathers because of the subject 
material. There seems to be no middle ground where Jeff Smiley is concerned! 
But, it really has been a pleasure to have an opportunity to address & 
hopefully clarify some of the misconceptions people have about Smiley's work. I 
also want to make perfectly clear that I HAVE NO COMMERCIAL INTEREST in 
promoting Jeff Smiley's program. I'm not selling anything. I'm just a happy 
user! Thanks for your kind words, Melvin. Valerie
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[Hornlist] Thank you Valerie Wells

2007-03-07 Thread Melvin Baldwin

Thank you Valerie Wells,
For the passionate, yet respectful way you responded to those who doubt the 
validity of Jeff Smiley's innovative embochure book. I visited his website 
after reading your initial "advertisement". After reading several sections 
I, too, had some doubts and in fact was ready to dismiss his ideas without 
any further inquiry.
Then I read your last 3 emails in which you addressed several "objections" 
to Smiley's approach. I must tell you that I'm going to give him a "second 
chance" because of those last three emails.

Again, thank you for taking the time and effort for those last 3 emails.
Sincerely,
Melvin Baldwin

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RE: [Hornlist] Thank You Paul Navarro/Help me Fix my Buzz

2007-02-03 Thread hans
The problem comes, because you worry too much. But as you
found that the problem disappears, if you play them on the
F-side, why dont you continue playing this or these notes on
the F-side. This will solve your problem. Did you adjust the
slides 1 & 2 on the Bb-side well enough ? 

And it is quite funny to read, that one has found the
solution of his problem, but still wants to continue the
other problematic way. Be consequent & change back & forth
with the two sides of the horn according to the better &
easier & safer output.

 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Ryan P. Baldwin
Sent: Sunday, February 04, 2007 4:09 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Thank You Paul Navarro/Help me Fix my
Buzz

I just wanted to send a thank you out to Paul Navarro for
all the great information that he gave me about my new(to
me) Yamaha 862.  I also want to thank Fred Baucom for giving
me his email.  Paul was kind enough to call me and fill me
in on some interesting details about the horn.  I am
extremely excited about my new 862.  I had been playing on
an 8D, and this horn blows it out of the water, literally.
It has a dark velvety tone throughout the range.  It is
actually bigger than an 8D(the tuning slide of and 8D is
swallowed up by the 862).  However, I can play high C's with
about 20% of the effort that it took on the 8D.  The ability
to play legato is much greater with this horn as well.
Well, enough ranting about my new horn.  By the way, I know
I am still in the honeymoon phase, so you don't have to
remind me that I will probably soon find its weaknesses. 
Either way, now for my question.

I have been playing alot more than usual lately as I am
preparing for a graduate audition in about 3 weeks.  Since I
am a high school band director, I usaully have very little
time to practice, but over the last month and a half, I have
consistently practiced at least 2 hours a day, some times as
much as 4 hours.  I know that is not much for some of you,
but to someone who used to practice 4 hours a month(yes,
that is not an exageration), 4 hours a day IS a lot.
Anyway, just recently I have developed an annoying problem.
Certain notes that I play want to have a secondary buzz in
the tone indicating I am not centering the pitch.  The
peculiar thing is that it is not predictable.  Some times I
think it is because I am not focusing on the note, others I
think I am focusing too much.  The notes are in the middle
of my range and I am not tired.  I am having trouble with
4th line D and Dsharp.  They buzz almost like I am flutter
tonguing or trilling.  I have no problem hitting a Bflat
above the staff, but then the D doesn't speak.  If I play it
on the F side, the problem disappears.  If I play it with
thumb 3 it is gone.  However, 3rd space A does not have this
problem.  It is not the horn, because it happens on my 8D.
It has just been more frequent in the last two days.  I am
convinced it is me but don't know how to fix it.  It comes
and goes unexpectedly.  I have a concert tomorrow and hope
it doesn't come back. 
Is it mental?  My teacher would say I just need to sing the
pitch in my head and all will go well(Arnold Jacobs).  With
my audition coming I worry about it even more.  Any help
would be greatly appreciated.

P.S.  I am pretty much against embouchure changes of all
kinds, so I hope that is not what anyone thinks it is.

Ryan Baldwin
[EMAIL PROTECTED]



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de

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[Hornlist] Thank You Paul Navarro/Help me Fix my Buzz

2007-02-03 Thread Ryan P. Baldwin
I just wanted to send a thank you out to Paul Navarro for all the great
information that he gave me about my new(to me) Yamaha 862.  I also want
to thank Fred Baucom for giving me his email.  Paul was kind enough to
call me and fill me in on some interesting details about the horn.  I am
extremely excited about my new 862.  I had been playing on an 8D, and this
horn blows it out of the water, literally.  It has a dark velvety tone
throughout the range.  It is actually bigger than an 8D(the tuning slide
of and 8D is swallowed up by the 862).  However, I can play high C's with
about 20% of the effort that it took on the 8D.  The ability to play
legato is much greater with this horn as well.  Well, enough ranting about
my new horn.  By the way, I know I am still in the honeymoon phase, so you
don't have to remind me that I will probably soon find its weaknesses. 
Either way, now for my question.

I have been playing alot more than usual lately as I am preparing for a
graduate audition in about 3 weeks.  Since I am a high school band
director, I usaully have very little time to practice, but over the last
month and a half, I have consistently practiced at least 2 hours a day,
some times as much as 4 hours.  I know that is not much for some of you,
but to someone who used to practice 4 hours a month(yes, that is not an
exageration), 4 hours a day IS a lot.  Anyway, just recently I have
developed an annoying problem.  Certain notes that I play want to have a
secondary buzz in the tone indicating I am not centering the pitch.  The
peculiar thing is that it is not predictable.  Some times I think it is
because I am not focusing on the note, others I think I am focusing too
much.  The notes are in the middle of my range and I am not tired.  I am
having trouble with 4th line D and Dsharp.  They buzz almost like I am
flutter tonguing or trilling.  I have no problem hitting a Bflat above the
staff, but then the D doesn't speak.  If I play it on the F side, the
problem disappears.  If I play it with thumb 3 it is gone.  However, 3rd
space A does not have this problem.  It is not the horn, because it
happens on my 8D.  It has just been more frequent in the last two days.  I
am convinced it is me but don't know how to fix it.  It comes and goes
unexpectedly.  I have a concert tomorrow and hope it doesn't come back. 
Is it mental?  My teacher would say I just need to sing the pitch in my
head and all will go well(Arnold Jacobs).  With my audition coming I worry
about it even more.  Any help would be greatly appreciated.

P.S.  I am pretty much against embouchure changes of all kinds, so I hope
that is not what anyone thinks it is.

Ryan Baldwin
[EMAIL PROTECTED]



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Re: [Hornlist] Thank you

2006-05-20 Thread Jerryold99
 
In a message dated 5/20/2006 6:56:26 AM Central Standard Time,  
[EMAIL PROTECTED] writes:

You're  welcome. Another product that is useful is Goop, a flexible glue you 
get
at  the hardware store. I once repaired a cracked car battery with it, and  
the
battery lasted another 5 years. Horn related: I keep losing the caps or  plugs
you put on the end of the lead pipe. I make a replacement cap from  Goop. I 
wrap
plastic wrap around the end of the lead pipe and put a blob of  Goop on it. 
When
it dries I have a cap.

Herb Foster,  



Hi Herb,
 
Those caps are available at a good hardware store or 
"home depot" type store in the bulk nuts, bolts and 
fastener section.  The last time I bought them they 
were in a small pack of three for a little over a dollar.
Not as cheap as Goop  but less mess.
 
Regards,  Jerry in Kansas  City
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Re: [Hornlist] Thank you

2006-05-20 Thread Herbert Foster
You're welcome. Another product that is useful is Goop, a flexible glue you get
at the hardware store. I once repaired a cracked car battery with it, and the
battery lasted another 5 years. Horn related: I keep losing the caps or plugs
you put on the end of the lead pipe. I make a replacement cap from Goop. I wrap
plastic wrap around the end of the lead pipe and put a blob of Goop on it. When
it dries I have a cap.

Herb Foster, 

--- WIlliam Botte <[EMAIL PROTECTED]> wrote:

> During the bell thread lubrication dialogue and unpleasentness, somebody 
> described a liquid parafin lube for bicycle chains.  Thank you for the 
> idea.
> 
> My sliding glass doors were stricking and no lube would resolve the 
> problem.  I bought the parafin lube, cleaned the tracks and applied the 
> parafin as directed.  Voila!!   C'est incredible.  Merci.
> 
> I know this isn't horn related, but the cross germination problem 
> solving is as good as any reason to subscribe to the list.
> --wabotte
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> 


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[Hornlist] Thank you

2006-05-19 Thread WIlliam Botte
During the bell thread lubrication dialogue and unpleasentness, somebody 
described a liquid parafin lube for bicycle chains.  Thank you for the 
idea.


My sliding glass doors were stricking and no lube would resolve the 
problem.  I bought the parafin lube, cleaned the tracks and applied the 
parafin as directed.  Voila!!   C'est incredible.  Merci.


I know this isn't horn related, but the cross germination problem 
solving is as good as any reason to subscribe to the list.

--wabotte
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[Hornlist] Thank You

2005-11-15 Thread William Foss

Dear List,
I would like to thank all of you, I now have many more than enough 
responses. I will share the results of this little poll just as soon as I 
have them.


Thanks again
William Foss

Paul Ingraham's advice to young horn players:
Find a good teacher. Practice diligently. Watch what you say to your 
colleagues.



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[Hornlist] Thank you, horn list, and Hans!!

2004-05-24 Thread Joe Duke


Hello, Hans and all.

I am most impressed with your web-page, which I had not seen, before today!I had 
heard about it, but had not gone to look!!

I am glad to know what your horns look like, and they are very fine looking, indeed!

So, I am going to look around on all your pages, as time allows, and get to comprehend 
all the good 'stuff' you offer, there!!

Thanks for the info!!

Joe Duke
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[Hornlist] thank you all

2004-03-17 Thread Hans Pizka
Thank you all, friends, for the good wishes to my birthday. It was not
yesterday (played Sleeping Beauty) but today (played Falstaff under
Zubin Mehta).

A birthday is not a day to celebrate for me except the great ones (50,
60) but for the family only. My birthday is rather a day to reflect,
special my late mother, the person who give me birth. For myself, the
birthday anniversary is just a day as any other. I do not like being
celebrated, but I appreciate your well wishes very much.

I might say "excuse" for my sometimes harsh words, but they seemed to be
necessary sometimes, but I work hard to avoid hurting people even by
words only. But truth comes first for me. Sorry & thanks again

Best greetings from Full Spring in Munich (23 centigrade)

Hans

Prof.Hans Pizka, Pf.1136
D-85541 Kirchheim - Germany
Fax: 49 89 903-9414 Phone: 903-9548
home: www.pizka.de
email: [EMAIL PROTECTED] 



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Re: [Hornlist] Thank you...

2003-12-12 Thread Carlberg Jones
At 3:37 PM -0600 12/12/03, [EMAIL PROTECTED] wrote:
>Merry Christmas to you and yours and God bless America,


AMEN, BROTHER!


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[Hornlist] Thank you...

2003-12-12 Thread giovanniarcangeli
Thank you Mr. Philips for caring to share with us hornlisters.  Only depraved 
individuals will care to make this a "politicized" issue.

Merry Christmas to you and yours and God bless America,

Giovanni :->

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[Hornlist] Thank you

2003-09-22 Thread Dawn M. McCandless
Thank you, Mark L., for the chuckle on the "conductor" about the microphone.

I enjoy the covers on microphones now.   I don't know if they are shock
proof, but they sure "look" safer.

Sorry, list, for the lack of quotes, but am not using the computer I'm used
to at the moment.

To the other,

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[Hornlist] Thank You

2002-12-09 Thread Dennis & Dawn McCandless
To all who have answered my question about off beats:   Thank You very much
for all your replies.
That particular band is on break until the New Year now.   I think a couple
of us will get together and "discuss" all the suggestions.Like all, this
is a busy time of year so  I can't stay on the net long.  Just wanted to say
:
Thank you again,
Dawn Marie


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Re: [Hornlist] Thank you, Dan

2002-10-30 Thread Gary Greene
Dear hornlisters,

I join in thanking Dan for his work on the list for the past couple of
months.  He is far more knowledgeable than I on things computer, so that has
been an additional boon.  Does that make me less than a fully functioning
human being in John's eyes?  :-)

Dan and I are in the processing of switching things back.  I'm sure he was
beginning to see me as Atlas to his Hercules (if you don't know this Greek
myth, you'll have to look it up!), but in general you can view me once again
as the horn list "mom," to use his phrase.

My best to all.

Gary Greene
horn list owner
[EMAIL PROTECTED]








From: John Roberts-James <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: [Hornlist] Thank you, Dan
Date: Thu, 10 Oct 2002 20:16:53 +0100

--
I would like to thank Dan for the  work he has done and is doing
for the list.

I am doubly impressed by his obvious computer skills!!! He seems to me to
be a fully functioning human being.

That's the kind of chap I like!

John Roberts-James
Horn Student


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