[lace] Re: Newbie

2005-03-22 Thread robinlace
From: Tamara P Duvall <[EMAIL PROTECTED]>
> Holly Van Sciver, in NY
> http://www.vansciverbobbinlace.com/index.html
> Susan Wenzel, in VA
> http://www.lacysusan.com/
> Can't remember where or who owns it, but Snowgoose is popular
> http://www.snowgoose.cc/
> there's also The Lacemaker, in Ohio (don't have her website bookmarked, 

http://www.lacemakerusa.com/

Also Kathy Kirchner in Michigan
http://www.lacebobbins.com/KathyKirchner.html


Robin P.
Los Angeles, California, USA
(formerly  Pittsburgh, Pennsylvania)
[EMAIL PROTECTED]

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Re: [lace] Dollar vs GBP

2005-03-22 Thread Clive and Betty Ann Rice
Hummm - In order to ascertain that the cheese is still on my cracker, I had a 
look at my old check register - I kept everything from England  - Examples: 
I paid 10 GBP ($20) to Brian Suttie, the optometrist in Chesham, Bucks.  Rent 
was 135 GBP ($270).  So, Jean is right and the cheese *had* fallen off my 
cracker. I posted it backwards; should have posted 1 GBP to $2  the rate 
*is* about the same now as it was 1977...No need for further corrections.  
Sorry about the cross/exchange.

Betty Ann in Roanoke, Virginia USA
~
From: Jean Barrett <[EMAIL PROTECTED]>

Hi Betty Ann,
The exchange is the other way around now though. We get almost $2 for 
each British £.
Jean in Cleveland U.K.
On 22 Mar 2005, at 06:16, Clive and Betty Ann Rice wrote:
~~~
Betty Ann wrote:

.. but the exchange rate was near what it is now.  I recall counting $1 to 
2 GBP when I recorded 
> pound checks, and only came a bit ahead at the end of the month.  

> Clay wrote:
> --snip--
> ...We came to you when the dollar was
> strong, and now you can come to us and enjoy our big country while the
> dollar is weak.  I'm hoping this is a temporary situation, but I'm not
> betting on it for at least five or ten more years.

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[lace] Perceptions

2005-03-22 Thread Tamara P Duvall
Gentle Spiders,
Things are not as they are; things are as they *seem to be*. Plato was 
only partially right - we may see only the shadows of things, but there 
is no cave with true "models" hidden within... :)

Having begged a dispensation and a rest from Debra (the IOLI Bulletin 
Editor) for the Summer issue (deadline May 15) - she assures me she has 
plenty of excellent material for it, including an article from Devon 
(who'd more dependable than I am and more amusing besides) - I plunged 
right back to happilly slopping around with "a la Rosalibre" 
experiments (as soon as the puter decides to co-operate, or DS bails me 
out  - whichever comes first - I'll post the results on my website)...

Finished a sampler a couple of days ago (2 flowers, 1 butterfly, 3 
leaves - each different), fotographed it, and had one (unsuccessful) 
battle with the puter yesterday, then decided it was time to start 
getting my ducks in a row for the April 2 demo in Baltimore.

I had chosen the pattern, its purpose (I'm better motivated if the lace 
is not going to end up in some drawer but has potential use) and the 
thread some time ago. But I thought I'd better get a head start on it, 
and get the pattern "in my fingers" before I tried to demonstrate it to 
casual observers. Casual observers do not need to hear the nasty 
language which sometimes accompanies my lacemaking :) Besides, it would 
be good, if I could show a bit of lace already free of pins sticking 
out while beavering away on the rest of it. Pricked the pattern, wound 
the bobbins, and off I went...

The pattern itself is familiar. It's a Doris Southard Torchon pattern 
from an old IOLI Bulletin, and I've done it twice before (once for 
Pauline's Pincusion, on lace-fairy's website), even though it's been a 
while back. I've forgotten all the original solutions to problems but, 
solving them again, will fit in *perfectly* with the purpose of the 
lace: the lace is to decorate a metal plaque which says "we don't make 
mistakes; we do variations". I've even started to invent problems then 
solving them, the better to illustrate the idea :)

But I've scaled the pattern down a bit to use colour and to use threads 
I had on hand, and it's a shock to the system :) After 4-6 weeks of 
playing around with Rosalibre in Colcoton 34/2, Madeira cotton 50/2 (my 
current basic thread) which is half the thickness (according to 
Brenda's book) seems *cobweb thin*; the first couple of hours, I was 
too frightened to even look too hard at it, never mind tension it 
firmly... Yet, in January, when I was working on Windblown, it felt so 
"rope-like", I had to re-scale the project to 80/2 (also cotton)...

All I can say is, it's a bit of dumb luck that Debra was OK for 
Bulletin content and I didn't have to go back to the treadmill; both 
patterns I took R&R leave from use Pipers 210/2, which is a good deal 
finer than Madeira 50/2... I'd have frozen totally rather than handle 
the bobbins, if I had to move there *directly* from Colcoton 34 :)

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)
 
 

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[lace] Re: Newbie

2005-03-22 Thread Tamara P Duvall
On Mar 21, 2005, at 19:33, [EMAIL PROTECTED] wrote:
Dale Pomeroy is the teacher, if anyone  knows of him.
Yes, some of us have heard of him, so at least we know you're in US :) 
And, according to the latest IOLI directory, he's listed as living in 
Utah...

What sort of pillow would you recommend to buy,  and where might a
good place be from which to buy it? Also, are there perhaps  several 
purveyors of
lacemaking tools etc. that you could  recommend?
Jim Stavast of "Beautahful bobbins" (or something like that ) makes 
nice bobbins right in your state. For pillows, and other equipment 
you'll probably have to go out of state.

check out some of the websites:
Holly Van Sciver, in NY
http://www.vansciverbobbinlace.com/index.html
Susan Wenzel, in VA
http://www.lacysusan.com/
Can't remember where or who owns it, but Snowgoose is popular
http://www.snowgoose.cc/
there's also The Lacemaker, in Ohio (don't have her website bookmarked, 
sorry)

All of them do mail order. And you can find more, if you simply Google 
for "lacemaking supplies" - pages and pages, much to my surprise and 
happiness.

As to what kind of pillow... A cookie, no smaller than 18" in diameter 
should do you for starters.

Welcome to the Lace Adventure :)
--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)
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[lace] RosaLibra lace

2005-03-22 Thread LACEELAIN
Cathy Belleville will be teaching her brand new Rosalibra Lace at the Lace  
Museum on Saturday and Sunday, April 9, 10   The cost of the workshop  is $130 
which includes the wonderful  new book that Cathy has  published.
This is an exciting, colorful, three dimensional  lace.  It's  beautiful, and 
has many advantages; it's made with a small number of pairs,  in one or many 
colors.  
The class is sure to fill quickly, and will be small.  Call the  Museum  at  
408 730 4695 Tuesday -Saturday between 11 a.m.  and 4 p.m. or email Pat 
Wootton [EMAIL PROTECTED] (mailto:[EMAIL PROTECTED]) .
 
Elaine  Merritt
The Lace Museum
552 South. Murphy Avenue
Sunnyvale, CA  94086

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[lace] Re:Square bobbins

2005-03-22 Thread LACEELAIN
I'm way behind in reading digests, but hope eventually to catch up. Last  
month there was a thread about various types of bobbins and Clay recommended 
the  
square bobbin.  
I just wanted to say that The Lace Museum in Sunnyvale CA also sells this  
bobbin.  It's very popular.

And,  BTW,  when I worked Milanese (which I love!) I decided that  the
"hands-down" best bobbin for that lace is something relatively new  with
vendors:  it's called an "International Square" bobbin, and both  Holly
VanSciver and Lacy Susan carry it.  There are two advantages to  this
bobbin:  it has a squared off "bottom" which cuts down on the  rolling
about, and it has a double head
Elaine  Merritt
The Lace Museum
552 South. Murphy Avenue
Sunnyvale, CA  94086

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Re: [lace] IOLI Convention/Denver

2005-03-22 Thread Diane Williams
T,

The Keystone Lace Guild did this last year also.  I
thought it was a very nice touch.  It makes waiting a
little easier to handle; something to look forward to!

Diane Williams
Galena, Illinois USA
[EMAIL PROTECTED]

--- Tamara P Duvall <[EMAIL PROTECTED]> wrote:
> Gentle Spiders,
> 
> Someone asked recently (can't remember who), when
> we'll be notified 
> about our class asignments. Well, today, I got a
> card from the RMLG 
> (the organising group) which says:
> 
> > The Rocky Mountain Lace Guild has received your
> registration for the 
> > 2005 IOLI Convention. We will be sending class
> assignments un early 
> > June. We are looking forward to welcoming you to
> Colorado in August!
> 
> That's a new - and very welcome - "wrinkle"; I can't
> remember receiving 
> one of those before (not that I've been to all that
> many Conventions 
> ), but I appreciate it. It's good to know that
> one's missive has 
> been delivered, without any mishaps... :) I have,
> recently, been in a 
> situation where I'd assumed my check for renewal of
> the subscription 
> had arrived safely, just hadn't been cashed yet, but
> it turned to be a 
> false assumption. It got unscrambled some months
> later and no harm done 
> but, when you're trying to get a place in a "must
> have" workshop, there 
> would have been great harm indeed in a delay.
> 
> And, it also answers the question regarding when you
> could expect to 
> hear about the final decisions - mid June. I sent my
> application on 
> March 1st, the first day the "race for workshops"
> opened, so, if you 
> sent off later, your confirmation might come later
> too; don't fret :) 
> But your *decision* should arrive about the same
> time as mine.
> 
> Brilliant idea, Vasna, thanks! And thank the rest of
> the group; am 
> looking forward to be welcomed to Colorado in August
> :)
> 
> -- 
> Tamara P Duvall   
> http://t-n-lace.net/
> Lexington, Virginia, USA (Formerly of Warsaw,
> Poland)
>   
>   
> 
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> 

Diane Williams
[EMAIL PROTECTED]
Galena Illinois USA



__ 
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Fw: [lace] Re: Explaining Lace (was attracting young lacemakers)

2005-03-22 Thread Sue Babbs
This has left me with a positive feeling about what I can tell people - ok
they aren't going to ask to be taught to make it -
Try taking in a pillow to work on at lunchtime - and then see if they aren't 
going to want to have a go. Most people are fascinated by the technique, and 
so impressed by it and the equipment. Make it a pattern where you can let 
them try parts of it. They will not all want to take it up for themselves, 
but there may be someone.
Sue 

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Re:[lace] what's plonk

2005-03-22 Thread Bridget Marrow
On Thursday, March 17, 2005, at 05:34  PM, [EMAIL PROTECTED] wrote:
Plonk is a term we use for the type of wine that you can clean a toilet 
with.
It's said to be a corruption of 'vin blanc',  as encountered by British 
soldiers in France for the first time during World War I.

Bridget, in Watford, England where it is a lot warmer but raining again.
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[lace] Amarillo

2005-03-22 Thread Jean Nathan
Completely off topic and nothing whatever to do with the museum, but the
song "Do you know the way to Amarillo?" was released for Comic Relief a few
weeks ago, with the Tony Christie version enjoying a revival. In Bournemouth
(the next town to Poole) is the only hotel in the UK called 'Amarillo'
(their daughter's called Marie, but only co-incidentally). They've been
inundated with calls and booking from around the country. A survey round
this area asking "Do you know the way to Amarillo?" resulted in over 95%
giving directions to the hotel and very few saying it's in Texas.

I'll shut up now.

Jean in Poole

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[lace] Jean Leader pattern book./Stupid people on ebay (2)

2005-03-22 Thread Jean Nathan
I forgot to mention the point abouit which I feel most strongly on this.
Barry is currently selling this himself. He did the work, he deserves the
rewards. The person who sold the book on ebay bought a copy, obviously
decided they didn't like it and then made shed-load of money disposing of it
which Barry won't see.  The same applies to Jean's book currently on ebay -
if you want it, buy it from her - she put in the work.

There's also Tamara's 'Two Pair Inventions', with profits going to The Lace
Museum in Sunnyvale, California and not into someone else's pocket. Brenda's
indispensible Threads book.

On the other hand if something's no longer available, eg the pricking for
Miss Channer's Mat (originally published by Ruth Bean, but no longer in
print despite many requests), then that's fair game, provided its an
original.

Jean in Poole

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