Re: Issue 37 - new work

2011-01-29 Thread Marc Hohl

Am 28.01.2011 20:42, schrieb Han-Wen Nienhuys:

On Fri, Jan 28, 2011 at 4:43 PM, Graham Percival
gra...@percival-music.ca  wrote:

On Fri, Jan 28, 2011 at 04:18:16PM -0200, Han-Wen Nienhuys wrote:

On Fri, Jan 28, 2011 at 11:43 AM, Graham Percival
gra...@percival-music.ca  wrote:

  lilypond -p 0 my_file.ly% for quick work
  lilypond -p 2 my_file.ly% for a draft to print out
  lilypond -p 9 my_file.ly% for the final score

I think most of these will go unused, as very few people will know how
and when to tune them.  Having configurable settings is neat, but it's
far more important to do the right thing by default in 95% of the
cases.

That's actually precisely why I'm suggesting a
  -p X
option.  People (generally) aren't going to look into the depths

that's even worse, because people that will want to use this option
won't even understand what it does.  It's the same time of idiocy of
Windows' and IE settings: do you want low, medium or high for hardware
acceleration, internet privacy.
If this is done similar to LaTeX packages where you can enable the 
option draft

to speed up compiling, and if everything looks ok, you remove the draft and
that's it, then this would be not too confusing for users.
What about something like
\draftModeOn / \draftModeOff ?

Just my 2ct

Regards,

Marc



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Re: Issue 37 - new work

2011-01-29 Thread David Kastrup
Marc Hohl m...@hohlart.de writes:

 If this is done similar to LaTeX packages where you can enable the
 option draft
 to speed up compiling, and if everything looks ok, you remove the draft and
 that's it, then this would be not too confusing for users.

draft Mode in LaTeX omits details but does not change the layout or
pagebreaking.

-- 
David Kastrup

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Re: Issue 1278: Arrow notation for quarter-tones. (issue3789044)

2011-01-29 Thread Felipe Gonçalves Assis
Right,

I will have a look at that.

Thanks!

Felipe

On 28 January 2011 12:17,  percival.music...@gmail.com wrote:
 Hi Felipe,

 I'm very sorry about the delay, but at least I'm looking at it now, and
 I'll take care of badgering people to review it once it's ready.

 Unfortunately due to the delay, we have a few extra regtests, which fail
 when this patch is applied.  One is tablature-string-tunings.ly -- I
 think that the old (ly:make-pitch ...) just needs to be updated to use
 the NATURAL thing that you've used elsewhere.

 Could you try rebasing this patch from current git master, check for
 anything that's changed from 4 weeks ago, and then upload a new draft?

 I promise that we won't ignore the next draft.  I'm very sorry about
 this problem.
 - Graham

 http://codereview.appspot.com/3789044/


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Re: harmonics and slides (issue3590041)

2011-01-29 Thread Patrick Schmidt

Hi Graham,

I haven't forgotten this patch but unfortunately I don't seem to find  
time to fix it at the moment. It seems as if two patches got mixed up  
at least. So I'm probably not responsible for the good stuff! ;-(

I can't promise but I'll try to take care of it next weekend.

Thanks,
patrick
Am 22.01.2011 um 21:08 schrieb percival.music...@gmail.com:


It looks like there's lots of good work in this patch, but the latest
version seems to have some mixed patches.  Could you try updating your
git tree, then try uploading a new patch?

If you need help with git (or with lily-git.tcl), then please don't
hesitate to ask.


http://codereview.appspot.com/3590041/diff/11001/Documentation/ 
notation/rhythms.itely

File Documentation/notation/rhythms.itely (right):

http://codereview.appspot.com/3590041/diff/11001/Documentation/ 
notation/rhythms.itely#newcode1178

Documentation/notation/rhythms.itely:1178: Metronome marks may also be
printed as a range of two numbers:
It looks like this patchset contains multiple patches -- I don't see
what metronome marks have to do with harmonics.

http://codereview.appspot.com/3590041/diff/11001/lily/optimal-page- 
breaking.cc

File lily/optimal-page-breaking.cc (left):

http://codereview.appspot.com/3590041/diff/11001/lily/optimal-page- 
breaking.cc#oldcode62

lily/optimal-page-breaking.cc:62: if (systems_per_page ()  0)
Is this another accidental change?  I'm not certain that this  
should be

part of the harmonic+slides patch.

http://codereview.appspot.com/3590041/diff/11001/lily/page-breaking.cc
File lily/page-breaking.cc (right):

http://codereview.appspot.com/3590041/diff/11001/lily/page- 
breaking.cc#newcode1141

lily/page-breaking.cc:1141: return
space_systems_with_fixed_number_per_page (configuration,
first_page_num);
Ditto.

http://codereview.appspot.com/3590041/



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Re: Issue 37 - new work

2011-01-29 Thread Bernard Hurley
On Sat, Jan 29, 2011 at 09:46:23AM +0100, Marc Hohl wrote:
 What about something like
 \draftModeOn / \draftModeOff ?


How about four named modes:

Screen mode - Fastest but good enough for checking on screen. Useful if lily 
is being used as a composition tool.
Draft mode - Not that beautiful but good enough to perform from.
Normal mode (the default) - Allows tweaks etc. Adequate for most uses e.g. 
music homework.
Professional mode - Slowest but adds all know adjustments. For times when 
presentation is important.

It would probably be the case that only for music above a certain complexity 
would there be a difference between Normal and Professional. I would 
anticipate that most people would just stick to the default and if that gives 
them the same result, or better, than the lilypond they know and love that 
would be OK.

  /Bernard


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Re: scheme extension for playback experiments

2011-01-29 Thread Bernard Hurley
Hi

On Fri, Jan 28, 2011 at 11:14:56PM -0800, Dennis Raddle wrote:
 I am completely new to LilyPond, but it seems like a good way to get
 beautiful notation, and, I hope, experiment with playback algorithms that
 add human touch. What I wonder is whether the Scheme extension language
 would let me easily examine the notes, dynamics, hairpins, articulations,
 and ornaments in the file and write that into some custom file format that
 can be processed by some of my Python scripts that experiment with human
 touch playback.
 

This link might be of interest to you:

http://www.nicta.com.au/people/chubbp/articulate

 I am a professional programmer with some prior Lisp experience.
 
 This would let me use LilyPond's convenient text input to enter the notes,
 let me see them in beautiful format, and let me export them to my Python
 scripts.
 
 How feasible is this idea?
 

The idea is quite feasible. The easiest way to do this would be to use the 
concept of a music stream as outlined in Erik Sandberg's master's thesis: 
http://lilypond.org/web/images/thesis-erik-sandberg.pdf

I believe this has all been implemented internally but the current lily does 
not have a facility for importing/exporting music streams. 
This is something I am interested in, for other reasons. But once that is done 
they should be quit easy to work on in Python.

  /Bernard


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Re: [GUB] Github tracker issue

2011-01-29 Thread Graham Percival
On Fri, Jan 28, 2011 at 11:19:10PM -0800, Patrick McCarty wrote:
 I meant to post this to -devel a while ago, but I opened a Github
 tracker issue for GUB.
 https://github.com/janneke/gub/issues#issue/2

Interesting.  How do I get a proper git format-patch version of
this?  The raw link gives me a plain diff.  The download gives
me a tarball, which contains a plain diff.

Why does it seem like every code review tool out there strips out
the commit message and author from git patches?  :(I can
vaguely excuse codereview, since it was intended for svn... but
github?!

Please tell me that my old eyes completely missed some get patch
button somewhere.

Cheers,
- Graham

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Re: Issue 37 - new work

2011-01-29 Thread David Kastrup
Bernard Hurley bern...@marcade.biz writes:

 On Sat, Jan 29, 2011 at 09:46:23AM +0100, Marc Hohl wrote:
 What about something like
 \draftModeOn / \draftModeOff ?


 How about four named modes:

 Screen mode - Fastest but good enough for checking on screen. Useful
 if lily is being used as a composition tool.
 Draft mode - Not that beautiful but good enough to perform from.
 Normal mode (the default) - Allows tweaks etc. Adequate for most
 uses e.g. music homework.
 Professional mode - Slowest but adds all know adjustments. For times
 when presentation is important.

 It would probably be the case that only for music above a certain
 complexity would there be a difference between Normal and
 Professional. I would anticipate that most people would just stick
 to the default and if that gives them the same result, or better, than
 the lilypond they know and love that would be OK.

While it is a rather established technique in user interface design to
assign blame to the user by giving him the choice between several
half-baked solutions, I prefer Lilypond to do good typesetting at a
speed commensurate to the problem space (typically linear programming,
so quite tractable).  Once we get to the frame of mind where exponential
complexity seems ok as long as one labels it professional, Lilypond
will not be usable for professional work any more.

-- 
David Kastrup


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Tweaks regtest and adds avoid-collisions property (issue4022045)

2011-01-29 Thread percival . music . ca

LGTM.


http://codereview.appspot.com/4022045/diff/12001/input/regression/beam-collision.ly
File input/regression/beam-collision.ly (right):

http://codereview.appspot.com/4022045/diff/12001/input/regression/beam-collision.ly#newcode15
input/regression/beam-collision.ly:15: \clef bass g,,,8[ \clef treble
d''8]
Could the notes go on their own line?

If there's no other problems with this draft, then don't bother --
there's no point being really fussy with .ly syntax in the regtests --
but I expect there's still a few more drafts to come, and it would be
easier to read if notes were a little bit more separate from clefs,
overrides, and the like.

http://codereview.appspot.com/4022045/diff/12001/input/regression/beam-collision.ly#newcode26
input/regression/beam-collision.ly:26: \once \override Voice . Beam
#'avoid-collisions = ##f c8[ c c c] }
Could the notes go on the next line, leaving the override by itself on
the line?

Also, could I get a
^turn off collision avoidance
so that it's obvious in the image that these collisions are ok?  :)

http://codereview.appspot.com/4022045/diff/12001/input/regression/beam-collision.ly#newcode54
input/regression/beam-collision.ly:54: s8 f s g s a s b s c s d s e  }
I see a stem collision for the d and e.  I'm not complaining about this,
but consider adding a
  ^no solution possible; stem collides with notehead
if this is intentional/acceptable.

Basically, imagine that you're a poor bug squad member doing our
infrequent full regtest check.  You know nothing about programming, and
you have 900+ regtests to review, so you're trying to go through each
regtest in 30 seconds or so.  Anything you can do to make the .png more
clear is a good thing.  :)

http://codereview.appspot.com/4022045/

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regression tests for white mensural ligature enhancements (issue3989049)

2011-01-29 Thread benko . pal

Reviewers: ,

Message:
and a try at Changes.

Description:
enhance ligature test with new features

Please review this at http://codereview.appspot.com/3989049/

Affected files:
  M Documentation/changes.tely
  M input/regression/mensural-ligatures.ly



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Re: regression tests for white mensural ligature enhancements (issue3989049)

2011-01-29 Thread percival . music . ca

On 2011/01/29 14:07:20, benko.pal wrote:

and a try at Changes.


LGTM; please send me a git-format originpatch and I'll push it.

http://codereview.appspot.com/3989049/

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Re: Tweaks regtest and adds avoid-collisions property (issue4022045)

2011-01-29 Thread mtsolo

Reviewers: Graham Percival,

Message:
All fixed.  New patchset uploaded.


http://codereview.appspot.com/4022045/diff/12001/input/regression/beam-collision.ly
File input/regression/beam-collision.ly (right):

http://codereview.appspot.com/4022045/diff/12001/input/regression/beam-collision.ly#newcode15
input/regression/beam-collision.ly:15: \clef bass g,,,8[ \clef treble
d''8]
On 2011/01/29 14:00:09, Graham Percival wrote:

Could the notes go on their own line?



If there's no other problems with this draft, then don't bother --

there's no

point being really fussy with .ly syntax in the regtests -- but I

expect there's

still a few more drafts to come, and it would be easier to read if

notes were a

little bit more separate from clefs, overrides, and the like.


Done.

http://codereview.appspot.com/4022045/diff/12001/input/regression/beam-collision.ly#newcode26
input/regression/beam-collision.ly:26: \once \override Voice . Beam
#'avoid-collisions = ##f c8[ c c c] }
On 2011/01/29 14:00:09, Graham Percival wrote:

Could the notes go on the next line, leaving the override by itself on

the line?


Also, could I get a
^turn off collision avoidance
so that it's obvious in the image that these collisions are ok?  :)


Done.

http://codereview.appspot.com/4022045/diff/12001/input/regression/beam-collision.ly#newcode54
input/regression/beam-collision.ly:54: s8 f s g s a s b s c s d s e  }
On 2011/01/29 14:00:09, Graham Percival wrote:

I see a stem collision for the d and e.  I'm not complaining about

this, but

consider adding a
   ^no solution possible; stem collides with notehead
if this is intentional/acceptable.



Basically, imagine that you're a poor bug squad member doing our

infrequent full

regtest check.  You know nothing about programming, and you have 900+

regtests

to review, so you're trying to go through each regtest in 30 seconds

or so.

Anything you can do to make the .png more clear is a good thing.  :)


Done.

Description:
Tweaks regtest and adds avoid-collisions property


Merge branch 'master' of git://git.sv.gnu.org/lilypond into 37final


Triggers second quant pass for collisions

Bad

Revert Bad

This reverts commit fac518ab6e4ea9fd591c849afb56e247d53c9bf3.

Implements a more robust solution to issue 37

Intermediary

Intermediary

Intermediary

Intermediary

Intermediary

Finally

Whitespace fixes

Please review this at http://codereview.appspot.com/4022045/

Affected files:
  A input/regression/beam-collision.ly
  A lily/beam-collision-engraver.cc
  M lily/beam-quanting.cc
  M lily/beam.cc
  M lily/include/beam.hh
  M ly/engraver-init.ly
  M scm/define-grob-properties.scm
  M scm/define-grobs.scm



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Re: regression tests for white mensural ligature enhancements (issue3989049)

2011-01-29 Thread Benkő Pál
 LGTM; please send me a git-format origin    patch and I'll push it.

thanks!
p


0001-regtest-and-changes-for-mensural-ligature-improvemen.patch
Description: Binary data
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Re: Tweaks regtest and adds avoid-collisions property (issue4022045)

2011-01-29 Thread percival . music . ca


http://codereview.appspot.com/4022045/diff/14001/input/regression/beam-collision.ly
File input/regression/beam-collision.ly (right):

http://codereview.appspot.com/4022045/diff/14001/input/regression/beam-collision.ly#newcode17
input/regression/beam-collision.ly:17: g,,,8[ \clef treble d''8]
newline before \clef, newline before d''

I'm not saying to do this right now -- wait until somebody points out
some code problems/improvements, then do this at the same time.  :)

http://codereview.appspot.com/4022045/diff/14001/input/regression/beam-collision.ly#newcode22
input/regression/beam-collision.ly:22: \key bes \major ees ] |
newline before ees   and could we get a 8 as well?  I've lost track of
the durations by this point.

http://codereview.appspot.com/4022045/diff/14001/input/regression/beam-collision.ly#newcode24
input/regression/beam-collision.ly:24: \break
indent two spaces.

http://codereview.appspot.com/4022045/diff/14001/input/regression/beam-collision.ly#newcode40
input/regression/beam-collision.ly:40: \stemUp e'8[ e e e]
newline before e'8

http://codereview.appspot.com/4022045/diff/14001/input/regression/beam-collision.ly#newcode41
input/regression/beam-collision.ly:41: \set fontSize = #-4 c8[ c c c]
newline before c8[

http://codereview.appspot.com/4022045/

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Re: Issue 37 - new work

2011-01-29 Thread Han-Wen Nienhuys
On Fri, Jan 28, 2011 at 11:55 AM, m...@apollinemike.com
m...@apollinemike.com wrote:
 Despite the joke, this is a semi-serious suggestion that I've been
 hoping that somebody might be interested in for years.  There's a
 bunch of options that we can enable or disable to change the
 amount of processing power; it would be really nice if one (or
 more) people seriously looked into this, and provided an easy way
 to change between the optimization levels.


 I completely agree.  I think that the beam collision engraver  (if it makes 
 it into lilypond) is the prime example of
 something that could be included or left out with
 optimization flags.  There can even be multiple collision
 engravers that perform the same task but provide different
 levels of optimization.

In the case of the beam scoring specifically, I disagree: there are
many ways to search more cleverly in the problem space.

For beams specifically, how about this one:

choose large region size
calculate cheapest of the scoring functions for all configurations
put configurations in a min-heap

  while (true) {
   take minimum score configuration from heap
   if conf has passed all scoring functions
 break // found optimum
   add another scoring function to configuration // *
   insert result in heap
 }

for the common cases, this will skip computations for many of the more
extreme cases. At //* , there is still some option of further
optimization by doing an intelligent choice between what to run next.

The same approach should work well for slurs as well.

If I find time one of these days (may be next week), I'll try to implement this.

-- 
Han-Wen Nienhuys - han...@xs4all.nl - http://www.xs4all.nl/~hanwen

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Re: Issue 37 - new work

2011-01-29 Thread m...@apollinemike.com
On Jan 29, 2011, at 10:10 AM, Han-Wen Nienhuys wrote:

 On Fri, Jan 28, 2011 at 11:55 AM, m...@apollinemike.com
 m...@apollinemike.com wrote:
 Despite the joke, this is a semi-serious suggestion that I've been
 hoping that somebody might be interested in for years.  There's a
 bunch of options that we can enable or disable to change the
 amount of processing power; it would be really nice if one (or
 more) people seriously looked into this, and provided an easy way
 to change between the optimization levels.
 
 
 I completely agree.  I think that the beam collision engraver  (if it makes 
 it into lilypond) is the prime example of
 something that could be included or left out with
 optimization flags.  There can even be multiple collision
 engravers that perform the same task but provide different
 levels of optimization.
 
 In the case of the beam scoring specifically, I disagree: there are
 many ways to search more cleverly in the problem space.
 
 For beams specifically, how about this one:
 
 choose large region size
 calculate cheapest of the scoring functions for all configurations
 put configurations in a min-heap
 
  while (true) {
   take minimum score configuration from heap
   if conf has passed all scoring functions
 break // found optimum
   add another scoring function to configuration // *
   insert result in heap
 }
 
 for the common cases, this will skip computations for many of the more
 extreme cases. At //* , there is still some option of further
 optimization by doing an intelligent choice between what to run next.
 
 The same approach should work well for slurs as well.
 
 If I find time one of these days (may be next week), I'll try to implement 
 this.
 

Hey Hanwen,

What you describe above is close-ish to what I wound up putting in my newest 
patch, which only has one pass thru the quanting function.  It does all the 
quant scoring, then does one last pass to check for collisions.  This is done 
through allowing negative pressure, or an amount of leeway that a beam has to 
move in a direction before it will collide with something.

http://codereview.appspot.com/4022045/

Cheers,
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Re: Issue 37 - new work

2011-01-29 Thread Marc Hohl

Am 29.01.2011 09:50, schrieb David Kastrup:

Marc Hohlm...@hohlart.de  writes:


If this is done similar to LaTeX packages where you can enable the
option draft
to speed up compiling, and if everything looks ok, you remove the draft and
that's it, then this would be not too confusing for users.

draft Mode in LaTeX omits details but does not change the layout or
pagebreaking.

The comparison between LaTeX and LilyPond was not meant to be 1:1, of 
course.

The point here was that IMHO most LaTeX users understand what draft means,
so it would not be too confusing to add certain levels of processing stages.

On the other hand, I agree with you that LilyPond should simply do the best
job without the need to fuzz around with optimization stages and whatnot.
Human engravers didn't have a draft mode either ;-)

Regards,

Marc

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Re: Issue 37 - new work

2011-01-29 Thread m...@apollinemike.com
On Jan 29, 2011, at 10:50 AM, Marc Hohl wrote:

 Am 29.01.2011 09:50, schrieb David Kastrup:
 Marc Hohlm...@hohlart.de  writes:
 
 If this is done similar to LaTeX packages where you can enable the
 option draft
 to speed up compiling, and if everything looks ok, you remove the draft and
 that's it, then this would be not too confusing for users.
 draft Mode in LaTeX omits details but does not change the layout or
 pagebreaking.
 
 The comparison between LaTeX and LilyPond was not meant to be 1:1, of course.
 The point here was that IMHO most LaTeX users understand what draft means,
 so it would not be too confusing to add certain levels of processing stages.
 
 On the other hand, I agree with you that LilyPond should simply do the best
 job without the need to fuzz around with optimization stages and whatnot.
 Human engravers didn't have a draft mode either ;-)
 

True, but human engravers did not have the benefit of sending composers drafts 
every time a measure was updated.
I think that for programs like SCORE, the logic of best job makes perfect 
sense because it is best used for typesetting finished works.

But, given that many people make drafts in Lilypond, I think that a draft mode 
would save a lot of time in the early stages of creating a work.

However, I think that lilypond's default quality should be the highest 
possible, with people opting out of this quality for faster calculated and thus 
iffy-er looking scores.

On this note, I think that PaperColumn #'keep-inside-line = ##t and 
NonMusicalPaperColumn #'keep-inside-line = ##t should be the default options in 
Lilypond, as I cannot imagine anyone wanting markups to spill outside of the 
line width.  In a way, setting these as ##f in scm/define-grobs.scm is a form 
of normal optimization that leads to sub-par results.

Cheers,
MS
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Re: [GUB] Github tracker issue

2011-01-29 Thread Carl Sorensen



On 1/29/11 6:20 AM, Graham Percival gra...@percival-music.ca wrote:

 On Fri, Jan 28, 2011 at 11:19:10PM -0800, Patrick McCarty wrote:
 I meant to post this to -devel a while ago, but I opened a Github
 tracker issue for GUB.
 https://github.com/janneke/gub/issues#issue/2
 
 Interesting.  How do I get a proper git format-patch version of
 this?  The raw link gives me a plain diff.  The download gives
 me a tarball, which contains a plain diff.
 
 Why does it seem like every code review tool out there strips out
 the commit message and author from git patches?  :(I can
 vaguely excuse codereview, since it was intended for svn... but
 github?!
 
 Please tell me that my old eyes completely missed some get patch
 button somewhere.

It appears to me that the desired work flow for this is for the submitter
(Patrick in this case) to make a pull request, at which time the applier
can do the pull and the patch will have the original author stuff.

Here's an email thread that addresses this issue:

http://support.github.com/discussions/pull-requests/91-pull-requests-dont-k
eep-commit-history

Thanks,

Carl


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Re: Issue 37 - new work

2011-01-29 Thread Han-Wen Nienhuys
On Sat, Jan 29, 2011 at 1:37 PM, m...@apollinemike.com
m...@apollinemike.com wrote:


 Hey Hanwen,
 What you describe above is close-ish to what I wound up putting in my newest

I don't think so, since the main scoring loops still loop through all
combinations in no particular order.

I looked closer at your example; the proof-of-concept code I showed
you does not consider stems as collision objects, and hence configs
where beams overlay stems of other voices are not considered problems.
Let me try to refine my patch to include stems as well.


 patch, which only has one pass thru the quanting function.  It does all the
 quant scoring, then does one last pass to check for collisions.  This is
 done through allowing negative pressure, or an amount of leeway that a
 beam has to move in a direction before it will collide with something.
 http://codereview.appspot.com/4022045/
 Cheers,
 MS



-- 
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Re: [GUB] Github tracker issue

2011-01-29 Thread Patrick McCarty
On Sat, Jan 29, 2011 at 8:45 AM, Carl Sorensen c_soren...@byu.edu wrote:

 On 1/29/11 6:20 AM, Graham Percival gra...@percival-music.ca wrote:

 On Fri, Jan 28, 2011 at 11:19:10PM -0800, Patrick McCarty wrote:
 I meant to post this to -devel a while ago, but I opened a Github
 tracker issue for GUB.
 https://github.com/janneke/gub/issues#issue/2

 Interesting.  How do I get a proper git format-patch version of
 this?  The raw link gives me a plain diff.  The download gives
 me a tarball, which contains a plain diff.

 Why does it seem like every code review tool out there strips out
 the commit message and author from git patches?  :(    I can
 vaguely excuse codereview, since it was intended for svn... but
 github?!

 Please tell me that my old eyes completely missed some get patch
 button somewhere.

 It appears to me that the desired work flow for this is for the submitter
 (Patrick in this case) to make a pull request, at which time the applier
 can do the pull and the patch will have the original author stuff.

Yes, this is the typical work flow for Github.  Once we figure out a
proper patch to merge, we have the option of submitting a pull
request.

Thanks,
Patrick

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Re: Issue 37 - new work

2011-01-29 Thread m...@apollinemike.com
On Jan 29, 2011, at 1:21 PM, Han-Wen Nienhuys wrote:

 On Sat, Jan 29, 2011 at 1:37 PM, m...@apollinemike.com
 m...@apollinemike.com wrote:
 
 
 Hey Hanwen,
 What you describe above is close-ish to what I wound up putting in my newest
 
 I don't think so, since the main scoring loops still loop through all
 combinations in no particular order.

Ah, OK, now I see what you mean.  Yes, you're absolutely right - if it is 
possible to slim down the candidates, then the loop speeds up.  In other places 
in the code, there is a comparison via reasonable_score, but I wasn't sure if 
acting only on reasonable scores would make them so unreasonable that what was 
once unreasonable now becomes reasonable and is erroneously chosen.  I'll check 
that out later today.

 
 I looked closer at your example; the proof-of-concept code I showed
 you does not consider stems as collision objects, and hence configs
 where beams overlay stems of other voices are not considered problems.
 Let me try to refine my patch to include stems as well.

OK!  In doing so, make sure to address stem direction: a big headache I went 
through in my initial draft was figuring out how stem direction influenced the 
calculation.
In my current code, NoteHeads (and accidentals) that belong to a beam push the 
beam in the direction of said NoteHeads' stem, whereas NoteHeads that are not 
part of the beam push the beam in the opposite direction of said NoteHeads' 
stem.

Cheers,
MS

 
 
 patch, which only has one pass thru the quanting function.  It does all the
 quant scoring, then does one last pass to check for collisions.  This is
 done through allowing negative pressure, or an amount of leeway that a
 beam has to move in a direction before it will collide with something.
 http://codereview.appspot.com/4022045/
 Cheers,
 MS
 
 
 
 -- 
 Han-Wen Nienhuys - han...@xs4all.nl - http://www.xs4all.nl/~hanwen
 
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Re: Multimeasure rest print function

2011-01-29 Thread Keith OHara
Mike Solomon MikeSol at ufl.edu writes:

 
 It seems that the variable `measures' is unused in this function - can this 
 be 
deleted?
 

Who are you asking?   git blame (git credit would have been a nicer name) 
shows these lines have not been touched in several years, so it is not likely 
to be in anyone's memory.

It really does look like a left-over piece of code, since the complete version 
appears in  symbol_stencil().  The names of functions called imply they have no 
side-effects, but I'd still do regression test.



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Re: Fix 1120 in a way to avoid issues 1472, 1474 (issue4095041)

2011-01-29 Thread k-ohara5a5a

On 2011/01/26 18:18:21, Graham Percival wrote:

Neil has identified a potential downside to this patch.


That was a restoration of 2.12.3 behavior, which I had mentioned in the
original email thread but didn't explicitly handle until now.

Status of this patch is
1)revert ee0488, which was a global change in effective
extra-spacing-height,
/except/ keep from ee0488 the addition of beat-slash on the
print-callbacks list

2)reviewed the entire list of Layout Objects to specify
extra-spacing-height to restore any possible positive effect of ee0488

3)regression test and see only expected changes

http://codereview.appspot.com/4095041/

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Re: Fix 1120 in a way to avoid issues 1472, 1474 (issue4095041)

2011-01-29 Thread Carl . D . Sorensen

This patch solves Neil's problem with clef spacing.

LGTM.

Carl

http://codereview.appspot.com/4095041/

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fine-tuning new flags - feedback needed

2011-01-29 Thread Janek Warchoł
Hi,

After some discussion in flags, beams and stem length in forced
directions - output improvement thread, i've created new flags for
shorter-stemmed notes and new rules for shortening stems. Please look
at pdfs linked below and tell me what you think.
Changes:
- stem length transition between regular stems and shortened stems is
now smooth (it's especially visible with unflagged notes),
- the difference in length between regular stems and shortened stems
depends on the duration of notes (that's because notes with different
amount of flags need different treatment),
- regular stems of 32nd and 128th notes are shorter. I felt they were
too long, especially compared to the beamed notes - for example the
stem of the unbeamed e 32nd reaches higher than the beamed f's
following it,
- 64th and 128th basic flag shape now matches stem length better (i think).

I hope that .zip archives are appropriate here...
Each archive is about 400 KB.
output from 2.13.45: http://www.sendspace.com/file/6cwf2q
proposed new output: http://www.sendspace.com/file/52bbz6
If you don't like the last two changes (shorter regular stems and
modified basic flags), try this: http://www.sendspace.com/file/gglzoh
(shortened stems of 8th and 16th notes are also a little bit longer
here than in previous one)

I attach .ly files used for testing. You may send me more files if you
want to see how they would look like.
I will send a patch with the code changes when i resolve some problems
i've encountered; as for now i'd like to know your opinions about the
output itself. I see that there is a problem with dots and single
flags... I'd gladly help with solving this one, i have some idea what
the solution may look like.

cheers,
Janek

PS you may forward this to -user if you find this appropriate.


01-HomeSweetHome.ly
Description: Binary data


02-BlueBells.ly
Description: Binary data


03-TheLastRoseOfSummer.ly
Description: Binary data


Abschied.ly
Description: Binary data


flag testing.ly
Description: Binary data


Lyngham.ly
Description: Binary data


Uxbridge.ly
Description: Binary data
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Re: fine-tuning new flags - feedback needed

2011-01-29 Thread Carl Sorensen



On 1/29/11 4:14 PM, Janek Warchoł lemniskata.bernoull...@gmail.com
wrote:

 Hi,
 
 After some discussion in flags, beams and stem length in forced
 directions - output improvement thread, i've created new flags for
 shorter-stemmed notes and new rules for shortening stems. Please look
 at pdfs linked below and tell me what you think.

Very interesting work, indeed.  Thanks!


 Changes:
 - stem length transition between regular stems and shortened stems is
 now smooth (it's especially visible with unflagged notes),
 - the difference in length between regular stems and shortened stems
 depends on the duration of notes (that's because notes with different
 amount of flags need different treatment),
 - regular stems of 32nd and 128th notes are shorter. I felt they were
 too long, especially compared to the beamed notes - for example the
 stem of the unbeamed e 32nd reaches higher than the beamed f's
 following it,
 - 64th and 128th basic flag shape now matches stem length better (i think).
 
 I hope that .zip archives are appropriate here...
 Each archive is about 400 KB.
 output from 2.13.45: http://www.sendspace.com/file/6cwf2q
 proposed new output: http://www.sendspace.com/file/52bbz6
 If you don't like the last two changes (shorter regular stems and
 modified basic flags), try this: http://www.sendspace.com/file/gglzoh
 (shortened stems of 8th and 16th notes are also a little bit longer
 here than in previous one)
 
 I attach .ly files used for testing. You may send me more files if you
 want to see how they would look like.
 I will send a patch with the code changes when i resolve some problems
 i've encountered; as for now i'd like to know your opinions about the
 output itself. I see that there is a problem with dots and single
 flags... I'd gladly help with solving this one, i have some idea what
 the solution may look like.

I prefer the compromise flags to the new flags.  I think that the new flags
are a little bit too short.

I prefer the old stem-down single flags to the new.  The shorter flags seem
to me to be too squat and blocky.

Thanks,

Carl


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Re: fine-tuning new flags - feedback needed

2011-01-29 Thread Werner LEMBERG

Nice job!


And I have to second Carl's comment: The `compromise' stuff is the
best one $(Q#|(B and perhaps you can make a compromise between the `orig'
stuff and `compromise' w.r.t. the shape of the down-flags...


Werner

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