feta.20.afm not found??
Hi, I compiled and installed 2.4.1 yesterday. When trying to test the program, I got the following error: " lilypond-2.4.1/input> lilypond simple.ly GNU LilyPond 2.4.1 Processing `simple.ly' Jäsennetään... Tulkitaan musiikkia...virhe: `feta20.afm' jäi löytymättä Music font has not been installed properly. Aborting " however, feta20.afm seems to be in /usr/local/share/lilypond/2.4.1/fonts/afm/feta20.afm where it should be. tried to look in the archives but didn't find anything concerning this. Apologies if my question is too trivial. So: what am I missing, what should be done to get things working? TIA, Tapio ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
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Re:combine more then two accDots to set one origin ?
It was good to see someone else using Lilypond for accordion music. My solution to this problem was similar to Thies'. I'd happily swap files if you're interested - maybe you have some ideas that I missed and vice-versa. You can't post to the group as attachment get stripped out automtaically, so I suppose the only way is by direct email, or by posting on your own websaite of you have one (I don't).
Has anyone out there addressed the problem that 'standard' chords in accordion music aren't the same as 'standard' chords in Iilypond?
Regards
Tim Hucker
Message: 1Date: Sun, 07 Nov 2004 17:20:42 +0100From: Thies Albrecht <[EMAIL PROTECTED]>Subject: Re: combine more then two accDots to set one origin ?To: [EMAIL PROTECTED]Message-ID: <[EMAIL PROTECTED]>Content-Type: text/plain; charset=us-ascii; format=flowedAlbert Einstein wrote:> How can I put all dots to the centre of accDiscant in order to have in > this poin origin...About half a year ago I wrote a file "accReg-Defs.lyinc". It contains definitions for all accordion registrations that can be found on my girlsfriend's "Hohner Morino V".I don't known, whether my solution is according to all existing lilypond standards, but it works fine for me using Lilypond 2.2.5 using the CygWin environment. If there is any interest, I will make the file available to everyone. Just inform me, how to post it.The accordion registrations like they are at the moment are defined as
skip notes of zero length with an appropriate markup attached to it. An example definition:accBasson = \notes {s1*0^\markup {\combine{ \musicglyph #"accordion-accDiscant" }{ \raise #0.5 \musicglyph #"accordion-accDot" }}}The defintion is used as follows:\score {\notes {c d e f\accBasson c d e f}}Of course, the definitions can be changed to work as normal markups. The altered definition and the usage after changing it is shown in the following example:accBasson = \markup {\combine{ \musicglyph #"accordion-accDiscant" }{ \raise #0.5 \musicglyph #"accordion-accDot" }}\score {\notes {c d e fc^\accBasson d e f}}Probably, this way of defining the registrations might be slightly better in terms of collision detection. I never evaluated this problem as I use the "extra-offset"-property for fine-tuning the positioning of the
registrations.I hope, I replied in the right manner as this is my first posting on a newsgroup and I had some prblems on finding out how to use the lilypond-user-group.Kind regards,Thies Albrecht
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Re: Piano flash cards
> "George" == George Geller <[EMAIL PROTECTED]> writes: George> How hard would it be to make lilypond output piano flash cards for George> beginning students? The cards will print six to an 8 1/2 by 11 inch George> page and show the treble and bass clefs with a single note or maybe a George> chord or interval. George> I haven't found where to set the page size in lilypond or how to combine George> a number of "documents" to print on a single page. Get the psutils package, and look at psnup. -- Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ ) (617) 661-8097 fax: (501) 641-5011 233 Broadway, Cambridge, MA 02139 ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Piano flash cards
How hard would it be to make lilypond output piano flash cards for beginning students? The cards will print six to an 8 1/2 by 11 inch page and show the treble and bass clefs with a single note or maybe a chord or interval. I haven't found where to set the page size in lilypond or how to combine a number of "documents" to print on a single page. I'm a good programmer, so I could modify the code if need be. Thanks, George ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
A solution to: Page breaks in 2.4 using \book
On 11/6/04 1:56 PM, "Joe Neeman" <[EMAIL PROTECTED]> wrote:
> I should really learn to press "Reply to List". Here's try number 2:
>
>> Hello,
>> I'm enjoying version 2.4 on Mac OS X. I am making some variations of an
>> exercise and would like to spread it out over two pages. I am not quite
>> happy with how it comes out and would like to insert a page break. Nothing I
>> seem to do has the desired effect. Reading the manual leads me to believe
>> that I need to place a \pageBreak command in the note data. Does this change
>> when one is using several \score sections within a \book block? If so where
>> should the command go?
>
> I'm having a similar problem. I want a page break between movements.
> I've organised the file with one movement per \score block. If I put
> \pageBreak after a barline in the middle of the note data, it works. If
> I put it at the end of the note data, it doesn't work. Similarly,
> putting \pageBreak at the beginning of \score doesn't do anything. Is
> there a reason for this? Using lilypond-book just to page break between
> movements seems like a bit of overkill; is there a better way?
>
> Thanks,
> Joe
>
For all interested, I have come up with a solution that may be useful to
others. In my example I had a two line exercise and four variations, also
two lines each that I wanted to format over two pages as it would not fit on
one page. The default settings produced two results somewhat consistently
and I am not sure what made the layout come out differently. The initial
exercise and three variations would be on page one and the fourth on page
two. Alternately I sometimes got the first line of variation four on the
first page with the second line on page two.
The solution seemed to involve spacing things out so that Lilypond chose
to put the third and fourth variations on the second page. This is what my
file ended up looking like:
\version "2.4.0"
\include "english.ly"
#(set-default-paper-size "letter")
\paper {
betweensystemspace = 3 \cm
aftertitlespace = 5 \mm
betweentitlespace = 1 \cm
beforetitlespace = 2 \cm
}
\book {
\header {
title = "Variations on an Exercise by Barreiro"
}
%* THEME **
\score {
\header {
piece = "Theme"
}
\new Staff <<
\context Voice = one {
\relative c'' {
\clef treble
\key c \major
\time 4/4
\stemUp
4
4
4
4 \break
4
4
4
1
\bar "|."
}
}
\context Voice = two {
\relative c' {
\key c \major
\time 4/4
\stemDown
c4 c c c
c4 c c c
b4 b b b
c4 c c c
a4 a a a
f'4 f f f
g,4 g g g
c1
}
}
>>
%\layout { }
%\midi { }
}
%* VARIATION 1 *
\score {
\header {
piece = "Variation 1"
}
\new Staff <<
\context Voice = one {
\relative c'' {
\clef treble
\key c \major
\time 4/4
\stemUp
c4 e c e
d4 f d f
d4 f d f
c4 e c e\break
a,4 c a c
a4 d a d
g,4 b g b
1
\bar "|."
}
}
\context Voice = two {
\relative c' {
\key c \major
\time 4/4
\stemDown
c4 c c c
c4 c c c
b4 b b b
c4 c c c
a4 a a a
f'4 f f f
g,4 g g g
c1
}
}
>>
%\layout { }
%\midi { }
}
% VARIATION 2
*
\score {
\header {
piece = "Variation 2"
}
\new Staff <<
\context Voice = one {
\relative c'' {
\key c \major
\time 4/4
\stemUp
e4 c e c
f4 d f d
f4 d f d
e4 c e c\break
c4 a c a
d4 a d a
b4 g b g
1
\bar "|."
}
}
\context Voice = two {
\relative c' {
\key c \major
\time 4/4
\stemDown
c4 c c c
c4 c c c
b4 b b b
c4 c c c
a4 a a a
f'4 f f f
g,4 g g g
c1
\bar "|."
}
}
>>
}
%*** VARIATION 3
**
\score {
\header {
piece = "Variation 3"
}
\new Staff <<
\context Voice = one {
\relative c'' {
\key c \major
\time 4/4
\stemUp
c4 e c e
d4 f d f
d4 f d f
c4 e c e\break
a,4 c a c
a4 d a d
g,4 b g b
1
\bar "|."
}
}
\context Voice = two {
\relative c' {
\key c \major
\time 4
Re: Debian snapshot package fixed (2.4.1-2)
Hello list, hello Pedro, You wrote: > I fixed the lilypond-snapshot package. It should work now. Yes, in deed, it seems to work now. :-) Thank You very much! Best Regards Roland ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
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Re: combine more then two accDots to set one origin ?
Albert Einstein wrote:
How can I put all dots to the centre of accDiscant in order to have in
this poin origin...
About half a year ago I wrote a file "accReg-Defs.lyinc". It contains
definitions for all accordion registrations that can be found on my
girlsfriend's "Hohner Morino V".
I don't known, whether my solution is according to all existing lilypond
standards, but it works fine for me using Lilypond 2.2.5 using the
CygWin environment. If there is any interest, I will make the file
available to everyone. Just inform me, how to post it.
The accordion registrations like they are at the moment are defined as
skip notes of zero length with an appropriate markup attached to it. An
example definition:
accBasson = \notes {
s1*0^\markup {
\combine
{ \musicglyph #"accordion-accDiscant" }
{ \raise #0.5 \musicglyph #"accordion-accDot" }
}
}
The defintion is used as follows:
\score {
\notes {
c d e f
\accBasson c d e f
}
}
Of course, the definitions can be changed to work as normal markups. The
altered definition and the usage after changing it is shown in the
following example:
accBasson = \markup {
\combine
{ \musicglyph #"accordion-accDiscant" }
{ \raise #0.5 \musicglyph #"accordion-accDot" }
}
\score {
\notes {
c d e f
c^\accBasson d e f
}
}
Probably, this way of defining the registrations might be slightly
better in terms of collision detection. I never evaluated this problem
as I use the "extra-offset"-property for fine-tuning the positioning of
the registrations.
I hope, I replied in the right manner as this is my first posting on a
newsgroup and I had some prblems on finding out how to use the
lilypond-user-group.
Kind regards,
Thies Albrecht
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Re: problems during build
Colin J. Cotter writes: > I'm afraid I'm rather naive and don't know how to do this - > libguile.so.12 is in /usr/local/lib See the manual page for the dynamic loader, probably ld.so. That will probably tell you to add that directory to /etc/ld.so.conf and run ldconfig. The installation procedure of Guile asks you to look out for this. It tells you something like Libraries have been installed in: /usr/local/lib If you ever happen to want to link against installed libraries in a given directory, LIBDIR, you must either use libtool, and specify the full pathname of the library, or use the `-LLIBDIR' flag during linking and do at least one of the following: - add LIBDIR to the `LD_LIBRARY_PATH' environment variable during execution - add LIBDIR to the `LD_RUN_PATH' environment variable during linking - use the `-Wl,--rpath -Wl,LIBDIR' linker flag - have your system administrator add LIBDIR to `/etc/ld.so.conf' See any operating system documentation about shared libraries for more information, such as the ld(1) and ld.so(8) manual pages. Btw, what kind of system are you using that it does not include or does not let you upgrade the system's Guile? The guile-1.6.x series is over two years old. Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: problems during build
Title: RE: problems during build OK thanks, I'm afraid I'm rather naive and don't know how to do this - libguile.so.12 is in /usr/local/lib guile is in /usr/local/bin Do I need to set an environmental variable? -cjc -Original Message- From: Jan Nieuwenhuizen [mailto:[EMAIL PROTECTED]] Sent: Sat 11/6/2004 10:23 PM To: Cotter, Colin J Cc: [EMAIL PROTECTED] Subject: Re: problems during build Colin J. Cotter writes: > Traceback (most recent call last): > File "scripts/out/midi2ly", line 43, in ? > import midi > ImportError: libguile.so.12: cannot open shared object file: No such file or directory > Does this shed any more light? Yes, you need guile in your load path. For midi.so that's a bug, sort of, but you'll need that for lilypond anyway. Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Setting paper size from the command line in Lily 2.4
Hi, I've been trying to figure out if it's possible to set the paper size of Lilypond's output from the command line in version 2.4. In version 2.2, I used to use --set=papersize="letter", however this option seems to have been removed. I thought that -e "(set-default-paper-size \"letter\")" might work, but I get the following error message. I'm not sure if I'm trying the right approach here, or maybe this is a bug. Are any gurus able to help? Thanks in advance, Chris [EMAIL PROTECTED]:~/munew/tamb$ lilypond-snapshot -e "(set-default-paper-size \"letter\")" tamb.ly GNU LilyPond 2.4.1 Backtrace: In current input: 1: 0* (begin #t (set-default-paper-size "letter")) 1: 1 [set-default-paper-size "letter"] In /usr/share/lilypond-snapshot/2.4.1/scm/paper.scm: 124: 2 [internal-set-paper-size ... 125: 3* [ly:output-def-scope ... 125: 4* [eval $defaultpaper #] In unknown file: ?: 5* $defaultpaper : In expression $defaultpaper: : Unbound variable: $defaultpaper -- Chris Sawer: [EMAIL PROTECTED]-Mutopia team leader Free sheet music for all at Mutopia: http://www.MutopiaProject.org Mutopia discussion mailing list now up and running. Details at: http://lists.blackcatnetworks.co.uk/cgi-bin/mailman/listinfo/mutopia-discuss ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
