Windows command prompt and lilypond 2.6 native windows

[Art Hixson]

Typing lilypond at the Windows command prompt produces no result.  
Whereas, from the Cygwin console I get the default sample .ly file.

I can compile a .ly file from Cygwin but not from the Windows prompt.  Why?

It seems the only way I can send a .ly file to the Windows install is by 
dragging the file icon to the Lilypond icon on the desktop.  That's 
really painfully awkward!


I really like jEdit,  because it's cultivated for Lilypond and Python, 
but I have to have Bash there just to run it anyway.  It can be pointed 
to the Windows install, of course. But I was much happier with the 
overall way things worked when Lilypond was installed in Cygwin.  I'd 
love to have Linux up on this machine, but don't have that option.





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Re: problem installing lilypond

[Paul Scott]

shelagh wrote:


On Mon, 18 Jul 2005 19:40:31 -0700, Paul Scott wrote:

 


shelagh wrote:

   


I tried to install lilypond 2.6.1 with the auto installer as my
distribution doesn't package the latest version. My problem is that when
the installer gets to the ghostscript search it says I don't have the
right version. (ghostscript-8.15). This however is not so as I've only
just downloaded, compiled it just to please the installer. I rebooted,
just in case some config file nnede to be read. Where do I go from here?


 

Did you choose Install or upgrade.   I just had this problem trying to 
upgrade whereas it worked fine when I chose Install.


Paul Scott
   



No, I decided to go for a new install. I also got rid of the old gs before
I compiled the new one.
 

What distro?  I run Debian and don't know other package systems really 
well but was gs installed in a standard manner so that the autopackage 
system would be likely to find your gs?


Paul



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Update on Signed Trills?

[Will Oram]

There are two kinds of signed trills: ones with tiny accidentals on the 
side and those with ones on top. (At least, those are the trills I work 
with...contemporary trill fun is discounted.) It's a tedious process to 
find good parameter values to properly position and size these 
accidentals. Furthermore, because I have to treat 'tr' as a glyph 
instead of \trill, markup padding is applied. This leaves you with a 
trill sign sitting higher up than the signs around it.


Anyone have good code to achieve both these? The last time this 
question was posed was one year ago (and by someone else), and a lot 
has changed, so I'm bringing it up again. See 
http://lists.gnu.org/archive/html/lilypond-user/2004-06/msg00118.html .


PS...at last, a job interview; Han-Wen and Jan might get donation funds 
from me yet! ;)


Best,
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu



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Re: Figured Bass Above Bass line

[Trent J]

Thanks Laura,
I've been to the muptopia site, but unfortunately it's a matter of finding a score typeset with the current version your working on. Convert-ly does some of the job but then there some manual recoding that needs to be done, which can prove just as scarey as starting with a blank file. (I must admit it was a steep learning curve installing python and using the python scripts in the 2.6 windows version). 
I suppose the template site would become a bit of a white elephant having to continully reformat code for each version of lilypond as it evolves. I guess that's why the examples in the manual and regression test are usually on the simple side.
Meanwhile I haven't seen much music typeset and published via lilypond.The most comprehensive example I have seen is Handel's - Guilo Cesare... but unfortunately the code is so old that it doesn't help with producing scores with current versions of lilypond.We are lucky that there are such people who are readily able to help those of us who can into trouble every now and again.
Thanks again to all..
TrentFrom: Laura Conrad <[EMAIL PROTECTED]>To: "Trent J" <[EMAIL PROTECTED]>CC: [EMAIL PROTECTED], lilypond-user@gnu.orgSubject: Re: Figured Bass Above Bass lineDate: Tue, 19 Jul 2005 00:29:13 -0400> "TJ" == Trent J <[EMAIL PROTECTED]> writes: TJ>Maybe there could be a facility where people could share TJ>templates etc it might make grasping the technicalities of TJ>lilypond a little easier if people could start by entering TJ>music instead of figuring out the coding a score.Quite a lot of us who write lilypond do post our input files on theweb.  There 
used to be a page on the lilypond website which pointed tosome of them.  And there's the mutopia project, which also isn'teasy to find from the website.I think my best figured bass attempt is at.  Unfortunately, it's lilypond1.6, so it might not be much direct use to you.  I haven't been doingmuch baroque stuff lately.--Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ )(617) 661-8097 fax: (501) 641-5011233 Broadway, Cambridge, MA 02139



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Re: Figured Bass Above Bass line

[Laura Conrad]

> "TJ" == Trent J <[EMAIL PROTECTED]> writes:

TJ>Maybe there could be a facility where people could share
TJ>templates etc it might make grasping the technicalities of
TJ>lilypond a little easier if people could start by entering
TJ>music instead of figuring out the coding a score.

Quite a lot of us who write lilypond do post our input files on the
web.  There used to be a page on the lilypond website which pointed to
some of them.  And there's the mutopia project, which also isn't
easy to find from the website.  

I think my best figured bass attempt is at
.  Unfortunately, it's lilypond
1.6, so it might not be much direct use to you.  I haven't been doing
much baroque stuff lately.

-- 
Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ )
(617) 661-8097  fax: (501) 641-5011
233 Broadway, Cambridge, MA 02139




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Re: problem installing lilypond

[shelagh]

On Mon, 18 Jul 2005 19:40:31 -0700, Paul Scott wrote:

> shelagh wrote:
> 
>>I tried to install lilypond 2.6.1 with the auto installer as my
>>distribution doesn't package the latest version. My problem is that when
>>the installer gets to the ghostscript search it says I don't have the
>>right version. (ghostscript-8.15). This however is not so as I've only
>>just downloaded, compiled it just to please the installer. I rebooted,
>>just in case some config file nnede to be read. Where do I go from here?
>>  
>>
> Did you choose Install or upgrade.   I just had this problem trying to 
> upgrade whereas it worked fine when I chose Install.
> 
> Paul Scott

No, I decided to go for a new install. I also got rid of the old gs before
I compiled the new one.

Shelagh




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Re: Figured Bass Above Bass line

[Trent J]

Thanx Mats,
I'll give it a try tonight. Yes the description for the figured bass is a bit cryptic where the manual and regression test seem to differ. Also the examples give tend only to involve a direct score generation with no 'instrument' variables as you would normally generate so knowing what to put where is sometimes difficult.
I tend to generate templates from previous scores so once I get this score working I'll use this as a basis for instrumental scores with a figured bass. I only have to add instruments as needed the rest of the setup is there. Maybe there could be a facility where people could share templates etc it might make grasping the technicalities of lilypond a little easier if people could start by entering music instead of figuring out the coding a score.
Trent
From: Mats Bengtsson <[EMAIL PROTECTED]>To: Trent J <[EMAIL PROTECTED]>CC: lilypond-user@gnu.org, bug-lilypond Subject: Re: Figured Bass Above Bass lineDate: Mon, 18 Jul 2005 21:18:24 +0200First of all, I note that you are using a feature that is not mentionedin the manual, namely \figures, which turns out to be shorthand for\new FiguredBass \figuremode(The only documentation of this feature can be found inhttp://www.lilypond.org/doc/v2.4/Documentation/topdocs/out-www/NEWS.htmlbut it is also used in the figured-bass.ly Regression Test example)Anyway, the problem with your code is that the FiguredBass contextcannot be included within a Staff context (but it can of course beincluded in a StaffGroup). So, it should help to move it outside theStaff context:\score 
{  \new StaffGroup <<\new Staff{ \violinsolo }\fb\new Staff { \continuo }   >>\layout {  }} /MatsTrent J wrote:>I've tried and tried and tried and tried... and I still can't get >the figured bass above the bass line.>  I've tried following the example in the regression test but since >there is no other staves or variables used I can't put the code >together that would place the figured bass above the bass line.>  My Code is as follows:>  \version "2.6.0">#(set-global-staff-size 16)>#(set-default-paper-size "a4")>\header {>   title = "Sonata I">}>\paper{>hsize = 
2\cm>topmargin = 2\cm>bottommargin = 2\cm>leftmargin =2\cm>linewidth =17\cm>}>violinsolo = \new Voice {  \relative c '' {>\time 4/4>\key f \major>c4. f8 e f r16 f,( c' f)>d8 c bes4 a r8 a'16( f)>g8 c, r f16( d) e8 a, r d16( bes)>c8 f, bes16( g') bes,( a) a8( g) r16 c,( g' bes)>bes16( g) a8 r16 d,( a' c) c( a) bes8 r16 g( d' f~)>f32 e[ g16.] f32[ a16.] g32[ bes16.] a32[ c16] \grace { d16[ c]} b8 >g c c,>a'16( f) g( e) f4\trill e r8 c>d4. c'16( e,) f8 c f4~>f8 e16( d) c8[ e] d[ g,] g'4>g8 f16( e) f8 d ees2~>e8 d16( c) d8 c c4( c16 a') bes,( a)>bes2~ bes8 a a16[( bes32 a) e'16 g,]>fis8 d g c bes4 a><< { gis8 e a a' a4( g } \\ {s2. bes,4 } >>><< { g'8 f) c8_([ d32 c bes a64 g]) \grace f8 e16 d'_( c 
e,) f_( c') >a_( f) } \\ { a4 s2. } >>>d32( e16 f32) c( c'64 a f32 e64 d) \grace c8 bes8\trill[( bes32 a >bes c)] bes8( a) r16 f( c' ees)>e16^\markup{ \smaller \flat }( c) d8 r16 g,( d' f) f16( d) e!8 r16 >c( g' bes)>bes16( a c, a') a( g c, g') g( f bes, f') f(e a, ees')>e16^\markup{ \smaller \flat }( d f, d') d( c f, c') b4 a~>a8 bes16( g) \grace a8 g8.\trill f16 e4 c'8 d>a4 g f2^\fermata \bar "||">\partial 8>c'8 f8. f16 f8 f \grace g8 f16( e) f8 f16.[( g32 a16) g32 f]>g16[ c, c32( b c16)] g'16.[ a32 b16 a32 g] a16[ c, \grace d8 c32( b >c16)] \times 2/3 { f16[( g a-.] } \times 2/3 { a16-.[ g f] )}>g16[ c, \grace d8 c32( b c16)] \times 2/3 {g'16[( a b-.]} \times 2/3 >{b16-.[ a g])} \grace b8 a32 g f8. r4>a,8-.([ a-.] a16.[ b32) c16 b32 a] g32 e c8. r4>a'8-.([ a-.] 
a16.[ b32) c16 b32 a] g32 e c8. r8 c'>f16.[( g32 a16) g32 f ] e16.[( f32 g16) f32 e] d16([ g,) \grace a8 >g32( fis g16]) d16 g b, g'>g,16([ b') \grace c8 b32( a b16)] g b d, b' g,([ g'' \grace a8 g32( >fis g16)] d g b, g'>g,([ b' \grace c8 b32( a b16)] g b d, b' g,,4 r>}}>>continuo = {  \relative c {>  \clef "bass">  \key f \major>f8 g a bes~ bes a16 g a8 f>bes8 a g c, f, f'16 g a8 f~>f8 e16 d e8 d8. s16 c bes c8 bes>bes8 a g f c4 e'>f4 fis4 g bes,>c8 d e f~ f e16 d e8 c>f8 e d g, c4 c'~>c8 bes16( a) bes4. a16( g) a8 f>g8 c, c'4. bes16( a) bes8 g>a8 d, d'4. c16( bes) c8 a>bes2~ bes8 a16( g) a8 fis>g8 f ees d cis cis cis cis>c4 b8 ees d4 d'~>d8 c16( b) c8 d e d e e,>f8 g a bes~ bes a16 g 
a8 f>bes8 a g c, f4 a,>bes4 b c e>f4 e d c>b a g f>b b'2 a8 b>c,2 f,^\fermata \bar "||">\partial 8>r8 f''4 e d8 c16 bes a8 f>bes8 g e c f c a f>}}>fb = \figures {>s2 <2 4>8 < 6>8 s4>s4 <7>8 <7>8 s2><2 5>4. <5>8 <2 5>4 s8 <5>8><2 5>4 <6>4 <4 6>8 <3 5>8 <6>8 <5>8><9>8 <8>8 <6>8 <5>8 <9>8 <8>8 <6>8 <5>8><9>16 <8>16 <9>16 <8>16 <9>16 <8>16 <9>16 <8>16 <2 4!>8 <6>4.>s4  <7>8 <_! 7>8 s2><2 4>4 <3>8 <4 6>8 <2 5>8 s8 <6>4><7>4 <3>4 <2 5>4 <6>4><7>4 <3>4 <2- 4>4 <_- 
6>4><4>4 <3>4 <2 4->4 <6+>4><9>4 <5>4 <7>8 <6>8 s8 <5 6>8><2 4->4 <6>8 <6>8 <4 6>4 <3- 5>4><2 4- 6! >2 <4 6>4 <3 5->4><9>8 <7>8 <6>8 <6>8 <2 4>8 <6>8 s4>s4 <7>8 <7>8 s4 <6>8 <5->8><9>8 <8>8 <6>8 <5>8 <9>8 <8>

Re: problem installing lilypond

[Paul Scott]

shelagh wrote:


I tried to install lilypond 2.6.1 with the auto installer as my
distribution doesn't package the latest version. My problem is that when
the installer gets to the ghostscript search it says I don't have the
right version. (ghostscript-8.15). This however is not so as I've only
just downloaded, compiled it just to please the installer. I rebooted,
just in case some config file nnede to be read. Where do I go from here?
 

Did you choose Install or upgrade.   I just had this problem trying to 
upgrade whereas it worked fine when I chose Install.


Paul Scott



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problem installing lilypond

[shelagh]

I tried to install lilypond 2.6.1 with the auto installer as my
distribution doesn't package the latest version. My problem is that when
the installer gets to the ghostscript search it says I don't have the
right version. (ghostscript-8.15). This however is not so as I've only
just downloaded, compiled it just to please the installer. I rebooted,
just in case some config file nnede to be read. Where do I go from here?

Shelagh



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Re: FW: How to remove the time signature without removing the barlines

[Erik Sandberg]

On Monday 18 July 2005 19.12, Laura Conrad wrote:
> > "ES" == Erik Sandberg <[EMAIL PROTECTED]> writes:
>
> ES> I don't see why any non-guru would want to set whichBar
> ES> explicitly, so perhaps that documentation should be moved to
> ES> internals.
>
> The reason I use it from time to time (maybe I'm a guru, but the
> problem is definitely not a guru problem) is that if you move the
> barline engraver from the score context to the staff context, you need
> it to get any bars at all.
>
> The reason to move the barline engraver is that I sometimes find it
> easier to find errors in note entry if the erroneous barlines aren't
> duplicated in all staves of a score.

OK, then perhaps it shouldn't be removed from the manual. However, the 
property is still a bit too odd to be mentioned in the "Basic Notation" 
chapter IMHO, perhaps it's better to move it to somewhere in the internals 
docu, or to an example in tips&tricks.

> So I would say that a non-guru might well need to use whichBar rather
> than bar.  If \bar would work for the barline engraver in any context,
> then maybe what you say would be true.

You could write such a bar command in Scheme, but that's even more guru:ish.

Bar = #(def-music-function (parser loc str) (string?)
  (context-spec-music (make-property-set 'whichBar str) 'Timing) )

\new Staff { c \Bar #"|." c }

Erik


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Re: Help to unclutter the "a"

[dax2]

On Mon, 18 Jul 2005 17:09:51 -0500
Fairchild wrote:

> More precisely, which files at http://d-axel.dk/pub/music/ constitute your
> how-to examples?

Oops! I was not so fast, sorry. I can see I need to rearrange my webserver
document root (soon running out of space) and therefore I left my examples
on my workstation.

Now there is a "goodies" directory with the examples which I have submitted
to the lilypond-user list:

http://d-axel.dk/pub/music/goodies/


... and another contains a copy of my try-out snippets. I must
sort them and put approved examples into the goodies-dir later:

http://d-axel.dk/pub/music/exmplino/


The Roux examples are here:

http://d-axel.dk/pub/music/goodies/Roux-ex2.ly
http://d-axel.dk/pub/music/goodies/Roux-ex2.png

The stem-length adjustment for Roux I learned from the user-list,
I asked because Chopin op.28.2 did not work out without same kind
of adjustment. So somewhere on the mailinglist you could find
this specifically useful answer: use this to get long stems:

\version "2.4.5"

  \override Voice.Stem #'beamed-lengths = #'(4.0 4.0 4.0)

and this one to get more air in the setting:

  \override Score.SeparationItem #'padding = #0.5




/Donald

-- 
dax2-tele2adsl:dk -- http://d-axel.dk/  Donald Axel


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Fwd: problem with lilypond 2.6.1 under cygwin...

[Arno Waschk]

may be i got stuck in the moderation filters?

Arno

--- Forwarded message ---
From: "Arno Waschk" <[EMAIL PROTECTED]>
To:Subject: problem with lilypond 2.6.1 under cygwin...
Date: Wed, 13 Jul 2005 20:17:56 +0200

What is going wrong here?

I compiled lilypond from cvs (branch lilypond_2_6), which works fine, but
then:

$ lilypond ./duo-vlva1.ly
GNU LilyPond 2.6.1
Processing `./duo-vlva1.ly'
Parsing...
Interpreting music... [8][16][24][32][40][48][56][64][72][80][88][96][100]
Preprocessing graphical objects...
Calculating line breaks...
[3][6][9][12][15][18][21][24][27][30][33][36][39][42][45][48][51][54][57][60][63][66][69][72][75][78][81][84][87][90][93][96][99][101]
Interpreting music...
MIDI output to `duo-vlva1.midi'...
Track...
Calculating page breaks...[7][13]
Layout output to `duo-vlva1.ps'...
error: can't find file:
`/usr/local/share/lilypond/2.6.1/fonts/type1//PFAPFAemmentaler-26.pfa.pfa'
(load path:
`/usr/local/share/lilypond/2.6.1/fonts/cff/:/usr/local/share/lilypond
/2.6.1/fonts/svg/:/usr/local/share/lilypond/2.6.1/fonts/cff/:/usr/local/share/lilypond/2.6.1/fonts/type1/:/usr/local/share/lilypond/2.6.1/fonts/otf/:/usr/local/share/lilypond/2.6.1
/scm:/usr/local/share/lilypond/2.6.1/ps:/usr/local/share/lilypond/2.6.1/ly::.')


Different .ly files all give the same error.

Thanks for any help!

Arno



--
http://www.arnowaschk.de


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Repeat brackets and chordmode

[Angel Candelaria]

Hi. I'm a new lilypond user, so please excuse me if
this question is too basic or elemental.
I'm writing a chord chart using \chordmode but am
having trouble with some repeats because the chord
names appear above the numbered ending brackets. How
can I make lilypond write the repeat brackets above of
the chord names?
Also, how can I place the chord name closer to the top
of the staff? Sometimes I find that the chord names
are a little far up. Thanks.

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Re: Lilypond 2.6.1 on Gentoo: libstdc++

[Daniel Johnson]

Dear Martin --

I think you're going to have to do one of two things:

1. Upgrade to gcc 3.4 (unstable).  The following page will be helpful:
http://gentoo-wiki.com/HOWTO_Migrate_to_GCC_3.4
(Current stable gcc *[3.3.5.20050130-r1]* in portage maxes out at
libstdc++.so.5.0.7)

*OR*

2. Remove the autopackage and build lilypond from source; it's not too
painful unless you need to build the documentation as well.  There's an
ebuild here:
http://bugs.gentoo.org/show_bug.cgi?id=97574
If you're not concerned about building documentation, edit the ebuild
and lower the guile version requirements to 1.6.7 (my ebuild requires
guile-1.7.2 from CVS; building *that* is left as the proverbial exercise
for the reader).
Rename the ebuild to the version number you want to build; the given
ebuild is for 2.7.0 but it should work fine for any of the 2.6/2.7 series.

--Daniel


Martin Brodbeck wrote:

> Hello,
>
> I've installed the latest lilypond 2.6.1 with autopackage on my Gentoo
> Linux. The installation was fine, but I cannot start lilypond:
>
> --- snip ---
> /usr/local/bin/lilypond-bin-2.6.1: error while loading shared
> libraries: libstdc++.so.6: cannot open shared object file: No such
> file or directory
> --- snip ---
>
> What's going on here?
>
> Thanks a lot
> Martin




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Re: To many clashing note

[Georges Roux]

Rob Vlasaty a écrit :

>Georges,
>
>See if this is what you wanted.  Mats Bengtsson wrote to me in another post:
>
>  
>
>>>You may want to use \voiceOne instead of \stemUp and \voiceTwo instead
>>>of \stemDown, to set the direction not only of stems but also of slurs,
>>>ties, and some other things.
>>>  
>>>
>
>Erik Sandberg wrote to me on Bug-Lilypond for a question I asked:
>
>  
>
>>>Please read the manual on polyphony, esp. 6.6.2. The problem is the << \\ >> 
>>>inside upperTwo; << \\ >> sets \voiceOne and \voiceTwo implicitly.
>>>  
>>>
>
>Putting it all together, I think I get it now.  The << \\ >> construct 
>automatically resets it to << \voiceOne \\ \voiceTwo >> even if it's inside 
>another voice number.  I would have to explicitly state the voice I'm working 
>with to change it.  So Georges, I tried changing your \stemUp and \stemDown's 
>to different voices.  I hope I'm on the right track with my thinking.
>
>Rob
>
>  
>
It's ok with voiceOne \\ voiceFour
thanks

Georges


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Re: To many clashing note

[Rob Vlasaty]

Georges,

See if this is what you wanted.  Mats Bengtsson wrote to me in another post:

>> You may want to use \voiceOne instead of \stemUp and \voiceTwo instead
>> of \stemDown, to set the direction not only of stems but also of slurs,
>> ties, and some other things.

Erik Sandberg wrote to me on Bug-Lilypond for a question I asked:

>> Please read the manual on polyphony, esp. 6.6.2. The problem is the << \\ >> 
>> inside upperTwo; << \\ >> sets \voiceOne and \voiceTwo implicitly.

Putting it all together, I think I get it now.  The << \\ >> construct 
automatically resets it to << \voiceOne \\ \voiceTwo >> even if it's inside 
another voice number.  I would have to explicitly state the voice I'm working 
with to change it.  So Georges, I tried changing your \stemUp and \stemDown's 
to different voices.  I hope I'm on the right track with my thinking.

Rob


\version "2.5.32"
%\version "2.4.5"

\header {
  title = "Clashing note"
  subtitle = "to many"
  composer = "Jean Sebastien Bach (1685-1750)"
  style = "Classical"
  copyright = "Public Domain"  
  maintainer = "Georges Roux"
  lastupdated = "2005/07/10"
  filename  = "clashing_note.ly"
  instrument  = "Guitare"
  piece = ""
  }

global = {
\clef "G_8"
\time 3/4
\key e \major
  }
  
midiStuff = {
  \set Staff.midiInstrument = "acoustic guitar (nylon)"
  }
  
upperVoice = \relative c' {
  
  << { \voiceTwo b,16[ s e s fis s gis s a s fis s] } \\ { \voiceOne s a16[ s a 
s 
a s a s a s a] }  >> %110
  }

lowerVoice = \relative c, {
  \voiceFour
  dis'4 \skip 4 \skip 4%110
  }

Guitare = \simultaneous {
  \context Voice="upperVoice" \upperVoice
  \context Voice="lowerVoice" \lowerVoice
  }




\score {
  \context Staff="Musique" << 
\midiStuff
\global
\Guitare 
>>
  \midi { \tempo 4=108 }
  \layout {
linewidth = 180.000 \mm
textheight = 250.000 \mm
}
  }


-- 
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RE: Help to unclutter the "a"

[Fairchild]

Donald -

More precisely, which files at http://d-axel.dk/pub/music/ constitute your
how-to examples?

   - Bruce

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
dax2
Sent: Monday, July 18, 2005 4:17 PM
To: lilypond-user@gnu.org
Subject: Re: Help to unclutter the "a"


On Mon, 18 Jul 2005 21:12:51 +0200
Georges wrote:

> Thanks, here is my example, the note 9 of the first voice is 
> overwritten by beam.

I have a small base of how-to examples which are essential for
small-private-scale writing of any (classical) music. Well, it is definitely
not finished, but I happened to be able to answer your question.

Have a look.

I am sorry that I stay on a conservative version 2.4.5, but lately the speed
of updates has by far outmaneuvered my setup. I hope the stem - length will
change in your Lilypond-version too.


/Donald
-- 
http://d-axel.dk/pub/music/




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RE: Custom markup

[Sven Axelsson]

OK, thanks. That gives the correct output.

But how would I wrap this into a self-contained command?

If I try

tc = \once \override TextScript #'staff-padding = #2 \markup { \column { "T"
"C" } }

then Lily fails (understandably) when I try to use as { a_\tc }

I would like to have the command completely self-contained,
since this is an abbreviated notation, and I want to be able to
switch between this and the full notation that instead inserts
a complex grace note, without any changes to the score.

That is also the reason for why I want the syntax to be

{ a\tc } instead of { a_\tc }

-- 
Sven Axelsson 

> -Original Message-
> From: Mats Bengtsson [mailto:[EMAIL PROTECTED] 
> Sent: den 18 juli 2005 21:27
> To: Sven Axelsson
> Cc: lilypond-user@gnu.org
> Subject: Re: Custom markup
> 
> One useful trick here is to increase the value of the
> staff-padding property of the TextScript object. This property
> determines the minimum distance from the script to the staff lines,
> so as long as you set this value large enough so that no note gets
> too close to the text scripts, they will all be vertically aligned.
> For the syntax, I don't see any alternative, but is it really that
> hard to press an extra '_' key every now and then?
> 
> /Mats
> 
> Sven Axelsson wrote:
> > I want to create a simple text markup that should be placed
> > *at a fixed height* below the notes. I haven't figured out 
> > how yet - so many properties.
> > 
> > I have this now
> > 
> > tc = \markup { \column { "T" "C" } }
> > 
> > and using it like this
> > 
> > \relative c' { c4_\tc g'_\tc b_\tc }
> > 
> > which is OK, except for the mark shifting up and down a little
> > depending on the notes. How can I fix that?
> > 
> > And ideally I'd like the command to be c\tc and not c_\tc as
> > of now. Is that possible?



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Re: Custom markup

[Mats Bengtsson]

See http://lists.gnu.org/archive/html/lilypond-user/2005-07/msg00138.html
for some hints on how to implement a function in Scheme which you can
use with the syntax
\tc a

   /Mats

Sven Axelsson wrote:

OK, thanks. That gives the correct output.

But how would I wrap this into a self-contained command?

If I try

tc = \once \override TextScript #'staff-padding = #2 \markup { \column { "T"
"C" } }

then Lily fails (understandably) when I try to use as { a_\tc }

I would like to have the command completely self-contained,
since this is an abbreviated notation, and I want to be able to
switch between this and the full notation that instead inserts
a complex grace note, without any changes to the score.

That is also the reason for why I want the syntax to be

{ a\tc } instead of { a_\tc }



--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=


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Re: Custom markup

[Mats Bengtsson]

One useful trick here is to increase the value of the
staff-padding property of the TextScript object. This property
determines the minimum distance from the script to the staff lines,
so as long as you set this value large enough so that no note gets
too close to the text scripts, they will all be vertically aligned.
For the syntax, I don't see any alternative, but is it really that
hard to press an extra '_' key every now and then?

   /Mats

Sven Axelsson wrote:

I want to create a simple text markup that should be placed
*at a fixed height* below the notes. I haven't figured out 
how yet - so many properties.


I have this now

tc = \markup { \column { "T" "C" } }

and using it like this

\relative c' { c4_\tc g'_\tc b_\tc }

which is OK, except for the mark shifting up and down a little
depending on the notes. How can I fix that?

And ideally I'd like the command to be c\tc and not c_\tc as
of now. Is that possible?

Thanks



--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=


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Re: Help to unclutter the "a"

[dax2]

On Mon, 18 Jul 2005 21:12:51 +0200
Georges wrote:

> Thanks, here is my example, the note 9 of the first voice is overwritten
> by beam.

I have a small base of how-to examples which are essential for
small-private-scale writing of any (classical) music. Well, it
is definitely not finished, but I happened to be able to answer
your question.

Have a look.

I am sorry that I stay on a conservative version 2.4.5, but lately
the speed of updates has by far outmaneuvered my setup. I hope the
stem - length will change in your Lilypond-version too.


/Donald
-- 
http://d-axel.dk/pub/music/


Roux-ex2.ly
Description: Binary data


Roux-ex2.png
Description: PNG image
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Re: Tied notes and lyrics problem

[Mats Bengtsson]

Graham Percival wrote:


On 16-Jul-05, at 9:30 AM, Borislav Ivanov wrote:

Hello. I have a problem when lilypond must add lyrics to tied notes. 
It thinks that the tied notes are actually one note and add the lyrics 
to the next untied note.



That's the way it's supposed to be.  If you want the two notes to be 
treated

as two separate notes, use slurs instead of ties.


Slurs are normally also treated as melisma, i.e. you only get one
syllable per slur, see "7.3.4 The Lyrics context" in the manual.
You can set the property ignoreMelismata if you don't want this to
happen, see "7.3.5 Flexibility in alignment"

   /Mats


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Re: FW: How to remove the time signature without removing the barlines

[Laura Conrad]

> "ES" == Erik Sandberg <[EMAIL PROTECTED]> writes:

ES> I don't see why any non-guru would want to set whichBar
ES> explicitly, so perhaps that documentation should be moved to
ES> internals.

The reason I use it from time to time (maybe I'm a guru, but the
problem is definitely not a guru problem) is that if you move the
barline engraver from the score context to the staff context, you need
it to get any bars at all.

The reason to move the barline engraver is that I sometimes find it
easier to find errors in note entry if the erroneous barlines aren't
duplicated in all staves of a score.

So I would say that a non-guru might well need to use whichBar rather
than bar.  If \bar would work for the barline engraver in any context,
then maybe what you say would be true.

-- 
Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ )
(617) 661-8097  fax: (501) 641-5011
233 Broadway, Cambridge, MA 02139




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Re: Help to unhidde the "a"

[Georges Roux]

Mats Bengtsson a écrit :

>
>
> Erik Sandberg wrote:
> >...
>
>>   << { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s
>> gis s fis s gis s a s fis s ] } >>
>
>
> You remove the \stemUp and \stemDown here, since they are provided
> automatically by the \\ construct.
>
>/Mats

I can't do that I need to show the differente voices correctly I can't
reverse, I m sorry, the music is not mine.

Georges


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Re: bug? or just in competence on my part?

[Jay Hamilton, Sound and Silence]

Graham- I keep on trying to use conver-ly and it keeps on saying that I 
don't have getop which I do I can see it in the same place as convert-ly 
so I've never been able to get it to work.
I think I've written that before and never received a reply but I'm not 
longer sure.

Jay

Graham Percival wrote:



On 17-Jul-05, at 3:55 PM, Jay Hamilton, Sound and Silence wrote:

So I punted it to 2.6 and it's way worse.  So could someone look and 
tell me what to put before and after the 'notes'?  Because I thought 
I was following the rules but nothing seems to work.



Update the score with convert-ly.  Versions 2.4 and above (I thought 
it was

actually 2.2 and above, but maybe not) don't use \notes.


\score {
   \notes <<




- Graham




--
Childhood is a Journey not a race- Emma Sadinsky aged 8
Jay Hamilton
Sound and Silence
206-328-7694
www.soundand.com



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EPS (encapsulated postscript)

[Phillip Kirlin]

Yeah, so here's another EPS question to put an end to all EPS questions:

In the latest version of lilypond (2.6.1), what's the best way to get an 
EPS now that the tex backend isn't used by default?  Because it seems that 
the lilypond.map file isn't there anymore


--Phil Kirlin


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Re: Help to unhidde the "a"

[Mats Bengtsson]

Erik Sandberg wrote:
>...
  << { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s gis s fis 
s gis s a s fis s ] } >>


You remove the \stemUp and \stemDown here, since they are provided
automatically by the \\ construct.

   /Mats


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Re: EPS (encapsulated postscript)

[fiëé visuëlle]

Am 2005-07-18 um 19:27 schrieb Phillip Kirlin:

In the latest version of lilypond (2.6.1), what's the best way to  
get an EPS now that the tex backend isn't used by default?  Because  
it seems that the lilypond.map file isn't there anymore


You could use ps2eps from GhostScript (at least in my installation  
there's always a ps file) or generate the eps from the pdf.



Grüßlis vom Hraban!
---
http://www.fiee.net/texnique/
http://contextgarden.net



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Re: Figured Bass Above Bass line

[Mats Bengtsson]

First of all, I note that you are using a feature that is not mentioned
in the manual, namely \figures, which turns out to be shorthand for
\new FiguredBass \figuremode
(The only documentation of this feature can be found in
http://www.lilypond.org/doc/v2.4/Documentation/topdocs/out-www/NEWS.html
but it is also used in the figured-bass.ly Regression Test example)

Anyway, the problem with your code is that the FiguredBass context
cannot be included within a Staff context (but it can of course be
included in a StaffGroup). So, it should help to move it outside the
Staff context:

\score {
 \new StaffGroup <<
   \new Staff{ \violinsolo }
   \fb
   \new Staff { \continuo }
  >>
\layout {  }
}


/Mats


Trent J wrote:
I've tried and tried and tried and tried... and I still can't get the 
figured bass above the bass line.
 
I've tried following the example in the regression test but since there 
is no other staves or variables used I can't put the code together that 
would place the figured bass above the bass line.
 
My Code is as follows:
 
\version "2.6.0"

#(set-global-staff-size 16)
#(set-default-paper-size "a4")
\header {
  title = "Sonata I"
}
\paper{
hsize = 2\cm
topmargin = 2\cm
bottommargin = 2\cm
leftmargin =2\cm
linewidth =17\cm
}
violinsolo = \new Voice {  \relative c '' {
\time 4/4
\key f \major
c4. f8 e f r16 f,( c' f)
d8 c bes4 a r8 a'16( f)
g8 c, r f16( d) e8 a, r d16( bes)
c8 f, bes16( g') bes,( a) a8( g) r16 c,( g' bes)
bes16( g) a8 r16 d,( a' c) c( a) bes8 r16 g( d' f~)
f32 e[ g16.] f32[ a16.] g32[ bes16.] a32[ c16] \grace { d16[ c]} b8 g c c,
a'16( f) g( e) f4\trill e r8 c
d4. c'16( e,) f8 c f4~
f8 e16( d) c8[ e] d[ g,] g'4
g8 f16( e) f8 d ees2~
e8 d16( c) d8 c c4( c16 a') bes,( a)
bes2~ bes8 a a16[( bes32 a) e'16 g,]
fis8 d g c bes4 a
<< { gis8 e a a' a4( g } \\ {s2. bes,4 } >>
<< { g'8 f) c8_([ d32 c bes a64 g]) \grace f8 e16 d'_( c e,) f_( c') a_( 
f) } \\ { a4 s2. } >>
d32( e16 f32) c( c'64 a f32 e64 d) \grace c8 bes8\trill[( bes32 a bes 
c)] bes8( a) r16 f( c' ees)
e16^\markup{ \smaller \flat }( c) d8 r16 g,( d' f) f16( d) e!8 r16 c( g' 
bes)

bes16( a c, a') a( g c, g') g( f bes, f') f(e a, ees')
e16^\markup{ \smaller \flat }( d f, d') d( c f, c') b4 a~
a8 bes16( g) \grace a8 g8.\trill f16 e4 c'8 d
a4 g f2^\fermata \bar "||"
\partial 8
c'8 f8. f16 f8 f \grace g8 f16( e) f8 f16.[( g32 a16) g32 f]
g16[ c, c32( b c16)] g'16.[ a32 b16 a32 g] a16[ c, \grace d8 c32( b 
c16)] \times 2/3 { f16[( g a-.] } \times 2/3 { a16-.[ g f] )}
g16[ c, \grace d8 c32( b c16)] \times 2/3 {g'16[( a b-.]} \times 2/3 
{b16-.[ a g])} \grace b8 a32 g f8. r4

a,8-.([ a-.] a16.[ b32) c16 b32 a] g32 e c8. r4
a'8-.([ a-.] a16.[ b32) c16 b32 a] g32 e c8. r8 c'
f16.[( g32 a16) g32 f ] e16.[( f32 g16) f32 e] d16([ g,) \grace a8 g32( 
fis g16]) d16 g b, g'
g,16([ b') \grace c8 b32( a b16)] g b d, b' g,([ g'' \grace a8 g32( fis 
g16)] d g b, g'

g,([ b' \grace c8 b32( a b16)] g b d, b' g,,4 r
}}

continuo = {  \relative c {
 \clef "bass"
 \key f \major
f8 g a bes~ bes a16 g a8 f
bes8 a g c, f, f'16 g a8 f~
f8 e16 d e8 d8. s16 c bes c8 bes
bes8 a g f c4 e'
f4 fis4 g bes,
c8 d e f~ f e16 d e8 c
f8 e d g, c4 c'~
c8 bes16( a) bes4. a16( g) a8 f
g8 c, c'4. bes16( a) bes8 g
a8 d, d'4. c16( bes) c8 a
bes2~ bes8 a16( g) a8 fis
g8 f ees d cis cis cis cis
c4 b8 ees d4 d'~
d8 c16( b) c8 d e d e e,
f8 g a bes~ bes a16 g a8 f
bes8 a g c, f4 a,
bes4 b c e
f4 e d c
b a g f
b b'2 a8 b
c,2 f,^\fermata \bar "||"
\partial 8
r8 f''4 e d8 c16 bes a8 f
bes8 g e c f c a f
}}
fb = \figures {
s2 <2 4>8 < 6>8 s4
s4 <7>8 <7>8 s2
<2 5>4. <5>8 <2 5>4 s8 <5>8
<2 5>4 <6>4 <4 6>8 <3 5>8 <6>8 <5>8
<9>8 <8>8 <6>8 <5>8 <9>8 <8>8 <6>8 <5>8
<9>16 <8>16 <9>16 <8>16 <9>16 <8>16 <9>16 <8>16 <2 4!>8 <6>4.
s4  <7>8 <_! 7>8 s2
<2 4>4 <3>8 <4 6>8 <2 5>8 s8 <6>4
<7>4 <3>4 <2 5>4 <6>4
<7>4 <3>4 <2- 4>4 <_- 6>4
<4>4 <3>4 <2 4->4 <6+>4
<9>4 <5>4 <7>8 <6>8 s8 <5 6>8
<2 4->4 <6>8 <6>8 <4 6>4 <3- 5>4
<2 4- 6! >2 <4 6>4 <3 5->4
<9>8 <7>8 <6>8 <6>8 <2 4>8 <6>8 s4
s4 <7>8 <7>8 s4 <6>8 <5->8
<9>8 <8>8 <6>8 <5>8 <9>8 <8>8 <6>8 <5>8
<9>8 <8>8 <6>4 <6>4 <6>4
<5>4 <6>4 <6>4 s4
<7>4 <6>4 <2 4>4 <6>4
<4 6>4 <3 5>4 s2
}
\score {
 \new StaffGroup <<
 \new Staff << \violinsolo>>
 \new Staff << \fb
 \context Voice { \continuo }
>>
>>
\layout {  }
}
 
I think it's in the score section but not to sure. Any help would be 
appreciated.
 
Cheers
 
Trent





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=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe

Re: Help to unhidde the "a"

[Georges Roux]

Mats Bengtsson a écrit :

>
>
> Erik Sandberg wrote:
> >...
>
>>   << { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s
>> gis s fis s gis s a s fis s ] } >>
>
>
> You remove the \stemUp and \stemDown here, since they are provided
> automatically by the \\ construct.
>
>/Mats

If I do that way and I revert the voices I have the same overwritten "A"

<< {s16 e16[ s e s e s e s e s e ] } \\ {e16[ s gis s fis s gis s a s
fis s ] } >>

Georges



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Re: Help to unhidde the "a"

[Georges Roux]

Erik Sandberg a écrit :

>I can't reproduce this (the a is not overwritten by any beam if I compile your 
>example). If it really does, it's a bug which we would like to know more 
>about. Can you please send a complete example in which the 'a' is overwritten 
>by a beam?
>
>Erik
>  
>
Thanks, here is my example, the note 9 of the first voice is overwritten
by beam.

Georges

\version "2.5.32"
% Sorry, I cant use 2.6.0 for now cause I m on Debian Sid
% and have problems to compile lilypond for now. 

\header {
  title = "The A overwritten by beam"
  subtitle = ""
  composer = "Jean Sebastien Bach (1685-1750)"
  style = "Classical"
  copyright = "Public Domain"  
  maintainer = "Georges Roux"
  lastupdated = "2005/07/18"
  filename  = "overwrittenbybeam.ly"
  instrument  = "Guitare"
  piece = ""
  }

global = {
\clef "G_8"
\time 3/4
\key e \major
  }
  
midiStuff = {
  \set Staff.midiInstrument = "acoustic guitar (nylon)"
  }
  
upperVoice = \relative c' {
%  \stemUp
  << { \stemDown e16[ s gis s fis s gis s a s fis s ] } \\ { \stemUp s e16[ s e 
s e s e s e s e ] } >> %14
  }

lowerVoice = \relative c, {
  \stemDown
  R2.   %14
  }

Guitare = \simultaneous {
  \context Voice="upperVoice" { \voiceOne \upperVoice }
  \context Voice="lowerVoice" { \voiceFour \lowerVoice }
  }

\score {
  \context Staff="Musique" << 
\midiStuff
\global
\Guitare 
>>
  \midi { \tempo 4=108 }
  \layout {
linewidth = 180.000 \mm
textheight = 250.000 \mm
}
  }
  
\paper {
#(set-paper-size "a4")
textheight = 24.0 \cm% for A4 paper
%textheight = 22.2 \cm% for Letter paper
}
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Re: Help to unhidde the "a"

[Erik Sandberg]

On Monday 18 July 2005 17.07, Georges Roux wrote:
> I do that but the a is hidden by beam

Please keep the discussions on the thread, i.e. reply to old messages that you 
refer to, instead of writing new ones. That way it's easier for us to relate 
your mail to previous communication.

> upperVoice = \relative c' {
>   << { \stemDown e16[ s gis s fis s gis s a s fis s ] } \\ { \stemUp s
> e16[ s e s e s e s e s e ] } >>
>   }

You probably want to switch the two voices, i.e.

  << { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s gis s fis 
s gis s a s fis s ] } >>

> Is there a way to unhidde the a?

I can't reproduce this (the a is not overwritten by any beam if I compile your 
example). If it really does, it's a bug which we would like to know more 
about. Can you please send a complete example in which the 'a' is overwritten 
by a beam?

Erik


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Re: FW: How to remove the time signature without removing the barlines

[Erik Sandberg]

On Monday 18 July 2005 18.05, Fairchild wrote:
> Erik -
>
>
>
> I understand that whichBar changes the default bar style as expected.  The
> flaky thing is that it causes the bar to be inserted after _every_ note.
> Can't fathom why this would be wanted often enough to make it a default.

Nobody forces you to use whichBar. The property is not really useful for 
non-gurus, as a normal user it's sufficient to control barlines with the \bar 
command, together with properties such as defaultBarType, barAlways and 
automaticBars.

Graham - Perhaps it would be good to rephrase the last sections of this:
http://www.lilypond.org/doc/v2.6/Documentation/user/out-www/lilypond/Bar-lines.html
I don't see why any non-guru would want to set whichBar explicitly, so perhaps 
that documentation should be moved to internals.

Erik


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RE: FW: How to remove the time signature without removing the barlines

[Fairchild]

Title: Message




Erik 
-
 
I 
understand that whichBar changes the default bar style as expected.  The flaky thing is that it causes the 
bar to be inserted after _every_ note.  
Can't fathom why this would be wanted often enough to make it a 
default.
 

\version 
"2.4.6"
{\relative 
c''{c1 c2 c4 c8 c16 c  c4 c c 
c}}
\layout 
{
raggedright = ##t
\context 
{
\Staff
whichBar = 
#"||"
}}

 

    
- Bruce
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Re: problems with (new) lilypond-book

[Paul Scott]

Mats Bengtsson wrote:




Paul Scott wrote:

[EMAIL PROTECTED]:~/music/stfrancis$ lilypond-book-2.6.0 --output=out 
--psfonts oilbook.tex

lilypond-book-bin-2.6.0 (GNU LilyPond) 2.6.0
Reading oilbook.tex...
Dissecting...
Writing snippets...
Processing...

(snip)

Compiling oilbook.tex...
Writing `oilbook.tex'...
Writing fonts to oilbook.psfonts...

DVIPS usage:
   dvips -h out/oilbook.psfonts out/oilbook.dvi



So, what's the problem! Read the manual to find out all details on how
to call latex and dvips if you find the above message too cryptic.


I don't find it cryptic at all and this has not been a high priority 
item for me but isn't that pointing to a bug in lilypond-book-2.6.0?  
Sorry I don't know when I can look at the lilypond-book-2.6.0 code if 
that's what's necessary.


Paul




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Re: 2 voices + lyrics + chords

[fiëé visuëlle]

Am 2005-07-18 um 12:39 schrieb Mats Bengtsson:

You may want to use \voiceOne instead of \stemUp and \voiceTwo instead
of \stemDown, to set the direction not only of stems but also of  
slurs,

ties, and some other things.


Thank you!


(This is exactly what is done automatically when you use
<< {...} \\ {...} >>
instead of
<< {...} {...} >>
see the manual)


I found no simple grouping that did what I wanted (see subject, with  
chords above staff).



Grüßlis vom Hraban!
---
http://www.fiee.net/texnique/
http://contextgarden.net



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Help to unhidde the "a"

[Georges Roux]

I do that but the a is hidden by beam

upperVoice = \relative c' {
  << { \stemDown e16[ s gis s fis s gis s a s fis s ] } \\ { \stemUp s
e16[ s e s e s e s e s e ] } >>   
  }

Is there a way to unhidde the a?

Georges


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Figured Bass Above Bass line

[Trent J]

I've tried and tried and tried and tried... and I still can't get the figured bass above the bass line.
 
I've tried following the example in the regression test but since there is no other staves or variables used I can't put the code together that would place the figured bass above the bass line.
 
My Code is as follows:
 
\version "2.6.0"#(set-global-staff-size 16)#(set-default-paper-size "a4")\header {  title = "Sonata I"}
\paper{hsize = 2\cmtopmargin = 2\cmbottommargin = 2\cmleftmargin =2\cmlinewidth =17\cm}
violinsolo = \new Voice {  \relative c '' {\time 4/4\key f \majorc4. f8 e f r16 f,( c' f) d8 c bes4 a r8 a'16( f)g8 c, r f16( d) e8 a, r d16( bes)c8 f, bes16( g') bes,( a) a8( g) r16 c,( g' bes)bes16( g) a8 r16 d,( a' c) c( a) bes8 r16 g( d' f~)f32 e[ g16.] f32[ a16.] g32[ bes16.] a32[ c16] \grace { d16[ c]} b8 g c c,a'16( f) g( e) f4\trill e r8 cd4. c'16( e,) f8 c f4~f8 e16( d) c8[ e] d[ g,] g'4g8 f16( e) f8 d ees2~e8 d16( c) d8 c c4( c16 a') bes,( a)bes2~ bes8 a a16[( bes32 a) e'16 g,]fis8 d g c bes4 a<< { gis8 e a a' a4( g } \\ {s2. bes,4 } >><< { g'8 f) c8_([ d32 c bes a64 g]) \grace f8 e16 d'_( c e,) f_( c') a_( f) } \\ { a4 s2. } >>d32( e16 f32) c( c'64 a f32 e64 d) \grace c8 bes8\trill[( bes32 a bes c)] bes8( a) r16 f( c' ees)e16^\markup{ \smaller \flat }( c) d8 
r16 g,( d' f) f16( d) e!8 r16 c( g' bes)bes16( a c, a') a( g c, g') g( f bes, f') f(e a, ees')e16^\markup{ \smaller \flat }( d f, d') d( c f, c') b4 a~a8 bes16( g) \grace a8 g8.\trill f16 e4 c'8 da4 g f2^\fermata \bar "||"\partial 8c'8 f8. f16 f8 f \grace g8 f16( e) f8 f16.[( g32 a16) g32 f]g16[ c, c32( b c16)] g'16.[ a32 b16 a32 g] a16[ c, \grace d8 c32( b c16)] \times 2/3 { f16[( g a-.] } \times 2/3 { a16-.[ g f] )}g16[ c, \grace d8 c32( b c16)] \times 2/3 {g'16[( a b-.]} \times 2/3 {b16-.[ a g])} \grace b8 a32 g f8. r4a,8-.([ a-.] a16.[ b32) c16 b32 a] g32 e c8. r4a'8-.([ a-.] a16.[ b32) c16 b32 a] g32 e c8. r8 c'f16.[( g32 a16) g32 f ] e16.[( f32 g16) f32 e] d16([ g,) \grace a8 g32( fis g16]) d16 g b, g'g,16([ b') \grace c8 b32( a b16)] g b d, b' g,([ g'' \grace a8 g32( fis g16)] d g b, g'g,([ b' \grace c8 b32( a b16)] g b d, b' g,,4 r}}
continuo = {  \relative c { \clef "bass" \key f \majorf8 g a bes~ bes a16 g a8 fbes8 a g c, f, f'16 g a8 f~f8 e16 d e8 d8. s16 c bes c8 besbes8 a g f c4 e'f4 fis4 g bes,c8 d e f~ f e16 d e8 cf8 e d g, c4 c'~c8 bes16( a) bes4. a16( g) a8 fg8 c, c'4. bes16( a) bes8 ga8 d, d'4. c16( bes) c8 abes2~ bes8 a16( g) a8 fisg8 f ees d cis cis cis cisc4 b8 ees d4 d'~d8 c16( b) c8 d e d e e,f8 g a bes~ bes a16 g a8 fbes8 a g c, f4 a,bes4 b c ef4 e d cb a g fb b'2 a8 bc,2 f,^\fermata \bar "||"\partial 8r8 f''4 e d8 c16 bes a8 fbes8 g e c f c a f}}
fb = \figures { s2 <2 4>8 < 6>8 s4s4 <7>8 <7>8 s2<2 5>4. <5>8 <2 5>4 s8 <5>8<2 5>4 <6>4 <4 6>8 <3 5>8 <6>8 <5>8<9>8 <8>8 <6>8 <5>8 <9>8 <8>8 <6>8 <5>8<9>16 <8>16 <9>16 <8>16 <9>16 <8>16 <9>16 <8>16 <2 4!>8 <6>4.s4  <7>8 <_! 7>8 s2<2 4>4 <3>8 <4 6>8 <2 5>8 s8 <6>4<7>4 <3>4 <2 5>4 <6>4<7>4 <3>4 <2- 4>4 <_- 6>4<4>4 <3>4 <2 4->4 <6+>4<9>4 <5>4 <7>8 <6>8 s8 <5 6>8<2 4->4 <6>8 <6>8 <4 6>4 <3- 5>4<2 4- 6! >2 <4 6>4 <3 5->4<9>8 
<7>8 <6>8 <6>8 <2 4>8 <6>8 s4s4 <7>8 <7>8 s4 <6>8 <5->8<9>8 <8>8 <6>8 <5>8 <9>8 <8>8 <6>8 <5>8<9>8 <8>8 <6>4 <6>4 <6>4<5>4 <6>4 <6>4 s4<7>4 <6>4 <2 4>4 <6>4<4 6>4 <3 5>4 s2}
\score { \new StaffGroup << \new Staff << \violinsolo>> \new Staff << \fb \context Voice { \continuo }    >>    >>\layout {  }
}
 
I think it's in the score section but not to sure. Any help would be appreciated.
 
Cheers
 
Trent



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Lilypond 2.6.1 on Gentoo: libstdc++

[Martin Brodbeck]

Hello,

I've installed the latest lilypond 2.6.1 with autopackage on my Gentoo 
Linux. The installation was fine, but I cannot start lilypond:


--- snip ---
/usr/local/bin/lilypond-bin-2.6.1: error while loading shared libraries: 
libstdc++.so.6: cannot open shared object file: No such file or directory

--- snip ---

What's going on here?

Thanks a lot
Martin


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Re: Figured Bass Improvements Potential Sponsorship of Improving this Feature.

[Mats Bengtsson]

Trent J wrote:

Dear All,

Currently I am thinking about sponsoring the improvement of the figured 
bass system within LilyPond.


The Main features that I am proposing are:

1: The alignment of the figures are calcuated from the top of the 
figured group and spaced appropriately from the bottom of the note they 
appear under. i.e. the figures will be placed dynamically from the bass 
note rather than the current method of aligning along a baseline based 
on the number of figures. Also the same facility to place the figures 
above the continuo part and again dynamically spaced from the note to 
avoid collisions.


If I understand you correctly, you could get exactly this using text
scripts. One of the main feature requests that initiated the current
support for figured bass was that the figures should be vertically
aligned.

I just looked at a number of scores I have at home and in modern
editions, I found examples of both schemes. In a Bärenreiter edition,
for example, they mostly used vertically aligned figures but with a
few exceptions. Same with Doblinger. Universal Edition and some others,
on the other hand, follow your proposal.

In my copies of original prints from 17th and 18th century, the figured
bass is always printed above the base line (but in contrast to modern
editions, they never included a realisation of the figured bass, which
can motivate the choice in modern editions to put the figures below the
base line). However, the main thing is that I didn't find any example
of original prints where the figures where vertically aligned. Just as
you propose, the vertical position is determined by the corresponding
note.

2: The introduction of spanner lines. These are used mainly in french 
baroque music as well as some sacred music scores. They indicate the 
prolongation of a figure or group of figures. e.g


6   --

4   --

2  ---

or

6

4 -

2

indicating the entire group to be prolonged.

or

6 ---

5 --3

2 -

indicating that the 6th and 2nd stay the same but the 5th moved to a 3rd.

3. Lastly that the figures are centred on the number with modifying 
accidentals placed on either side. Also accidentals by themselves can be 
used eg.


#

5

indicating a sharpened 3rd.

If anyone else has ideas or wishes to contribute to the funding of this 
feature please contact me at [EMAIL PROTECTED] 
.


One major deficiency, of course, is that we currently don't have font
support for slashed figures that were commonly used at least in late
17th and 18th century instead of the explicit sharps and flats.

/Mats


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Re: problems with (new) lilypond-book

[Mats Bengtsson]

Paul Scott wrote:

...
Thanks.  That was easy enough.  Now a minor problem:

[EMAIL PROTECTED]:~/music/stfrancis$ lilypond-book-2.6.0 --output=out --psfonts 
oilbook.tex

lilypond-book-bin-2.6.0 (GNU LilyPond) 2.6.0
Reading oilbook.tex...
Dissecting...
Writing snippets...
Processing...

(snip)

Compiling oilbook.tex...
Writing `oilbook.tex'...
Writing fonts to oilbook.psfonts...

DVIPS usage:
   dvips -h out/oilbook.psfonts out/oilbook.dvi



So, what's the problem! Read the manual to find out all details on how
to call latex and dvips if you find the above message too cryptic.

  /Mats


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Re: lilypond-book problem remains in 2.6.1

[Mats Bengtsson]

I think the main problem is that you explicitly specify the line width
of your score. If you don't do that, lilypond-book will automatically
find out the line width used in the text part of your LaTeX document
and use that also for the music examples. Then, all lines of the score
will also appear where you want them.
If you want short lines in the scores than in the rest of the document,
then you could use
\newcommand{\betweenLilyPondSystem}[1]{\linebreak}
as has already been pointed out in an earlier email.


   /Mats

Nicholas Haggin wrote:

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

The output issues I posted about earlier (to lilypond-user only)
remain under 2.6.1, although the other bugs I ran into are now fixed.

http://nhaggin.freeshell.org/lilybook-trouble/

Again, note the vertical placement of staves in hymnal.pdf.

- --
Nicholas Haggin

A.M.D.G.

Find my public keys at my website: http://nhaggin.freeshell.org/
-BEGIN PGP SIGNATURE-

iD8DBQFC0vs4YbuXiaDnyW4RAmciAJ9+9MtNDwap1AsDlQ6jE08WZeWVXgCfWRIW
+fqc2dlVUPuGzQVht0d7SEQ=
=Nlyn
-END PGP SIGNATURE-


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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=


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Re: 2 voices + lyrics + chords

[Mats Bengtsson]

Rob Vlasaty wrote:

I took a look at your file and changed it a little.  See if this is more of 
what you were looking for.  In the /score, I printed the chords first, then a 
staff which combines both voices together, then the lyrics.  I also added 
/stemUp and /stemDown to your notes.  This is more how I've been used to doing 
things, and I'm sure there are probably better ways, too.


You may want to use \voiceOne instead of \stemUp and \voiceTwo instead
of \stemDown, to set the direction not only of stems but also of slurs,
ties, and some other things.

(This is exactly what is done automatically when you use
<< {...} \\ {...} >>
instead of
<< {...} {...} >>
see the manual)

   /Mats



Rob 




\version "2.6.0"

\header{
title = "Vogelschau"
poet = "T: Stefan George (1869-1933)"
composer = "M: Heinrich Steinhöfel (Heinpe)"
%   instrument = "2 voc + git"
source = "Liederblätter deutscher Jugend, Heft 3, Heidenheim 1954, 
Südmark-Verlag"
maintainer = "Henning Hraban Ramm"
maintainerWeb = "http://angerweit.tikon.ch/lieder/";
lastupdated = "2005-07-11"
}


global = {
\clef treble
\key a \major
\time 4/4
}

akkorde = \chordmode {
a1 | a4 e a2 | d2 e:7 | a1
d | a | e:7 | a
e:7 | a
}

oberstimme = \relative {
\set Staff.midiInstrument = "violin"
\stemUp e4. cis8 e4 a |
a b cis a |
fis8 fis fis fis d'4 d |
cis2 r |
\repeat volta 2 {
fis,4. gis8 a4 b |
cis a e e |
}
\alternative {
{ e8 e e gis b4 gis |
a2 r }
{ e8 e e gis b4 gis |
a2 r }
}
}

unterstimme = \relative {
\set Staff.midiInstrument = "viola"
\stemDown e4. cis8 e4 a |
a gis8 fis e4 cis |
fis8 fis fis fis fis4 gis |
a2 r |
\repeat volta 2 {
fis4. gis8 a8 gis fis e |
e4 fis8 d cis4 cis |
}
\alternative {
{ e8 e e gis b4 c |
cis2 r }
{ e,8 e e gis gis4 e |
a2 r }
}   
}

stropheEins = \lyricmode {
\set stanza = "1. "
Wei4. -- ße8 Schwal4 -- ben | sah ich flie -- gen, |
Schwal8 -- ben schnee- und sil4 -- ber -- | weiß,1 |
sah4. sie8 sich4 im | Win -- de wie -- gen |
in8 dem Win -- de hell4 und | heiß,1
in8 dem Win -- de hell4 und | heiß.1
}

stropheZwei = \lyricmode {
\set stanza = "2. "
	Bun -- te Hä -- her | sah ich hüp -- fen, | 
	Pa -- pa -- gei und Ko -- li -- | bri,

durch die Wun -- der -- | bäu -- me schlüp -- fen
in dem Wald der Tus -- fe -- | ri, |
in dem Wald der Tus -- fe -- | ri.
}

stropheDrei = \lyricmode {
\set stanza = "3. "
	Gro -- ße Ra -- ben | sah ich flat -- tern, | 
	Doh -- len schwarz und dun -- kel -- | grau,
	nah am Grun -- de | ü -- ber Nat -- tern, | 
	im ver -- zau -- ber -- ten Ge -- | hau, |

im ver -- zau -- ber -- ten Ge -- | hau.
}

stropheVier = \lyricmode {
\set stanza = "4. "
	Schwal -- ben seh ich | wie -- der flie -- gen, | 
	schnee- und sil -- ber -- wei -- ße | Schar,
	wie sie sich im | Win -- de wie -- gen, | 
	in dem Win -- de kalt und | klar, |

in dem Win -- de kalt und | klar.
}

% Papier-Ausgabe
\score {

<<
\context ChordNames {
\germanChords
\set chordChanges = ##t
\akkorde
}   
			\context Staff = "Top" 
<<

\global
\context Voice = "eins"  \oberstimme
\context Voice = "zwei"  \unterstimme   
  
>>

\lyricsto "eins" \new Lyrics {
\stropheEins
}
\lyricsto "eins" \new Lyrics {
\stropheZwei
}
\lyricsto "eins" \new Lyrics {
\stropheDrei
}
\lyricsto "eins" \new Lyrics {
\stropheVier
}


	\layout { 
		indent = 0\cm

}
}

% MIDI
\score { \unfoldRepeats {
\context Staff = one <<
\context ChordNames {
\germanChords
\set chordChanges = ##t
\akkorde
}
\context Voice = ober {
\voiceOne <<
\global
\oberstimme
>>
}
 

Wish to give up my Cygwin maintainer position

[Bertalan Fodor]

Dear developers & users of Lilypond,

as you can see, it takes more and more time for me to release a
packaging of lilypond for cygwin. It has several causes:
- I'm getting less and less spare time, because of changes in my job and
my family
- I'm not a Unix guru
- I can't really follow the changes in the structure and the build
procedure of lilypond
- I'm using the native version now

I would like to spend more time with
- developing LilyPondTool for jEdit
- earning money, which I can donate for the development of LilyPond
- cooking patches for LilyPond

I'm planning to regularly build a version of LilyPond for cygwin,
because I think I will use it for creating my patches, but maintaining
would take much more time, because I would have to make it work for
everyone, make it conform to the cygwin-structure, read the cygwin-list
etc. That's what I don't have time for.

So I wish to give up maintaining the Cygwin package of Lilypond. I think
it should be taken by someone, who still prefer the cygwin package on
the native version. I could share my experiences with him/her, to help
taking maintainership.

Bert






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Re: Hyphenation

[Bertalan Fodor]

> I tried LilyPondTool 0.2.8-4 both with jEdit 4.3pre2 and 4.2 and the
> OpenOffice.org dictionaries. This seems promising, but it involves
> jEdit and a lot of extra stuff. Does anyone even have it working?
> suggestions for other tools?

I do use it extensively, that's what I developed it for LilyPondTool :-)
Before OOo I used TeX to hyphenate, but involved much more staff, more
configuration etc. However, AFAIK the free hyphenation engines all use
the same libHnj (TeX)-based hyphenation logic, which is not very
appropriate for hyphenating lyrics for music, especially with english.
For example, it will never hyphenate some sort words, for some
typographical reason (which comes from the very annoying phylosophy of
TeX-related stuff wanting to be too clever).

If you have problems or ideas with using the LilyPondTool hyphenation,
please send your questions/bug reports/suggestions to
[EMAIL PROTECTED] or to our project page on
http://www.sourceforge.net/projects/lily4jedit. I will improve it on
user request, and I'm very open to accept patches (the sources are
available on CVS).

Bert


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Re: FW: How to remove the time signature without removing the barlines

[Erik Sandberg]

On Sunday 17 July 2005 17.39, Fairchild wrote:
> Erik -
>
> I would expect whichBar = #"|" to set the style/type of bar, but not cause
> lines after every note.  I would expect to use \bar to force bar lines at
> abnormal places.  See
> http://www.lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Bar-li
>n es.html.

Please read that page again.

"The command \bar bartype is a short cut for doing \set Timing.whichBar = 
bartype"

so if whichBar has "|" as its default value, this is the same as setting \bar 
"|" everywhere.

BTW, that page also mentions the property that you are looking for.

Erik


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