Re: Sharing rest mark when sharing it in ChoirStaff
Caio Tiago Oliveira, 04-01-2006 01:31: Well, my subject may be too specific, but my doubt is just it: I'm using the template from the 2.6.6 documentation for a ChoirStaff. I can use it to put the rests without problem. But I want only one rest mark when both voices (e.g.: altos and sopranos) share it, instead of putting the soprano's rest one octave above. The same for dynamic marks... Is there any simple option about that or do I have to edit it manually? I've found a workaround, I use spaces instead of rests and specify the rests before. But this way I've to do a lot of calculus. I would prefer an easier way, if possible. ___ Yahoo! doce lar. Faça do Yahoo! sua homepage. http://br.yahoo.com/homepageset.html ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Sharing rest mark when sharing it in ChoirStaff
Well, my subject may be too specific, but my doubt is just it: I'm using the template from the 2.6.6 documentation for a ChoirStaff. I can use it to put the rests without problem. But I want only one rest mark when both voices (e.g.: altos and sopranos) share it, instead of putting the soprano's rest one octave above. The same for dynamic marks... Is there any simple option about that or do I have to edit it manually? ___ Yahoo! doce lar. Faça do Yahoo! sua homepage. http://br.yahoo.com/homepageset.html ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Inputting special symbols
Hi, do you mean that on Windows XP, the word editors (like Notepad) are able to save text files in utf-8 code? (Since I don't have WinXP, I don't know if that is possible) I may have to borrow a colleague's computer with Win XP to continue my work. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
What is the header "texttranslator" for
Hi all, The header field "texttranslator" is mentioned in the Lilypond documentation for version 2.7.27 but doesn't seem to do anything! -- Bernard Hurley <[EMAIL PROTECTED]> ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Fonts - 2.7.26 / Windows
win2k Youpi ! is good with Lilypond 2.7.26-2 Thanks Regards -- Martial http://cathemline.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \new StaffGroup ---- difficulties...
That did the trick... Thanks.. Trent - Original Message - From: "Mats Bengtsson" <[EMAIL PROTECTED]> To: "Trent Johnston" <[EMAIL PROTECTED]> Cc: Sent: Wednesday, January 04, 2006 1:38 AM Subject: Re: \new StaffGroup difficulties... > I considered the previous behaviour a bug and "corrected" it, see > http://lists.gnu.org/archive/html/bug-lilypond/2005-09/msg00103.html > > If you want the bracket also for a single stave, just do > > \layout { > ... > \context{ > \StaffGroup > \override SystemStartBracket #'collapse-height = #1 > } > } > > >/Mats > > > Trent Johnston wrote: > > > Hi Again, > > > > Am I right in assuming now that when I use the \new StaffGroup that > > this will only work when there are multiple staves within it. > > > > So in the example below I get the bracket around the two violin > > staves. But the \new StaffGroup just around the the bass instrument > > part the command seems to be ignored. > > > > This used to work in earlier versions of the 2.7 branch but doesn't > > seem to work any more. Is there a new command? I can't seem so find it > > in the manual if there is. > > > > \score { > > > > << > > \new StaffGroup << > > \ViolinIg > > \ViolinIIg > > >> > > \Sopranog > > \context Lyrics = "lmelodySop" \lyricmode { \lyricsto "melodySop" > > \verseg } > > > > \new StaffGroup << > > \Bassig \basfig >> > > >> > > > > }} > > > > > > Thanks again for your help > > > > Trent > > > > > > > >___ > >lilypond-user mailing list > >lilypond-user@gnu.org > >http://lists.gnu.org/mailman/listinfo/lilypond-user > > > > > > -- > = > Mats Bengtsson > Signal Processing > Signals, Sensors and Systems > Royal Institute of Technology > SE-100 44 STOCKHOLM > Sweden > Phone: (+46) 8 790 8463 > Fax: (+46) 8 790 7260 > Email: [EMAIL PROTECTED] > WWW: http://www.s3.kth.se/~mabe > = > > ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fonts - 2.7.26 / Windows and Fedora
No problem... Just hadn't seen anyone mention it.. Thanks Trent - Original Message - From: "Han-Wen Nienhuys" <[EMAIL PROTECTED]> To: "Trent Johnston" <[EMAIL PROTECTED]> Cc: Sent: Wednesday, January 04, 2006 1:38 AM Subject: Re: Fonts - 2.7.26 / Windows and Fedora > Trent Johnston wrote: > > Hi All, > > > > I've recently installed 2.7.26 in both Windows and Fedora formats. Both > > versions seem to use the Feta font for lyrics and titles so I end up > > with music symbols rather than words. > > > > Anyone else have similar problems? It seems the the problem affects both > > versions. > > Yes - this is a problem. We're very busy fixing up the binary releases, > please be patient for another few days. > > -- > Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen > ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problems with gregorian neumes ligatures
Hello, I am a beginner at Lilypond (this is my second transcription) and I am encountering some (3 majors) difficulties with gregorian chant notation (neumes ligatures). Let's try to be clear: 1- PORRECTUS: The last note of every porrectus that end with an ascending second (for exemple: g f g) is too close from the "line" of the porrectus, making the last note head unclear. Maybe I could make the staves bigger without changing the size of the neumes? Would that be a solution? (and how do I do that?) 2- DOTS: Dots inside a ligature are too close to the next note heads. I tried to add skips after the dotted notes, but it had no effect. 3- ICTUS: At two places (over the words "(manum) tuam" and "(scientia tua) alleluia", the ictus does not appear under the note it is assigned to. Besides that, I am quite happy with the results. I hope someone can help me to make it perfect! Thank you and happy new year to everyone! Here is the input: \version "2.6.3" \include "gregorian-init.ly" \header { dedication = "DOMINICA RESURRECTIONIS" title = "AD MISSAM IN DIE" subtitle = "Antiphona ad introitum IV" opus = \markup { \italic "Ps. 138, 18. 5. 6 et 1-2" } } \score { << \context VaticanaVoice = "cantus" { \override Score.BarNumber #'transparent = ##t \override Script #'padding = #-0.1 \relative c{ \clef "vaticana-do3" % Ressurexi d \[ d4\melisma \pes f4 \flexa d\melismaEnd \] f4 \[ f4\melisma f4 f \] \[ d4 \pes e4 \flexa d4.\melismaEnd \] \divisioMaior % et adhuc tecum sum: \[ f4\melisma \flexa e\melismaEnd \] \[ f\melisma \pes g\melismaEnd \] g g f \[e\melisma \pes f g \flexa f \pes g4.\melismaEnd \]%% First problem (end of porrectus is unclear) \divisioMinima % alleluia: \[ \virga g4.\melisma f4 f f\melismaEnd\] %% Second problem (dot unclear) \[ d\melisma \pes f \flexa e\melismaEnd \] \[ e\melisma \pes g \flexa f f\melismaEnd \] \[ f4.\melisma \flexa e4.\melismaEnd \] \divisioMaxima % posuisti super me: \[ f4\melisma \pes g \flexa f\melismaEnd \] \[ f\melisma f\melismaEnd \] \[ f\melisma g \pes a\melismaEnd \] \[ g\melisma \pes a \flexa g\melismaEnd \] \[ \virga g4.\melisma f4 f f\melismaEnd \]%% Second problem (dot unclear) \[ d\melisma e \pes f g \flexa f\melismaEnd \] f4. \divisioMinima % manum tuam \[ f4\melisma f f\melismaEnd \] \[d\melisma e \pes f\melismaEnd \] \[f\melisma \pes g\inclinatum f\ictus \inclinatum e\melismaEnd \] %% Third problem (ictus doesn't appear under the "f") f4. \divisioMaior % alleluia: \[f4\melisma f f\melismaEnd \] \[d\melisma \pes f \flexa e\melismaEnd \] \[f\melisma \pes g \flexa f f\melismaEnd \] \[d\melisma f f \flexa d \pes f4.\melismaEnd \] \divisioMaxima % mirabilis facta est: c4 \[ c\melisma \pes d f \flexa e \pes f\melismaEnd \] First problem (end of porrectus is unclear) f f \[ f\melisma f f \pes g\melismaEnd \] \[ d\melisma \pes e \inclinatum d \inclinatum c\ictus d\melismaEnd \] \[ d4.\melisma \flexa c4.\melismaEnd \] \divisioMinima % scientia tua: \[ e4\melisma f \pes g\melismaEnd \] \[ g\melisma \flexa a \pes g\melismaEnd \] f \[ f\melisma f f\melismaEnd \] \[g\melisma \flexa f \pes a \flexa g\melismaEnd \] g4. \divisioMaior % alleluia: \[ g4\melisma \flexa \deminutum f\melismaEnd \] \[ e\melisma f\ictus \pes g\melismaEnd \] Third problem (ictus appears at the wrong place) \[ g\melisma \flexa \deminutum f\melismaEnd \] \[e\melisma f g \flexa f \pes g4.\melismaEnd \] %% First problem (end of porrectus is unclear) \divisioMinima % alleluia: \[ \virga g4.\melisma f4 f f\melismaEnd \] %% Second problem (dot unclear) \[d\melisma \flexa f \pes e\melismaEnd \] \[e\melisma \flexa g \pes f f\melismaEnd \] \[ f4.\melisma \flexa e\melismaEnd\] \finalis % Ps. Domine probasti me et cognovisti me: s1 \[a4\melisma \flexa g\melismaEnd \] \[g\melisma \pes a\melismaEnd\] a a a a a \[a\melisma \flexa g\melismaEnd \] \[g\melisma \pes b\melismaEnd \] b \[a\melisma \pes b\melismaEnd \] a a4. \divisioMaxima % tu cognovisti sessionem meam: \[a4\melisma \flexa g\melismaEnd\] \[g\melisma \pes a\melismaEnd\] a a a a a a a a a^\tenuto\ictus \divisioMinima % et resurrectionem meam: a a a a a \[g\melisma \flexa f\melismaEnd\] \[g\melisma \pes a\melismaEnd\] g \[e\melisma \flexa g \pes f f\melismaEnd\] \finalis } } \lyricsto "cantus" \new Lyrics { RE- SUR- RE- XI, et ad- huc te- cum sum, al- le- lú- ia: po- su- Ã- sti su- per me ma- num tu- am, al- le- lú- ia: mi- rá- bi- lis fa- cta est sci- én- ti- a tu- a, al- le- lú- ia, al- le- lú- \markup { ia. \hspace #0.6 \italic Ps. }Dó- mi- ne pro- bá- sti me, et co- gno- vÃ- sti me: tu co- gno- vÃ- sti ses- si- ó- nem me- am, et re- sur- re- cti- ó- nem me- am. } >> } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fonts - 2.7.26 / Windows and Fedora
On Tuesday 03 January 2006 15:38, Han-Wen Nienhuys wrote: > Trent Johnston wrote: > > Hi All, > > > > I've recently installed 2.7.26 in both Windows and Fedora formats. > > Both versions seem to use the Feta font for lyrics and titles so I > > end up with music symbols rather than words. > > > > Anyone else have similar problems? It seems the the problem affects > > both versions. > > Yes - this is a problem. We're very busy fixing up the binary > releases, please be patient for another few days. Does that also solve the problem that I cannot compile Lilypond because there is a segmentation-fault during the compilation on my machine running mandriva 2006 standard install of Lilypond-2.7.25 and -2.7.26. There are a lot of messages beginning with Too many bits found, which comes from an edited tail of the error-log of make in 2.7.25. Too many bits found when loading character XXX warning: /usr/bin/gf2pbm: command exited with value 512 (ignored) Assembling raw font to `parmesan26.pfa.raw'... Copyright (c) 2000-2005 by George Williams. Executable based on sources from 21:00 9-Aug-2005-ML. Copyright (c) 2000-2005 by George Williams. Executable based on sources from 21:00 9-Aug-2005-ML. /bin/sh: line 1: 28478 Segmentatie fout /usr/bin/fontforge -script emmentaler-11.pe Strange, my previous expierience was that the compilation was smooth under mandriva. == Herman Grootaers ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: changing papersize between multiple scores in a single file
On 3-Jan-06, at 10:38 AM, vanDongen/Gilcher wrote: On Tuesday 03 January 2006 17:46, vanDongen/Gilcher wrote: \score { \header { title = "ah" composer = "Gerard van Dongen" } ok so this doesn't work it gives an unexpected /header error whne converting to ps. You now need to have music in the score happening first. \score{ { c'4 } \header { ... } } - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
font shape
hi, I installed lilypond 2.6.4 on Cygwin, but the font-shape "italic" does not work. I do not know why. Help me please. Andrea _ TISCALI ADSL Web&Mail Solo con Tiscali Adsl navighi e telefoni senza canone Telecom a partire da 14,95 Euro/mese. Attivala subito! Per te 500 MB inclusi per navigare, inviare e ricevere messaggi e-mail, foto ed mp3. http://abbonati.tiscali.it/adsl/sa/2wam_tc/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: changing papersize between multiple scores in a single file
On Tuesday 03 January 2006 17:46, vanDongen/Gilcher wrote: > > \score { > \header { > title = "ah" > composer = "Gerard van Dongen" > } > ok so this doesn't work it gives an unexpected /header error whne converting to ps. Maybe a guru can help out? --g ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: changing papersize between multiple scores in a single file
vanDongen/Gilcher wrote: Hi everybody, I am new to the list and to lilypond. It is a great program from what little I have done and seen so far. I just started a composition that I decided to notate it entirely in lily, and I am very happy with the results I am getting. But I have a question, Is it possible to change the papersize between diffent score blocks? I tried inserting a \paper block inside a \score block but that doesn't work. The idea is that I write all the parts as macro-variables. And then at the bottom you get: \score { \header { title = "ah" composer = "Gerard van Dongen" } \layout { \context { \Staff fontSize=#-2.3 } } \midi { \tempo 4=160 } << \context Staff = viool \viool \context StaffGroup = blazers << \context Staff = altsax \altsax \context Staff = trompet \trompet \context Staff = trombone \trombone >> >> and then another score for the next movement of the suite, and then at the very end make "scores" for the indiviual parts. But I want the scores to be landscape and the parts to be portait. And possible the scores should be a bigger size. I hope this is possible, but how? I usually make each part a separate file. at least the portrait parts and the landscape parts could be separate files. I have one or more files that contain the music and \include those in the files that do the layout. Paul Scott ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
changing papersize between multiple scores in a single file
Hi everybody, I am new to the list and to lilypond. It is a great program from what little I have done and seen so far. I just started a composition that I decided to notate it entirely in lily, and I am very happy with the results I am getting. But I have a question, Is it possible to change the papersize between diffent score blocks? I tried inserting a \paper block inside a \score block but that doesn't work. The idea is that I write all the parts as macro-variables. And then at the bottom you get: \score { \header { title = "ah" composer = "Gerard van Dongen" } \layout { \context { \Staff fontSize=#-2.3 } } \midi { \tempo 4=160 } << \context Staff = viool \viool \context StaffGroup = blazers << \context Staff = altsax \altsax \context Staff = trompet \trompet \context Staff = trombone \trombone >> >> and then another score for the next movement of the suite, and then at the very end make "scores" for the indiviual parts. But I want the scores to be landscape and the parts to be portait. And possible the scores should be a bigger size. I hope this is possible, but how? Gerard ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Textfonts on the native windows lily 2.7.26
I had the same on version 2.6.4.1 for cygwin, but on 2.6.4 for windows it works all right. anders stenberg wrote: Hello! Just did download & install the Windows native lilypond 2.7.26. Some of the new features seem great & just for my use ( the ligatures in lyrics and the accidentals abow staff!!!). Problem is I do not get any texts neighter in headings nor in lyrics. Or more precisely: what I get is just some of the caracters in boldfont, more or less the ones that are among the few needed in articulations and dynamics etc. Did try uninstalling and reinstalling a few times but whith no differens what so ever. Looking into the manual didnt give me a clue of solwing this. Neighter did browsing in the lilypond- user archive (though I didn't put a lot of time on it) . The trouble shouldn't be in the encoding as the files are UTF-8 encoded (made on jEdit but not run throug its comandconsole as I luckilly retain my "old" native 2.6.5 lily so I can get a "correct" printout sans the new frills) . Anders Stenberg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- Riccardo Cohen Articque Les Roches 37230 Fondettes France web = http://www.articque.com tel: +33 02 47 49 90 49 fax: +33 02 47 49 91 49 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing polyphonic per-voice rest position
On 3 Jan 2006, at 10:42 am, Maarten Storm wrote: You could do \override Rest #'staff-position = #x where x is a number indicating the position on the staff. Positive above the middle line, negative under it. You can find a good example in the regression tests. Ah, I see, you put it in the polyphonic voice and it really does only change the rest for that voice. I was using loads of << ... \\ ... >> constructs, rather than typing four separate parts like you would with a string quartet or four voices. Then I'd put the override at the top of the score where of course it didn't work, so I went off on the tangent of trying to get something like \override VoiceOne.Rest ... to work (which of course I couldn't). Thanks for your help with this. Actually, I think the explicit positioning with eg b'2\rest might be the thing. The reason is that after typesetting, I'm running the whole lot through a lex program to convert it to 19-divisions of the octave (cis != des) which will then be played on a retuned MIDI keyboard so that each octave covers an octave and a fifth of keys. So if I use the explicit placement for all the rests, there won't be any nasty surprises when the version with scordatura tuning version for keyboard (?!) is typeset. All this is very unlikely to make any sense at the moment, but I urge people to come along to the gig if they are interested and around at the time... http://markov.music.gla.ac.uk/cmt-wiki/NextSeminar#nism If anyone is interested in the 19-divisions-of-the-octave microtonality stuff, maybe they can email me off list and I'll send them some resources. One final tiny little point of interest. I've noticed that the rest placement is actually much worse in 2.6 (specifically 2.6.3 debian unstable) than 2.4 on my powerbook, so that there are collisions with rests in addition the eccentric placement. The attached snippet shows what I mean. In the first bar, the b semibreve collides with the minim rest in (the implicit) voiceTwo. Also, just a very very minor thing, but the braces at the left hand side of the staff have increased in size since 2.4. This looks fine, but they collide with the bar numbers now, so you have to increase their offset to generate really nice output. (I think I know how yo do this). I notice I'm a few minor revisions behind the stable release, I'm just using what's in the debian unstable branch. Here're the first three bars anyway, with the collision in bar 1 and the very high rest placement in bar 3. When I've got the whole thing sorted, I'll put it on Mutopia or something... I wonder how many people have ill-tempered keyboards so they can play it though? :) \version "2.6.3" \header { title= "Ut, re, mi, fa, sol, la." composer = "John Bull" } \score { \new GrandStaff << \new Staff { #(set-accidental-style 'voice) %% Bar 1 \time 3/1 g1 a << b \\ {r2 g} >> %% Bar 2 \time 4/1 << {c'1 d'} \\ {a2 c'~ c' b2:16} >> << {e'1 e'} \\ {c'4 g c'2~ c'4 b g a } >> %% Bar 3 << b1 d' >> << a c' >> << {r2 d'~ d' c'~} \\ {b1 a} >> } \new Staff { #(set-accidental-style 'voice) \clef bass %% Bar 1 r2 g~ g f << r1 \\ {e2. d4} >> %% Bar 2 << r2 \\ c2 >> << {g1 f2 e2. d4 c d e c} \\ {e2 d1 c2 a,~ a,4 b, c2} >> %% Bar 3 << {g4 d} \\ b,2 >> << {g2~ g4 e fis2} \\ {a,4 g, a,1} >> << g2 \\ {g,4 a,} >> << {g2~ g4 f f2} \\ {b,4 c d2 a,} >> } >> \layout { \context { \Staff \remove Time_signature_engraver } } } % end of score ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing polyphonic per-voice rest position
On 3 Jan 2006, at 10:42 am, Maarten Storm wrote: You could do \override Rest #'staff-position = #x where x is a number indicating the position on the staff. Positive above the middle line, negative under it. You can find a good example in the regression tests. Ah, I see, you put it in the polyphonic voice and it really does only change the rest for that voice. I was using loads of << ... \\ ... >> constructs, rather than typing four separate parts like you would with a string quartet or four voices. Then I'd put the override at the top of the score where of course it didn't work, so I went off on the tangent of trying to get something like \override VoiceOne.Rest ... to work (which of course I couldn't). Thanks for your help with this. Actually, I think the explicit positioning with eg b'2\rest might be the thing. The reason is that after typesetting, I'm running the whole lot through a lex program to convert it to 19-divisions of the octave (cis != des) which will then be played on a retuned MIDI keyboard so that each octave covers an octave and a fifth of keys. So if I use the explicit placement for all the rests, there won't be any nasty surprises when the version with scordatura tuning version for keyboard (?!) is typeset. All this is very unlikely to make any sense at the moment, but I urge people to come along to the gig if they are interested and around at the time... http://markov.music.gla.ac.uk/cmt-wiki/NextSeminar#nism If anyone is interested in the 19-divisions-of-the-octave microtonality stuff, maybe they can email me off list and I'll send them some resources. One final tiny little point of interest. I've noticed that the rest placement is actually much worse in 2.6 (specifically 2.6.3 debian unstable) than 2.4 on my powerbook, so that there are collisions with rests in addition the eccentric placement. The attached snippet shows what I mean. In the first bar, the b semibreve collides with the minim rest in (the implicit) voiceTwo. Also, just a very very minor thing, but the braces at the left hand side of the staff have increased in size since 2.4. This looks fine, but they collide with the bar numbers now, so you have to increase their offset to generate really nice output. (I think I know how yo do this). I notice I'm a few minor revisions behind the stable release, I'm just using what's in the debian unstable branch. Here're the first three bars anyway, with the collision in bar 1 and the very high rest placement in bar 3. When I've got the whole thing sorted, I'll put it on Mutopia or something... I wonder how many people have ill-tempered keyboards so they can play it though? :) \version "2.6.3" \header { title= "Ut, re, mi, fa, sol, la." composer = "John Bull" } \score { \new GrandStaff << \new Staff { #(set-accidental-style 'voice) %% Bar 1 \time 3/1 g1 a << b \\ {r2 g} >> %% Bar 2 \time 4/1 << {c'1 d'} \\ {a2 c'~ c' b2:16} >> << {e'1 e'} \\ {c'4 g c'2~ c'4 b g a } >> %% Bar 3 << b1 d' >> << a c' >> << {r2 d'~ d' c'~} \\ {b1 a} >> } \new Staff { #(set-accidental-style 'voice) \clef bass %% Bar 1 r2 g~ g f << r1 \\ {e2. d4} >> %% Bar 2 << r2 \\ c2 >> << {g1 f2 e2. d4 c d e c} \\ {e2 d1 c2 a,~ a,4 b, c2} >> %% Bar 3 << {g4 d} \\ b,2 >> << {g2~ g4 e fis2} \\ {a,4 g, a,1} >> << g2 \\ {g,4 a,} >> << {g2~ g4 f f2} \\ {b,4 c d2 a,} >> } >> \layout { \context { \Staff \remove Time_signature_engraver } } } % end of score ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \new StaffGroup ---- difficulties...
I considered the previous behaviour a bug and "corrected" it, see http://lists.gnu.org/archive/html/bug-lilypond/2005-09/msg00103.html If you want the bracket also for a single stave, just do \layout { ... \context{ \StaffGroup \override SystemStartBracket #'collapse-height = #1 } } /Mats Trent Johnston wrote: Hi Again, Am I right in assuming now that when I use the \new StaffGroup that this will only work when there are multiple staves within it. So in the example below I get the bracket around the two violin staves. But the \new StaffGroup just around the the bass instrument part the command seems to be ignored. This used to work in earlier versions of the 2.7 branch but doesn't seem to work any more. Is there a new command? I can't seem so find it in the manual if there is. \score { << \new StaffGroup << \ViolinIg \ViolinIIg >> \Sopranog \context Lyrics = "lmelodySop" \lyricmode { \lyricsto "melodySop" \verseg } \new StaffGroup << \Bassig \basfig >> >> }} Thanks again for your help Trent ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fonts - 2.7.26 / Windows and Fedora
Trent Johnston wrote: Hi All, I've recently installed 2.7.26 in both Windows and Fedora formats. Both versions seem to use the Feta font for lyrics and titles so I end up with music symbols rather than words. Anyone else have similar problems? It seems the the problem affects both versions. Yes - this is a problem. We're very busy fixing up the binary releases, please be patient for another few days. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Textfonts on the native windows lily 2.7.26
Hello! Just did download & install the Windows native lilypond 2.7.26. Some of the new features seem great & just for my use ( the ligatures in lyrics and the accidentals abow staff!!!). Problem is I do not get any texts neighter in headings nor in lyrics. Or more precisely: what I get is just some of the caracters in boldfont, more or less the ones that are among the few needed in articulations and dynamics etc. Did try uninstalling and reinstalling a few times but whith no differens what so ever. Looking into the manual didnt give me a clue of solwing this. Neighter did browsing in the lilypond- user archive (though I didn't put a lot of time on it) . The trouble shouldn't be in the encoding as the files are UTF-8 encoded (made on jEdit but not run throug its comandconsole as I luckilly retain my "old" native 2.6.5 lily so I can get a "correct" printout sans the new frills) . Anders Stenberg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: font shape
Several people have reported on the mailing list that text fonts don't work at all in the Cygwin version of LilyPond 2.6.4, so if it works for you when you don't have italics, then that's very good news! It is much easier for people on the mailing list to answer your question if you send a small but complete example of what you tried. /Mats [EMAIL PROTECTED] wrote: Hi, I installed lilypond 2.6.4 on Cygwin. The font shape "italic" does not work and I do not know why. Could you help me, please? Andrea _ TISCALI ADSL Web&Mail Solo con Tiscali Adsl navighi e telefoni senza canone Telecom a partire da 14,95 Euro/mese. Attivala subito! Per te 500 MB inclusi per navigare, inviare e ricevere messaggi e-mail, foto ed mp3. http://abbonati.tiscali.it/adsl/sa/2wam_tc/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Inputting special symbols
Did you read the section called "Editor support" in the manual? Especially, jEdit seems like a good alternative on all platforms. /Mats liang seng wrote: Hi, does this mean that I cannot input these special characters using Windows 98 platform and using Notepad? Are there other alternatives? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing polyphonic per-voice rest position
Maarten Storm wrote: In the list of layout objects in the program reference I only found the staff-position property desribed for MultiMeasureRest. Shouldn't it be listed for Rest as well? Maarten. it is, if you go to "staff-symbol-referencer-interface". Perhaps we should add the user settable properties on the grob page as well, though. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing polyphonic per-voice rest position
Maarten Storm wrote: ... In the list of layout objects in the program reference I only found the staff-position property desribed for MultiMeasureRest. Shouldn't it be listed for Rest as well? The program reference for each layout object only lists the properties that are set by default. To get the full list of all available properties that can be set, you have to browse through all the interfaces listed at the bottom of the page. For example, if you click on "staff-symbol-referencer-interface" you will find the documentation of staff-position. /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ice-9/boot-9.scm issue in LilyPond 2.7.26
Am 2006-01-03 um 02:55 schrieb Han-Wen Nienhuys: if "lilypond" is the script that was supplied with earlier versions, then scrap it. You have to call the lilypond binary directly. It's in .../lilypond.app/contents/resources/bin/lilypond hraban$ /Applications/Sound/LilyPond.app/Contents/Resources/bin/lilypond dyld: Library not loaded: @executable_path/../powerpc-apple-darwin7/ lib/libstdc++.6.dylib Referenced from: /Applications/Sound/LilyPond.app/Contents/ Resources/bin/./lilypond Reason: image not found Trace/BPT trap hraban$ locate libstdc++.6.dylib /Developer/SDKs/MacOSX10.3.9.sdk/usr/lib/libstdc++.6.dylib /Developer/SDKs/MacOSX10.4u.sdk/usr/lib/libstdc++.6.dylib /usr/lib/libstdc++.6.dylib I created the path .../LilyPond.app/Contents/Resources/powerpc-apple- darwin7 and symlinked .../powerpc-apple-darwin7/lib to /usr/lib Then it starts at least: hraban$ /Applications/Sound/LilyPond.app/Contents/Resources/bin/ lilypond --verbose GNU LilyPond 2.7.26 warning: Relocation: compile prefix=/usr/share/lilypond/2.7.26, new prefix=/Applications/Sound/LilyPond.app/Contents/Resources PATH=/Applications/Sound/LilyPond.app/Contents/Resources/bin warning: Relocation: framework_prefix=/Applications/Sound/ LilyPond.app/Contents/Resources/bin/.. DYLD_LIBRARY_PATH=/Applications/Sound/LilyPond.app/Contents/Resources/ bin/../lib warning: no such directory: /Applications/Sound/LilyPond.app/Contents/ Resources/bin/../share/ghostscript/8.15/fonts for GS_FONTPATH warning: no such directory: /Applications/Sound/LilyPond.app/Contents/ Resources/bin/../share/ghostscript/8.15/Resource for GS_LIB GS_LIB=/Applications/Sound/LilyPond.app/Contents/Resources/bin/../ share/ghostscript/8.15/lib warning: no such directory: /Applications/Sound/LilyPond.app/Contents/ Resources/bin/../share/gs/fonts for GS_FONTPATH warning: no such directory: /Applications/Sound/LilyPond.app/Contents/ Resources/bin/../share/gs/Resource for GS_LIB warning: no such directory: /Applications/Sound/LilyPond.app/Contents/ Resources/bin/../share/gs/lib for GS_LIB GUILE_LOAD_PATH=/Applications/Sound/LilyPond.app/Contents/Resources/ bin/../share/guile/1.7 PATH=/Applications/Sound/LilyPond.app/Contents/Resources/bin/../bin LILYPOND_DATADIR="/usr/share/lilypond/2.7.26" LOCALEDIR="/usr/share/locale" Effective prefix: "/Applications/Sound/LilyPond.app/Contents/ Resources/share/lilypond/2.7.26" FONTCONFIG_FILE="/Applications/Sound/LilyPond.app/Contents/Resources/ bin/../etc/fonts/fonts.conf" FONTCONFIG_PATH="/Applications/Sound/LilyPond.app/Contents/Resources/ bin/../etc/fonts" GS_LIB="/Applications/Sound/LilyPond.app/Contents/Resources/bin/../ share/ghostscript/8.15/lib" GUILE_LOAD_PATH="/Applications/Sound/LilyPond.app/Contents/Resources/ bin/../share/guile/1.7" PANGO_RC_FILE="/Applications/Sound/LilyPond.app/Contents/Resources/ bin/../etc/pango/pangorc" PATH="/Applications/Sound/LilyPond.app/Contents/Resources/bin/../bin:/ Applications/Sound/LilyPond.app/Contents/Resources/bin:/usr/local/ bin:/sw/bin:/sw/sbin:/bin:/sbin:/usr/bin:/usr/sbin:/usr/local/teTeX/ bin/powerpc-apple-darwin-current:/usr/X11R6/bin:/opt/local/bin:/usr/ local/mysql/bin:/Developer/Tools:/Library/Frameworks/Python.framework/ Versions/Current/bin/:~/Library/TeX/bin" Initializing FontConfig... And there it stands and doesn't do any more. Greetlings from Lake Constance --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ http://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: font shape
Some messages have already been posted on that subject (cygwin font problem). Unfortunately, it seems there is no more cygwin expert. The current version on cygwin does not work properly (default font is not roman but sans serif). The solution I adopted is to install the windows version and use it from cygwin with an alias. It works fine but I keep the cygwin version because there is no documention package on Windows and I like to browse the web doc off line. Would it be possible to make one? Fred [EMAIL PROTECTED] wrote: Hi, I installed lilypond 2.6.4 on Cygwin. The font shape "italic" does not work and I do not know why. Could you help me, please? Andrea _ TISCALI ADSL Web&Mail Solo con Tiscali Adsl navighi e telefoni senza canone Telecom a partire da 14,95 Euro/mese. Attivala subito! Per te 500 MB inclusi per navigare, inviare e ricevere messaggi e-mail, foto ed mp3. http://abbonati.tiscali.it/adsl/sa/2wam_tc/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
\new StaffGroup ---- difficulties...
Hi Again, Am I right in assuming now that when I use the \new StaffGroup that this will only work when there are multiple staves within it. So in the example below I get the bracket around the two violin staves. But the \new StaffGroup just around the the bass instrument part the command seems to be ignored. This used to work in earlier versions of the 2.7 branch but doesn't seem to work any more. Is there a new command? I can't seem so find it in the manual if there is. \score { << \new StaffGroup << \ViolinIg \ViolinIIg >> \Sopranog \context Lyrics = "lmelodySop" \lyricmode { \lyricsto "melodySop" \verseg } \new StaffGroup << \Bassig \basfig >> >> }} Thanks again for your help Trent ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Fonts - 2.7.26 / Windows and Fedora
Hi All, I've recently installed 2.7.26 in both Windows and Fedora formats. Both versions seem to use the Feta font for lyrics and titles so I end up with music symbols rather than words. Anyone else have similar problems? It seems the the problem affects both versions. Trent ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing polyphonic per-voice rest position
Nicholas Bailey wrote: Hello! I'm trying to typeset a piece of polyphonic keyboard music by the English composer John Bull with version 2.4 and 2.6 (two different platforms), and I've noticed the positioning of the rests doesn't look too good. I understand that you can place a rest using a note followed by \rest, but for much of the score the register of the "sooprano" part is rather low, and the default rest position for that voice seems to be at the very top or even above the clef. Would it be possible to say "Please use the following default vertical positions for rests for the moment" in the score, to save having to place rests explicity the whole time? I've read the manual and as far as I can understand it, it might be possible to set staff-position of Rest somehow, but as to how to achieve this per-voice, I'm very much out of my depth I'm afraid. Any help very much appreciated. Nick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user You could do \override Rest #'staff-position = #x where x is a number indicating the position on the staff. Positive above the middle line, negative under it. You can find a good example in the regression tests. In the list of layout objects in the program reference I only found the staff-position property desribed for MultiMeasureRest. Shouldn't it be listed for Rest as well? Maarten. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
font shape
Hi, I installed lilypond 2.6.4 on Cygwin. The font shape "italic" does not work and I do not know why. Could you help me, please? Andrea _ TISCALI ADSL Web&Mail Solo con Tiscali Adsl navighi e telefoni senza canone Telecom a partire da 14,95 Euro/mese. Attivala subito! Per te 500 MB inclusi per navigare, inviare e ricevere messaggi e-mail, foto ed mp3. http://abbonati.tiscali.it/adsl/sa/2wam_tc/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user