Re: Getting cost estimate for sponsored enhancement
That's not really what's meant by free in this case. http://en.wikipedia.org/wiki/Free_software http://en.wikipedia.org/wiki/Open-source_software On 4/18/06, Rick Hansen (aka RickH) [EMAIL PROTECTED] wrote: Oh, knowing that I'll just print to CutePDF (which is free) and make a PDF. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Getting cost estimate for sponsored enhancement
RickH: thanks for your interest. You could probably just send an email to Han-Wen, but a pdf is certainly acceptable. Dave: thanks for your comments, but this really isn't the place to get into a debate about the purity of OSS. Cheers, - Graham On 17-Apr-06, at 11:12 PM, Dave K. wrote: That's not really what's meant by free in this case. http://en.wikipedia.org/wiki/Free_software http://en.wikipedia.org/wiki/Open-source_software On 4/18/06, Rick Hansen (aka RickH) [EMAIL PROTECTED] wrote: Oh, knowing that I'll just print to CutePDF (which is free) and make a PDF. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: What to use to edit output after the fact?
Hi, Is there anything free doing the job of Illustrator? thanks best -a- On 17 Apr 2006, at 21:40, Kris Shaffer wrote: I frequently use Illustrator as a post-Lilypond editor for musical graphics for theory handouts or papers, and I just use the PDF files which Lilypond outputs. Andrea Valle DAMS - Facoltà di Scienze della Formazione Università degli Studi di Torino http://www.semiotiche.it/andrea [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
\transpose problem
any suggestions on how to transpose a trumpet part written with various crook changes (E,Es,C) into A and Bes. Alan -- Internal Virus Database is out-of-date. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.4.1/307 - Release Date: 10/04/2006 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \transpose problem
alanvw wrote: any suggestions on how to transpose a trumpet part written with various crook changes (E,Es,C) into A and Bes. Other than: \transpose a e { music } % transpose E trumpet to A trumpet (down a fifth) or \transpose a e' { music } % transpose E trumpet to A trumpet (up a fourth) etc. If that's not what you meant please explain more. Paul Scott ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Cannot get the lyrics in polyphony
Hi all, can somebody explain my mistake in coding the following example? If I code the music like nogood I cannot get any lyrics. I can only get the lyrics if I code the music like good. Why? There is surely something I am missing... Ciao, Ric === \version 2.8.0 \header { title = Prova } \include italiano.ly global = { \time 4/4} nogood = \relative do'' { { \stemDown do2 re8 mi8 fa8 sol8 } \\ { \stemUp mi2 fa8 sol8 la8 si8 } | { \stemDown do1 } \\ { \stemUp sol1} } good = \relative do'' { do mi 2 re fa 8 mi sol 8 fa la 8 sol si 8 do sol 1 } voce = \lyricmode { ah oh eh ih ah oh } \score { \new Staff { \global \context Voice = nogood { \nogood } \context Voice = good { \good } } \override Score.LyricText #'font-family = #'sans \new Lyrics \lyricsto good\voce \new Lyrics \lyricsto nogood\voce \layout { } \midi { \tempo 4=90 } } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Slurs in 2.8
Hello! Is the following intended? \clef bass bes, d f bes f'4~ bes, d f bes f'1 It produces, since the lowest note, relatively, a medium slur, two short slurs, a long slur, and a medium slur again. \clef treble a''16( bes''16 f'' bes'8~ d' bes'8 bes' fis''16) r8. It produces a slur that is less than two millimeters wide, and less than a millimeter high. Cheers, Artur ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Cannot get the lyrics in polyphony
Hello Riccardo, That is a common stumbling for lilypond users. In your case you have to avoid the construct \\ and explicitly create a voice context. See Explicitly Instantiating Voices in the manual. Anyway, this should make you score work: nogood = \relative do'' { \new Voice = nogood { \voiceTwo do2 re8 mi8 fa8 sol8 } { \voiceOne mi2 fa8 sol8 la8 si8 } \oneVoice | \context Voice = nogood { \voiceTwo do1 } { \voiceOne sol1} \oneVoice } Eduardo Vieira - Original Message - From: Riccardo Orfei [EMAIL PROTECTED] To: lilypond-user@gnu.org Sent: Tuesday, April 18, 2006 6:56 AM Subject: Cannot get the lyrics in polyphony Hi all, can somebody explain my mistake in coding the following example? If I code the music like nogood I cannot get any lyrics. I can only get the lyrics if I code the music like good. Why? There is surely something I am missing... Ciao, Ric === \version 2.8.0 \header { title = Prova } \include italiano.ly global = { \time 4/4} nogood = \relative do'' { { \stemDown do2 re8 mi8 fa8 sol8 } \\ { \stemUp mi2 fa8 sol8 la8 si8 } | { \stemDown do1 } \\ { \stemUp sol1} } good = \relative do'' { do mi 2 re fa 8 mi sol 8 fa la 8 sol si 8 do sol 1 } voce = \lyricmode { ah oh eh ih ah oh } \score { \new Staff { \global \context Voice = nogood { \nogood } \context Voice = good { \good } } \override Score.LyricText #'font-family = #'sans \new Lyrics \lyricsto good\voce \new Lyrics \lyricsto nogood\voce \layout { } \midi { \tempo 4=90 } } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Strange legato accent behaviour
When I use the legato accent like this; d'4-_ It ends up placing a staccato dot under the legato accent as well. I'm using lilypond 2.8.1 for Windows; am I doing something wrong here? Thanks! Jennifer ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: What to use to edit output after the fact?
Inkscape is the closest thing I know of, but I've had trouble with it on Mac OS X with Lilypond PDFs. On the other hand, Illustrator is quite cheap if you are affiliated with an academic institution. I got a stand-alone copy for under $90 through Yale. A friend of mine got the entire Adobe Creative Suite for $200 through the University of Wisconsin. -- Kris Shaffer graduate student in music theory, Yale University co-editor-in-chief for music theory, AmSteg.org www.shaffermusic.com On Tue, 18 Apr 2006 04:45:47 -0300, andrea valle [EMAIL PROTECTED] wrote: Hi, Is there anything free doing the job of Illustrator? thanks best -a- On 17 Apr 2006, at 21:40, Kris Shaffer wrote: I frequently use Illustrator as a post-Lilypond editor for musical graphics for theory handouts or papers, and I just use the PDF files which Lilypond outputs. Andrea Valle DAMS - Facoltà di Scienze della Formazione Università degli Studi di Torino http://www.semiotiche.it/andrea [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
No clef and key each line
Hello, I searched in the documentation and in the archives of the list but I didn't find how to suppress clef and key at beginning of each line, except the first one of course. Thanks in advance for any hint. -- Denis ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: hairpin length for one note
Am 18.04.2006 um 03:04 schrieb Paul Scott: but f2\\! gives: gotitbadnotes.ly:252:6: warning: can't find start of (de)crescendo f2\ \! r2 [8][16][24][32][40] Shouldn't this just give a hairpin in the space horizontally allocated to the note? It works if I put another note in between. see http://lists.gnu.org/archive/html/lilypond-user/2006-04/msg00334.html for a good hint Christian ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
chordNameSeparator and inversion
Hello again, I want to suppress the bar / for the different parts of my chord names. So I use the command: \set chordNameSeparator = \markup { \hspace #0.45 } and hence d:7.9+ gives (^ stands for exponent, as in LaTeX) D^{7 #9} rather than : D^{7/#9} which is exactly what I want. But the trouble is that, in case of inversion, the bar / is also suppressed and d:m/c yields Dm C whereas I want to get Dm/C Thanks again for any help. -- Denis ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Drum Kit Writing
Hi Naomi, Here's what I do. (If anyone has any better ideas, please shout!) Bear in mind I'm using lilypond-book to produce multiple small snippets of music for a tutor book. \begin[staffsize=20]{lilypond} \version 2.6.0 #(define mydrums '((bassdrum default #f -3)(sidestick xcircle #f 1)(snare default #f 1)(closedhihat cross stopped 3)(hihat cross #f 3)(openhihat cross open 3)(pedalhihat cross #f -5)(ridecymbal cross #f 5) (crashcymbal xcircle #f 5)(highfloortom default #f -1)(lowmidtom default #f 2)(himidtom default #f 3))) up = \drummode { \repeat percent 3 { hh8 hh8 hh8 sn8 hh8 hh8 hh8 hh8 sn8 hh8 } hh8 hh8 hh8 sn8 hh8 sn8 sn8 sn8 sn8 \bar || } down = \drummode { \repeat percent 3 { bd4 r4 bd4 r4 } bd4 r4 r2 } \score { \new DrumStaff \time 4/4 \set Staff.instrument = 1. \set Staff.minimumVerticalExtent = #'(-6 . 7) \clef percussion \set DrumStaff.drumStyleTable = #(alist-hash-table mydrums) \new DrumVoice { \voiceOne \up } \new DrumVoice { \voiceTwo \down } } \end{lilypond} (This example also puts toms on what I'm told are the new standard positions on the stave.) Here's a simple 12/8 example: \begin[staffsize=20]{lilypond} \version 2.6.0 up = \drummode { sn8 sn8 sn8 sn8 sn8 sn8 sn8 sn8 sn8 sn8 sn8 sn8 sn4. sn4. sn4. sn16 sn sn8 sn8 sn16 sn sn8 sn8 sn4 sn8 sn4 sn8 sn4 sn8 sn4. \oneVoice r4. r2. \bar |. } down = \drummode { bd4. bd4. bd4. bd4. bd4. bd4. bd4. bd4. bd4. bd4. bd4. bd4. bd4. } \score { \new DrumStaff \time 12/8 \set Staff.instrument = 9. \set Staff.minimumVerticalExtent = #'(-6 . 7) \clef percussion \new DrumVoice { \voiceOne \up } \new DrumVoice { \voiceTwo \down } \bar |. } \end{lilypond} Notice the use of \oneVoice to make the rests at the end in the middle of the stave. You can move rests on a given voice to a particular vertical position using \override Voice.Rest #'staff-position = #0, where the number at the end is the position. I used -4 on bass drum parts where I need to. I've had the odd extra treble clef staves too sometimes, usually down to an error in my code somewhere. Congrats on the wedding! Tim. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
soprano line with splitting voices and different lyrics
Hi again, I am trying to do the following for a soprano line that splits (div) 2x and the second division has each part singing different lyrics with different melisma. I wonder if the following setup will work as I have yet to have success: sopOneMusic \context Voice = sopranoOne { s1*14 one or two notes at the second division with silence filling all bars on either side s*14 } sopOneWords \lyricmode { words at the second division - really only one vowel held for a few beats } sopTwoMusic \context Voice = sopranoTwo { all unison and second soprano parts including both soprano parts at first division } sopTwoWords \lyricmode { all unison and second soprano words except for at the 2nd division } altoMusic etc... altoWords etc... --- other parts (five percussion and piano (two hands) --- \score { \context ChoirStaff \context Lyrics = sopranoOne \lyricsto sopranoOne \new Lyrics \sopOneWords \context Staff = soprano \context Voice = sopranoOne { \voiceOne \sopOneMusic } \context Voice = sopranoTwo { \set Staff.printKeyCancellation = ##f \set Staff.instrument = Soprano \set Staff.instr = Sop \voiceTwo \sopTwoMusic } \context Lyrics = sopranoTwo \lyricsto sopranoTwo \new Lyrics \sopTwoWords \context Voice = alto { \set Staff.printKeyCancellation = ##f \set Staff.instrument = Alto \set Staff.instr = Alt \altoMusic } \context Lyrics = alto \lyricsto alto \new Lyrics \altoWords --- percussion and piano here --- Everything prints out pretty well except that the sopOneWords, which I hoped would print above the staff very briefly (only for a few beats at the second div) don't show up. I am guessing that I am missing some syntax somewhere. Version 2.6.3 Debian testing here. Thanks again for any help, Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: kill off acrobat reader before generating .pdf?
Closing the document inside acrobat, and leaving Acrobat running? It's not that hard, on a windows box. Just click the small close icon. Nothing to it.~Ben On 4/17/06, David Feuer [EMAIL PROTECTED] wrote: On 4/17/06, Ben [EMAIL PROTECTED] wrote: Actually, I've found that if you just close the document inside Acrobat Reader, the program runs fine. The data simply isn't changed if you leave it open. So, just close the document, and leave Reader running. I have had no problems doing this.The problem is that it's a major pain. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: kill off acrobat reader before generating .pdf?
No, it is not hard in any way, it's just annoying, especially when you forget to do it..On 4/18/06, Ben [EMAIL PROTECTED] wrote:Closing the document inside acrobat, and leaving Acrobat running? It's not that hard, on a windows box. Just click the small close icon. Nothing to it. ~Ben On 4/17/06, David Feuer [EMAIL PROTECTED] wrote: On 4/17/06, Ben [EMAIL PROTECTED] wrote: Actually, I've found that if you just close the document inside Acrobat Reader, the program runs fine. The data simply isn't changed if you leave it open. So, just close the document, and leave Reader running. I have had no problems doing this.The problem is that it's a major pain. ___lilypond-user mailing listlilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Strange legato accent behaviour
Christian Hitz wrote: Am 18.04.2006 um 17:17 schrieb Jennifer Clark: When I use the legato accent like this; d'4-_ The legato sigh is written like this d'4-- Doh! Thanks Christian, that's sorted now. Although I am still wondering what the other symbol means :-) Jennifer ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: soprano line with splitting voices and different lyrics
I spotted a few details: - The line \context Lyrics = sopranoOne \lyricsto sopranoOne \new Lyrics \sopOneWords first creates a Lyrics context named sopranoOne but then it immediately creates an anonymous Lyrics context which hosts the actual words, so the one named sopranoOne is never used. What you want is \context Lyrics = sopranoOne \lyricsto sopranoOne \sopOneWords - You want the two voices to appear in the same staff, right? Then you have to enclose them in double brackets to tell LilyPond that the two should happen in parallel: \context Staff = soprano \context Voice = sopranoOne { \voiceOne \sopOneMusic } \context Voice = sopranoTwo { ... } /Mats Quoting Sterling Sympatico [EMAIL PROTECTED]: Hi again, I am trying to do the following for a soprano line that splits (div) 2x and the second division has each part singing different lyrics with different melisma. I wonder if the following setup will work as I have yet to have success: sopOneMusic \context Voice = sopranoOne { s1*14 one or two notes at the second division with silence filling all bars on either side s*14 } sopOneWords \lyricmode { words at the second division - really only one vowel held for a few beats } sopTwoMusic \context Voice = sopranoTwo { all unison and second soprano parts including both soprano parts at first division } sopTwoWords \lyricmode { all unison and second soprano words except for at the 2nd division } altoMusic etc... altoWords etc... --- other parts (five percussion and piano (two hands) --- \score { \context ChoirStaff \context Lyrics = sopranoOne \lyricsto sopranoOne \new Lyrics \sopOneWords \context Staff = soprano \context Voice = sopranoOne { \voiceOne \sopOneMusic } \context Voice = sopranoTwo { \set Staff.printKeyCancellation = ##f \set Staff.instrument = Soprano \set Staff.instr = Sop \voiceTwo \sopTwoMusic } \context Lyrics = sopranoTwo \lyricsto sopranoTwo \new Lyrics \sopTwoWords \context Voice = alto { \set Staff.printKeyCancellation = ##f \set Staff.instrument = Alto \set Staff.instr = Alt \altoMusic } \context Lyrics = alto \lyricsto alto \new Lyrics \altoWords --- percussion and piano here --- Everything prints out pretty well except that the sopOneWords, which I hoped would print above the staff very briefly (only for a few beats at the second div) don't show up. I am guessing that I am missing some syntax somewhere. Version 2.6.3 Debian testing here. Thanks again for any help, Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Strange legato accent behaviour
If you look at the full list of articulations in the manual, you will learn that it's the portato symbol. /Mats Quoting Jennifer Clark [EMAIL PROTECTED]: Christian Hitz wrote: Am 18.04.2006 um 17:17 schrieb Jennifer Clark: When I use the legato accent like this; d'4-_ The legato sigh is written like this d'4-- Doh! Thanks Christian, that's sorted now. Although I am still wondering what the other symbol means :-) Jennifer ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: kill off acrobat reader before generating .pdf?
Or press CTRL-w. Then, at least if you use some method to run LilyPond that doesn't open the new PDF file automatically, you can press ALT-f 1 which opens the last visited file. /Mats Quoting Ben [EMAIL PROTECTED]: Closing the document inside acrobat, and leaving Acrobat running? It's not that hard, on a windows box. Just click the small close icon. Nothing to it. ~Ben On 4/17/06, David Feuer [EMAIL PROTECTED] wrote: On 4/17/06, Ben [EMAIL PROTECTED] wrote: Actually, I've found that if you just close the document inside Acrobat Reader, the program runs fine. The data simply isn't changed if you leave it open. So, just close the document, and leave Reader running. I have had no problems doing this. The problem is that it's a major pain. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Text comes out blank using lilypond under cygwin
I recommend to install the (non-Cygwin) Windows package of LilyPond version 2.8 instead. /Mats Quoting Richard Stanton [EMAIL PROTECTED]: I just installed lilypond (v. 2.6.4) under Windows (cygwin) using the cygwin setup program. Although I can run the program and generate PS and PDF files OK, and no error messages are produced, no text appears on the output. The notes are fine, but lyrics are completely blank (though I can see some punctuation...) I assume it's a font problem, but don't know where to look. By the way, as well as installing lilypond, I also installed tetex (everything I could find) and ghostscript (v. 8.50). In case this is helpful, here is the output from lilypond in verbose mode when processing a simple file that is supposed to contain some text: lilypond -V test.ly GNU LilyPond 2.6.4 LILYPOND_DATADIR=/usr/share/lilypond/2.6.4 LOCALEDIR=/usr/share/locale Effective prefix: /usr/share/lilypond/2.6.4 Initializing FontConfig... adding font directory: /usr/share/lilypond/2.6.4/fonts/otf/ adding font directory: /usr/share/lilypond/2.6.4/fonts/type1/ adding font directory: /usr/share/lilypond/2.6.4/fonts/svg/ Processing `test.ly' Parsing...[/usr/share/lilypond/2.6.4/ly/init.ly[/usr/share/lilypond/2.6.4/ly /dec larations-init.ly[/usr/share/lilypond/2.6.4/ly/music-functions-init.ly][/usr /sha re/lilypond/2.6.4/ly/nederlands.ly][/usr/share/lilypond/2.6.4/ly/drumpitch-i nit. ly][/usr/share/lilypond/2.6.4/ly/chord-modifiers-init.ly][/usr/share/lilypon d/2. 6.4/ly/script-init.ly][/usr/share/lilypond/2.6.4/ly/scale-definitions-init.l y][/ usr/share/lilypond/2.6.4/ly/grace-init.ly][/usr/share/lilypond/2.6.4/ly/midi -ini t.ly[/usr/share/lilypond/2.6.4/ly/performer-init.ly]][/usr/share/lilypond/2. 6.4/ ly/paper-defaults.ly[/usr/share/lilypond/2.6.4/ly/titling-init.ly]][/usr/sha re/l ilypond/2.6.4/ly/engraver-init.ly][/usr/share/lilypond/2.6.4/ly/dynamic-scri pts- init.ly][/usr/share/lilypond/2.6.4/ly/spanners-init.ly][/usr/share/lilypond/ 2.6. 4/ly/property-init.ly]][test.ly] Interpreting music... [/usr/share/lilypond/2.6.4/fonts/otf/emmentaler-20.otf][1] elapsed time: 0.13 seconds Element count 183 (spanners 24) Preprocessing graphical objects... Grob count 247[/usr/share/lilypond/2.6.4/fonts/otf/emmentaler-11.otf][/usr/share /lilypond/2.6.4/fonts/otf/emmentaler-13.otf][/usr/share/lilypond/2.6.4/fonts /otf /emmentaler-14.otf][/usr/share/lilypond/2.6.4/fonts/otf/emmentaler-16.otf][/ usr/ share/lilypond/2.6.4/fonts/otf/emmentaler-18.otf][/usr/share/lilypond/2.6.4/ font s/otf/emmentaler-23.otf] Calculating line breaks... Global shortest duration is 1/8 [century_schoolbook_l__4.337890625][2] Optimal demerits: 15.855840 Element count 107.[0] Calculating page breaks...[century_schoolbook_l__3.865234375] Layout output to `test.ps'...[/usr/share/lilypond/2.6.4/fonts/otf//aybabtu.otf][ /usr/share/lilypond/2.6.4/fonts/type1/PFAemmentaler-20.pfa][/usr/share/lilyp ond/ 2.6.4/ps/music-drawing-routines.ps][/usr/share/lilypond/2.6.4/ps/lilyponddef s.ps ] Converting to `test.pdf'... Invoking `gs -dSAFER -dCompatibilityLevel=1.4 -sPAPERSIZE=a4 -dNOPAUSE -dB ATCH -r1200 -sDEVICE=pdfwrite -sOutputFile=test.pdf -c .setpdfwrite -f test. ps'...GPL Ghostscript 8.50 (2005-12-31) Copyright (C) 2005 artofcode LLC, Benicia, CA. All rights reserved. This software comes with NO WARRANTY: see the file PUBLIC for details. ] If anyone can tell me how to get the lyrics to display, I'd be very grateful. Thanks a lot. Richard Stanton ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problem with rest collision
I try to remove the rest collision of the example below, but no success: \version 2.8.1 \score { {a8 d' f' a'} \\ {r8 c' d' r} } I try to use this: \override Score.RestCollision #'minimum-distance = #1.75 but the collision persists. How can I solve it? Thanks, -- Jefferson dos Santos Felix-felixmusic.net ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with rest collision
Another example, to illustrate the problem (I think it's a bug) \score { \override Score.RestCollision #'minimum-distance = #0.75 {g8 a b c' d' e' f' g' a' b' c'' d'' e'' f'' g'' a''} \\ {r8 r r r r r r r r r r r r r r r } } Jefferson2006/4/19, Jefferson dos Santos Felix [EMAIL PROTECTED]: I try to remove the rest collision of the example below, but no success: \version 2.8.1 \score { {a8 d' f' a'} \\ {r8 c' d' r} } I try to use this: \override Score.RestCollision #'minimum-distance = #1.75 but the collision persists. How can I solve it? Thanks, -- Jefferson dos Santos Felix-felixmusic.net ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user