Re: Tie across triplet boundary
On 29.12.2007 (23:17), Michael Nelson wrote:
Hi guys. I'm a new user of Lilypond. I'm notating an old (out of copyright)
edition of Bach's Invention 1. I was happy to get through the first 5 bars
with remarkably few problems. But I have hit a snag in bar 6. See the
snapshot of the original:
http://bayimg.com/CaIonAabj
In the last 6 notes in the treble stave there is a triplet with the last note
tied to the following b. I get an error because (I presume) the tie crosses
the triplet boundary. My failed attempt for those last 6 notes is:
No, you get it because you didn't place the tie mark ~ after the note that
should be tied, but after the bracket.
\times 2/3 { b32 c b } ~ b16 vs.
\times 2/3 { b32 c b ~ } b16
--
Today's robots are very primitive, capable of understanding only a few
simple instructions such as 'go left', 'go right', and 'build car'.
--John Sladek
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
automatic accidentals don't work correctly
Dear Lilypond-users,
I have a problem with the behavior of the automatic accidentals in
the forget-sytle. For example, in my opinion the accidental of the
B-flat at the end of the 5th measure should be shown again, but not
in the beginning of the 6th measure. And I also don't understand why
the tie for the c-sharp at the beginning of the fourth measure can't
be seen.
Does someone know the reason?
Thank for support.
Stefan
Here the music-example:
t = #(define-music-function (parser location music) (ly:music?)
#{ \times 2/3 $music #} )
\relative c' {
c8 c~ c16 c8. es2~ |%klaviereinsrechts 10
\time 5/4 es8.. a,32 \t{ c8 c c~} c ges'~ ges c,~ \t { c8 c c~} |
%klaviereinsrechts 11
\time 4/4 c16 c8 cis bes'16~ cis bes'4. c16 c c8 c a'16 cis
fis~ | %klaviereinsrechts 12
cis fis e bes' es f 8.~ \arpeggio e bes' es f bes' e16
es, c' des bes' des c' es8~\arpeggio des c' es16 c f
des'8.~ |%klaviereinsrechts 13
\time 3/4 c f des'8 cis bes'16 dis a' bes e c' es ges c
f8~ %klaviereinsrechts 14
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { c f8 cis e es bes'~ | %klaviereinsrechts immer
noch 14
\time 4/4 es bes' e a a, es' b'~ a es' b'~ f' aes d g~
d g es ges es bes'~ es bes'4 e a8~ |%klaviereinsrechts 15
a, es'~ b'8 es' ges c f~ c f cis e cis e bes'~} cis e
bes'8 c es~ c es16 a d8 bes cis16 | %klaviereinsrechts 116
c es a4. des~ \t{ des8 des aes' bes g'} | %klaviereinsrechts 17
bes g'8 c es a4 des8~ \t { des4 des aes' bes g'~} |
%klaviereinsrechts 18
bes g'8 c es a2.. | %klaviereinsrechts 19
des16 r16 r8 r4 %klaviereinsrechts 20
} %ende von klaviereinsrechts. Nicht verschieben, nicht löschen!!
\version 2.11.34
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Layout integrating LaTeX and music
Hi Patrick, the baseline of the lilypond fragment is now identical with the letter's baseline. Have you got any idea why there is so much horizontal space in between the round brackets and the fragment: ( fragment )? I think what you're looking for is the --left-padding parameter. Just call lilypond-book with --left-padding=0. You can find this in the manual, AU(Application Usage), 4.4, Invoking LilyPond. See also 4.3., Music fragment options Michael ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Layout integrating LaTeX and music
I think what you're looking for is the --left-padding parameter. Just call lilypond-book with --left-padding=0. You can find this in the manual, AU(Application Usage), 4.4, Invoking LilyPond. See also 4.3., Music fragment options Hi Michael, thanks a lot for your help! The option --left-padding=0 reduced the redundant space on the left side and improved the layout on the right side of the fragment within the brackets. I don't want to be pedantic ;-) but is there an option to get rid off the space on the right side (fragment ) like --right-padding=0? All the best, PLS Hi Tobias, I don't use lilypond-book, but call lilypond from within latex. This approach has some advantages and some drawbacks. 1) I'd like to know how you call lilypond from within latex. 2)Could you tell me the advantages and disadvantages of this approach? Cheers, PLS -- Pt! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger?did=10 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: macro for instrument changes
Hi Valentin (etc.) -- I understand Han-Wen is quite busy right now; maybe the simplest way to do this would be to add such a macro to the LSR, without necessarily including it in the standard LilyPond distribution. What I *meant* was, I'm pretty sure this is already done! I was just asking Han-Wen to confirm. =) Happy Holidays, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: stem extend doe not work
Hi Stefan,
unfortunately, it didn't work.
Hmmm... works fine for me, e.g.,
___
\version 2.11.33
\layout { ragged-right = ##t }
flagStuff = \relative
{
c'8 c4 c8 c c4 c8
\override Stem #'flag-style = #'no-flag
c8 c4 c8 c c4 c8
\revert Stem #'flag-style
c8 c4 c8 c c4 c8
}
\score
{
\flagStuff
}
___
Hope this helps!
Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Instrumental Group Names in Score
Hi Jeremiah,
Thank you TWICE over for your help.
You're twice-over welcome! =)
Your code worked perfectly.
I try my best...
Very frustrating!
(This is a rhetorical question; no response necessary.)
Decided to respond anyway!
How can I figure out new code to solve new problems when I
don't know the code exists?
I have learned essentially everything I know by looking at the
examples which pepper the WWW. You might not find the *exact* code
you need (e.g., to add an instrument name to the InnerStaffGroup
context) but you're likely to find something similar -- for example,
in the documentation for Instrument Names (http://lilypond.org/doc/
v2.10/Documentation/user/lilypond/Instrument-names), about half-way
down you'll find the following:
_
To add instrument names to other contexts (such as GrandStaff,
ChoirStaff, or StaffGroup), the engraver must be added to that context.
\layout{
\context {\GrandStaff \consists Instrument_name_engraver}
}
More information about adding and removing engravers can be found in
Modifying context plug-ins.
_
The only difference between my code (i.e., the solution to your
problem) and the example code in the documentation is that I've
replaced \GrandStaff with \InnerStaffGroup (because that's where you
wanted the instrument name engraver added).
There is something about Lilypond structure (or Scheme structure)
which continues to elude me.
It's actually pretty simple to grasp, once the fundamentals are clear:
1. Every \book block is a separate output file (e.g., PDF) -- if you
haven't explicitly added one, Lilypond wraps your entire code block
in a \book (implicitly).
2. Every \score block is a separate chunk of music in a \book.
3. Every \layout block affects the \score or \book block in which it
appears -- i.e., a \layout inside a \score will affect only that
\score, but a \layout outside of a \score (and thus in a \book,
either explicitly or implicitly) will affect every \score in that \book.
4. Every \context block will affect the named context (e.g.,
\InnerStaffGroup) throughout the block (e.g., \score or \book) in
which it appears.
Any questions? (For more info, see the docs.)
Best wishes,
Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hiding Staves with Lyrics
Dear all,
I have the following problem:
When hiding staves via \RemoveEmptyStaffContext I
get unwanted barlines between the Lyrics.
Please find below a (somehow) minimal example where
the problem can be seen in the second line.
Thanks for any hints or solutions,
Robert
EXAMPLE:
-
\version 2.11.34
discantusprimusmusic =
\relative {
c1 c c c c c c c c c c c
c c c c c c c c c c c c
c c c c c c c c c
}
discantussecundusmusic =
\relative {
c1 c c c c c c c c c c c
c c c c c c c c c c c c
c c c c c c c c c
}
bassusmusic =
\relative {
c1 c c c c c c
R1 R1 R1 R1 R1 R1 R1 R1
R1 R1 R1 R1 R1 R1 R1 R1
c c c c c c c c c c
}
%%%
discantusprimuslyrics = \lyricmode {
la la la la la la la la la la la
la la la la la la la la la la la
la la la la la la la la la la la
}
discantussecunduslyrics = \lyricmode {
la la la la la la la la la la la
la la la la la la la la la la la
la la la la la la la la la la la
}
bassuslyrics = \lyricmode {
la la la la la la la la la la la
la la la la la la la la la la la
}
%%%
staffdiscantusprimus = \new Staff {
\set Staff.instrumentName = \markup{Discantus Primus \hspace #1 }
\set Staff.midiInstrument=violin
\new Voice = discantusprimus \with {
\remove Forbid_line_break_engraver
}
\override NoteHead #'style = #'baroque
\discantusprimusmusic
}
staffdiscantussecundus = \new Staff {
\set Staff.instrumentName = \markup{Discantus Secundus \hspace #1 }
\set Staff.midiInstrument=violin
\new Voice = discantussecundus \with {
\remove Forbid_line_break_engraver
}
\override NoteHead #'style = #'baroque
\discantussecundusmusic
}
staffbassus = \new Staff {
\set Staff.instrumentName = \markup{Bassus \hspace #1 }
\set Staff.midiInstrument=violin
\new Voice = bassus \with {
\remove Forbid_line_break_engraver
}
\override NoteHead #'style = #'baroque
\bassusmusic
}
\score {
\set Score.skipBars = ##t
\new StaffGroup
\staffdiscantusprimus
\new Lyrics \lyricsto discantusprimus { \discantusprimuslyrics }
\staffdiscantussecundus
\new Lyrics \lyricsto discantussecundus { \discantussecunduslyrics }
\staffbassus
\new Lyrics \with {
\remove Bar_engraver
\remove Separating_line_group_engraver
}
\lyricsto bassus { \bassuslyrics }
\layout {
indent = 2.5\cm
\context { \RemoveEmptyStaffContext }
\context { \Score
\override BarLine #'transparent = ##t
\override Slur #'transparent = ##t
}
\context { \Lyrics
\consists Bar_engraver
\consists Separating_line_group_engraver
\override BarLine #'transparent = ##f
}
}
}
\paper {
#(set-paper-size a4)
line-width = 17.0\cm
top-margin = 1\cm
bottom-margin = 0.5\cm
foot-separation = 0\cm
head-separation = 0\cm
}
--
Robert Memering
Arbeitsbereich Linguistik, Universität Münster
Hüfferstraße 27, D-48149 Münster, Germany
Raum 01.85, Tel. +49-251-83-31958
http://santana.uni-muenster.de
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tie across triplet boundary
Thanks for your help. It works now. Mike
Eyolf Østrem [EMAIL PROTECTED] wrote: On 29.12.2007 (23:17), Michael Nelson
wrote:
Hi guys. I'm a new user of Lilypond. I'm notating an old (out of copyright)
edition of Bach's Invention 1. I was happy to get through the first 5 bars
with remarkably few problems. But I have hit a snag in bar 6. See the
snapshot of the original:
http://bayimg.com/CaIonAabj
In the last 6 notes in the treble stave there is a triplet with the last note
tied to the following b. I get an error because (I presume) the tie crosses
the triplet boundary. My failed attempt for those last 6 notes is:
No, you get it because you didn't place the tie mark ~ after the note that
should be tied, but after the bracket.
\times 2/3 { b32 c b } ~ b16 vs.
\times 2/3 { b32 c b ~ } b16
--
Today's robots are very primitive, capable of understanding only a few
simple instructions such as 'go left', 'go right', and 'build car'.
--John Sladek
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
-
Looking for last minute shopping deals? Find them fast with Yahoo! Search.___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Layout integrating LaTeX and music
Hi Patrick, thanks a lot for your help! The option --left-padding=0 reduced the redundant space on the left side and improved the layout on the right side of the fragment within the brackets. I don't want to be pedantic ;-) but is there an option to get rid off the space on the right side (fragment ) like --right-padding=0 I'm quite unsure what's the reason for this. I've looked at the eps file lilypond generates - there's no extra space. That's why I think it's an issue with LaTeX, but I don't really know how to improve this...sorry for that. Michael ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
caesura usage
I used to be able to replace the breath mark with something like the following which I have corrected for the new straight caesura glyph name: caesuraOn = \override BreathingSign #'text = #(make-musicglyph-markup scripts.caesura.straight) The \breathe command would put the caesura glpyh right where I wanted it. This code used as: \caesuraOn \breathe doesn't seem to work in 2.11.36 (I get scripts.rcomma). TIA for any ideas why, Paul Scott ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
ask for help--I'm confused
(note: lcd means the first letters of Chinese spelling of the piece)
Hi, I'm Hu Haipeng. I just transcribed my transcription of a Chinese folksong
into Lilypond, but the result is bad. The first bar, I made 3 voices, the
second is a cue of the special mordent (but I haven't learn how to write
ornaments till now), the next bar has two and the third only one. It seems all
are right, but the log file said it can't create new staff. The Midi output is
correct, but when I OMR'd the music using SharpEye and brailled it using
Finale's plug-in, the result is really wrong. Before I add a \clef treble to
the first new staff, the left hand was above the right; but when added the clef
indication, all two hands seemed conbine to one. I can't see my output, and
don't know where the error is. I check my nested brackets, they seem all right
(but not sure). Can you help me?
SINCERELY
\version 2.11.36
\header {
title = Dragon Boat Tune
subtitle = Transcriptions of Hubei Folksongs, No.1
composer = Hu Haipeng
}
\score {
\relative c'' {
\new PianoStaff
\new staff { \clef treble \time 4/4 \key bes \minor
{ f8(^rubato_\mf des16 des des8 f des ees4.) } \\
{ s2 s8 ees32. f64 ees32 f ees4 } \\
{ \voiceFour bes f2\arpeggio bes ges\arpeggio }
|
{ f8(\p des16 des des8 f16. aes32 des,8 ees4.)^simile } \\
{ des bes2\arpeggio des bes\arpeggio }
|
\time 2/4 \oneVoice
f bes f'8^allegro_\mf f bes des16-. f bes des-. f bes des8 bes des f
}
\new staff { \clef bass \key bes \minor
bes,, f' des'2\arpeggio ees ges bes\arpeggio | bes f'\arpeggio ees g\arpeggio | bes f' des'8\arpeggio bes' des16-. bes des-. bes des8 f bes
}
}
\midi { }
\layout { }
}
lcd2.midi
Description: MIDI audio
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ask for help--I'm confused
On Dec 30, 2007, at 7:19 PM, hhpmusic wrote:
(note: lcd means the first letters of Chinese spelling of the piece)
Hi, I'm Hu Haipeng. I just transcribed my transcription of a
Chinese folksong into Lilypond, but the result is bad. The first
bar, I made 3 voices, the second is a cue of the special mordent
(but I haven't learn how to write ornaments till now), the next bar
has two and the third only one. It seems all are right, but the log
file said it can't create new staff. The Midi output is correct,
but when I OMR'd the music using SharpEye and brailled it using
Finale's plug-in, the result is really wrong. Before I add a \clef
treble to the first new staff, the left hand was above the right;
but when added the clef indication, all two hands seemed conbine to
one. I can't see my output, and don't know where the error is. I
check my nested brackets, they seem all right (but not sure). Can
you help me?
The result is one staff in bass clef. I believe you need to have a
separate \relative { ... } for each staff rather than enclosing the
whole PianoStaff in one \relative { ... } .
HTH,
Paul Scott
SINCERELY
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
sorry and ask for help again
Sorry for my headlongness! I thought it will turn good, but no. The log file
still said it cannot create new staff, no matter where I placed \relative
(before or after \new staff { }). I'm sending you both the .ly and log files,
and, what does 18:33 and 18:13 before the error message ignoring too many
clashing notes mean?
SINCERELY
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
files
These are my files.
lcd2.log
Description: Binary data
\version 2.11.36
\header {
title = Dragon Boat Tune
subtitle = Transcriptions of Hubei Folksongs, No.1
composer = Hu Haipeng
}
\score {
\new PianoStaff
\relative c,, {
\new staff { \clef treble \time 4/4 \key bes \minor
{ f8(^rubato_\mf des16 des des8 f des ees4.) } \\
{ s2 s8 ees32. f64 ees32 f ees4 } \\
{ \voiceFour bes f2\arpeggio bes ges\arpeggio }
|
{ f8(\p des16 des des8 f16. aes32 des,8 ees4.)^simile } \\
{ des bes2\arpeggio des bes\arpeggio }
|
\time 2/4 \oneVoice
f bes f'8^allegro_\mf f bes des16-. f bes des-. f bes des8 bes des f | f bes des ges bes ees4- des16 ees16
}
}
\relative c {
\new staff { \clef bass \key bes \minor
bes f' des'2\arpeggio ees ges bes\arpeggio | bes f'\arpeggio ees g\arpeggio | bes f' des'8\arpeggio bes' des16-. bes des-. bes des8 f bes | bes des ges bes ees- bes-. ees,-.
}
}
\midi { }
\layout { }
}
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
correct octave
Sorry, the octave of rh is wrong, for I'm writing the file in my braille
computer with braille keys. I often miswrite ' to ,.
But the error is still here.
\version 2.11.36
\header {
title = Dragon Boat Tune
subtitle = Transcriptions of Hubei Folksongs, No.1
composer = Hu Haipeng
}
\score {
\new PianoStaff
\relative c'' {
\new staff { \clef treble \time 4/4 \key bes \minor
{ f8(^rubato_\mf des16 des des8 f des ees4.) } \\
{ s2 s8 ees32. f64 ees32 f ees4 } \\
{ \voiceFour bes f2\arpeggio bes ges\arpeggio }
|
{ f8(\p des16 des des8 f16. aes32 des,8 ees4.)^simile } \\
{ des bes2\arpeggio des bes\arpeggio }
|
\time 2/4 \oneVoice
f bes f'8^allegro_\mf f bes des16-. f bes des-. f bes des8 bes des f | f bes des ges bes ees4- des'16 ees16
}
}
\relative c {
\new staff { \clef bass \key bes \minor
bes f' des'2\arpeggio ees ges bes\arpeggio | bes f'\arpeggio ees g\arpeggio | bes f' des'8\arpeggio bes' des16-. bes des-. bes des8 f bes | bes des ges bes ees- bes-. ees,-.
}
}
\midi { }
\layout { }
}
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: files
On Dec 30, 2007, at 9:51 PM, hhpmusic wrote:
These are my files.
I'll check more in a few minutes but I never create a Staff of any
kind inside a \relative{ ... }. Try reversing the \relative and \new
Staff for each hand.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: correct octave
On Dec 30, 2007, at 9:59 PM, hhpmusic wrote: Sorry, the octave of rh is wrong, for I'm writing the file in my braille computer with braille keys. I often miswrite ' to ,. But the error is still here. I now have both staves. Something you will have to deal with is that LilyPond is case sensitive and Staff is spelled with a Capital 'S'. Can your screen reader help you with that? Attached is a file that works but still has some minor errors since I, of course, don't know what your music looks like. Paul ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: correct octave
On Dec 30, 2007, at 9:59 PM, hhpmusic wrote:
Sorry, the octave of rh is wrong, for I'm writing the file in my
braille computer with braille keys. I often miswrite ' to ,.
But the error is still here.
I now have both staves. Something you will have to deal with is that
LilyPond is case sensitive and Staff is spelled with a Capital 'S'. Can
your screen reader help you with that?
Attached is a file that works but still has some minor errors since I,
of course, don't know what your music looks like.
Here is the attachment I forgot.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
\version 2.11.36
\header {
title = Dragon Boat Tune
subtitle = Transcriptions of Hubei Folksongs, No.1
composer = Hu Haipeng
}
\score {
\new PianoStaff
\new Staff {
\relative c'' {
\time 2/4
\clef treble \time 4/4 \key bes \minor
{ f8(^rubato_\mf des16 des des8 f des ees4.) } \\
{ s2 s8 ees32. f64 ees32 f ees4 } \\
{ \voiceFour bes f2\arpeggio bes ges\arpeggio }
|
{ f8(\p des16 des des8 f16. aes32 des,8 ees4.)^simile } \\
{ des bes2\arpeggio des bes\arpeggio }
|
\oneVoice
f bes f'8^allegro_\mf f bes des16-. f bes des-.
f bes des8 bes des f |
f bes des ges bes ees4- des'16 ees16
}
}
\new Staff {
\relative c {
\clef bass \key bes \minor
bes f' des'2\arpeggio ees ges bes\arpeggio |
bes f'\arpeggio ees g\arpeggio |
bes f' des'8\arpeggio bes' des16-. bes des-.
bes des8 f bes | bes des ges bes ees- bes-. ees,-.
}
}
\midi { }
\layout { }
}
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Manual Staff switching
Hello;
In the last bar of a section which has been created with many staff
switches, I either have two extra bars in the left hand or one to few,
leaving no double repeat dots. This is part of the B section of a
piece which I will piece together by using include A-section.ly,
include B-Section.ly, include ,A-section.ly.. The A sections are
exactly the same, The code you see below is the first 8 bars of the B
section.
How can I remove the last bit of supporting Keep Staff alive content?
one other problem with this piece is that when I render this code, I
have an extra treble clef above the two lines of staff I need. What is
the problem with the template I'm using?
## Code
\version 2.11.36
\include english.ly
rh = \relative c'' {
\clef treble
\key bf \major
\time 2/4
\mark Allegro
% \set followVoice = ##t
\override TupletNumber #'transparent = ##t
\set Staff.extraNatural = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 8)
\override TupletBracket #'transparent = ##t
\set Score.currentBarNumber = #25 \bar
\partial 16 g'16|
\repeat volta 16 { \times 2/3 { \stemUp f[ bf,
\pp ] \stemDown d
f,[ bf, ] \stemUp ef' d [ f, ] \stemDown bf d,[ bf ] \stemUp d | }
% bar 25
\times 2/3 { c16[ f ] \stemDown gf ef[ bf ] \stemUp d' ef[ f, ]
\stemDown gf ef[ bf ] \stemUp d' } | % bar26
\times 2/3 { c16[ f, ] \stemDown gf ef[ bf ] \stemUp d'( ef)[
f, ]
\stemDown ef c[ bf ] \stemUp a'( } | % bar 27
\times 2/3 { bf)[ f ] \change Staff = lh d bf[ a] \change
Staff =
rh c'( d)[ f, ] \change Staff = lh d bf[ g ] \change Staff = rh c'( }
| % bar 28
\times 2/3 { bf)[ f ] \change Staff = lh d bf[ f ] \change
Staff =
rh c''( d )[ g, ] \change Staff = lh \clef bass c, bf[ e, ] \change
Staff = rh \clef treble bf''( } | % bar 29
\times 2/3 { a)[ f ] \change Staff = lh c a[ f ] \change Staff
= rh
bf'( c)[ f, ] \change Staff = lh c gs[ d ] \change Staff = rh b''( } |
% bar 30
\times 2/3 { c )[f, ] \change Staff = lh c a[ c, ] \change
Staff =
rh cs''( d )[ e, ] \change Staff = lh bf g[ c, ] \change Staff = rh
a''( } | % bar 31
\times 2/3 { bf )[ c, ] \change Staff = lh bf e,[ c ] \change
Staff
= rh e'( f )[ c ] \change Staff = lh a c,[ f, ] \change Staff = rh
g''( } |
}
}
lh = \relative c' {
\clef bass
\key bf \major
\time 2/4
\skip 1 * 5 % idem
}
\score {
\new PianoStaff
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
\set PianoStaff.instrumentName = Piano
\new Staff = rh \rh
\new Staff = lh \lh
\layout { }
\midi { }
}
Cheers,
David
--
David Fedoruk
B.Mus. UBC,1986
Certificate in Internet Systems Administration, UBC, 2003
http://recordjackethistorian.wordpress.com
Music is enough for one's life time, but one life time is not enough
for music Sergei Rachmaninov
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
