Re: Bug? Lines disappear with rhythmic staff
Peter Chubb wrote:
I'm using the current 2.12.2 version of lilypond. The attached file
yields,
programming error: vertical alignment called before line-breaking
and no lines on the staff.
If I remove the \bar "|." the output is correct.
\version "2.12.2"
recscore= \context StaffGroup <<
\context RhythmicStaff = "tambour" {
\override NoteHead #'style = #'cross
\stemUp
f4 f8 f8
}
\context Staff = "recA" {
\clef "G^8"
a''2
\bar "|."
}
>>
\score {
\recscore
\layout {
\context{ \RhythmicStaff
\remove "Time_signature_engraver"
\remove "Staff_symbol_engraver"
\remove "Clef_engraver"
% \remove "Bar_engraver"
\consists "Instrument_name_engraver"
\override BarLine #'transparent = ##t
}
\context{ \Staff
\remove "Time_signature_engraver"
}
}
}
For me, with 2.12.2 on Fedora 10, running your example yields tiny staff
lines before the clef, but nothing after, and no StaffGroup bracket.
You seem to have removed the Staff_symbol_engraver from the RythmicStaff
context -- I left the \bar "|." in, and commented out the line
% \remove "Staff_symbol_engraver"
, then all worked fine.
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Re: Using midi2ly
On Fri, Mar 27, 2009 at 11:09:01PM +0100, Hans Aberg wrote: > The typeset output looks weird when applying midi2ly (and convert-ly) of > LilyPond 2.12.2 to: > http://users.telenet.be/scottischkilt2/Midi/midi/72ndhighfare.mid Which brings me to another question: why a version of midi2ly is packaged with lilypond and still I have to use convert-ly ? Shouldn't always midi2ly (and the other xxx2ly converters) be made compatible with the lilypond version it is packaged with before releasing any official new lilypond version release ? Or is that easier said than done ? -- Martin Tarenskeen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Using midi2ly
The typeset output looks weird when applying midi2ly (and convert-ly) of LilyPond 2.12.2 to: http://users.telenet.be/scottischkilt2/Midi/midi/72ndhighfare.mid Is it fixable? Hans Aberg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Problem with arpeggio across voices and fingering
Thanks. That fixes the problem. Nick > -Original Message- > From: Robin Bannister [mailto:r...@dataway.ch] > Sent: Saturday, 28 March 2009 01:31 > To: Nick Payne; lilypond-user@gnu.org > Subject: Re: Problem with arpeggio across voices and fingering > > Nick Payne wrote: > > What I want is the fingering just to the left of the notes > > and the arpeggio just to the left of the fingering. > > I'm pretty sure you ought to change the order in which > these things are hung onto the side of the notes. > But I'm afraid I can't help you with that. > > As regards horizontal tweaking, this is hampered by > the fingering being referenced to the arpeggio. > If both are referenced to the note it gets more manageable. > Here is a hack which does such juggling: > > \once \override Staff.Arpeggio #'direction = #RIGHT > \once \override Staff.Arpeggio #'padding = #-4 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [SOLVED] Re: (simulating) a spanner with multiple "stops"
Op vrijdag 27 maart 2009, schreef Don Benson:
> How does this look the notes are not all the same? What if the second
> measure went down a minor third to a series of As? I'm not on a computer
> with LilyPond installed right now to test this, but I suspect you will not
> like the results.
Works perfectly, looks like this:
\relative c'' {
\set decrescendoSpanner = #'text
\set decrescendoText = "poco"
c\> b a g
\set decrescendoText = "a"
f\> e d c
\set decrescendoText = "poco"
b\> a g a
\set decrescendoText = "decresc."
bes\> b\! c2
}
because LilyPond auto-aligns connected dynamics.
best regards,
Wilbert Berendsen
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Re: order of articulation symbols
And, one more point:
If I would like to change it generally, for all cases?
In my opinion the tenuto should alwyas closer to the note than the accent.
2009/3/27 Stefan Thomas :
> Dear Mats,
> thanks for Your tip! But how can I use this \tweak-command in this special
> case?
>
> 2009/3/27 Mats Bengtsson :
>>
>>
>> Jonathan Kulp wrote:
>>>
>>> Stefan Thomas wrote:
Dear communitiy,
I would like to change the order of articulation symbols in the below
quoted example.
But I don't know how to do it.
Here es a short snippet:
\version "2.12.1"
notes = { \repeat unfold 4 { 8->-- es''-.
> -- fis''-. } }
arti = {
\repeat "unfold" 4 { s8 ->-- %the accent should be above the tenuto,
not below, but how can I change it?
s8-. s8-- s8-. } }
>>>
>>> Just change the order in which you code the articulations:
>>>
>>> ---> instead of ->--
>>
>> For the record, note that this strategy won't work for all combinations of
>> articulations, since some articulations have a different priority set by
>> default. For example, you could try
>> g-.-- g---.
>> or
>> g^-^\fermata g^\fermata^-
>> where both versions give the same result. To change the order in such
>> situations, you have to use a \tweak command to change the script-priority
>> property of one of the articulations.
>>
>> /Mats
>>
>
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Re: order of articulation symbols
Dear Mats,
thanks for Your tip! But how can I use this \tweak-command in this special case?
2009/3/27 Mats Bengtsson :
>
>
> Jonathan Kulp wrote:
>>
>> Stefan Thomas wrote:
>>>
>>> Dear communitiy,
>>> I would like to change the order of articulation symbols in the below
>>> quoted example.
>>> But I don't know how to do it.
>>> Here es a short snippet:
>>> \version "2.12.1"
>>> notes = { \repeat unfold 4 { 8->-- es''-. >>>
-- fis''-. } }
>>>
>>> arti = {
>>> \repeat "unfold" 4 { s8 ->-- %the accent should be above the tenuto,
>>> not below, but how can I change it?
>>> s8-. s8-- s8-. } }
>>>
>>
>> Just change the order in which you code the articulations:
>>
>> ---> instead of ->--
>
> For the record, note that this strategy won't work for all combinations of
> articulations, since some articulations have a different priority set by
> default. For example, you could try
> g-.-- g---.
> or
> g^-^\fermata g^\fermata^-
> where both versions give the same result. To change the order in such
> situations, you have to use a \tweak command to change the script-priority
> property of one of the articulations.
>
> /Mats
>
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Re: odd configure error
Graham Percival wrote Friday, March 27, 2009 2:11 PM On Fri, Mar 27, 2009 at 07:56:53AM -0600, Carl D. Sorensen wrote: On 3/27/09 7:24 AM, "Jan Nieuwenhuizen" wrote: > Well, this is utterly ridiculous IMNSHO. I would suggest to > > * fix the main lilypond repo so that git clone "just works", > or > * ask on g...@vger.kernel.org what else we're doing wrong, or > * fix git so that git clone "just works" > > If all of these fail, and git clone is *supposed* to be utterly > unusable, I suggest to look seriously into switching to bazaar > or hg. I'm not opposed to making it *just work*. I am opposed to switching from git just because of this minor inconvenience. Agreed. +1 Trevor ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: order of articulation symbols
Jonathan Kulp wrote:
Stefan Thomas wrote:
Dear communitiy,
I would like to change the order of articulation symbols in the below
quoted example.
But I don't know how to do it.
Here es a short snippet:
\version "2.12.1"
notes = { \repeat unfold 4 {8->-- es''-.
-- fis''-. } }
arti = {
\repeat "unfold" 4 { s8 ->-- %the accent should be above the tenuto,
not below, but how can I change it?
s8-. s8-- s8-. } }
Just change the order in which you code the articulations:
---> instead of ->--
For the record, note that this strategy won't work for all combinations
of articulations, since some articulations have a different priority set
by default. For example, you could try
g-.-- g---.
or
g^-^\fermata g^\fermata^-
where both versions give the same result. To change the order in such
situations, you have to use a \tweak command to change the
script-priority property of one of the articulations.
/Mats
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Re: order of articulation symbols
Stefan Thomas wrote:
Dear communitiy,
I would like to change the order of articulation symbols in the below
quoted example.
But I don't know how to do it.
Here es a short snippet:
\version "2.12.1"
notes = { \repeat unfold 4 {8->-- es''-.
-- fis''-. } }
arti = {
\repeat "unfold" 4 { s8 ->-- %the accent should be above the tenuto,
not below, but how can I change it?
s8-. s8-- s8-. } }
Just change the order in which you code the articulations:
---> instead of ->--
Jon
--
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http://www.jonathankulp.com
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Re: Sibelius conversion - sib2ly
Laura Conrad wrote: I'm sure I've heard that Finale exports musicXML, but my Finale-using friend can't figure out how. It does. Well, at least Finale 2008 does. My work computer has Finale 2006 installed and it crashes every time I try to export a file to XML. The machines in the lab across the hall have Finale 2008 and the musicXML export works perfectly on those. The import to Lilypond also works very well. :) Jon -- Jonathan Kulp http://www.jonathankulp.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Sibelius conversion - sib2ly
Am Freitag, 27. März 2009 schrieb Laura Conrad: > I'm sure I've heard that Finale exports musicXML, but my Finale-using > friend can't figure out how. File -> MusicXML -> Export... Yes, I totally agree that this is not the place to look for. I would rather look at File -> Export or File->Save as (and similarly I would use File->Open or File->Import rather than File->MusicXML->Import). But I suppose that's a limitation of Finale's plugin architecture... > And I don't seem to run into any XML on > the Werner Icking or CPDL sites. CPDL and WIMA are mainly interested in the PDFs. The source files are just a goodie, and of course people upload the native file they crated rather than some exported file (which involves one additional step). There are some MusicXML source files on WIMA, though (simply search for MusicXML an you'll get 45 hits, most of which are for editions with MusicXML sources). Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
order of articulation symbols
Dear communitiy,
I would like to change the order of articulation symbols in the below
quoted example.
But I don't know how to do it.
Here es a short snippet:
\version "2.12.1"
notes = { \repeat unfold 4 {8->-- es''-. -- fis''-. } }
arti = {
\repeat "unfold" 4 { s8 ->-- %the accent should be above the tenuto,
not below, but how can I change it?
s8-. s8-- s8-. } }
\new Staff { \context Voice << \notes \arti >> }
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Re: Sibelius conversion - sib2ly
> "Johan" == Johan Vromans writes: Johan> Yes, it would be very nice to have one good export format Johan> and a good importer. But Sibelius does not produce MusicXML Johan> without the help of an expensive plugin. As far as I can see, all notation products (including lilypond) are more interested in getting music into them than in letting users get it out. I was involved in CAD/CAM when they were starting to talk about neutral file formats for transfer between different products, and it was hard for those companies to devote resources to something that would let their users migrate their data to a competitor, too. Of course, it's to everone's advantage for everyone else to do it. I'm sure I've heard that Finale exports musicXML, but my Finale-using friend can't figure out how. And I don't seem to run into any XML on the Werner Icking or CPDL sites. -- Laura (mailto:lcon...@laymusic.org http://www.laymusic.org/ ) (617) 661-8097 233 Broadway, Cambridge, MA 02139 ...in Calormen, story-telling (whether the stories are true or made up) is a thing you're taught, just as English boys and girls are taught essay-writing. The difference is that people want to hear the stories, whereas I never heard of anyone who wanted to read the essays. C. S. Lewis, _The Horse and His Boy_ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: odd configure error
Op vrijdag 27-03-2009 om 22:11 uur [tijdzone +0800], schreef Graham Percival: > Now, according to Patrick, "git clone" works for the main branch. That's my experience, at least with git 1.6. > Another question is whether it makes sense to keep web/ as a > branch in the main lilypond git. I mean, if we're storing gub/ in > a separate project, why not stick web/ there as well. I vote to move web to its own repository, ie, have one repository per code base/project. Jan. -- Jan Nieuwenhuizen | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Persian fonts
On Thu, Mar 26, 2009 at 07:15:21PM -0700, Kees van den Doel wrote: > > There are still plenty of problems, for example the Persian > accidentals don't align well when you change the font size > (apart from that they don't look that nice). Hopefully they will > be integrated in 2.13 at some point. This would require some patches from interested parties. If you are interested, please see the Contributor's Guide: http://lilypond.org/doc/v2.13/Documentation/devel/contrib-guide/Getting-the-source-code Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with arpeggio across voices and fingering
Nick Payne wrote: What I want is the fingering just to the left of the notes and the arpeggio just to the left of the fingering. I'm pretty sure you ought to change the order in which these things are hung onto the side of the notes. But I'm afraid I can't help you with that. As regards horizontal tweaking, this is hampered by the fingering being referenced to the arpeggio. If both are referenced to the note it gets more manageable. Here is a hack which does such juggling: \once \override Staff.Arpeggio #'direction = #RIGHT \once \override Staff.Arpeggio #'padding = #-4 Cheers, Robin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with arpeggio across voices and fingering
Hi Mats, In this bug database you can also see that this is one of 258 open issues. :-( I'd love to see Coda Music's "open issues" file for Finale... ;-) Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: odd configure error
On Thu, Mar 26, 2009 at 02:31:21PM -0700, Patrick McCarty wrote: > Let's say remote master has changed in the meantime, and you want to > create a new patch rebased on current master: > > cd lilypond > git checkout master > git pull > git checkout mybranch > git rebase master > git format-patch master Err... isn't that more complicated than cd lilypond git pull origin ... edit... git format-patch origin ? I'd take a complicated setup followed by one-line updates over a simple setup followed by three-line updates any day. I'm still amazed at git. Simple things should be simple. I can teach people how to use svn in 15 minutes. But to do the equivalent of "svn update, svn add, svn ci" in git takes... well, I don't know how long we've spent discussing it, but it's way more than 15 minutes! Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with arpeggio across voices and fingering
This is a known bug, see http://code.google.com/p/lilypond/issues/detail?id=556&q=arpeggio In this bug database you can also see that this is one of 258 open issues. :-( /Mats Nick Payne wrote: See attached. The arpeggio on the chord without the fingering is fine, and the fingering without the arpeggio is fine, but the two together results in a large gap appearing between the fingering/arpeggio and the notes. What I want is the fingering just to the left of the notes and the arpeggio just to the left of the fingering. I can move the fingering with \tweak, but I haven't yet found how to move the arpeggio, and even if I can, a) it's going to be a major PITA to do all this tweaking at every point where I have this construction, and b) moving it means there will be a rather ugly looking gap between the preceding element in the score and this one. The problem seems to be related to having the arpeggio across voices, as if I remove only the arpeggio against the part of the chord in voiceFour, then the gap disappears, though I still have the arpeggio appearing to the right of the fingering rather than to the left. Nick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: mats.bengts...@ee.kth.se WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: odd configure error
On Fri, Mar 27, 2009 at 07:56:53AM -0600, Carl D. Sorensen wrote: > > On 3/27/09 7:24 AM, "Jan Nieuwenhuizen" wrote: > > > Well, this is utterly ridiculous IMNSHO. I would suggest to > > > > * fix the main lilypond repo so that git clone "just works", or > > * ask on g...@vger.kernel.org what else we're doing wrong, or > > * fix git so that git clone "just works" > > > > If all of these fail, and git clone is *supposed* to be utterly > > unusable, I suggest to look seriously into switching to bazaar or hg. > > I'm not opposed to making it *just work*. I am opposed to switching from > git just because of this minor inconvenience. Agreed. Now, I'm totally in favor of people complaining to vger.kernel.org. But I think this has to be done by a knowledgeable git person... and even once we convince them that there *is* a problem, and it's *not* caused by our setup (assuming this is true), then it'll still take two years for the fixed version of git clone to be available in people's repositories. No, we do not want to ask contributors to download git from an unstable branch. That's far worse than a 5-line cut&paste job. Now, according to Patrick, "git clone" works for the main branch. Unfortunately I can't see myself testing this in the near future (my apartment has a pathetic internet connection, and the university doesn't allow git connections). However, we need brainless cut&paste instructions for the translations and web as well. Another question is whether it makes sense to keep web/ as a branch in the main lilypond git. I mean, if we're storing gub/ in a separate project, why not stick web/ there as well. ... this again would involve a fairly involved bit of organization that I am totally willing to do in June, but not before. I propose that we leave things as they are right now, unless somebody has the energy to take charge of this task. I estimate 10 hours if you know git, and 20 hours if you don't. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
[SOLVED] Re: (simulating) a spanner with multiple "stops"
Op donderdag 26 maart 2009, schreef Wilbert Berendsen:
> I try to write something like:
>
> poco . . . . . a . . . . . . poco . . . . . . descresc.
Solved, the trick is quite easy:
\relative c' {
\set decrescendoSpanner = #'text
\set decrescendoText = "poco"
c\> c c c
\set decrescendoText = "a"
c\> c c c
\set decrescendoText = "poco"
c\> c c c
\set decrescendoText = "decresc."
c\> c\! c c
}
Cc-ing Neil as this is usable maybe.
best regards,
Wilbert Berendsen
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Re: odd configure error
On 3/27/09 7:24 AM, "Jan Nieuwenhuizen" wrote: > Op donderdag 26-03-2009 om 21:06 uur [tijdzone +0800], schreef Graham > Percival: > >>> GIT from git.sv.gnu.org >>> git clone git://git.sv.gnu.org/lilypond.git >> >> This does not set up easy pulling or pushing in the future, and >> generally assumes that people know how to use git > >>> To get the main source code and documentation, >>> mkdir lilypond; cd lilypond >>> git init-db >>> git remote add -f -t master -m master origin >>> git://git.sv.gnu.org/lilypond.git/ >>> git checkout -b master origin/master >> >> After approximately four hours of discussion between git experts >> and non-experts, we decided that this is the best sequence of >> commands for most contributors. > > Well, this is utterly ridiculous IMNSHO. I would suggest to > > * fix the main lilypond repo so that git clone "just works", or > * ask on g...@vger.kernel.org what else we're doing wrong, or > * fix git so that git clone "just works" > > If all of these fail, and git clone is *supposed* to be utterly > unusable, I suggest to look seriously into switching to bazaar or hg. Please, let's not change the version control system again. Git works well once you get on it. We're talking about a one-time difference of three commands vs. one command. If it "just worked", we'd have one command: git clone git://git.sv.gnu.org/lilypond.git If it doesn't, we have a *one-time* use of three commands: git init-db git remote add -f -t master -m master origin git://git.sv.gnu.org/lilypond.git/ (note -- the git remote command is word-wrapped onto two lines). git checkout -b master origin/master Once this is done, it's good to go. I'm not opposed to making it *just work*. I am opposed to switching from git just because of this minor inconvenience. Carl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-book setup for windows
On 3/27/09 4:56 AM, "Hajo Dezelski" wrote: > I was afraid of that - back to square one - > > In the early 90s I had a quarrel with my former boss who wanted to > force me to TeX and later LaTex and I, working on a Mac, was a vivid > Wysiwyg advocator. I won. > > Now - I have yet not decided which output would be appropriate (pdf or > html) so I will give it a try with Latex and WinEdt. Is there a > "stylesheet" for the Lilypond Documentationproject which I can use as > a starting point without the need to invent my own proper layout? > > @Carl: I am still switching between Mac and Windows (jEdit). What kind > of system are you actually using on your Mac? I use Terminal and vim to do my LilyPond editing. I have two terminal windows open: one with vim, and one with the lilypond command. I write the file from the vim window, switch to the command window, hit the up arrow key and the enter key, then switch to the Preview window to see how things came out. I use Preview to display my PDF files. I use TeXShop form my LaTeX work. I've not done any work with lilypond-book; it's on my to-do list for my hoped-for guitar songbook. As far as a starting point, try the two *.latex files found in Documentation/user. That should get you started. HTH, Carl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problem with arpeggio across voices and fingering
See attached. The arpeggio on the chord without the fingering is fine, and
the fingering without the arpeggio is fine, but the two together results in
a large gap appearing between the fingering/arpeggio and the notes. What I
want is the fingering just to the left of the notes and the arpeggio just to
the left of the fingering. I can move the fingering with \tweak, but I
haven't yet found how to move the arpeggio, and even if I can, a) it's going
to be a major PITA to do all this tweaking at every point where I have this
construction, and b) moving it means there will be a rather ugly looking gap
between the preceding element in the score and this one.
The problem seems to be related to having the arpeggio across voices, as if
I remove only the arpeggio against the part of the chord in voiceFour, then
the gap disappears, though I still have the arpeggio appearing to the right
of the fingering rather than to the left.
Nick
\version "2.12.2"
\layout {
\context {
\Staff
\consists "Span_arpeggio_engraver"
}
}
\new Staff {
\set Staff.connectArpeggios = ##t
\key d \minor
\time 3/4
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
<<
{ \voiceOne \relative c'' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
8\arpeggio s8 s2 } }
\new Voice { \voiceThree \relative c' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
8. 16 8 16( ) 8. 16 } }
\new Voice { \voiceFour \relative c' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
4\arpeggio r r } }
>>
}
\new Staff {
\set Staff.connectArpeggios = ##t
\key d \minor
\time 3/4
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
<<
{ \voiceOne \relative c'' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
8 s8 s2 } }
\new Voice { \voiceThree \relative c' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
8. 16 8 16( ) 8. 16 } }
\new Voice { \voiceFour \relative c' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
4 r r } }
>>
}
\new Staff {
\set Staff.connectArpeggios = ##t
\key d \minor
\time 3/4
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
<<
{ \voiceOne \relative c'' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
8\arpeggio s8 s2 } }
\new Voice { \voiceThree \relative c' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
d8. 16 8 16( ) 8. 16 } }
\new Voice { \voiceFour \relative c' {
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(left)
4\arpeggio r r } }
>>
}
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Re: odd configure error
Op donderdag 26-03-2009 om 21:06 uur [tijdzone +0800], schreef Graham Percival: > > GIT from git.sv.gnu.org > > git clone git://git.sv.gnu.org/lilypond.git > > This does not set up easy pulling or pushing in the future, and > generally assumes that people know how to use git > > To get the main source code and documentation, > > mkdir lilypond; cd lilypond > > git init-db > > git remote add -f -t master -m master origin > > git://git.sv.gnu.org/lilypond.git/ > > git checkout -b master origin/master > > After approximately four hours of discussion between git experts > and non-experts, we decided that this is the best sequence of > commands for most contributors. Well, this is utterly ridiculous IMNSHO. I would suggest to * fix the main lilypond repo so that git clone "just works", or * ask on g...@vger.kernel.org what else we're doing wrong, or * fix git so that git clone "just works" If all of these fail, and git clone is *supposed* to be utterly unusable, I suggest to look seriously into switching to bazaar or hg. Jan. -- Jan Nieuwenhuizen | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: new Problem with Time-Sig
Dear Kieren,
thanks for Your help. Yes, it would be really great to get it
qutomatically. Maybee with lilypond 2.14.
2009/3/27 Kieren MacMillan :
> Hi Stefan,
>
>> Yes, I don't now how to reduce the distance and first staff in this
>> example.
>> It is an excerpt of a larger score, and the first staff isn't always
>> the same, it's a so called french score.
>
> If you're French scoring, you need to make a music function that turns the
> topmost (visible) Staff into the "Time Signature carrier" -- I do this
> manually, but a clever Scheme hacker could probably write a function to
> automate it.
>
> Good luck!
> Kieren.
>
> p.s. Unrelated hint: You don't need separate \context { \Score ... } blocks
> for every override -- simply put them in the same one!
>
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Re: new Problem with Time-Sig
Hi Stefan,
Yes, I don't now how to reduce the distance and first staff in this
example.
It is an excerpt of a larger score, and the first staff isn't always
the same, it's a so called french score.
If you're French scoring, you need to make a music function that
turns the topmost (visible) Staff into the "Time Signature carrier"
-- I do this manually, but a clever Scheme hacker could probably
write a function to automate it.
Good luck!
Kieren.
p.s. Unrelated hint: You don't need separate \context { \Score ... }
blocks for every override -- simply put them in the same one!
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Re: variable in paper block
Hi Stefan,
I would like to make a substition in the paper block, for the part
title.
Why not put
\header
{
parttitle = "My Part Title"
}
in your "source" (notes) file/section, and then in the "score" file/
section, use
oddHeaderMarkup = \markup
{
\fromproperty #'header:parttitle
}
Hope this helps!
Kieren.
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Re: mixing notehead styles in chords
> Actually, isn't this the normal case for pretty much every European > language except English? I think it's true only for German and Scandinavian languages. Maybe they also use it in Poland, etc., not sure though. In Dutch it's definitely not used, although they name their notes the same as Germans in any other way. Well, and the souther countries use the solmization system to name their notes. > Being English it feels weird to me, but presumably it's second nature to > the continentals :-) Well, although I've grown up using H instead of B I don't like to use it anymore because it doesn't make sense at all. ;) I prefer much the Dutch way, since it's so similar but hasn't got this minor error. -- Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K11308T4569a ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: repeat percent and chords
Kees Serier wrote:
I get Guile errors
GUILE signaled an error for expression started here:
markup #
:bold #:fontsize 1 #:char #x066A
Well, it works at my end. Something is corrupted.
My best theory is that your version now ends
#'stencil = markup #:bold #:fontsize 1 #:char #x066A)))
i.e. that the middle bit has disappeared.
If it's not that, try this version with less Scheme in it:
simile = \markup { \bold \fontsize #1 \char ##x066A }
percentCN = \once \override ChordNames.ChordName #'stencil =
#(lambda (grob) (grob-interpret-markup grob simile))
Cheers,
Robin
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Re: mixing notehead styles in chords
In message <20090325102043.20...@gmx.net>, Tao Cumplido writes Hi, just a minor suggestion. 'h' is already a taken name in deutsch.ly, so everyone who uses German note names couldn't use your function. I also learned this just recently. Actually, isn't this the normal case for pretty much every European language except English? Being English it feels weird to me, but presumably it's second nature to the continentals :-) Regards, Tao Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-book setup for windows
I was afraid of that - back to square one - In the early 90s I had a quarrel with my former boss who wanted to force me to TeX and later LaTex and I, working on a Mac, was a vivid Wysiwyg advocator. I won. Now - I have yet not decided which output would be appropriate (pdf or html) so I will give it a try with Latex and WinEdt. Is there a "stylesheet" for the Lilypond Documentationproject which I can use as a starting point without the need to invent my own proper layout? @Carl: I am still switching between Mac and Windows (jEdit). What kind of system are you actually using on your Mac? Hajo --- ... indessen wandelt harmlos droben das Gestirn On Fri, Mar 27, 2009 at 3:05 AM, Andrew Hawryluk wrote: > On Thu, Mar 26, 2009 at 11:13 AM, Hajo Dezelski wrote: >> Hello, >> >> now, that I have all relevant scores coded with lilypond I want to put >> together all my notes in an analytical, didatical orientated "book" >> with scores and a lot of referential incipts, themes, excerpts etc. >> And the only way I can do this in a timely manner seems to be with >> lilypond-book. >> >> Until now I gathered all my notes etc. in a personal-wiki, but this >> concept of a "Zettelkasten" (slip box?) is not working for a >> structured approach for learning material. I have to do that step by >> step. >> >> Until now I have not worked with Latex, Tex, Docbook... So my question: >> >> Are there recommondations for an integrated editorial environment >> using lilypond-book on a windows machine which is easy to use ? I know >> I have to learn some coding but I dont want to dig the next year into >> the internals of TEX to layout a text properly. >> >> I like the clear format of the lilypond-documentation. Would that be a >> starting point and when yes: How could this be done without using >> dreamweaver ;-) >> >> As always thanks in advance for your time and help >> >> Hajo >> >> --- >> ... indessen wandelt harmlos droben das Gestirn >> >> >> ___ >> lilypond-user mailing list >> lilypond-user@gnu.org >> http://lists.gnu.org/mailman/listinfo/lilypond-user >> > > Ha, I was half way through writing this when Carl answered, but I'll > still send it. > > What final output do you want? If you want publication-quality PDF > output, LaTeX is your best bet (http://miktex.org/ for windows), and > there are several editors that could be helpful: > http://www.texniccenter.org/ > http://www.winedt.com/ > http://www.xm1math.net/texmaker/ > http://www.latexeditor.org/ > > The LilyPond documentation is written in texinfo, which is processed > to produce both the PDF and HTML versions. > > On the other hand, writing in plain HTML is a reasonable option if you > only want web output. > > Andrew > ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Canorus 0.7 released
Canorus development team is after more than a year of active development happy to announce the new release of Canorus - a free cross-platform music score editor, version 0.7. Release 0.6 was skipped for various stability issues. You can download it here: http://developer.berlios.de/project/showfiles.php?group_id=6144 Changelog: - Added support for printing and preview of score using LilyPond backend. - Added integrated Midi recorder. - Added resources storage inside the document. - Added User's guide. - Added transposition support. - GUI improvements: - Anti-aliasing in score view. - Music fonts loaded in runtime. - Show note name when inserting notes. - Integrated User's guide browser. - Copy&Paste rewritten and now supports copying complete voices and staffs. - Import/Export improvements: - Basic MusicXml import - Basic Midi import - LilyPond now exports partial measure, uptext, downtext and rehersal marks - New export filters to PDF and SVG based on LilyPond - Plugin improvements: - setSelection() and selection added to scripting engine. - rebuildUi() and repaintUi() added to scripting engine. - Added separator action for menus. - Model improvements: - Added color property to music element. - Added facilities for calculating intervals from/to music pitches and key signatures. - Redesigned key signature, diatonic key and diatonic pitch. - Redesigned playable length and absolute length. - Shipped Python 2.5 on Microsoft Windows. - Support for Qt4.4. - Official support for Mac OS X. - Available translations: - English - German - Slovenian - Norwegian - Hebrew Regards. Matevž Jekovec Canorus development team http://www.canorus.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: repeat percent and chords
Robin Bannister schreef: > Kees Serier wrote: >> but it is the "normal" percent sign with open zeros, where the repeat >> sign has filled zeros > > Yes, well, those repeat signs are site-mixed as it were, and I have no > idea how to persuade the contractor to do an unscheduled job in > unfamiliar surroundings. > But I did find something a bit more suitable - an arabic percent. The > proper sort has its dots up on their tips, like diamonds. But this font > hasn't bothered with that, which is ok by me. > So try this markup expression instead: (markup #:bold #:fontsize 1 > #:char #x066A) > > > Cheers, > Robin Robin, Thanks again for your time but I get Guile errors (translated from dutch), I replaced (markup "%") with (markup #:bold #:fontsize 1 #:char #x066A) C:/Documents and Settings/kees/Ly/Autumn Leaves 3.ly:47:8: error: GUILE signaled an error for expression started here: markup # :bold #:fontsize 1 #:char #x066A C:/Documents and Settings/kees/Ly/Autumn Leaves 3.ly:47:7: error: syntax error, unexpected SCM_TOKEN, expecting '=' markup #:bold #:fontsize 1 #:char #x066A C:/Documents and Settings/kees/Ly/Autumn Leaves 3.ly:47:15: error: GUILE signaleerde een fout voor de expressie beginnend alhier markup #:bold # :fontsize 1 #:char #x066A C:/Documents and Settings/kees/Ly/Autumn Leaves 3.ly:47:28: error: GUILE signaleerde een fout voor de expressie beginnend alhier markup #:bold #:fontsize 1 # :char #x066A C:/Documents and Settings/kees/Ly/Autumn Leaves 3.ly:47:35: error: GUILE signaleerde een fout voor de expressie beginnend alhier markup #:bold #:fontsize 1 #:char # x066A Regards, Kees ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Bug? Lines disappear with rhythmic staff
I'm using the current 2.12.2 version of lilypond. The attached file
yields,
programming error: vertical alignment called before line-breaking
and no lines on the staff.
If I remove the \bar "|." the output is correct.
\version "2.12.2"
recscore= \context StaffGroup <<
\context RhythmicStaff = "tambour" {
\override NoteHead #'style = #'cross
\stemUp
f4 f8 f8
}
\context Staff = "recA" {
\clef "G^8"
a''2
\bar "|."
}
>>
\score {
\recscore
\layout {
\context{ \RhythmicStaff
\remove "Time_signature_engraver"
\remove "Staff_symbol_engraver"
\remove "Clef_engraver"
% \remove "Bar_engraver"
\consists "Instrument_name_engraver"
\override BarLine #'transparent = ##t
}
\context{ \Staff
\remove "Time_signature_engraver"
}
}
}
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
A university is a non-profit organisation only in the sense that it
spends everything it gets ... Luca Turin.
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variable in paper block
Dear community,
I would like to make a substition in the paper block, for the part
title. I usually use:
\paper{
oddHeaderMarkup = \markup
\fill-line {
"name of the part"
" "
\on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string
}
evenHeaderMarkup = \markup
\fill-line {
\on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string
" "
"Bassklarinette"
}
}
But I would like to do something like: \partname #'"Violin 1" or
\partname #'"Violin 2" etc.
How can I do this?
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