Re: slurs - once attached to stem ends, once to note heads
Werner,: Herbert Niemeyer niemeyerschoolofmusic.com> writes: Werner, you might want to try: \slurDown etc. I tried this all before, but I was surprised, that this doesn't take any effect. Well, I'm surprised too, that "this doesn't take *any* effect". See pdf file. The second line uses \slurDown. Herbert TestIt.pdf Description: Adobe PDF document ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Special markups
Always a good idea to attach the announced files... Helge Helge Kruse wrote: Hello, I want to add markups as shown in the attachment. The circled T and the half-moon are playing instruction as described here: http://hornandharp.com/publications/images/andresNotations.pdf (point 9b and 7). How do I add such special markups? The notes are written as f pitch, but they sound as knocking or tapping at the sound board. This is a short fragment in the voice. I would like to "patch" the MIDI output for these notes. How to insert MIDI commands in the output? This does NOT work: \override NoteHead #'style = #'cross \set Staff.midiInstrument = #"synth drum" f16 \startTextSpan f f f f8 f | f16 f f f f8 f | f16 f f f f4 \stopTextSpan | \revert NoteHead #'style \set Staff.midiInstrument = #"acoustic grand" Regards, Helge <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Special markups
Hello, I want to add markups as shown in the attachment. The circled T and the half-moon are playing instruction as described here: http://hornandharp.com/publications/images/andresNotations.pdf (point 9b and 7). How do I add such special markups? The notes are written as f pitch, but they sound as knocking or tapping at the sound board. This is a short fragment in the voice. I would like to "patch" the MIDI output for these notes. How to insert MIDI commands in the output? This does NOT work: \override NoteHead #'style = #'cross \set Staff.midiInstrument = #"synth drum" f16 \startTextSpan f f f f8 f | f16 f f f f8 f | f16 f f f f4 \stopTextSpan | \revert NoteHead #'style \set Staff.midiInstrument = #"acoustic grand" Regards, Helge ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: (Retry) LilyPond ignoring \break... what did I do wrong?
On May 17, 2009, at 7:30 PM, Jonathan Kulp wrote: Tim McNamara wrote: Apologies if this is a duplicate, it did not seem to get relayed through the server the first time I sent it. I'm doing an arrangement of a song for a jazz ensemble. I am finding that LilyPond is ignoring one of the manual line breaks (after bar 12- I like four bars per line for consistency and readability and I am getting two lines of two bars) and I can't figure out what I've messed up. I'm sure it's something simple and I'll say "duh" when it's pointed out, but I'm flummoxed right at the moment. The time counts in those bars in \harmonies and \melody seem to be correct and LilyPond offers no error message about it (e.g. that the break was overridden). The way my template is laid out, I have the chords and melody in separate blocks and then they are assembled in the \score block. Looking again I see that LilyPond isn't ignoring a \break, it is inserting an extra line break after bar 10 which I don't want. I suppose this can be suppressed somehow but adding a \noBreak produces even stranger results- three bars on one line and one long bar on the next. Hi Tim, There's a snippet in the Notation Reference that may be able to help you. Look in section 4.4.3 at the example just below where it says "To understand how each of these different settings work, we begin by looking at an example that includes no overrides at all." It uses an extra voice with nothing but s1*5 \break s1*5 \break and so forth, making the systems break after every fifth bar. Maybe this approach will do what you want. Thanks, I will look at that! ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: (Retry) LilyPond ignoring \break... what did I do wrong?
Tim McNamara wrote: Apologies if this is a duplicate, it did not seem to get relayed through the server the first time I sent it. I'm doing an arrangement of a song for a jazz ensemble. I am finding that LilyPond is ignoring one of the manual line breaks (after bar 12- I like four bars per line for consistency and readability and I am getting two lines of two bars) and I can't figure out what I've messed up. I'm sure it's something simple and I'll say "duh" when it's pointed out, but I'm flummoxed right at the moment. The time counts in those bars in \harmonies and \melody seem to be correct and LilyPond offers no error message about it (e.g. that the break was overridden). The way my template is laid out, I have the chords and melody in separate blocks and then they are assembled in the \score block. Looking again I see that LilyPond isn't ignoring a \break, it is inserting an extra line break after bar 10 which I don't want. I suppose this can be suppressed somehow but adding a \noBreak produces even stranger results- three bars on one line and one long bar on the next. Hi Tim, There's a snippet in the Notation Reference that may be able to help you. Look in section 4.4.3 at the example just below where it says "To understand how each of these different settings work, we begin by looking at an example that includes no overrides at all." It uses an extra voice with nothing but s1*5 \break s1*5 \break and so forth, making the systems break after every fifth bar. Maybe this approach will do what you want. Jon -- Jonathan Kulp http://www.jonathankulp.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: (Retry) LilyPond ignoring \break... what did I do wrong?
Apologies if this is a duplicate, it did not seem to get relayed
through the server the first time I sent it.
I'm doing an arrangement of a song for a jazz ensemble. I am
finding that LilyPond is ignoring one of the manual line breaks
(after bar 12- I like four bars per line for consistency and
readability and I am getting two lines of two bars) and I can't
figure out what I've messed up. I'm sure it's something simple and
I'll say "duh" when it's pointed out, but I'm flummoxed right at
the moment. The time counts in those bars in \harmonies and
\melody seem to be correct and LilyPond offers no error message
about it (e.g. that the break was overridden). The way my template
is laid out, I have the chords and melody in separate blocks and
then they are assembled in the \score block.
Looking again I see that LilyPond isn't ignoring a \break, it is
inserting an extra line break after bar 10 which I don't want. I
suppose this can be suppressed somehow but adding a \noBreak produces
even stranger results- three bars on one line and one long bar on
the next.
\version "2.12.2"
\paper {
indent = 0.0
ragged-last = ##f
}
\header {
title = "In Memory of Elizabeth Reed"
subtitle = "Concert Pitch"
composer = "Richard F. Betts"
meter = "Medium Eighths"
}
\include "../../pop-chords.ly"
\include "../../paren-2.ly"
\include "../../nochord.ly"
harmonies = \chordmode {
r4
% 1
e2:m7 a2:m7
e2:m7 d2:7
e2:m7 a2:m7
e2:m7 d2:7
% 5
e2:m7 a2:m7
e2:m7 d2:7
e2:m7 a2:m7
e2:m7 d2:7
% 9
a4:m7 d4:7 b2:m7
c4:maj7 a4:m7 e2:7.9+
c4:maj7 a4:m7 d2:m7
e4:m7 c4:maj7 e2:7.9+
% 13
fis1:m7.5-
e1:7.9+
a1:m7
a1:m7
% 17
a1:m7
a1:m7
c1:m7
c1:m7
% 21
a1:m7
a1:m7
\set chordNameExceptions = #ChrdExcep c1 %chord as NCString
\unset chordNameExceptions
r1
% 25
r1
r1
r1
r2
e2:7.9+
% 29
a2:m7 b2:m7
c2:maj7 b2:m7
a1:m7
}
melody = \relative c' {
\override Staff.TimeSignature #'style = #'()
\time 4/4
\clef treble
\key g \major
\partial 8*2 e8 g8
% 1
\mark #1
\set Score.markFormatter = #format-mark-box-alphabet
\bar "|:"
\set Score.voltaSpannerDuration = #(ly:make-moment 3 4)
\repeat volta 3 {
a1~
a2 \times 2/3 { g8 a8 g8 } e8 d8
e1~
e2. d8 e8 \break
% 5
b'2 a2
g2 \times 2/3 { fis4 g4 a4 }
e1~
e2 r4 a,8 c8 \break
% 9
e8 r8 d8 r8 b4 \times 2/3 { r8 c8 d8 } }
\alternative {
{ c8 r8 a8 r8 e4 \times 2/3 { r8 e'8 g8 } }
{ e8 r8 c8 r8 a4 \times 2/3 { r8 b8 c8 }
b8 r8 g8 r8 e4 \times 2/3 { r8 g8 e8 } \break
% 13
\times 2/3 { fis4 a4 c4 } \times 2/3 { ees4 fis4 a4 }
\times 2/3 { b2 a2 g2 } \bar "||"
\mark #2
\set Score.markFormatter = #format-mark-box-alphabet
e8^\markup { \italic "Double Time Feel" } \mark \markup
{ \musicglyph #"scripts.segno" } r8 \times 2/3 { a8 b8 g8 } a8 g8
e8 d16 c16
e8 r8 \times 2/3 { a8 b8 g8 } a8 e8~ e4 \break
% 17
e8 r8 \times 2/3 { a8 b8 g8 } a8 g8 e8 d16 c16
e8 r8 \times 2/3 { a8 b8 g8 } a8 e8~ e4
g8 r8 \times 2/3 { c8 d8 bes8 } c8 g8 \times 2/3 { f8 g8 bes8 }
g8 r8 \times 2/3 { c8 d8 bes8 } c8 g8~ g4
% 21
e8 r8 \times 2/3 { a8 b8 g8 } a8 g8 e8 d16 c16
e8 r8 \times 2/3 { a8 b8 g8 } a8 e8~ e4 \bar "||"
\mark #3
\set Score.markFormatter = #format-mark-box-alphabet
gis4.^\markup { \italic "Half Time 6/8 Feel" } a8 gis4 \times 2/3
{ a8 b8 a8 }
gis4. a8 gis4 \times 2/3 { a8 dis,8 e8 }
% 25
gis4. a8 gis4 \times 2/3 { a8 b8 a8 }
gis4. a8 gis4 \times 2/3 { a8 dis,8 e8 }
\mark \markup { \musicglyph #"scripts.coda" }
\times 2/3 { a4 g4 fis4} \times 2/3 { e4 d4 c4 }
d4 r4 g2
% 29
\bar "|:" r1
r1^\markup { \italic "After solos D.S. al Coda" } \bar ":|"
\mark \markup { \musicglyph #"scripts.coda" }
e8 a8 b8 g8 a4 r4 \bar "||"
}
}
}
\score {
<<
\new ChordNames {
\set chordChanges = ##t
\harmonies
}
\new Staff
\melody
>>
}
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(Retry) LilyPond ignoring \break... what did I do wrong?
Apologies if this is a duplicate, it did not seem to get relayed
through the server the first time I sent it.
I'm doing an arrangement of a song for a jazz ensemble. I am finding
that LilyPond is ignoring one of the manual line breaks (after bar
12- I like four bars per line for consistency and readability and I
am getting two lines of two bars) and I can't figure out what I've
messed up. I'm sure it's something simple and I'll say "duh" when
it's pointed out, but I'm flummoxed right at the moment. The time
counts in those bars in \harmonies and \melody seem to be correct and
LilyPond offers no error message about it (e.g. that the break was
overridden). The way my template is laid out, I have the chords and
melody in separate blocks and then they are assembled in the \score
block.
\version "2.12.2"
\paper {
indent = 0.0
ragged-last = ##f
}
\header {
title = "In Memory of Elizabeth Reed"
subtitle = "Concert Pitch"
composer = "Richard F. Betts"
meter = "Medium Eighths"
}
\include "../../pop-chords.ly"
\include "../../paren-2.ly"
\include "../../nochord.ly"
harmonies = \chordmode {
r4
% 1
e2:m7 a2:m7
e2:m7 d2:7
e2:m7 a2:m7
e2:m7 d2:7
% 5
e2:m7 a2:m7
e2:m7 d2:7
e2:m7 a2:m7
e2:m7 d2:7
% 9
a4:m7 d4:7 b2:m7
c4:maj7 a4:m7 e2:7.9+
c4:maj7 a4:m7 d2:m7
e4:m7 c4:maj7 e2:7.9+
% 13
fis1:m7.5-
e1:7.9+
a1:m7
a1:m7
% 17
a1:m7
a1:m7
c1:m7
c1:m7
% 21
a1:m7
a1:m7
\set chordNameExceptions = #ChrdExcep c1 %chord as NCString
\unset chordNameExceptions
r1
% 25
r1
r1
r1
r2
e2:7.9+
% 29
a2:m7 b2:m7
c2:maj7 b2:m7
a1:m7
}
melody = \relative c' {
\override Staff.TimeSignature #'style = #'()
\time 4/4
\clef treble
\key g \major
\partial 8*2 e8 g8
% 1
\mark #1
\set Score.markFormatter = #format-mark-box-alphabet
\bar "|:"
\set Score.voltaSpannerDuration = #(ly:make-moment 3 4)
\repeat volta 3 {
a1~
a2 \times 2/3 { g8 a8 g8 } e8 d8
e1~
e2. d8 e8 \break
% 5
b'2 a2
g2 \times 2/3 { fis4 g4 a4 }
e1~
e2 r4 a,8 c8 \break
% 9
e8 r8 d8 r8 b4 \times 2/3 { r8 c8 d8 } }
\alternative {
{ c8 r8 a8 r8 e4 \times 2/3 { r8 e'8 g8 } }
{ e8 r8 c8 r8 a4 \times 2/3 { r8 b8 c8 }
b8 r8 g8 r8 e4 \times 2/3 { r8 g8 e8 } \break
% 13
\times 2/3 { fis4 a4 c4 } \times 2/3 { ees4 fis4 a4 }
\times 2/3 { b2 a2 g2 } \bar "||"
\mark #2
\set Score.markFormatter = #format-mark-box-alphabet
e8^\markup { \italic "Double Time Feel" } \mark \markup { \musicglyph
#"scripts.segno" } r8 \times 2/3 { a8 b8 g8 } a8 g8 e8 d16 c16
e8 r8 \times 2/3 { a8 b8 g8 } a8 e8~ e4 \break
% 17
e8 r8 \times 2/3 { a8 b8 g8 } a8 g8 e8 d16 c16
e8 r8 \times 2/3 { a8 b8 g8 } a8 e8~ e4
g8 r8 \times 2/3 { c8 d8 bes8 } c8 g8 \times 2/3 { f8 g8 bes8 }
g8 r8 \times 2/3 { c8 d8 bes8 } c8 g8~ g4
% 21
e8 r8 \times 2/3 { a8 b8 g8 } a8 g8 e8 d16 c16
e8 r8 \times 2/3 { a8 b8 g8 } a8 e8~ e4 \bar "||"
\mark #3
\set Score.markFormatter = #format-mark-box-alphabet
gis4.^\markup { \italic "Half Time 6/8 Feel" } a8 gis4 \times 2/3
{ a8 b8 a8 }
gis4. a8 gis4 \times 2/3 { a8 dis,8 e8 }
% 25
gis4. a8 gis4 \times 2/3 { a8 b8 a8 }
gis4. a8 gis4 \times 2/3 { a8 dis,8 e8 }
\mark \markup { \musicglyph #"scripts.coda" }
\times 2/3 { a4 g4 fis4} \times 2/3 { e4 d4 c4 }
d4 r4 g2
% 29
\bar "|:" r1
r1^\markup { \italic "After solos D.S. al Coda" } \bar ":|"
\mark \markup { \musicglyph #"scripts.coda" }
e8 a8 b8 g8 a4 r4 \bar "||"
}
}
}
\score {
<<
\new ChordNames {
\set chordChanges = ##t
\harmonies
}
\new Staff
\melody
>>
}
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Re: slurs - once attached to stem ends, once to note heads
> Hello Mark. Thank you very much for the hint. For this piece of course I took it. But I think, next time I will just disconnect the eights with \noBeam because your solution seems to be to difficult for me. > \once \override Slur #'control-points = > #'((1.45 . 3.75) (1.75 . 3.8) (2.25 . 3.65) (2.45 . 3.25)) > d'8( b)~ | b4 Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: slurs - once attached to stem ends, once to note heads
Herbert Niemeyer niemeyerschoolofmusic.com> writes: > Werner, >you might want to try: \slurDown etc. I tried this all before, but I was surprised, that this doesn't take any effect. > Mark Polesky wrote: > > Technically, the slur over the eighth notes is not > > "attached to the stem heads", it is rather outside > > of the eighth-note beam which, if I'm not mistaken, > > is where it belongs. also i the case, that the slur „belongs“ „outside“ the beam, this is something, which I don‘t like. But the hint made me try d'8(\noBeam b)~%\slurUp | b4 which is not the best (hints welcome) but a solution for me. Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Creating harmonized lines
On May 17, 2009, at 12:59 PM, Marc Hohl wrote: Tim McNamara schrieb: On May 17, 2009, at 12:00 PM, Marc Hohl wrote: Tim McNamara schrieb: On May 16, 2009, at 2:36 AM, Tao Cumplido wrote: Take a look at this threads, there are several slightly different versions of modal and diatonic transpose functions. http://lists.gnu.org/archive/html/lilypond-user/2008-12/ msg00805.html http://lists.gnu.org/archive/html/lilypond-user/2008-12/ msg00815.html Thank you. But how does one use it? There seems to be no documentation and it's not clear from the posts whether it has been included into LilyPond. These functions are not included in LilyPond, but as an example of how to use it, there are minimal patterns ( one called \pattern, another \melodie and so on). So you have to paste everything below "Enjoy" upto the mail adress at the bottom into a file and change it to your needs. Ah. Can that be done using \include? Yes, of course. I have pasted the lines needed into a file "transpose.ly" which you should keep in the same directory as the files that need it. If you write an \include "transpose.ly in your file, the two functions \modeTranspose and \diatonicTranspose are available. But to be honest, I don't know how they work nor exactly what they do. Thank you! I will use the empirical approach to see what happens. Tim ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: midi omits one instrument in full score
On Sun, May 17, 2009 at 02:36:17PM +0200, Gilles Sadowski wrote: > Hello. > > > Hi again. I did some more work and found that "viola" and "vibraphone" are > > silent while "voice oohs", "glockenspiel", and "violin" (and default > > acoustic grand) play ok. > > I tried it on my computer. > E.g. for the "timidity" midi player, the vibraphone is absent, while with > "fluidsynth" it's there. > > As a workaround, for "timidity", you can modify its configuration file; when > you see the following message in the output: > --- > No instrument mapped to tone bank 0, program 11 - this instrument will not be > heard > --- > then you can create an appropriate line in "/etc/timidity/freepats.cfg" > which would reference one of the existing "patch" (i.e. sound) file. [Of > course, you still won't have the sound of the "vibraphone", but at least you > can keep the reference to the correct midi instrument in the Lilypond file.] If you can hear the vibraphone in fluidsynth but not in timidity, you can edit the cfg file that timidity is using to include the vibraphone sound from the soundfont that fluidsynth is apparently using. This can be done, no problem. -- Martin Tarenskeen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Creating harmonized lines
Tim McNamara schrieb: On May 16, 2009, at 2:36 AM, Tao Cumplido wrote: Take a look at this threads, there are several slightly different versions of modal and diatonic transpose functions. http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00805.html http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00815.html Thank you. But how does one use it? There seems to be no documentation and it's not clear from the posts whether it has been included into LilyPond. These functions are not included in LilyPond, but as an example of how to use it, there are minimal patterns ( one called \pattern, another \melodie and so on). So you have to paste everything below "Enjoy" upto the mail adress at the bottom into a file and change it to your needs. Marc Tim ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Creating harmonized lines
On May 16, 2009, at 2:36 AM, Tao Cumplido wrote: Take a look at this threads, there are several slightly different versions of modal and diatonic transpose functions. http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00805.html http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00815.html Thank you. But how does one use it? There seems to be no documentation and it's not clear from the posts whether it has been included into LilyPond. Tim ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: midi omits one instrument in full score
Hello. > Hi again. I did some more work and found that "viola" and "vibraphone" are > silent while "voice oohs", "glockenspiel", and "violin" (and default > acoustic grand) play ok. As I indicated in my previous reply, this depends on the MIDI player, and accompanying data used for rendering the sound of the selected instrument: If this data is missing, that instrument's sound cannot be generated. > If anyone can tell me if I'm missing something it would be greatly helpful. > I have attached one file for your convenience. I tried it on my computer. E.g. for the "timidity" midi player, the vibraphone is absent, while with "fluidsynth" it's there. As a workaround, for "timidity", you can modify its configuration file; when you see the following message in the output: --- No instrument mapped to tone bank 0, program 11 - this instrument will not be heard --- then you can create an appropriate line in "/etc/timidity/freepats.cfg" which would reference one of the existing "patch" (i.e. sound) file. [Of course, you still won't have the sound of the "vibraphone", but at least you can keep the reference to the correct midi instrument in the Lilypond file.] Best, Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Space between staff and guitar chords
Jonathan Kulp-2 wrote: > > GJO wrote: >> I have trawled around and can not find how to lower the space between a >> guitar chord letter, not symbol, and the top of the music lines. >> >> Any advice? >> >> Thanks > > Here's a snippet I created a while back that does what I think you're > asking for: > > http://lsr.dsi.unimi.it/LSR/Item?id=537 > > Now, it doesn't display the \lowerChords function properly on the > Snippet Repo, maybe because it's running version 2.10, but if you save > the snippet and run it in 2.12 you'll see that the chord letters are > placed much closer to the staff on the blank staff, as I've adjusted the > Y-offset. You can adjust the Y-offset value to suit your taste. I'll > attach a png so you can see how much closer the chord names are in the > 2nd staff. Hope that helps, > > Jon > > -- > Jonathan Kulp > http://www.jonathankulp.com > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilypond-user > > Thank you for the advice. I think I now have the chords as low as they can go down. Regards Graham -- View this message in context: http://www.nabble.com/Space-between-staff-and-guitar-chords-tp23573686p23581645.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: jEdit changes file unexpectedly
Yes, setting the Encoding in Global Options to UTF-8 allows saving and re-loading of UTF-8 files. Dunno if this will hit me at any other place, since it's a global option, where I would need it only for files with a specific extension. But I'll wait until I get the problem, if any. Regards, Helge Chip wrote: Bertalan Fodor wrote: It might be opened not in UTF-8. See in the lower right corner. You can make sure it is loaded in the correct encoding, by using File > Open with encoding... I've had the same problem with one file as well - the title of a song is Cariño Nuevo. The ñ gets changed to n everytime. I finally gave up on changing it and just leave it as a regular n. BTW, my files are all opened/saved as UTF-8, everytime, so I thought. After all, in the bottom corner it showed UTF-8. I then went to File/Open/Commands/Encoding, and it always defaulted to Auto and cP1252. I'd change it, but found that I had to do that every time I opened a file. I finally found in Utilities/Global Options/Encodings that that is what the default was set to. I changed it to UTF-8 and now it opens the files correctly. Helge, maybe that is your issue as well? -- Chip Cheers, Bert Helge Kruse írta: Hello, I have found a problem with jEdit (probably LilypondTool). I just write a .ly source that contains the word "Pincé". I saved the file yesterday. Today I wanted to continue and see that this word has been changed to "Pincé". That's a bit annoying. The "Pincé" is a playing instruction and should be a markup. Do you know a way to save the spelling of it? Since it appears at several places, it's not easy to fix it every time I re-open the file. Regards, Helge ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
