Need help with voices and staves
I'm transcribing Bach's Fugue No. 20 in A minor from the Well-Tempered
Clavier Bk. 1, and I've run into a bit of a problem:
% Created on Tue Nov 30 08:26:15 NZDT 2010
\version 2.13.40
\header {
title = Fugue XX
subtitle = A Minor, BWV 865
composer = J. S. Bach
}
staffPiano = \new PianoStaff {
\set PianoStaff.midiInstrument = #acoustic grand
\time 4/4
\override Score.MetronomeMark #'stencil
= ##f
\tempo 4 = 80
\new Staff = RH { % Right hand
\clef treble
\key a \minor
\relative c' {
%This is Voice One
{
%1
\change Staff = LH
r8 a16 gis a8 b
\change Staff = RH
c c16 b c8 d |
%2
e16 d c d e8 f
\change Staff = LH
gis, e r a |
%3
b16 c a b
\change Staff = RH
c d b c d8 c b e |
%4
b' \rest e,16 dis e8 fis g g16 fis g8 a
|
%5
b16 a g a b8 c dis, b b' \rest e, |
%6
\stemUp fis16 g e fis g a fis g a8 g
fis b |
%7
e, fis16 gis a b c d e8 a, gis4 |
%8
a8 a g f e c' b a |
%9
gis e' d c b16 c d b c b a c |
%10
d e f d e4 ~ e8 a, b16 c d8 ~ |
} \\
%This is Voice Two
{
s1 s1 s1
%4
\change Staff = LH
a,4 g8 fis e c' b a |
%5
g16 fis e fis g8 a b16 a g a b8 c ~ |
%6
c b16 a b8 \change Staff = RH e ~ e
d16 cis d4 ~ |
%7
d8 c16 b c4 ~ c16 a' g f e d c b |
%8
c16 b c4 d8 e16 d e4 f8 ~ |
%9
f16 fis e fis gis8 a b4 e,8 \rest a |
%10
g4 ~ g16 f e g fis4 gis |
%11
%12
%13
%14
%15
}
}
}
\new Staff = LH { % Left hand
\clef bass
\key a \minor
\relative c {
%This is Voice Three
{
\stemDown s1 s1 s1 s1 s1 s1 s1
%8
\change Staff = LH
f8 \rest a,16 gis a8 b c c16 b c8 d |
%9
e16 d c d e8 f gis, e d' \rest a |
%10
b16 c a b cis d b cis d8 c b e |
%11
%12
%13
Re: Shrinking beams along with noteheads
nachkan wrote:
I am simply trying to explicitly write out a glissando in small notes (of
a specified size), while keeping the rhythmic notation accurate. They
happen to be 64th notes, so they have four beams connecting the stems. It
is easy enough to make the noteheads the desired size with e.g. \override
NoteHead #'font-size = #-2. However, I cannot figure out how to make the
beams smaller as well - which is a fairly big deal when you have four
beams. I see that I can make the beam lines themselves thinner by writing
e.g. \override Beam #'thickness = #0.35, but they are still spaced the
same distance apart as they normally would be. I cannot find any reference
to any variable or property which modifies the distance (or gap) between
the beams (the Beam object's gap property, while sounding promising,
seems to do nothing) - if I could, this problem would be solved.
What I am looking for is essentially the same as what \grace does, but the
notation it creates is too small for me, and I want to be able to set the
size to somewhere in between grace note size and normal note size.
I thought this would be a common enough problem but after hours of
searching the internet, the lilypond docs, and these forums, I haven't
been able to find a solution. Is there some way to modify the beam
spacings in this way? Is there some way to alter the \grace command to
produce the desired effect? Or any other way of approaching this problem?
I don't mind doing some Scheme or other technical/geeky stuff, but I am
currently at a loss as to how to proceed with this.
Any help is really appreciated, thank you.
maybe \new CueVoice { … } is what you're looking for!?
--
View this message in context:
http://old.nabble.com/Shrinking-beams-along-with-noteheads-tp30337685p30337972.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers
Try ragged-last = ##f as for the verse numbers, you probably could add \set stanza commands in the right places. best regards, Wilbert Berendsen -- Frescobaldi, LilyPond editor for KDE: http://www.frescobaldi.org/ Nederlands LilyPond forum: http://www.lilypondforum.nl/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: My Lilypond Chart Template
Am 2010-11-29 um 22:15 schrieb hsweet: This is a template I've been slowly evolving to use for charts for my band. http://old.nabble.com/file/p30334633/lead_sheet_template.ly As a bit of inspiration, these are my templates: http://git.fiee.net/?p=lilystuff.git;a=tree global_liedvorlage.ly is the one I actually use, most settings are in global.ly liedvorlage.ly was the previous version. These are commented only in German. song_template.ly is nearly the same as liedvorlage.ly, but with comments in English. In contrary/addition to yours... - separate scores for print and MIDI, to be able to influence them independently (e.g. unfoldRepeats and dynamics) - lyrics of all verses in two columns - different structure Greetlings from Lake Constance --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ https://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers
Hello Athanasius,
this is an interesting problem! I first thought, you just had to change
ragged-last to ##f . This is what Lilypond says to *not* compress or rag
the last line - so it stretches to the end.
This does not help. And you probably tried this already.
I found a workaround-solution (using Lily 2.12.3, should also work in
2.13?):
1. in the paper block
ragged-last=##f
2. add a hidden note after the last \break in the music part:
... e) \finalis \break
\stopStaff \hideNotes e
}
This causes the last line to stretch in my setup.
The stanza numbers all appear with Lily 2.12. I will look, if this works
in 2.13.
Regards,
Jan-Peter
On 01.12.2010 02:51, Br. Athanasius Pelletier wrote:
Hello all! I am having trouble making the last line stretch to the
end. Also, I would like to have numbers for all the verses not just
for the first part.
Here is my file:
\version 2.13.35
\include gregorian.ly http://gregorian.ly
\header {
subtitle = Veni Creator Spiritus
% Remove default LilyPond tagline
tagline = ##f
}
\paper{
paper-width=5.5\in
ragged-last=##t %I don't know how to fix this
}
sopranoVoice = \relative c' {
\key a \major
e4 fis e ( d) e fis (e) a b a2 \break \divisioMaior
a4 e fis a b ( a) b cis b \break \divisioMaior
a4 b ( cis) a ( gis) fis ( e) a ( b) e, fis a2 \break \divisioMaior
gis4 ( a) fis e (d) fis fis ( gis fis) e d e2 \divisioMaxima
e4 ( fis e) d2 ( e) \finalis \break
}
verseOne = \lyricmode {
\set stanza = 1.
Ve -- ni Cre -- á -- tor __ Spí -- ri -- tus,
men -- tes tu -- ó -- rum vi -- sí -- ta,
im -- ple __ su -- pér -- na __ grá -- ti -- a
quae tu cre -- á -- sti __ pé -- cto -- ra.
}
verseTwo = \lyricmode {
\set stanza = 2.
Qui dí -- ce -- ris Pa -- rá -- cli -- tus,
al -- tís -- si -- mi do -- num De -- i,
fons vi -- vus, i -- gnis, ca -- ri -- tas,
et __ spi -- ri -- tá -- lis __ ún -- cti -- o.
}
verseThree = \lyricmode {
\set stanza = 3.
Tu se -- pti -- fór -- mis __ mú -- ne -- re,
Dex -- trae De -- i tu __ dí -- gi -- tus,
Tu ri -- te pro -- mís -- sum Pa -- tris,
Ser -- mó -- ne __ di -- tans __ gút -- tu -- ra.
}
verseFour = \lyricmode {
\set stanza = 4.
Ac -- cén -- de lu -- men sén -- si -- bus,
In -- fúnde a -- mó -- rem __ cór -- di -- bus,
In -- fír -- ma __ no -- stri __ cór -- po -- ris
Vir -- tú -- te __ fir -- mans __ pér -- pe -- ti.
}
verseFive = \lyricmode {
\set stanza = 5.
Hos -- tem re -- pél -- las __ lón -- gi -- us,
pa -- cém -- que do -- nes __ pró -- ti -- nus;
Du -- ctó -- re sic __ te __ praé -- vi -- o,
Vi -- té -- mus __ o -- mne __ nó -- xi -- um.
}
verseSix = \lyricmode {
\set stanza = 6.
Per te sci -- á -- mus __ da Pa -- trem,
No -- scá -- mus at -- que __ Fí -- li -- um,
Te u -- tri -- ús -- que __ Spí -- ri -- tum
Cre -- dá -- mus o -- mni __ tém -- po -- re.
}
verseSeven = \lyricmode {
\set stanza = 7.
De -- o Pa -- tri sit __ gló -- ri -- a,
Et Fí -- li -- o qui~a mór -- tu -- is,
Sur -- ré -- xit, __ ac __ Pa -- rá -- cli -- to,
In __ sae -- cu -- ló -- rum __ saé -- cu -- la. A -- men. __
}
\score {
\new Staff { \sopranoVoice }
\addlyrics { \verseOne }
\addlyrics { \verseTwo }
\addlyrics { \verseThree }
\addlyrics { \verseFour }
\addlyrics { \verseFive }
\addlyrics { \verseSix }
\addlyrics { \verseSeven }
\layout {
\context {
\Staff
\remove Time_signature_engraver
\remove Bar_engraver
\override Stem #'transparent = ##t
}
}
}
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers
Hello once again,
I forgot to mention to add an empty \markup in the last verse. Otherwise
the amen-extender will not look nice and complain while compile.
And I misunderstood your stanza question first. I saw Wilbert answered
that this minute. I copied \set stanza in every line, so every
verse-line starts with a number.
Regards,
Jan-Peter
--snip--
% I use stable version, compiled this once in 2.13.40
\version 2.12.3
\include gregorian.ly
\header {
subtitle = Veni Creator Spiritus
% Remove default LilyPond tagline
tagline = ##f
}
\paper{
%commented out for my A4-world
%paper-width=5.5\in
ragged-last=##f
}
sopranoVoice = \relative c' {
\key a \major
e4 fis e ( d) e fis (e) a b a2 \break \divisioMaior
a4 e fis a b ( a) b cis b \break \divisioMaior
a4 b ( cis) a ( gis) fis ( e) a ( b) e, fis a2 \break \divisioMaior
gis4 ( a) fis e (d) fis fis ( gis fis) e d e2 \divisioMaxima
e4 ( fis e) d2 ( e) \finalis \break
\stopStaff \hideNotes e
}
verseOne = \lyricmode {
\set stanza = 1.
Ve -- ni Cre -- á -- tor __ Spí -- ri -- tus,
\set stanza = 1.
men -- tes tu -- ó -- rum vi -- sí -- ta,
\set stanza = 1.
im -- ple __ su -- pér -- na __ grá -- ti -- a
\set stanza = 1.
quae tu cre -- á -- sti __ pé -- cto -- ra.
}
verseTwo = \lyricmode {
\set stanza = 2.
Qui dí -- ce -- ris Pa -- rá -- cli -- tus,
\set stanza = 2.
al -- tís -- si -- mi do -- num De -- i,
\set stanza = 2.
fons vi -- vus, i -- gnis, ca -- ri -- tas,
\set stanza = 2.
et __ spi -- ri -- tá -- lis __ ún -- cti -- o.
}
verseThree = \lyricmode {
\set stanza = 3.
Tu se -- pti -- fór -- mis __ mú -- ne -- re,
\set stanza = 3.
Dex -- trae De -- i tu __ dí -- gi -- tus,
\set stanza = 3.
Tu ri -- te pro -- mís -- sum Pa -- tris,
\set stanza = 3.
Ser -- mó -- ne __ di -- tans __ gút -- tu -- ra.
}
verseFour = \lyricmode {
\set stanza = 4.
Ac -- cén -- de lu -- men sén -- si -- bus,
\set stanza = 4.
In -- fúnde a -- mó -- rem __ cór -- di -- bus,
\set stanza = 4.
In -- fír -- ma __ no -- stri __ cór -- po -- ris
\set stanza = 4.
Vir -- tú -- te __ fir -- mans __ pér -- pe -- ti.
}
verseFive = \lyricmode {
\set stanza = 5.
Hos -- tem re -- pél -- las __ lón -- gi -- us,
\set stanza = 5.
pa -- cém -- que do -- nes __ pró -- ti -- nus;
\set stanza = 5.
Du -- ctó -- re sic __ te __ praé -- vi -- o,
\set stanza = 5.
Vi -- té -- mus __ o -- mne __ nó -- xi -- um.
}
verseSix = \lyricmode {
\set stanza = 6.
Per te sci -- á -- mus __ da Pa -- trem,
\set stanza = 6.
No -- scá -- mus at -- que __ Fí -- li -- um,
\set stanza = 6.
Te u -- tri -- ús -- que __ Spí -- ri -- tum
\set stanza = 6.
Cre -- dá -- mus o -- mni __ tém -- po -- re.
}
verseSeven = \lyricmode {
\set stanza = 7.
De -- o Pa -- tri sit __ gló -- ri -- a,
\set stanza = 7.
Et Fí -- li -- o qui~a mór -- tu -- is,
\set stanza = 7.
Sur -- ré -- xit, __ ac __ Pa -- rá -- cli -- to,
\set stanza = 7.
In __ sae -- cu -- ló -- rum __ saé -- cu -- la. A -- men. __ \markup { }
}
\score {
\new Staff { \sopranoVoice }
\addlyrics { \verseOne }
\addlyrics { \verseTwo }
\addlyrics { \verseThree }
\addlyrics { \verseFour }
\addlyrics { \verseFive }
\addlyrics { \verseSix }
\addlyrics { \verseSeven }
\layout {
\context {
\Staff
\remove Time_signature_engraver
\remove Bar_engraver
\override Stem #'transparent = ##t
}
}
}
--snip--
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
cross-staff beams
Hi,
Please try the following example, which is rendered less than optimal
using 2.13.40. Do you agree Lilypond should be able to
do better than this ? Is it worth a bug report ?
%-8-
\version 2.13.40
upper = \relative c' {
\clef treble
\time 2/4
\set Staff.beatStructure = #'(2)
e4 e | e e |
}
lower = \relative c {
\clef bass
\time 2/4
R2 |
\change Staff = up e'8
\change Staff = down a,,
\change Staff = up e''
\change Staff = down a,, |
}
\score {
\new PianoStaff
\new Staff=up \upper
\new Staff=down \lower
\layout {}
}
%--8--
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers
Athanasius Pelletier wrote: Hello all! I am having trouble making the last line stretch to the end. it seems that ragged-last shoul be used in the \layout block! Athanasius Pelletier wrote: Also, I would like to have numbers for all the verses not just for the first part. you can add the following and maybe tweak the different values: \set stanza = 2. \set vocalName = #2. \set shortVocalName = #2. \override InstrumentName #'X-offset = #3 \override InstrumentName #'font-size = #'0.1 see also http://old.nabble.com/Lyrics-verse-numbers-on-every-line-td23128612.html#a23130227 http://old.nabble.com/Lyrics-verse-numbers-on-every-line-td23128612.html#a23130227 in the forum! -- View this message in context: http://old.nabble.com/Problem-with-ragged-last-and-verse-numbers-tp30345773p30347286.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: cross-staff beams
On Wed, Dec 1, 2010 at 9:56 AM, Martin Tarenskeen m.tarensk...@zonnet.nl wrote: Please try the following example, which is rendered less than optimal using 2.13.40. Do you agree Lilypond should be able to do better than this ? Is it worth a bug report ? I think you need to be more specific as to what exactly LilyPond could do better in this particular case (or better yet, provide us with a counter-example from a scanned score that behaves better in your opinion). Attached is the output I get, and it looks (kinda) fine to me. Cheers, Valentin. attachment: bug.preview.png___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Need help with voices and staves
2010/11/30 George_ georgexu...@gmail.com: I'm transcribing Bach's Fugue No. 20 in A minor from the Well-Tempered Clavier Bk. 1, and I've run into a bit of a problem: George: I can reproduce your problem. But my first advice is: try to separate content from structure giving names to music blocks (such as voices), then using the names in a bare bones structure. That way you (and we all) will see much more clearly how your file is structured. -- Francisco Vila. Badajoz (Spain) www.paconet.org , www.csmbadajoz.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers
Hello Eluze, it seems that ragged-last shoul be used in the \layout block! thanks. So my solution with the hidden note is an unneeded hack! I often underestimate the layout block ;-) Regards, Jan-Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: subsections of a book
Well, nobody seems to know whether a third level element of the book is possible in Lilypond. In fact, I could make a workaround by using the chain of \book one after the other, which would do the trick, after all. The only problem is that I would need to merge the PDFs which are created for each \book separately which is very easy task. However, the only obstacle in doing it is that whenever new \book appears, the page numbering is re-set to the initial value. Is there a way in Lilypond how to say that it should NOT re-set page numbering when encountering new \book command and rather to continue the page numbering from the previous \book? Jiri Zurek (Prague) wrote: Is it possible to create an additional, third level structure element of the book? -- View this message in context: http://old.nabble.com/subsections-of-a-book-tp30308925p30349363.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Fwd: Problem with ragged-last and verse numbers
Begin forwarded message:
Hello all! I am having trouble making the last line stretch to the
end. Also, I would like to have numbers for all the verses not
just for the first part.
Here is my file:
\version 2.13.35
\include gregorian.ly
\header {
subtitle = Veni Creator Spiritus
% Remove default LilyPond tagline
tagline = ##f
}
\paper{
paper-width=5.5\in
ragged-last=##t %I don't know how to fix this
ragged-last=##f
will fix that issue.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
indent.py has vanished?!
is there a reason why the indenting program indent.py which was available in former versions of lilypond is not included anymore? for me it did a good job although i had to adapt my calling program to enable updating lilypond code in place! -- View this message in context: http://old.nabble.com/indent.py-has-vanished-%21-tp30348101p30348101.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers
- Original Message - From: -Eluze elu...@gmail.com To: lilypond-user@gnu.org Sent: Wednesday, December 01, 2010 9:35 AM Subject: Re: Problem with ragged-last and verse numbers Athanasius Pelletier wrote: Hello all! I am having trouble making the last line stretch to the end. it seems that ragged-last shoul be used in the \layout block! According to http://lilypond.org/doc/v2.13/Documentation/notation/page-formatting#flexible-vertical-dimensions it should be in the \paper block. -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problem with ragged-last and verse numbers : Slight Return
Thanks, everyone for your help!
I have used Eluze's reccomendation and it works well.
The verse numbers, however, are too far to the left and I would like to know
how to compact the lyrics a bit so that the numbers line up just under the
lines instead of being outside.
\version 2.13.35
\include gregorian.ly
\header {
subtitle = Veni Creator Spiritus
% Remove default LilyPond tagline
tagline = ##f
}
\paper{
paper-width=5.5\in
}
chant = \relative c' {
\key a \major
e4 fis e ( d) e fis (e) a b a2 \break \divisioMaior
a4 e fis a b ( a) b cis b \break \divisioMaior
a4 b ( cis) a ( gis) fis ( e) a ( b) e, fis a2 \break \divisioMaior
gis4 ( a) fis e (d) fis fis ( gis fis) e d e2 \divisioMaxima
e4 ( fis e) d2 ( e) \finalis
}
verbaOne = \lyricmode {
\set stanza = 1.
Ve -- ni Cre -- á -- tor __ Spí -- ri -- tus,
\set stanza = 1.
men -- tes tu -- ó -- rum vi -- sí -- ta,
\set stanza = 1.
im -- ple __ su -- pér -- na __ grá -- ti -- a
\set stanza = 1.
quae tu cre -- á -- sti __ pé -- cto -- ra.
}
verbaTwo = \lyricmode {
\set stanza = 2.
Qui dí -- ce -- ris Pa -- rá -- cli -- tus,
\set stanza = 2.
al -- tís -- si -- mi do -- num De -- i,
\set stanza = 2.
fons vi -- vus, i -- gnis, ca -- ri -- tas,
\set stanza = 2.
et __ spi -- ri -- tá -- lis __ ún -- cti -- o.
}
verbaThree = \lyricmode {
\set stanza = 3.
Tu se -- pti -- fór -- mis __ mú -- ne -- re,
\set stanza = 3.
Dex -- trae De -- i tu __ dí -- gi -- tus,
\set stanza = 3.
Tu ri -- te pro -- mís -- sum Pa -- tris,
\set stanza = 3.
Ser -- mó -- ne __ di -- tans __ gút -- tu -- ra.
}
verbaFour = \lyricmode {
\set stanza = 4.
Ac -- cén -- de lu -- men sén -- si -- bus,
\set stanza = 4.
In -- fúnde a -- mó -- rem __ cór -- di -- bus,
\set stanza = 4.
In -- fír -- ma __ no -- stri __ cór -- po -- ris
\set stanza = 4.
Vir -- tú -- te __ fir -- mans __ pér -- pe -- ti.
}
verbaFive = \lyricmode {
\set stanza = 5.
Hos -- tem re -- pél -- las __ lón -- gi -- us,
\set stanza = 5.
pa -- cém -- que do -- nes __ pró -- ti -- nus;
\set stanza = 5.
Du -- ctó -- re sic __ te __ praé -- vi -- o,
\set stanza = 5.
Vi -- té -- mus __ o -- mne __ nó -- xi -- um.
}
verbaSix = \lyricmode {
\set stanza = 6.
Per te sci -- á -- mus __ da Pa -- trem,
\set stanza = 6.
No -- scá -- mus at -- que __ Fí -- li -- um,
\set stanza = 6.
Te u -- tri -- ús -- que __ Spí -- ri -- tum
\set stanza = 6.
Cre -- dá -- mus o -- mni __ tém -- po -- re.
}
verbaSeven = \lyricmode {
\set stanza = 7.
De -- o Pa -- tri sit __ gló -- ri -- a,
\set stanza = 7.
Et Fí -- li -- o qui~a mór -- tu -- is,
\set stanza = 7.
Sur -- ré -- xit, __ ac __ Pa -- rá -- cli -- to,
\set stanza = 7.
In __ sae -- cu -- ló -- rum __ saé -- cu -- la. A -- men. __
}
\score {
\new Staff { \chant }
\addlyrics { \verbaOne }
\addlyrics { \verbaTwo }
\addlyrics { \verbaThree }
\addlyrics { \verbaFour }
\addlyrics { \verbaFive }
\addlyrics { \verbaSix }
\addlyrics { \verbaSeven }
\layout {
ragged-last=##f
\context {
\Staff
\remove Time_signature_engraver
\remove Bar_engraver
\override Stem #'transparent = ##t
}
}
}
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers
Phil Holmes-2 wrote: According to http://lilypond.org/doc/v2.13/Documentation/notation/page-formatting#flexible-vertical-dimensions it should be in the \paper block. -- Phil Holmes that's what i used to think, but in this case it does not work in the \paper block! the doc (NR) itself *always* uses ragged-last or ragged-right in the \layout block - if it is supposed to work when specified in the paper block then it looks like a flaw. otherwise this should be substantiated in the documentation! thanks Eluze -- View this message in context: http://old.nabble.com/Problem-with-ragged-last-and-verse-numbers-tp30345773p30351087.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Need help with voices and staves
- Original Message - From: George_ georgexu...@gmail.com To: lilypond-user@gnu.org Sent: Tuesday, November 30, 2010 6:30 AM Subject: Need help with voices and staves I'm transcribing Bach's Fugue No. 20 in A minor from the Well-Tempered Clavier Bk. 1, and I've run into a bit of a problem: [snip approx 150 lines] When I get to bar 11 and the fourth voice comes in the output becomes...strange. The First voice moves into the bottom staff and the first note in bar 8 now has the stem coming from the middle of the note - but when I change the rest to s8 in reference to the error I get, the stem moves back to its normal position (why is that, anyway?) I'd guess many people saw your first post. However, the music you've posted is really too complicated for most people to want to step in and debug for you. From my perspective, it's also written very strangely - why would you start the music in one stave with 2 voices, and swap staves all the time. Why not, as a general rule, put the music for the LH into the LH stave, only crossing where needed (see bar 4, for example). Have you checked the logfile for errors - there are loads. One thing to concentrate on is getting rid of them all. Also - I'd suggest reading http://lilypond.org/doc/v2.13/Documentation/usage/suggestions-for-writing-files HTH -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: cross-staff beams
- Original Message - From: Valentin Villenave valen...@villenave.net To: Martin Tarenskeen m.tarensk...@zonnet.nl Cc: lilypond-user mailinglist lilypond-user@gnu.org Sent: Wednesday, December 01, 2010 11:14 AM Subject: Re: cross-staff beams On Wed, Dec 1, 2010 at 9:56 AM, Martin Tarenskeen m.tarensk...@zonnet.nl wrote: Please try the following example, which is rendered less than optimal using 2.13.40. Do you agree Lilypond should be able to do better than this ? Is it worth a bug report ? I think you need to be more specific as to what exactly LilyPond could do better in this particular case (or better yet, provide us with a counter-example from a scanned score that behaves better in your opinion). Attached is the output I get, and it looks (kinda) fine to me. Cheers, Valentin. Especially in comparison to http://code.google.com/p/lilypond/issues/detail?id=1300 -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: paper block for little snippets for webpublishing
On 11/19/2010 4:54 AM, Bill Mooney wrote: Hi, you might try :- lilypond -f png -dresolution=600 filename where the 600 is an example - whatever you find is appropriate Hope this helps Regards Bill Thanks Bill. The option -d is not accepted by lilypond-book only by lilypond. Is there any way to set the resolution with lilypond-book? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers
Am 01.12.2010, 18:47 Uhr, schrieb Phil Holmes m...@philholmes.net: - Original Message - From: -Eluze elu...@gmail.com To: lilypond-user@gnu.org Sent: Wednesday, December 01, 2010 5:04 PM Subject: Re: Problem with ragged-last and verse numbers Phil Holmes-2 wrote: According to http://lilypond.org/doc/v2.13/Documentation/notation/page-formatting#flexible-vertical-dimensions it should be in the \paper block. -- Phil Holmes that's what i used to think, but in this case it does not work in the \paper block! the doc (NR) itself *always* uses ragged-last or ragged-right in the \layout block - if it is supposed to work when specified in the paper block then it looks like a flaw. otherwise this should be substantiated in the documentation! It works exactly as documented for me. See the attached files. -- Phil Holmes your examples do not use ragged-right nor ragged-last! Eluze ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: indent.py has vanished?!
On Wed, Dec 01, 2010 at 03:38:17AM -0800, -Eluze wrote: is there a reason why the indenting program indent.py which was available in former versions of lilypond is not included anymore? Err, I don't remember having any indent.py as part of lilypond. What version did you see it in? Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: indent.py has vanished?!
Am 01.12.2010, 19:59 Uhr, schrieb Graham Percival gra...@percival-music.ca: On Wed, Dec 01, 2010 at 03:38:17AM -0800, -Eluze wrote: is there a reason why the indenting program indent.py which was available in former versions of lilypond is not included anymore? Err, I don't remember having any indent.py as part of lilypond. What version did you see it in? Cheers, - Graham 2.13.8 and before 2.13, but i don't remember which! c:\Program Files\LilyPond\usr\share\lilypond\current\python\ greetings Eluze ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: paper block for little snippets for webpublishing
Dear Marc, Sorry, I can't help with LP-Book. I've never used it. :) Regards Bill On 02/12/10 06:04, Marc Mouries wrote: On 11/19/2010 4:54 AM, Bill Mooney wrote: Hi, you might try :- lilypond -f png -dresolution=600 filename where the 600 is an example - whatever you find is appropriate Hope this helps Regards Bill Thanks Bill. The option -d is not accepted by lilypond-book only by lilypond. Is there any way to set the resolution with lilypond-book? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with sustain brackets with polyphony
Christoph stadler.chr at googlemail.com writes:
I am trying to figure out how to use sustain brackets correctly in polyphony.
If
the notes of the two voices are shifted horizontally on the same time, the
bracket end at one note and start again at the other leaving a gap in between
(you can see it in the attached example) I would like to have the brackets
always connected. How can I do it?
Christoph,
I do not think there is any way to change how the pedal bracket is placed
relative to the other voices in the same staff. (Issue 723 in the bug list
is similar problem, that the bracket aligns to the left of chords with 2nds.)
Maybe you would like to move the pedal to its own staff-like context.
Someone has defined a staff-like context called Dynamics (link below)
that people like well enough that it will be built-in in the next Lilypond
version 2.14. As a side effect, which could be good, the pedal brackets
will always be aligned to the same height, even if there are gaps.
\score {
\new PianoStaff
\new Staff
\new Staff \clef F \time 3/4 \tenor \\ \bass
\new Dynamics \with {
pedalSustainStyle = #'bracket
% or, \set Dynamics.pedalSustainStyle ... where you had it
} \pedal
\layout {
% copy the layout from http://lsr.dsi.unimi.it/LSR/Item?id=357
}
}
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: indent.py has vanished?!
Graham Percival-3 wrote:
On Wed, Dec 01, 2010 at 03:38:17AM -0800, -Eluze wrote:
is there a reason why the indenting program indent.py which was
available
in former versions of lilypond is not included anymore?
Err, I don't remember having any indent.py as part of lilypond.
What version did you see it in?
Cheers,
- Graham
maybe i have implemented it myself for my purposes? - i don't really
remember.
howsoever it would be nice to have such a program released by Lilypond!
- Lilypond users could run this program for themselves to have a nicely
indented + structured code and it'd be a big help in finding missing
brackets of any kind () [] {}
- you could ask this program be run before submitting code to a Lilypond
list
is there any scotch to this!?
thanks
Eluze
--
View this message in context:
http://old.nabble.com/indent.py-has-vanished-%21-tp30348101p30354005.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers : Slight Return
Athanasius Pelletier wrote: Thanks, everyone for your help! I have used Eluze's reccomendation and it works well. The verse numbers, however, are too far to the left and I would like to know how to compact the lyrics a bit so that the numbers line up just under the lines instead of being outside. you did *not* follow my recommendation for stanza numbers on every line! here is an example how to: code: http://old.nabble.com/file/p30354256/vocalName.ly vocalName.ly output: http://old.nabble.com/file/p30354256/vocalName.pdf vocalName.pdf -- View this message in context: http://old.nabble.com/Problem-with-ragged-last-and-verse-numbers-%3A-Slight-Return-tp30351202p30354256.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: indent.py has vanished?!
On Wed, 1 Dec 2010, -Eluze wrote: maybe i have implemented it myself for my purposes? - i don't really remember. howsoever it would be nice to have such a program released by Lilypond! There is a indent.py script that is part of the files that come with Frescobaldi. It is used by Frescobaldi, but should also work as a standalone version. It used to work fine for me in the past, but currently I'm having some problems using it as a standalone tool. Wilbert has promised me to investigate the problem, which is probably related to my newer Python 2.7 (Fedora 14). -- Martin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with ragged-last and verse numbers : Slight Return
Eluze or whoever,
So I have added a hidden note, otherwise the verse text was over the verse
numbers. Is there a way to modify the verse numbers, first, to match the
size of the ones on top and also to maybe move them to the left a little
bit? Below is the modified file. (is there stuff in the verseNumber
section that I don't need?)
\version 2.13.35
\include gregorian.ly
\header {
subtitle = Veni Creator Spiritus
% Remove default LilyPond tagline
tagline = ##f
}
\paper{
paper-width=5.5\in
}
verseNumber = #(define-music-function (parser location number name
shortname) (string? string? string?)
#{
\set stanza = \markup \smaller \italic $number
\set vocalName = \markup $name
\set shortVocalName = \markup \teeny $shortname
\override InstrumentName #'font-series = #'bold
\override InstrumentName #'font-shape = #'italic
\override InstrumentName #'font-size= #'0.1
\override InstrumentName #'self-alignment-X = #LEFT
\override InstrumentName #'X-offset = #3.2
#})
chant = \relative c' {
\key a \major
e4 fis e ( d) e fis (e) a b a2 \break \divisioMaior
\hideNotes e \unHideNotes
a4 e fis a b ( a) b cis b \break \divisioMaior
\hideNotes e \unHideNotes
a,4 b ( cis) a ( gis) fis ( e) a ( b) e, fis a2 \break \divisioMaior
\hideNotes e \unHideNotes
gis4 ( a) fis e (d) fis fis ( gis fis) e d e2 \divisioMaxima
\hideNotes e \unHideNotes
e4 ( fis e) d2 ( e) \finalis
}
verbaOne = \lyricmode {
\verseNumber #1. # #1.
Ve -- ni Cre -- á -- tor __ Spí -- ri -- tus,
men -- tes tu -- ó -- rum vi -- sí -- ta,
im -- ple __ su -- pér -- na __ grá -- ti -- a
quae tu cre -- á -- sti __ pé -- cto -- ra.
}
verbaTwo = \lyricmode {
\verseNumber #2. # #2.
Qui dí -- ce -- ris Pa -- rá -- cli -- tus,
al -- tís -- si -- mi do -- num De -- i,
fons vi -- vus, i -- gnis, ca -- ri -- tas,
et __ spi -- ri -- tá -- lis __ ún -- cti -- o.
}
verbaThree = \lyricmode {
\verseNumber #3. # #3.
Tu se -- pti -- fór -- mis __ mú -- ne -- re,
Dex -- trae De -- i tu __ dí -- gi -- tus,
Tu ri -- te pro -- mís -- sum Pa -- tris,
Ser -- mó -- ne __ di -- tans __ gút -- tu -- ra.
}
verbaFour = \lyricmode {
\verseNumber #4. # #4.
Ac -- cén -- de lu -- men sén -- si -- bus,
In -- fúnde a -- mó -- rem __ cór -- di -- bus,
In -- fír -- ma __ no -- stri __ cór -- po -- ris
Vir -- tú -- te __ fir -- mans __ pér -- pe -- ti.
}
verbaFive = \lyricmode {
\verseNumber #5. # #5.
Hos -- tem re -- pél -- las __ lón -- gi -- us,
pa -- cém -- que do -- nes __ pró -- ti -- nus;
Du -- ctó -- re sic __ te __ praé -- vi -- o,
Vi -- té -- mus __ o -- mne __ nó -- xi -- um.
}
verbaSix = \lyricmode {
\verseNumber #6. # #6.
Per te sci -- á -- mus __ da Pa -- trem,
No -- scá -- mus at -- que __ Fí -- li -- um,
Te u -- tri -- ús -- que __ Spí -- ri -- tum
Cre -- dá -- mus o -- mni __ tém -- po -- re.
}
verbaSeven = \lyricmode {
\verseNumber #7. # #7.
De -- o Pa -- tri sit __ gló -- ri -- a,
Et Fí -- li -- o qui~a mór -- tu -- is,
Sur -- ré -- xit, __ ac __ Pa -- rá -- cli -- to,
In __ sae -- cu -- ló -- rum __ saé -- cu -- la. A -- men. __
}
\score {
\new Staff { \chant }
\addlyrics { \verbaOne }
\addlyrics { \verbaTwo }
\addlyrics { \verbaThree }
\addlyrics { \verbaFour }
\addlyrics { \verbaFive }
\addlyrics { \verbaSix }
\addlyrics { \verbaSeven }
\layout {
ragged-last=##f
\context {
\Staff
\remove Time_signature_engraver
\remove Bar_engraver
\override Stem #'transparent = ##t
}
}
}
--
View this message in context:
http://old.nabble.com/Problem-with-ragged-last-and-verse-numbers-%3A-Slight-Return-tp30351202p30355765.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: subsections of a book
Il giorno mer, 01/12/2010 alle 06.21 -0800, Jiri Zurek (Prague) ha scritto: However, the only obstacle in doing it is that whenever new \book appears, the page numbering is re-set to the initial value. Is there a way in Lilypond how to say that it should NOT re-set page numbering when encountering new \book command and rather to continue the page numbering from the previous \book? You can set it manually, specifying first-page-number for each \book But I guess you want LilyPond to do it for you... I don't know how to achieve that. Maybe you could say LilyPond not to print any page number. Then when you put pdf together you add page numbers at once. I don't know if pdftk can add page numbers. Cheers, Federico ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
