Re: Using lyrics in a markup
2011/1/20 Marc Hohl m...@hohlart.de Am 20.01.2011 09:20, schrieb jakob lund: However, I am guessing that the desired output is actually Tochter Zion, freue dich, jauchze laut, Jerusalem. Sieh, dein König kommt zu dir, ja, er kommt, der Friedefürst. Tochter Zion, freue dich, jauchze laut, Jerusalem. rather than Tochter Zion, freue dich, jauchze laut, Jerusalem. Sieh, dein König kommt zu dir, ja, er kommt, der Friedefürst. Tochter Zion, freue dich, jauchze laut, Jerusalem. where the line breaking depends on column width, font size etc.? I can't think of way to control the line breaks, except to enter each line individually, like What do you think of allowing to define a additional line break character, for example ś, which could be filtered out within \lyricsmode, and used as a newline in the \verse? +1, however i'd vote for either: - specific command (starting with \) - ordinary end of line character and not some special character that is supposed to be used rarely. The ś character that you used is used in polish language, for example. cheers, Janek ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Using lyrics in a markup
Jan Warchoł lemniskata.bernoulli...@gmail.com writes: 2011/1/20 Marc Hohl m...@hohlart.de What do you think of allowing to define a additional line break character, for example ś, which could be filtered out within \lyricsmode, and used as a newline in the \verse? +1, however i'd vote for either: - specific command (starting with \) - ordinary end of line character and not some special character that is supposed to be used rarely. The ś character that you used is used in polish language, for example. That's just a bug of your mail reading software. He used the pilcrow sign, namely ¶ and not ś. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pentatonic Diatonic Transposition?
Marc Hohl marc at hohlart.de writes: Am 21.01.2011 03:05, schrieb Daniel: Hello, This issue came up in 2008 and John Mandereau wrote some functions which IMHO do exactly what you need, please look at http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00805.html HTH, Marc Unfortunately From his documentation below, This only works with 7 note scales and wont work with Pentatonic scales. Also, even with a 7 note scaleI can't get this to work as expected after trying several different things. The mode transpose always seems to add sharps or flats even when the original snippet has none. All these functions except degree-transpose are currently limited to scales and modes of length 7; using scales with different length requires a pitch representation that separates notions of degree and note name, that is, it requires scales definitions different from those currently in ly/scale-definitions-init.ly and more complex functions for converting between LilyPond pitch representation and modal pitch representation. Any other ideas? Thanks for the info! Daniel ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: How to start translate documents without running autoconf.sh
Ben, -Original Message- From: lilypond-user-bounces+james.lowe=datacore@gnu.org [mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of Ben Luo Sent: 21 January 2011 05:45 To: lilypond-user@gnu.org Subject: How to start translate documents without running autoconf.sh Dear All, I prepare to translate some documents to Chinese. But after git checkout, I have to ./autoconf.sh. The script mentioned many lib/.hh file not to find. or old. I use debian/ubuntu, but the version may be older than compiling code. But I just want to translate documents. How can Ido ? If you have not already, please see the contributor guide section: http://lilypond.org/doc/v2.13/Documentation/contributor/translating-the-documentation and also for doc work in general: http://lilypond.org/doc/v2.13/Documentation/contributor/compiling http://lilypond.org/doc/v2.13/Documentation/contributor/documentation-work James ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: horizontal beams
James Lowe james.l...@datacore.com escribió: So if you know that it does not guarantee horizontal beams then the snippet is wrong and it needs to be corrected, I can only go on what I am told in the documentation or the snippet repository. So there is no point adding another snippet to the documentation when we have one (as far as I can see) that gives you '... horizontal beams, regardless of the notes they connect' already. However if it is wrong, it would be better to correct this than add something new. i agree, of course! but since the main text of NR has a selected snippet showing the use of \override Beam #'damping = #+inf.0 to produce horizontal beams (which is appropriate, IMO), i think it should include all the necessary tweaks to always guarantee horizontal beams. that's what i meant in my previous mail, sorry if i didn't myself clear. and the corresponding snippet at the LSR, naturally. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: highlighting notes in pdf, synchronized pdf and midi playback
2011/1/20 Federico Bruni fedel...@gmail.com: Il giorno mar, 18/01/2011 alle 23.47 +0100, Janek Warchoł ha scritto: But I wonder if it could be the first step to get the synchronized highlighting on the PDF. I was thinking about asking this feature request on Frescobaldi mailing list (maybe I'll do it later). That would be great! I don't feel like doing this myself since i'm not using Frescobaldi I've asked and it seems that it may be implemented in version 2.0: http://groups.google.com/group/frescobaldi/browse_thread/thread/5f4bcc6b7f4feb88 Thanks! BTW, in the meanwhile you may open the .midi file with Rosegarden while editing the .ly file. See attached image: the blue bar moves along with midi time. You can place the score in one long line or vertically. Unfortunately, Rosegarden runs on Linux only. I know, and because of that Rosegarden is of no use for me (or, speaking precisely, for my choir - it is them who want a moving line that follows music, and they won't install Linux just to get that). :( Maybe Denemo, which is cross-platform, has a similar feature. Perhaps it has. Unfortunately i had some issues with it when i tried it. And above all it can only read .ly files made by itself, so i cannot use my code structure :( Nevertheless, thank you very much for your help! cheers, Janek PS my friend is helping me to compile that qt-pdfviewer (i'm doing this on a virtualized Ubuntu). If we succeed, i'll let you know. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: horizontal beams
LLj -Original Message- From: lilypond-user-bounces+james.lowe=datacore@gnu.org [mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of l...@internet.com.uy Sent: 21 January 2011 12:11 To: lilypond-user@gnu.org Subject: RE: horizontal beams James Lowe james.l...@datacore.com escribió: So if you know that it does not guarantee horizontal beams then the snippet is wrong and it needs to be corrected, I can only go on what I am told in the documentation or the snippet repository. So there is no point adding another snippet to the documentation when we have one (as far as I can see) that gives you '... horizontal beams, regardless of the notes they connect' already. However if it is wrong, it would be better to correct this than add something new. i agree, of course! but since the main text of NR has a selected snippet showing the use of \override Beam #'damping = #+inf.0 to produce horizontal beams (which is appropriate, IMO), i think it should include all the necessary tweaks to always guarantee horizontal beams. that's what i meant in my previous mail, sorry if i didn't myself clear. and the corresponding snippet at the LSR, naturally. That's fine, so are you saying that the current snippet using \override Beam #'damping = #+inf.0 Is not enough as it states in the LSR to guarantee horizontal beams because we don't want to contradict ourselves? I don't know how the code works, but as someone who browses the LSR I would just say that there is only one tweak needed, but you are implying there are cases when you need more than one tweak. That was my point. James ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Using lyrics in a markup
2011/1/21 David Kastrup d...@gnu.org Jan Warchoł lemniskata.bernoulli...@gmail.com writes: The ś character that you used is used in polish language, for example. That's just a bug of your mail reading software. He used the pilcrow sign, namely ¶ and not ś. Oh. Good to know. Thanks, Janek ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
whiteout with a textSpanner
Greetings - I'm running LY 2.12.3 under Ubuntu. I prefer underscores in cresc. _ _ _ _ to dashes cresc. - - - -, so I've been using a textSpanner with cresc. However, I have a collision with a bar line. Is there a way to add whiteout to the text in a textSpanner? Pondly, Ralph -- Ralph Palmer Montague City, MA USA palmer.r.vio...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: whiteout with a textSpanner
Ralph Palmer wrote: Greetings - I'm running LY 2.12.3 under Ubuntu. However, I have a collision with a bar line. Is there a way to add whiteout to the text in a textSpanner? try \override DynamicTextSpanner #'whiteout = ##t \override DynamicTextSpanner #'layer = #99 \override DynamicText #'layer = #99 \override DynamicText #'whiteout = ##t i'm not sure which of them are really needed! -- View this message in context: http://old.nabble.com/whiteout-with-a-textSpanner-tp30728565p30728921.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: whiteout with a textSpanner
On Fri, Jan 21, 2011 at 8:30 AM, Ralph Palmer palmer.r.vio...@gmail.comwrote:
Greetings -
I'm running LY 2.12.3 under Ubuntu.
I prefer underscores in cresc. _ _ _ _ to dashes cresc. - - - -,
so I've been using a textSpanner with cresc.
However, I have a collision with a bar line. Is there a way to add whiteout
to the text in a textSpanner?
Pondly,
Ralph
Sorry for the noise - I figured it out :
\override TextSpanner #'(bound-details left text) = \markup \whiteout
\pad-markup #0.5 {cresc. }
Ralph
--
Ralph Palmer
Montague City, MA
USA
palmer.r.vio...@gmail.com
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Re: shorten/lengthen left/right stem of beamed eighth
Damian leGassick wrote:
how about this
{ d''2 }
\\
{ \stemUp
\override Beam #'positions = #'(-1 . 1)
a8 a' s s }
Damian
thanks, that works - but i was more generally looking for a kind of policy
which allows to shorten stems by a certain amount or percentage!
Eluze
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Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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Re: Using lyrics in a markup
Hello again,
so you would have to check (pseudo-scheme):
...
(if (and (string? x)(string=? x
someIndicatorStringNooneWouldEverUseInARealLyric))
(introduceNewLine ...))
...
and this would probably be done in the (reduce-hyphens text)-method/function.
If this works one could define a variable with the lyrics including the
newlines. Then use it filtered with \lyricsto and markedup with \verse.
Best regards,
Jan-Peter.
Am 20.01.2011 um 16:35 schrieb jakob lund:
2011/1/20 Jan-Peter Voigt jp.vo...@gmx.de:
What do you think of allowing to define a additional line break character,
for example ¶, which could be filtered out within \lyricsmode, and used as a
newline in the \verse?
Thats a good idea!
So your input will look like
\override Lyrics #'ignore-chars= #'(¶) % this is pseudo code!
I guess this would mean that the Lyrics context would have to filter
out the ¶ as it goes. A simpler version of the same idea could be
nl = \lyricmode { someIndicatorStringNooneWouldEverUseInARealLyric }
and then use
words = \lyricmode { Toch -- ter \nl Zi -- on }
then add a filter (a music function that calls music-filter) to use
with addlyrics, like this
\addlyrics \removeLineBreakIndicators \words
and then update the \verse macro to produce a new line for every
occurence of the indicator.
that should be doable...
Jakob.
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EasyHeadOn
I have been using easyHeadOn plus #(define Ez_numbers_engraver (from the lilypond GNU-List) translates them into numbers. The number is printed inside the note head. Is it possible to have the number printed adjacent to the note head? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pentatonic Diatonic Transposition?
Am 21.01.2011 08:46, schrieb Basso Ridiculoso:
Hello Marc,
Danke für deine antwort zu meine frage! :)
Its funny you point out those functins, because I have been looking at
that...but I have not been able to make it work. I hope you don't mind
a direct reply to your email.
No problem, but since others may encounter the same problem, it is
better to discuss it on the
list, so I redirect the reply to -user.
I don't believe I can define only a 5 note scale with his function, it
will only do 7 notes?
Sorry, I overlooked the term pentatonic in your first mail.
I think that heptatonic scales are somewhat hardcoded in lilypond, but
I am not sure about this.
And the only syntax example I have seen on using that is about 2 years
old and it isn't obvious what I would transpose.
I have been working from this one..but no dice so far.
http://article.gmane.org/gmane.comp.gnu.lilypond.general/43719/match=john+mandereau+transpose
And here is where get lost
% mix between lydian and mixolydian
milydian = #`(
(0 . 0)
(1 . 0)
(2 . 0)
(3 . ,SHARP)
(4 . 0)
(5 . 0)
(6 . ,FLAT))
melodie = \relative c' { \times 2/3 { cis8 d e } f2 }
\new Staff {
\time 3/4
\melodie
\mode*Transpose* g \milydian #-3 d' \lydian \melodie % IV - I
\mode*Transpose* g \milydian #3 e' \lydian \melodie % IV - VII
}
So I guess I would define
MyPentatonc = #`(
(0 . 0) % the root a
(1 . ,SHARP) %to get c?
(2 . 0) %the note d
(3 . 0) %the note e
(5 . ,SHARP)) %the note g?
This is assuming that the (1.0) distance is a whole step?
No. IMHO the first number is the number of the note within the scale,
whereas the second number is 0 when the note is not altered, otherwise
you have to wite ,FLAT or ,SHARP, respectively.
I don't think that pentatonic scales are supported as-is, but I could be
wrong.
Perhaps anyone more familiar with the internals can chime in?
So then, how do I say diatonically transpose to 'mode' of g' within
that scale? I dont get what he is doing with the \modetranspose and
the \lydian etc. Do I have to define each mode of the pentatonic
somewhere as well?
Thanks for answering so quick! Any help would be appreciate
Sorry for not being able to be more helpful...
Regards,
Marc
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Re: Pentatonic Diatonic Transposition?
On Fri, Jan 21, 2011 at 4:41 AM, Daniel basso.ridicul...@gmail.com wrote: Any other ideas? Hi Daniel, Here's a partial, but very general solution that will modally transpose within any scale (or any ordered set of pitches) of any length using modulo arithmetic. To make it usable in LilyPond, you'll need to wrap it in one or music functions that can 1. Extract pitch names from music as strings or, better yet as symbols. 2. Run the pitch names through a transposer created with the scheme function below 3. Deal with octave issues so that your melodic outline is preserved. This is probably the trickiest part. 4. Insert the modified pitches back into the music stream. Cheers, Mike #(use-modules (srfi srfi-1)) %needed for list-index and list-ref #(define (make-modal-transposer scale) ;; Returns a transposer for the specified scale ;; Usage example: ;;Create a transposer for C major pentatonic ;;(define c-pent (make-modal-transposer '(c d e g a))) ;; ;;Apply to sequence of pitch names, ;;specifying the starting pitch of the desired mode as ;;the first argument to the transposer. ;;(c-pent 'd '(c c e d a))== '(d d g e c) (define (index item lis) (list-index (lambda (x) (equal? item x)) lis)) (lambda (mode-pitch pitch-sequence) (if (not (member mode-pitch scale)) (error Transposition target pitch not in scale!)) (map (lambda (p) (if (not (member p scale)) (error Sequence pitch not in scale!)) (list-ref scale (modulo (+ (index p scale) (index mode-pitch scale)) (length scale pitch-sequence))) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
4-lines staff, and Vaticana clefs
Hello, I'm trying to use Mensural notation with only four lines staves: \override Staff.StaffSymbol #'line-count = #4 This works, but the regular [i.e. Mensural] clef is then shown on a space, not on its proper line. When using a Vaticana clef instead: \clef vaticana-fa1 then it is correct (on the line). I also tried using a Mensural (or a modern) clef in a VaticanaVoice, then also the clefs are shown on a space instead of a line. Indeed, the Vaticana or 4-lines staff tool seems to take a regular 5-line staff, and replace its lines by spaces and its spaces by lines. And the Vaticana clefs are designed to be on a normal staff's spaces... Musically, this is a nonsense: the 4-line staff should be a 5-line staff without the 5th line! , And it forbids to mix the notations. Is there any solution for that? One other thing: the vaticana-fa1 clef is a F (fa) clef on the 2nd line, while the vaticana-fa2 clef is a F (fa) clef on the 3rd line. This is not logical! IMHO they should be renamed vaticana-f2 and vaticana-f3. The italiano name fa for F is not a correct note name in that musical context − F's complete name being F fa ut in the solmistic sytem. Of course, same problem occurs for the vaticana do (C) clefs. (In fact, I just switched from Mensural to the experimental BlackMensural, but problems are the same.) Thanks for any advice! Pierre -- View this message in context: http://old.nabble.com/4-lines-staff%2C-and-Vaticana-clefs-tp30726849p30726849.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pentatonic Diatonic Transposition?
Hey Daniel,
Check out http://wiki.lilynet.net/index.php/JM_diatonic-transpose.ly .
Cheers,
MS
On Jan 20, 2011, at 9:05 PM, Daniel wrote:
Hello,
I have recently discovered Lilypond, and wow. It is just great. I have been
looking for something like this for a long time.
I have a question on how to diatonically transpose a motive in a non-major or
minor scale in this case, a pentatonic.
For instance, suppose I have this pentatonic {a c d e g } and I have a phrase
that is {a c g e} and now I want that phrase to start on g so transposed
diatonically to the mode (its not really, but that is basically what I want)
of that a pentatonic it would be {g a e d}.
If I use regular \transpose a g {MyPhrase} it will come out {g bes f d} and
include notes that are not in my original a minor pentatonic.
Can I define my own modes? I know that \dorian, \ionian are in there
somewhere,
can I make my own scale\modes somehow and just use those?
Thanks for any advice or snippets!
Daniel
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Re: Pentatonic Diatonic Transposition?
Am 21.01.2011 05:26, schrieb m...@apollinemike.com:
Hey Daniel,
Check out http://wiki.lilynet.net/index.php/JM_diatonic-transpose.ly .
This is more or less the same info I emailed him - unfortunately, we
both missed
the fact that he asked for _pentatonic_ transposition, which isn't
supported by
the file mentioned above :-(
But it looks as if Michael Ellis has posted a working solution...
Regards,
Marc
Cheers,
MS
On Jan 20, 2011, at 9:05 PM, Daniel wrote:
Hello,
I have recently discovered Lilypond, and wow. It is just great. I
have been
looking for something like this for a long time.
I have a question on how to diatonically transpose a motive in a
non-major or
minor scale in this case, a pentatonic.
For instance, suppose I have this pentatonic {a c d e g } and I have
a phrase
that is {a c g e} and now I want that phrase to start on g so transposed
diatonically to the mode (its not really, but that is basically
what I want)
of that a pentatonic it would be {g a e d}.
If I use regular \transpose a g {MyPhrase} it will come out {g bes
f d} and
include notes that are not in my original a minor pentatonic.
Can I define my own modes? I know that \dorian, \ionian are in there
somewhere,
can I make my own scale\modes somehow and just use those?
Thanks for any advice or snippets!
Daniel
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mark-ups
I have a piece that I need to use the markups for, but currently it is
stretching the measures way too much, and I am not sure what to do about
it. Any help would be appreciated.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Dismissal
poet = Common Court Chant Variant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
f,2
^\markup {\italic \tiny The blessing of the Lord ... }
f1 \finalis
f4
^\markup {\italic \tiny Glory to Thee, O Christ God ... }
f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
f,2 f1 \finalis
f4 f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
Glor -- y to the Fa -- ther, and to the Son, and to the
Ho -- ly Spir -- it;
now and ev -- er, and un -- to a -- ges
\override LyricHyphen #'minimum-distance = #1.6
of a -- ges. A -- men.
Lord, have mer -- cy.
Lord, have mer -- cy.
Lord, have mer -- cy.
O Lord, bless!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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Re: Pentatonic Diatonic Transposition?
Marc Hohl marc at hohlart.de writes: Am 21.01.2011 05:26, schrieb mike at apollinemike.com: Hey Daniel, Check out http://wiki.lilynet.net/index.php/JM_diatonic-transpose.ly . This is more or less the same info I emailed him - unfortunately, we both missed the fact that he asked for _pentatonic_ transposition, which isn't supported by the file mentioned above Its ok, I do appreciate the help and the quick responses no matter what. I will take a look at that last suggestion and see if I can get it working. I do have the notes as text already and I think I can make this work. Thanks so much. Lilypond is awesome! Daniel ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
mark-ups
I think I figured out my mark-up problem, but I still would like for the
markup to begin at the beginning of the measure. Is that possible? Thanks.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Dismissal
poet = Common Court Chant Variant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
\override Score.SpacingSpanner #'packed-spacing = ##f
\override TextScript #'staff-padding = #4
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
f,2
^\markup {\italic \small The blessing of the Lord ... }
f1 \finalis
f4 f f
^\markup {\italic \small Glory to Thee, O Christ God ... }
g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
f,2 f1 \finalis
f4 f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2
_\markup {\italic \small May Christ our true God ... }
c2 f1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
\override LyricHyphen #'minimum-distance = #2.4
Glor -- y to the Fa -- ther, and to the Son, and to the
Ho -- ly Spir -- it;
now and ev -- er, and un -- to a -- ges
\override LyricHyphen #'minimum-distance = #1.6
of a -- ges. A -- men.
Lord, have mer -- cy.
Lord, have mer -- cy.
Lord, have mer -- cy.
Fa -- ther,__ bless!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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