enhancement request: reset header items when starting new scores
imo there is something like a natural relation between titles, subtitles, subsubtitles, pieces, composer and many more header items. therefore i think a subtitle should be automatically reset whenever a title is defined in a new score or even when a new score is started. up to now you have to do this manually. of course this needs a deepened analysis - what would be the behaviour when a booklet with only one composer is written? should a tagline be changed too? thanks Eluze -- View this message in context: http://old.nabble.com/enhancement-request%3A-reset-header-items-when-starting-new-scores-tp31564575p31564575.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Stem length on beamed notes incorrect in 2.13.61
A bar excerpted from the Mertz guitar transcription of Ständchen. When I
last worked on this score about ten months ago, using 2.13.27, I didn't
have the problem with the beam on the notes in the middle voice being
placed below the stem of the note in the lower voice - the beam was
placed along the bottom line of the stave - see 2.13.27.png, a screen
shot from the PDF I made at the time:
\version 2.13.61
\relative c'' {
\time 3/4
{ cis'2. }
\\
{ a,,2. }
\\
{ \stemDown a''8 e a cis, e a cis, e }
}
Nick
attachment: test.preview.pngattachment: 2.13.27.png___
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Re: window 7 -64 bit
I don't believe there's any problem with 64 bit installs - I use 64 bit vista without a problem. However, there does appear to be a problem with font handling if using SP1 on Windows 7: http://code.google.com/p/lilypond/issues/detail?id=1562 -- Phil Holmes - Original Message - From: MING TSANG To: Marc Hohl Cc: lilypond-user-requ...@gnu.org ; lilypond-user@gnu.org Sent: Saturday, May 07, 2011 3:14 AM Subject: Re: window 7 -64 bit Thank you. I am contemplating upgrade to window 7 64-bit computer. -- From: Marc Hohl m...@hohlart.de To: MING TSANG tsan...@rogers.com Cc: lilypond-user@gnu.org; lilypond-user-requ...@gnu.org Sent: Fri, May 6, 2011 4:19:39 PM Subject: Re: window 7 -64 bit Am 06.05.2011 20:10, schrieb MING TSANG: Question: Does Lilypond run on window 7 64-bits hardware? I installed it succesfully on my win 7 laptop (but I don't use windows very often ;-) HTH, Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user -- ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
quoteDuring or cueDuring forward reference
Hi, How do I do a forward reference with cueDuring or QuoteDuring? If the music is in score order it's easy to quote or cue a flute part in the bassoon part but how can I quote or cue the bassoon part in the flute part? Thanks for any help with this, Paul Scott ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: barAlways, slurs (melisma)
Germain == Germain G Ivanoff-Trinadtzaty ggit@gmail.com writes: Germain Besides this, placing automatic invisible bars in all Germain *relevant* places (for automatic line breaks, in different Germain layouts) is typically a kind of computer task ! By the way, Germain what was barAlways meant for ? I assume so that you could have line breaks anywhere instead of only at the end of a measure. I've always used it in conjunction with a default bar type of empty or . I more often do that by removing the Forbid_line_break_engraver. I do wish that were a bit more intelligent -- even when I don't mind line breaking in the middle of a bar (I usually typeset Renaissance music where the composers weren't thinking in measures), I don't usually want it between a dotted note and the next note. I've been working around this lack of feature by inserting \noBreak when lily puts a break in an inconvenient place. One of my current projects is a set of ricercadas on a bassline in breves, where breaking only at breves wouldn't produce very good output, but there are lots of places where it's inconvenient to break the melody line, so those melody lines have a *lot* of \noBreak's in them. -- Laura (mailto:lcon...@laymusic.org, twitter: @serpentplayer) (617) 661-8097 233 Broadway, Cambridge, MA 02139 http://www.laymusic.org/ http://www.serpentpublications.org I have only one superstition. I touch all the bases when I hit a home run. Babe Ruth ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Repeat alternative includes a tempo change
Mike:
Thank you very much for your helpful advice. My problem is really how to code
the final verse of my four-verse 'learning' melody. I've diagrammed below how
I think I'll have to code the melody, but I'm wondering if there's a different,
less complicated, way to go about doing it.
\melody
%% ( for verses 1, 2, 3 only )
stanza1, stanza 2
\repeat volta 3
{ stanza 3, stanza 4 }
%% ( then continue notation for final verse 4 )
stanza 1, stanza 2%% (first two stanzas of verse 4 are played at same
tempo as for verses 1, 2, 3 )
\repeat volta
{ \markup tempo = slower, sadly
stanza 3, stanza 4
}
\alternative%% ( use for the octave upbeat on final note of melody )
{ d'2~d2\fermata }
\bar ||
In other words, it seems to me that I'll have to code a volta for three verses,
then another volta for the fourth verse, with an alternate ending for the last
notes of the final stanza.
Thank you again for taking the time to help me.
Very best regards,
Ken
- Original Message -
From: m...@apollinemike.com
To: Ken Smith
Cc: lilypond-user@gnu.org
Sent: Friday, May 06, 2011 1:11 AM
Subject: Re: Repeat alternative includes a tempo change
On May 5, 2011, at 9:08 PM, Ken Smith wrote:
I'm new to LilyPond (v2.12.3) and to music notation in general, so I'm just
a tad beyond the starting point on LilyPond's learning curve. I'm scratching
my head now as to how to write the repeats in my learning testfile,
Podmoskovnye Vechera, (Moscow Nights). The melody has four verses, each
verse has two couplets (i.e., four stanzas per verse), with the second couplet
repeated in each of the four verses. The repeats for the first three verses
are identical, but the repeat for the final verse includes a tempo change
(slower, sadly) with an octave upbeat at the end. I'm only coding the melody
line for now; here's the code I've been using (time = 2/4):
\bar |:
\repeat volta 4%% notation shows repeat for verses 1,
2, 3, only
{
b4 cis4
e8 d8 a4~a8
e4 d8 \mbreak%% \mbreak defined in my '%% Definitions'
block
a'8. g16 bes4~bes4
c8 bes8
a4 g8 f8
}
\alternative%% notation shows repeat for verse 4
{
{a4 g8 f8 d2 }
{ d'2~d2\fermata }
}
\bar ||
To get it right (volta showing verses 1 - 4, alternative showing verse 4
only) will I need to code the final couplet of verse 4 into \alternative? Or
is there a better, more professional way to do it?
Generally, alternative endings start on the first full measure during which a
repeated section diverges. It sounds like the solution would be to back the
beginning of the alternative up one measure so that the changed upbeat can be
part of the alternative.
Cheers,
MS___
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Re: Stem length on beamed notes incorrect in 2.13.61
On May 7, 2011, at 1:49 AM, Nick Payne wrote:
A bar excerpted from the Mertz guitar transcription of Ständchen. When I last
worked on this score about ten months ago, using 2.13.27, I didn't have the
problem with the beam on the notes in the middle voice being placed below the
stem of the note in the lower voice - the beam was placed along the bottom
line of the stave - see 2.13.27.png, a screen shot from the PDF I made at the
time:
\version 2.13.61
\relative c'' {
\time 3/4
{ cis'2. }
\\
{ a,,2. }
\\
{ \stemDown a''8 e a cis, e a cis, e }
}
Nick
Hang tight - the current git has this problem fixed, and it'll be fixed in the
next version of LilyPond available on the website.
Cheers,
MS
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undesired figured bass stretching
Hi,
When forcing the staves spacing using
\overrideProperty #Score.NonMusicalPaperColumn
#'line-break-system-details = #'((alignment-distances . (...)))
figured bass digits are stretched, whereas they shall be tightly stacked.
I can't find how to avoid this strange behavior. Is there a way?
Here is a minimal example:
\score {
\new Staff {
\overrideProperty #Score.NonMusicalPaperColumn
#'line-break-system-details #'((alignment-distances . (15)))
c'4
}
\new Staff
{ d'4 }
\figures { 6 44 }
}
inline: stretched-figures.png
Nicolas
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Re: Duration comparison and swinging MIDI output
2011/5/6 Christopher R. Maden cr...@maden.org:
The attached file is good enough for me.
It includes (duration-equals?) which may be of general interest.
It also includes the \sw function, which, given a sequence, returns two
tagged sequences:
\sw {
\relative c' {
a'4 a8 b a fs e d |
}
}
becomes
{
\tag #'layout {
\relative c' {
a'4 a8 b a fs e d |
}
}
\tag #'midi {
\relative c' {
a'4
\times 2/3 a4 \times 2/3 b8
\times 2/3 a4 \times 2/3 fs8
\times 2/3 e4 \times 2/3 d8 |
}
}
}
It can then be used with
\keepWithTag #'layout \theTune
\keepWithTag #'midi \theTune
Nice, thanks for sharing!
Have you considered adding it to LSR?
cheers,
Janek
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Re: footnotes?
2011/5/7 m...@apollinemike.com m...@apollinemike.com: On May 7, 2011, at 7:07 AM, luis jure wrote: on 2011-05-06 at 13:02 m...@apollinemike.com wrote: Yup. wow, that's great! i had no idea footnotes had been introduced in lilypond. They snuck in when none of us were looking. especially you, Mike ;) cheers, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
