eps output
Hi, LilyPond Usage documentation says: eps for encapsulated PostScript. This dumps every page (system) as a separate ‘EPS’ file, without fonts, and as one collated ‘EPS’ file with all pages (systems) including fonts. For me $ lilypond -dbackend=eps *.ly produces every _page_ as separate EPS, not every _system_. How to get each _system_ as separate file? Thanks. Antanas ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
How are Ties different from Slurs
Hi list, I tried to adapt the shapeSlur_rev.ly function recently posted by David Nalesik to also work for PhrasingSlurs and Ties. However, when I use \once \override Tie #'control-points = #(shape-slur $offsets) as part of the function, the Tie isn't printed at all. Is there any difference between Slurs and Ties that I should take care about? Sorry if this could be also found in the manuals, but I'm still too confused about all this to be able to find things straightforward. Thanks Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Arpeggios from chordmode?
Le Wed, 03 Aug 2011 05:10:11 +0200, Basso Ridiculoso
basso.ridicul...@gmail.com a écrit:
See enclosed file for example (requires Giles code below as an \include)
Just 2 comments.
1-You can use in your example \shiftDurations (well not a lot documented).
It will divise all whole notes by 4
Your code becomes :
%%
JazzBluesChords = {
\chordmode {
c1:7 | %1
f1:7 | %2
c1:7 | %3
g2:min7 c2:7 | %4
f1:7 | %5
f1:min7 | %6
e1:min7 | %7
a1:7 | %8
d1:min7 | %9
g1:7 | %10
c1:7 | %11
d2:min7 g2:7 | %12
\bar :|
}
}
JazzBluesProgression = \shiftDurations #2 #0 \JazzBluesChords
2- It still remains problems if a chord has 3 or 5 notes !
Well if you think it can be useful for people, i can try later to find a
way to fix that.
Gilles
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Re: Tab font
Hi, Thank you for your replies, font size fine now. peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Lilypond crashes when compiling snippet
Hello )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of Keith OHara )Sent: 03 August 2011 06:39 )To: lilypond-user@gnu.org )Subject: Re: Lilypond crashes when compiling snippet ) ) )That change avoids the bug, but I get three staves with newer LilyPond )versions, so there is something else strange in the \score block. Oh yes, sorry I also got this with 2.14.1 and forgot to mention it. James ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How are Ties different from Slurs
u_li wrote: Hi list, I tried to adapt the shapeSlur_rev.ly function recently posted by David Nalesik to also work for PhrasingSlurs and Ties. However, when I use \once \override Tie #'control-points = #(shape-slur $offsets) as part of the function, the Tie isn't printed at all. Is there any difference between Slurs and Ties that I should take care about? Sorry if this could be also found in the manuals, but I'm still too confused about all this to be able to find things straightforward. Thanks Urs Hi, the Internals Referance 3.1 states: Slur: control-points (list): ly:slur::calc-control-points PhrasingSlur: control-points (list): ly:slur::calc-control-points Tie:control-points (list): ly:tie::calc-control-points So you have to create different Definitions. Regards, Harm http://old.nabble.com/file/p32185810/shapeSlur_rev1.ly shapeSlur_rev1.ly -- View this message in context: http://old.nabble.com/How-are-Ties-different-from-Slurs-tp32185082p32185810.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: More vertical spacing confusion
On Sun, Jul 31, 2011 at 6:49 AM, Adam Spiers
lilypond-u...@adamspiers.org wrote:
Hi all,
I have a piece of music which should easily fit on one page, and
indeed does until I change the paper size from A4 to US Letter, at
which point the final system spills over onto a second page. The
source and resulting PDF are here:
http://adamspiers.org/music/lilypond/
I am using a fresh build of the main git development branch.
(Apologies for not being to include a concise test case, but obviously
the spacing issue is a symptom of stacking chords and a RhythmicStaff
on top of a normal Staff.)
After enabling spacing annotation, I trawled the documentation e.g.
http://lilypond.org/doc/v2.15/Documentation/notation/displaying-spacing
and list archives for an explanation of the various annotated lines,
but came up short. I see I am not the first to be a bit confused
about how all the vertical spacing variables and algorithms work, e.g.
http://article.gmane.org/gmane.comp.gnu.lilypond.devel/31049/
So I have several questions:
- Is the behaviour I am experiencing (a system spilling over onto a
second page) correct or a bug? If correct, what's the best way to
avoid the spillage?
\paper {
ragged-last-bottom = ##f
}
By default, ragged-last-bottom is ##t, so lilypond has no incentive to
avoid that dangling system on page 2.
Cheers,
Joe
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Re: More vertical spacing confusion
Joe Neeman joenee...@gmail.com writes:
So I have several questions:
- Is the behaviour I am experiencing (a system spilling over onto a
second page) correct or a bug? If correct, what's the best way to
avoid the spillage?
\paper {
ragged-last-bottom = ##f
}
By default, ragged-last-bottom is ##t, so lilypond has no incentive to
avoid that dangling system on page 2.
I don't understand this so.
The following should still be penalized since they are deficiencies even
on a ragged bottom:
a) a page which is considerably less full than the previous page
b) every page break, and most certainly inside of a system, should carry
a penalty, giving Lilypond some incentive to compress systems iff it
helps to avoid using more pages than necessary.
--
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Re: More vertical spacing confusion
David Kastrup d...@gnu.org writes:
Joe Neeman joenee...@gmail.com writes:
So I have several questions:
- Is the behaviour I am experiencing (a system spilling over onto a
second page) correct or a bug? If correct, what's the best way to
avoid the spillage?
\paper {
ragged-last-bottom = ##f
}
By default, ragged-last-bottom is ##t, so lilypond has no incentive to
avoid that dangling system on page 2.
I don't understand this so.
The following should still be penalized since they are deficiencies even
on a ragged bottom:
a) a page which is considerably less full than the previous page
b) every page break, and most certainly inside of a system, should carry
a penalty, giving Lilypond some incentive to compress systems iff it
helps to avoid using more pages than necessary.
Otherwise, the scoring does not care whether we have 5 pages with just a
single system and lots of bottom space, one full page, and 5 pages with
just a single system again.
Ragged-bottom or not, this is ugly and that should get reflected in the
scores.
--
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Re: How are Ties different from Slurs
2011/8/3 Urs Liska lilyp...@ursliska.de Hi list, I tried to adapt the shapeSlur_rev.ly function recently posted by David Nalesik to also work for PhrasingSlurs and Ties. However, when I use \once \override Tie #'control-points = #(shape-slur $offsets) as part of the function, the Tie isn't printed at all. Is there any difference between Slurs and Ties that I should take care about? IIRC when i needed to do so i replaced all instances of slur into tie and it worked. HTH, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Bug with phrasingSlur and short-indent
Hi,
I'm quite new to the list, don't knowing where to report a bug, but I didn't
find any reference to it, so here it is:
The combination of setting a high-valued short-indent and a broken
phrasingSlur gives very ugly output:
\version 2.14.2
\paper {
indent = 40
short-indent =40
ragged-right = ##t
}
\relative c' {
c'1\( \break
c\)
}
Regards,
Harm
http://old.nabble.com/file/p32186119/phrasingSlur-shortIndent.png
phrasingSlur-shortIndent.png
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Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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Re: how to color a repeat bar line?
At least one digest has appeared since I sent this, but it hasn't appeared yet.
I am assuming my original submission has been lost.
On Aug 2, 2011, at 8:23 PM, Patrick Karl wrote:
On Aug 2, 2011, at 6:55 PM, James Lowe wrote:
Hello,
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[lilypond-user-bounces+james.lowe=datacore@gnu.org] on behalf of Patrick
Karl [pck...@mac.com]
Sent: 03 August 2011 00:29
To: lilypond-user@gnu.org
Subject: how to color a repeat bar line?
I would like to color the initial repeat bar line of a volta. I tried the
following:
\version 2.14.1
\relative g' {
\repeat volta 2 { a b c d }
\break
\once \override Staff.BarLine #'color = #red
\repeat volta 2 { d c b a }
}
but this colors not only the initial bar line of the 2nd repeat, but also
the final bar line of the 1st repeat (which is an interesting interpretation
of \once). Is there a way to only color the initial bar line of the 2nd
repeat?
---
Manual repeats?
\bar |:
An interesting suggestion. Would \unfoldRepeats work pretty well with that?
I am guessing that the \once in the context of a volta 2 is correct. The
volta is a single 'entity' comprising of *both* repeat bars. So \once refers
to the volta 'set' not just the single bar instance. I could be wrong though
:)
You do understand that it's not the trailing or terminal repeat bar line of
the current volta that's being, IMHO, erroneously colored. It's the terminal
bar line of the preceding volta. If it were the trailing repeat bar line of
the current volta that was colored, I could live with that.
James
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Re: Changing to Gonville font
I'm happy to look at the instructions we give in the documentation about changing the font in general, but it wasn't clear (to me) what you thought we should change. Hi James, Thanks for your reply. There's an inaccuracy in the LilyPond manual: Move should be changed to rename, since moving a folder means placing it inside of another one. The instructions should read: Rename the existing fonts directory to fonts_orig and rename the lilyfonts directory to fonts. Simply rename fonts_orig back to fonts to revert back to Feta. Many thanks, Albert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Changing to Gonville font
Hello, Section 3.4.4 of the instructions (http://lilypond.org/doc/v2.14/Documentation/notation/replacing-the-notation-font.html) state: Download and extract the zip file. Copy the lilyfonts directory to ‘SHARE_DIR/lilypond/current’; for more information, see Other sources of information. Move the existing fonts directory to fonts_orig and move the lilyfonts directory to fonts. Simply movefonts_orig back to fonts to revert back to Feta. I think I interpreted the instructions but got this error (on OS X 10.7): error: connect find font: `emmentaler-brace' Could the authors please clarify and update the instructions in the manual? Move directory to fonts_orig means that there already is (or should be) a folder named fonts_orig and that the original folder named fonts should be placed inside of it. I think Rename fonts directory to fonts_orig is meant. (Obviously, either action would disable the original font.) Similarly, move the lilyfonts directory to fonts means to place the folder named lilyfonts inside of the folder named fonts. I'm guessing this is incorrect and that the instructions should read, Move the 'lilyfonts' folder to the 'current' folder, then rename the 'lilyfonts' folder to 'fonts'. Many thanks, Albert --- key-notes LLC www.key-notes.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Collision between voiceOne and voiceTwo, peculiar cautionary
Dear All,
In this code:
\version 2.14.2
pianoOne = \relative c' { \voiceOne aes'4 g8 fis4 g8 }
pianoTwo = \relative c' { \voiceTwo g d' f4 g d' f8 g d' f\!4 g d'
f8}
\score {
\new PianoStaff
\new Staff = RH
{ \pianoOne } \\ { \pianoTwo }
}
the cautionary accidental has been moved to the next chord
and the f sharp is on top of the f natural. Is this a bug?
Sorry, I forgot to edit the subject.
Frederick Dennis.
Frederick Dennis.
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grace note synchronization
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a
time signature that is printed twice.
In the NR it says to add corresponding skip graces to the other staves,
but that doesn't seem to work in my case.
Maybe it has to do with the fact that I have more than one voice per staff?
This is how the measure is written:
Voice One:
\time 3/4
\grace { s8 }
\times 2/3 { cis cis'8( h h' a a' gis gis' fis fis' e
e' dis' gis, dis'~ | %17
Voice Two:
\time 3/4
\grace { s8 } gis'4 h, e,\ |%17
Voice Three:
\time 3/4
\grace { s8 }
e, gis h2 \oneVoice h h'4( | %17
Voice Four:
\oneVoice
\time 3/4
\grace { h, h'8~ } \voiceTwo q2 s4 | %17
If I only put these additional graces in one voice per staff it's the same.
Does anybody notice what I'm doing wrong?
Thanks in advance
Urs
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Re: Changing to Gonville font
Hi James, Aha, now that makes sense. That's funny, because I use the mv command in Linux/Unix, but happened to have performed the rename action from the OS X Finder. I did do it correctly from the start since it seemed evident that the folder needed to be renamed rather than moved, but may I recommend clarifying the instructions for the benefit of other Mac/LilyPond users? In OS X the jargon distinguishes move (e.g., To install, move the app icon into the Applications folder) from rename. I think this would help other users. Kind regards, Albert --- key-notes LLC www.key-notes.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-user Digest, Vol 105, Issue 5
Dear All,
In this code:
\version 2.14.2
pianoOne = \relative c' { \voiceOne aes'4 g8 fis4 g8 }
pianoTwo = \relative c' { \voiceTwo g d' f4 g d' f8 g d' f\!4 g d'
f8}
\score {
\new PianoStaff
\new Staff = RH
{ \pianoOne } \\ { \pianoTwo }
}
the cautionary accidental has been moved to the next chord
and the f sharp is on top of the f natural. Is this a bug?
Frederick Dennis.
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Re: How are Ties different from Slurs
Am 03.08.2011 14:22, schrieb harm6: u_li wrote: Hi list, I tried to adapt the shapeSlur_rev.ly function recently posted by David Nalesik to also work for PhrasingSlurs and Ties. However, when I use \once \override Tie #'control-points = #(shape-slur $offsets) as part of the function, the Tie isn't printed at all. Is there any difference between Slurs and Ties that I should take care about? Sorry if this could be also found in the manuals, but I'm still too confused about all this to be able to find things straightforward. Thanks Urs Hi, the Internals Referance 3.1 states: Slur: control-points (list): ly:slur::calc-control-points PhrasingSlur: control-points (list): ly:slur::calc-control-points Tie:control-points (list): ly:tie::calc-control-points So you have to create different Definitions. Regards, Harm http://old.nabble.com/file/p32185810/shapeSlur_rev1.ly shapeSlur_rev1.ly Thank you very much. This works, but I'd never found out alone ... Best Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Grace note synchronization problem
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a
time signature that is printed twice.
In the NR it says to add corresponding skip graces to the other staves,
but that doesn't seem to work in my case.
Maybe it has to do with the fact that I have more than one voice per staff?
This is how the measure is written:
Voice One:
\time 3/4
\grace { s8 }
\times 2/3 { cis cis'8( h h' a a' gis gis' fis fis' e
e' dis' gis, dis'~ | %17
Voice Two:
\time 3/4
\grace { s8 } gis'4 h, e,\ |%17
Voice Three:
\time 3/4
\grace { s8 }
e, gis h2 \oneVoice h h'4( | %17
Voice Four:
\oneVoice
\time 3/4
\grace { h, h'8~ } \voiceTwo q2 s4 | %17
If I only put these additional graces in one voice per staff it's the same.
Does anybody notice what I'm doing wrong?
Thanks in advance
Urs
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Re: grace note synchronization
On 3 August 2011 15:34, Urs Liska lilyli...@googlemail.com wrote: Hi folks, I run into a problem with a grace note. It seems to be the problem described in NR 1.2.6, while here it is a time signature that is printed twice. In the NR it says to add corresponding skip graces to the other staves, but that doesn't seem to work in my case. Maybe it has to do with the fact that I have more than one voice per staff? […] If I only put these additional graces in one voice per staff it's the same. Does anybody notice what I'm doing wrong? AFAIK you need to add a corresponding skip graces to _every voice_ in _every staff_. Cheers, Xavier -- Xavier Scheuer x.sche...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: grace note synchronization
Am 03.08.2011 17:08, schrieb Xavier Scheuer:
On 3 August 2011 15:34, Urs Liskalilyli...@googlemail.com wrote:
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a time
signature that is printed twice.
In the NR it says to add corresponding skip graces to the other staves, but
that doesn't seem to work in my case.
Maybe it has to do with the fact that I have more than one voice per staff?
[…]
If I only put these additional graces in one voice per staff it's the same.
Does anybody notice what I'm doing wrong?
AFAIK you need to add a corresponding skip graces to _every voice_ in
_every staff_.
Cheers,
Xavier
Well, that's what I did (at least I think so).
Oh, I just saw that I forgot to quote one voice (the singer's voice).
But it's there in the original source file.
So unfortunately it's not a solution :-(
\time 3/4
\grace { s8}
h4 cis dis | %17
Best
Urs
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Re: grace note synchronization
Am 2011-08-03 um 15:34 schrieb Urs Liska:
Voice Four:
\oneVoice
\time 3/4
\grace { h, h'8~ } \voiceTwo q2 s4 | %17
Does it help if you move \oneVoice after \time ?
Are you sure there aren't any other voices, e.g. chords or dynamics?
Greetlings from Lake Constance
---
fiëé visuëlle
Henning Hraban Ramm
http://www.fiee.net
http://angerweit.tikon.ch/lieder/
https://www.cacert.org (I'm an assurer)
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Re: grace note synchronization
On 3 August 2011 17:14, Urs Liska lilyli...@googlemail.com wrote:
Well, that's what I did (at least I think so).
Oh, I just saw that I forgot to quote one voice (the singer's voice). But
it's there in the original source file.
So unfortunately it's not a solution :-(
Please send a code that is compilable by itself.
I had to use deutsch, find on which staff goes each voice, add the
key signature, the correct \relative etc.
But I did not manage to get it wrong.
Compilable code
\version 2.14.2
\include deutsch.ly
\score {
\new Staff {
\clef alto
\key e \major
\relative c' {
R1
\time 3/4
\grace { s8}
h4 cis dis | %17
}
}
\new Staff {
\clef alto
\key e \major
\new Voice \relative c' {
R1
\voiceOne
\time 3/4
\grace { s8 }
\times 2/3 { cis cis'8( h h' a a' gis gis' fis
fis' e e' dis' gis, dis'~ | %17
}
}
\new Voice \relative c' {
R1
\voiceTwo
\time 3/4
\grace { s8 } gis'4 h, e,\ |%17
}
}
\new Staff {
\clef mezzosoprano
\key e \major
\new Voice \relative c'' {
R1
\voiceTwo
\time 3/4
\grace { s8 }
e, gis h2 \oneVoice h h'4( | %17
}
\new Voice \relative c' {
R1
\oneVoice
\time 3/4
\grace { h, h'8~ } \voiceTwo q2 s4 | %17
}
}
}
Cheers,
Xavier
--
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Re: grace note synchronization
Am 03.08.2011 17:24, schrieb Henning Hraban Ramm:
Am 2011-08-03 um 15:34 schrieb Urs Liska:
Voice Four:
\oneVoice
\time 3/4
\grace { h, h'8~ } \voiceTwo q2 s4 | %17
Does it help if you move \oneVoice after \time ?
Are you sure there aren't any other voices, e.g. chords or dynamics?
Hey, that was it!
I didn't think of the two dynamics contexts :-(
Best
Urs
Greetlings from Lake Constance
---
fiëé visuëlle
Henning Hraban Ramm
http://www.fiee.net
http://angerweit.tikon.ch/lieder/
https://www.cacert.org (I'm an assurer)
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Re: grace note synchronization
That's what I'd done if nobody could show me the right direction just
from looking at the basics.
Hennings hint showed me what I had forgot ...
Thank you nevertheless for digging so deep!
Best
Urs
Am 03.08.2011 17:35, schrieb Xavier Scheuer:
On 3 August 2011 17:14, Urs Liskalilyli...@googlemail.com wrote:
Well, that's what I did (at least I think so).
Oh, I just saw that I forgot to quote one voice (the singer's voice). But
it's there in the original source file.
So unfortunately it's not a solution :-(
Please send a code that is compilable by itself.
I had to use deutsch, find on which staff goes each voice, add the
key signature, the correct \relative etc.
But I did not manage to get it wrong.
Compilable code
\version 2.14.2
\include deutsch.ly
\score {
\new Staff {
\clef alto
\key e \major
\relative c' {
R1
\time 3/4
\grace { s8}
h4 cis dis | %17
}
}
\new Staff {
\clef alto
\key e \major
\new Voice \relative c' {
R1
\voiceOne
\time 3/4
\grace { s8 }
\times 2/3 {cis cis'8(h h' a a' gis gis' fis
fis' e e' dis' gis, dis'~ | %17
}
}
\new Voice \relative c' {
R1
\voiceTwo
\time 3/4
\grace { s8 } gis'4 h, e,\ |%17
}
}
\new Staff {
\clef mezzosoprano
\key e \major
\new Voice \relative c'' {
R1
\voiceTwo
\time 3/4
\grace { s8 }
e, gis h2 \oneVoiceh h'4( | %17
}
\new Voice \relative c' {
R1
\oneVoice
\time 3/4
\grace {h, h'8~ } \voiceTwo q2 s4 | %17
}
}
}
Cheers,
Xavier
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Re: Collision between voiceOne and voiceTwo, peculiar cautionary
On 3 August 2011 03:11, Frederick Dennis frederickden...@gmail.com wrote:
Dear All,
In this code:
\version 2.14.2
pianoOne = \relative c' { \voiceOne aes'4 g8 fis4 g8 }
pianoTwo = \relative c' { \voiceTwo g d' f4 g d' f8 g d' f\!4 g d'
f8}
\score {
\new PianoStaff
\new Staff = RH
{ \pianoOne } \\ { \pianoTwo }
}
the cautionary accidental has been moved to the next chord
and the f sharp is on top of the f natural. Is this a bug?
Sorry, I forgot to edit the subject.
This is a known bug:
http://code.google.com/p/lilypond/issues/detail?id=1134
See comment 3 for a workaround.
To avoid the f natural on the next chord you can use
#(set-accidental-style 'voice) , although this is not a proper
solution.
Cheers,
Xavier
--
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Re: grace note synchronization
On 3 August 2011 17:24, Henning Hraban Ramm hra...@fiee.net wrote: Does it help if you move \oneVoice after \time ? Are you sure there aren't any other voices, e.g. chords or dynamics? Good spot (IMO)! Urs, I assume you used a Dynamics context within your PianoStaff, you probably did not add a \grace s8 there! Cheers, Xavier -- Xavier Scheuer x.sche...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ossia with signatures where needed
- Original Message -
From: James Harkins jamshar...@gmail.com
To: lily-users lilypond-user@gnu.org
Sent: Wednesday, August 03, 2011 2:52 AM
Subject: ossia with signatures where needed
Is it possible to create an ossia staff context where clefs and time
signatures are displayed only when the staff is visible?
I'm following the model of the 3rd example under Ossia staves in the
notation reference -- creating a staff named ossia and then using
\context Staff=ossia { \startStaff ... \stopStaff } where it should be
visible. This is fine as long as I...
\remove Time_signature_engraver
\remove Key_engraver
\override Clef #'transparent = ##t
But then, clefs, time signatures and keys will never be displayed. I have
an ossia that crosses a couple of time signatures, and it looks funny that
the time signatures are absent. But if I remove those lines from the ossia
staff's \with block then I get a free-floating clef, time signature and
key signature -- without staff lines -- above the real staff.
I'm sure it must be possible -- it just eludes me in the documentation
tonight.
Thanks,
James
%%% For reference, the file layout goes something like this (omitting some
fine print):
\outline {
... meter changes and spacer rests...
}
\score {
\new StaffGroup \with {
\override SpanBar #'glyph-name = #:
}
\set StaffGroup.systemStartDelimiter = #'SystemStartBar
\new Staff = ossia \with {
\remove Time_signature_engraver
\remove Key_engraver
\override Clef #'transparent = ##t
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
\override StaffSymbol #'thickness = #(magstep -3)
} {
\stopStaff \outline
}
\new Staff
\outline
{
... whole bunch of notes...
{
... notes, ossia goes above this...
}
\context Staff=ossia {
\startStaff
\relative c'' {
d8^accented note rhythm b8 r16 [ d8 b16 ] r8 d \noBeam b d
r8 b d [ r16 b ] r16 d16 r8
b8. d b d b8 r8
}
\stopStaff
}
... a lot more notes...
}
\layout {
\context { \RemoveEmptyStaffContext }
\context {
\Score
\remove System_start_delimiter_engraver
}
}
}
--
James,
Could you post a pdf or png of the floating furniture?
Thanks.
--
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Re: ossia with signatures where needed
At Wed, 3 Aug 2011 16:45:23 +0100,
Phil Holmes wrote:
Could you post a pdf or png of the floating furniture?
Even better: an example you can compile, which I was working on just before
getting your e-mail... not exactly a tiny example, but I needed to force the
example to cross a system boundary.
What I get: Two bars in the first system. The ossia staff (correctly) hides the
staff lines in the first bar, but displays the clef and time signature at the
system's left boundary -- free-floating, visually anchored to nothing.
Everything else is fine.
What I want: Ideally, the free-floating clef and time signature should
display just left of the bar line to m2 (as if there were a clef and meter
change in that bar). It would be really nice to have the staff lines extend
backward just enough to cover that space.
Un-comment these lines --
%%%\remove Time_signature_engraver
%%%\override Clef #'transparent = ##t
-- and the free-floating symbols disappear, but the clef and time signatures
disappear from the end of the first system and all of the second system, where
they are needed.
Or, we could back up a couple of steps and I could ask, what's the orthodox way
to notate this sort of thing? Maybe the standard engravers' reference texts
have another, better idea? I'm not attached to this specific notation strategy
-- just looking for something that will be clear and not obscure the meter
changes.
James
\version 2.14.1
\include english.ly
outline = {
\time 4/4 s1*2
\time 3/4 s2.
\time 4/4 s1*2
}
\score {
\new Staff = ossia \with {
%%%\remove Time_signature_engraver
%%%\override Clef #'transparent = ##t
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
\override StaffSymbol #'thickness = #(magstep -3)
} {
\stopStaff \outline
}
\new Staff
\outline
{
\repeat unfold 16 { b'16 }
{ \repeat unfold 60 { b'16 } }
\context Staff=ossia {
\startStaff
\repeat unfold 22 { b'8 }
\stopStaff
}
}
}
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net/audio
more audio: http://soundcloud.com/dewdrop_world/tracks
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Re: ossia with signatures where needed
On 3 August 2011 03:52, James Harkins jamshar...@gmail.com wrote:
Is it possible to create an ossia staff context where clefs and time
signatures are displayed only when the staff is visible?
I'm following the model of the 3rd example under Ossia staves in the
notation reference -- creating a staff named ossia and then using
\context Staff=ossia { \startStaff ... \stopStaff } where it should
be visible. This is fine as long as I...
\remove Time_signature_engraver
\remove Key_engraver
\override Clef #'transparent = ##t
But then, clefs, time signatures and keys will never be displayed.
I have an ossia that crosses a couple of time signatures, and it looks
funny that the time signatures are absent. But if I remove those lines
from the ossia staff's \with block then I get a free-floating clef,
time signature and key signature -- without staff lines -- above the
real staff.
I'm sure it must be possible -- it just eludes me in the documentation
tonight.
You could use
\context Staff = ossia \with {
\override Clef #'stencil = ##f
\override KeySignature #'stencil = ##f
\override TimeSignature #'stencil = ##f
} {
\relative c' {
c1
\once \revert Staff.TimeSignature #'stencil
\time 3/4
c2.
\once \revert Staff.TimeSignature #'stencil
\time 2/4
c2
}
}
instead of removing the engravers.
HTH.
Cheers,
Xavier
--
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Re: ossia with signatures where needed
At Wed, 3 Aug 2011 18:00:50 +0200,
Xavier Scheuer wrote:
You could use
\context Staff = ossia \with {
\override Clef #'stencil = ##f
\override KeySignature #'stencil = ##f
\override TimeSignature #'stencil = ##f
} {
\relative c' {
c1
\once \revert Staff.TimeSignature #'stencil
... snip
Ah... excellent. Revised code snippet is below -- it works beautifully for my
purpose!
Worthy of inclusion in the snippet repository? I had searched it for ossia
and found only two snippets, and neither of them illustrated what I wanted.
Thanks --
James
\version 2.14.1
\include english.ly
showMeter = { \once \revert Staff.TimeSignature #'stencil }
outline = {
\time 4/4 s1*2
\showMeter \time 3/4 s2.
\showMeter \time 4/4 s1*2
}
\score {
\new Staff = ossia \with {
\override Clef #'stencil = ##f
\override KeySignature #'stencil = ##f
\override TimeSignature #'stencil = ##f
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
\override StaffSymbol #'thickness = #(magstep -3)
} {
\stopStaff
\outline
}
\new Staff
\outline
{
\repeat unfold 16 { b'16 }
{ \repeat unfold 60 { b'16 } }
\context Staff=ossia {
\revert Staff.Clef #'stencil
\startStaff
\repeat unfold 22 { b'8 }
\override Clef #'stencil = ##f
\stopStaff
}
}
}
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net/audio
more audio: http://soundcloud.com/dewdrop_world/tracks
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Re: ossia with signatures where needed
On 3 August 2011 18:11, Reinhold Kainhofer reinh...@kainhofer.com wrote: The solution is not to create the ossia staff context at the very beginning, but right when you first need it. Example is attached. I was about to suggest exactly the same thing! With exactly the same code (and yeah, same indentation and same name for the main staff)! Only the comments were not the same. Cheers, Xavier -- Xavier Scheuer x.sche...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Roman numeral analysis
Hi David (and all), This \rN function is really terrific and has a great look to it. Is there any way to add this as a permanent addition to my LilyPond build? I don't know the particulars of adding or modifying my own functions to the application, but I'm guessing once I know how to do it, they are saved somewhere in or near Contents/Resources/share/lilypond/current/scm? Thanks again for all of your help, Jerod -- www.jerodsommerfeldt.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Roman numeral analysis
On Wed, Aug 3, 2011 at 11:45 AM, Jerod Sommerfeldt sommerfeldt.je...@gmail.com wrote: Hi David (and all), This \rN function is really terrific and has a great look to it. Thanks! I'm glad you like it! Is there any way to add this as a permanent addition to my LilyPond build? I don't know the particulars of adding or modifying my own functions to the application, but I'm guessing once I know how to do it, they are saved somewhere in or near Contents/Resources/share/lilypond/current/scm? I'd be interested in knowing how to do this as well. (I didn't have any luck with my mildly frightening experiment of appending it to define-markup-commands.scm). An easy way of using the file without it taking up so much space would be to use the \include command, documented here: http://lilypond.org/doc/v2.14/Documentation/notation/including-lilypond-files Thanks again for all of your help, Jerod You're very welcome, David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ossia with signatures where needed
- Original Message -
From: James Harkins jamshar...@gmail.com
To: Xavier Scheuer x.sche...@gmail.com
Cc: lily-users lilypond-user@gnu.org
Sent: Wednesday, August 03, 2011 5:15 PM
Subject: Re: ossia with signatures where needed
At Wed, 3 Aug 2011 18:00:50 +0200,
Xavier Scheuer wrote:
You could use
\context Staff = ossia \with {
\override Clef #'stencil = ##f
\override KeySignature #'stencil = ##f
\override TimeSignature #'stencil = ##f
} {
\relative c' {
c1
\once \revert Staff.TimeSignature #'stencil
... snip
Ah... excellent. Revised code snippet is below -- it works beautifully for
my purpose!
Worthy of inclusion in the snippet repository? I had searched it for
ossia and found only two snippets, and neither of them illustrated what
I wanted.
Thanks --
James
\version 2.14.1
\include english.ly
showMeter = { \once \revert Staff.TimeSignature #'stencil }
outline = {
\time 4/4 s1*2
\showMeter \time 3/4 s2.
\showMeter \time 4/4 s1*2
}
\score {
\new Staff = ossia \with {
\override Clef #'stencil = ##f
\override KeySignature #'stencil = ##f
\override TimeSignature #'stencil = ##f
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
\override StaffSymbol #'thickness = #(magstep -3)
} {
\stopStaff
\outline
}
\new Staff
\outline
{
\repeat unfold 16 { b'16 }
{ \repeat unfold 60 { b'16 } }
\context Staff=ossia {
\revert Staff.Clef #'stencil
\startStaff
\repeat unfold 22 { b'8 }
\override Clef #'stencil = ##f
\stopStaff
}
}
}
If you think it adds information not present in the LSR, please feel free to
add it. Note that you will need to change the version statement, AFAIK -
the LSR still runs 2.12.2, I believe.
--
Phil Holmes
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Re: ossia with signatures where needed
At Wed, 3 Aug 2011 18:39:11 +0100, Phil Holmes wrote: If you think it adds information not present in the LSR, please feel free to add it. Note that you will need to change the version statement, AFAIK - the LSR still runs 2.12.2, I believe. Ah... I hadn't looked at the contributor interface. (BTW, the instruction page recommends leaving out \version altogether.) Done! James -- James Harkins /// dewdrop world jamshar...@dewdrop-world.net http://www.dewdrop-world.net Come said the Muse, Sing me a song no poet has yet chanted, Sing me the universal. -- Whitman blog: http://www.dewdrop-world.net/words audio clips: http://www.dewdrop-world.net/audio more audio: http://soundcloud.com/dewdrop_world/tracks ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Roman numeral analysis
Jerod, )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of Jerod Sommerfeldt )Sent: 03 August 2011 17:46 )To: David Nalesnik )Cc: Lilypond-User )Subject: Re: Roman numeral analysis ) )Hi David (and all), ) )This \rN function is really terrific and has a great look to it. Is there any )way to add this as a permanent addition to my LilyPond build? I don't )know the particulars of adding or modifying my own functions to the )application, but I'm guessing once I know how to do it, they are saved )somewhere in or near Contents/Resources/share/lilypond/current/scm? ) As this is a .ly file you can simply put this file anywhere you like (probably best not in the main LP directories - as they will get overwritten with each new release) file and then use a \include statement on any of your pieces. See: http://lilypond.org/doc/v2.14/Documentation/notation/including-lilypond-files No need for anything too complicated. James ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: ossia with signatures where needed
Hello, )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of James Harkins )Sent: 03 August 2011 19:28 )To: Phil Holmes )Cc: lily-users )Subject: Re: ossia with signatures where needed ) )At Wed, 3 Aug 2011 18:39:11 +0100, )Phil Holmes wrote: ) If you think it adds information not present in the LSR, please feel ) free to add it. Note that you will need to change the version ) statement, AFAIK - the LSR still runs 2.12.2, I believe. ) )Ah... I hadn't looked at the contributor interface. (BTW, the instruction )page recommends leaving out \version altogether.) yes because this is implicit I think when you cut/paste the snippet. It puts some 'header' information around the snippet and at the moment the LSR is built on the 2.12.2 code. It won't hurt to put a version statement in and then comment it out - especially if it only works on a later version of LP, that will at least help the LSR people when they come to do the 'upgrade' to 2.1x stable in the near future. James James ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: how to color a repeat bar line?
On 3 August 2011 02:09, harm6 thomasmorle...@googlemail.com wrote:
Hi,
try:
\version 2.14.1
#(define (color-at-line-begin g)
(if (and (ly:item? g)
(equal? (ly:item-break-dir g) RIGHT))
(ly:grob-set-property! g 'color red)))
\relative g' {
\repeat volta 2 { a b c d }
\break
\once\override Staff.BarLine #'after-line-breaking =
#color-at-line-begin
\repeat volta 2 { d c b a }
}
Nice one!
Could you add it to the LSR?
Cheers,
Xavier
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Re:how to color a repeat bar line?
Message: 8
Date: Wed, 3 Aug 2011 20:36:58 +0200
From: Xavier Scheuer x.sche...@gmail.com
To: harm6 thomasmorle...@googlemail.com
Cc: lilypond-user@gnu.org
Subject: Re: how to color a repeat bar line?
Message-ID:
CADGqHRe7=Jt0NRLfXAsFV=9we-N3P1Ye1XaD4mnNQWsBnv=h...@mail.gmail.com
Content-Type: text/plain; charset=UTF-8
On 3 August 2011 02:09, harm6 thomasmorle...@googlemail.com wrote:
Hi,
try:
\version 2.14.1
#(define (color-at-line-begin g)
(if (and (ly:item? g)
(equal? (ly:item-break-dir g) RIGHT))
(ly:grob-set-property! g 'color red)))
\relative g' {
\repeat volta 2 { a b c d }
\break
\once\override Staff.BarLine #'after-line-breaking =
#color-at-line-begin
\repeat volta 2 { d c b a }
}
Nice one!
Could you add it to the LSR?
Cheers,
Xavier
I agree, it's a nice one. I might note, however, that this solution is closely
connected to the \break that precedes the bar line I'm trying to color.
Remove the break and the coloration disappears. Is it possible to color just
the initial repeat bar line that occurs in the middle of a line?
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Inserting Numbers into Noteheads
Hi LilyPond support, I need to insert numbers into the noteheads of sheet music and went to your help page: http://kainhofer.com/~lilypond/Documentation/notation/note-heads.html It showed me how to insert the numbers for scales (1-7), but I was looking to insert them 1-12, from middle c up to Space 5 G for educational music I use at elementary schools. Please help me to bypass the 7 number limit and use a scale of 12. Thank you for your help on this matter. Sincerely, Bjorn ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Multi-column text
I have made a nice little book of the Irish tunes I know. The problem
is that many of these tunes have many names, so I made an index giving
all the known names.
If I use \markup and \column, I have to manually break lines and
columns, which is a bit of a pain in the neck:
\markup {
\fill-line {
\column {
\line { \bold { Anderson’s } (The Silver Spear): \page-ref
#'spear 0 ? }
\line { The \bold { Bangor Reel } (The Knotted Cord):
\page-ref #'knottedCord 0 ? }
\line { The \bold { Banshee } (McMahon’s): \page-ref
#'mcmahons 0 ? }
}
\hspace #1
\column {
\line { \bold { Come in the Evening } }
\line { \hspace #2 (The Lark in the Morning): \page-ref #'lark
0 ? }
}
}
}
So I’m trying to use \markuplines and \column-lines instead, but I can’t
figure out how to actually get multiple columns with that. Is
column-lines just a way of making lists? Is there a way to ask for a
two-column multi-page flow without explicit breaking?
Thanks,
Chris
--
Chris Maden, text nerd URL: http://crism.maden.org/
Those who learn from history are doomed to become cynics.
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Re: how to color a repeat bar line?
Xavier Scheuer wrote: Nice one! Could you add it to the LSR? Cheers, Xavier It is now http://lsr.dsi.unimi.it/LSR/Item?u=1id=775 LSR-Snippet 775 but the picture there doesn't show all features. See attachment. Cheers, Harm http://old.nabble.com/file/p32189989/itemsAtLineBeginAndEnd.png -- View this message in context: http://old.nabble.com/how-to-color-a-repeat-bar-line--tp32182164p32189989.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Re:how to color a repeat bar line?
jpatk wrote: I agree, it's a nice one. I might note, however, that this solution is closely connected to the \break that precedes the bar line I'm trying to color. Remove the break and the coloration disappears. Is it possible to color just the initial repeat bar line that occurs in the middle of a line? Hi, the bar-glyphs :| and |: are merging into :|: in the middle of a line, :|: will be splitted only at a break, so I think it isn't possible to color only a part of a glyph. Manual bars are not successful too: The second setting overrides the first (not a bug but a feature). Regards, Harm -- View this message in context: http://old.nabble.com/Re%3Ahow-to-color-a-repeat-bar-line--tp32189261p32190185.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multi-column text
Christopher R. Maden wrote: I can’t figure out how to actually get multiple columns Hi, check http://lsr.dsi.unimi.it/LSR/Item?id=464 LSR-Snippet 464 Cheers, Harm -- View this message in context: http://old.nabble.com/Multi-column-text-tp32189675p32190224.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multi-column text
Am Wednesday 03 August 2011, 22:32:39 schrieb Christopher R. Maden: So I’m trying to use \markuplines and \column-lines instead, but I can’t figure out how to actually get multiple columns with that. Is column-lines just a way of making lists? Is there a way to ask for a two-column multi-page flow without explicit breaking? Nope, Lilypond doesn't try to be a full text layout application. You cannot do multi-column text with automatic line- and column-breaking. I am using Latex for such things like preface, lyrics and translations (Initially I tried to use lilypond, that's why I wrote that other snippet that Harm suggested; But then decided that lilypond simply isn't capable of what I need), critical report, etc. Cheers, Reinhold -- -- Reinhold Kainhofer, Vienna University of Technology, Austria email: reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * Edition Kainhofer Music Publishing, http://www.edition-kainhofer.com/ * LilyPond music typesetting software, http://www.lilypond.org/ ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multi-column text
On 08/03/2011 06:07 PM, Reinhold Kainhofer wrote: Nope, Lilypond doesn't try to be a full text layout application. You cannot do multi-column text with automatic line- and column-breaking. I am using Latex for such things like preface, lyrics and translations (Initially I tried to use lilypond, that's why I wrote that other snippet that Harm suggested; But then decided that lilypond simply isn't capable of what I need), critical report, etc. Thanks to you and Harm. That was what I was afraid of... I don’t care enough to make the quantum leap to using LaTeX or DocBook, but I was hoping to save a bit of page space. Given some of the long titles, I guess I’ll just go single-column for now, with \column-lines. Thanks again, Chris -- Chris Maden, text nerd URL: http://crism.maden.org/ Those who learn from history are doomed to become cynics. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Collision between voiceOne voiceTwo, peculiar cautionary
Dear All,
Thanks to Xavier and Peter for sorting out what
was not such a problem.
The following amended code looks fine:
\version 2.14.2
pianoOne = \relative c' { \time 6/8 \voiceOne
aes'4 g8 \once\override NoteColumn #'force-hshift = #1 fis4 g8 }
pianoTwo = \relative c' { \voiceTwo g d' f4 g d' f8 g d' f!4 g d'
f8}
\score {
\new PianoStaff
\new Staff = RH
{ \pianoOne } \\ { \pianoTwo }
}
The main problem was that the f sharp sat on top of the
f natural. The added natural on the following f could
be seen as excessive but is acceptable.
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Re: More vertical spacing confusion
On Wed, Aug 3, 2011 at 5:37 AM, David Kastrup d...@gnu.org wrote:
David Kastrup d...@gnu.org writes:
Joe Neeman joenee...@gmail.com writes:
So I have several questions:
- Is the behaviour I am experiencing (a system spilling over onto a
second page) correct or a bug? If correct, what's the best way to
avoid the spillage?
\paper {
ragged-last-bottom = ##f
}
By default, ragged-last-bottom is ##t, so lilypond has no incentive to
avoid that dangling system on page 2.
I don't understand this so.
The following should still be penalized since they are deficiencies even
on a ragged bottom:
a) a page which is considerably less full than the previous page
b) every page break, and most certainly inside of a system, should carry
a penalty, giving Lilypond some incentive to compress systems iff it
helps to avoid using more pages than necessary.
Otherwise, the scoring does not care whether we have 5 pages with just a
single system and lots of bottom space, one full page, and 5 pages with
just a single system again.
Ragged-bottom or not, this is ugly and that should get reflected in the
scores.
I agree 100% David! This is beginning to sound like a bug to me. I
couldn't find any documentation on how to debug the vertical spacing
algorithms, and by its nature it's impossible to reduce this to a test
case involving only a handful of notes. Any suggestions how to
proceed?
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Re: More vertical spacing confusion
Adam Spiers lilypond-u...@adamspiers.org writes: On Wed, Aug 3, 2011 at 5:37 AM, David Kastrup d...@gnu.org wrote: Otherwise, the scoring does not care whether we have 5 pages with just a single system and lots of bottom space, one full page, and 5 pages with just a single system again. Ragged-bottom or not, this is ugly and that should get reflected in the scores. I agree 100% David! This is beginning to sound like a bug to me. Not sure about that. Could be defective by design. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: More vertical spacing confusion
On Wed, Aug 3, 2011 at 10:34 PM, Adam Spiers lilypond-u...@adamspiers.org wrote: On Wed, Aug 3, 2011 at 5:37 AM, David Kastrup d...@gnu.org wrote: David Kastrup d...@gnu.org writes: Ragged-bottom or not, this is ugly and that should get reflected in the scores. I agree 100% David! This is beginning to sound like a bug to me. I couldn't find any documentation on how to debug the vertical spacing algorithms, and by its nature it's impossible to reduce this to a test case involving only a handful of notes. Any suggestions how to proceed? I just found lily/optimal-page-breaking.cc which led me to: #(ly:set-option 'debug-page-breaking-scoring) However that does not reveal much: Finding the ideal number of pages... Fitting music on 1 or 2 pages... trying 7 systems best score for this sys-count: 15.210169 trying 8 systems best score for this sys-count: 33.003158 trying 9 systems best score for this sys-count: 48.201796 trying 10 systems best score for this sys-count: 70.968437 trying 11 systems best score for this sys-count: 98.457262 trying 12 systems best score for this sys-count: 130.470496 trying 13 systems best score for this sys-count: inf Drawing systems... Layout output to `pagination-bug.ps'... Converting to `./pagination-bug.pdf'... success: Compilation successfully completed I guess I could try adding some more debug to optimal-page-breaking.cc, but at this point I'm really out of my depth and would need mentoring from a developer. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
