Re: Incipit issues
2012/11/6 Daniel Rosen drose...@gmail.com:
I've created an incipit for a piece I'm working on, but there's a minor issue
with it. Here's the code.
%%% Example begins
\version 2.16.0
disIncip = \markup {
\score {
{
\set Staff.instrumentName = \markup \right-column { Discantus [Tenor] }
\override Staff.InstrumentName #'padding = #1
\override Staff.InstrumentName #'self-alignment-X = #1
\override Staff.TimeSignature #'style = #'neomensural
\clef petrucci-c3
\time 2/2
\key g \minor
\hideNotes g'8% -- This is the line at issue
}
\layout {
indent = 0
}
}
}
\new ChoirStaff \with { \override SystemStartBracket #'collapse-height = #0 }
{
\new Staff \with {
instrumentName = \disIncip
\override InstrumentName #'padding = #2
\override InstrumentName #'self-alignment-X = #1
} { c''1 }
}
\layout {
indent = 5\cm
}
%%% Example ends
The line I've pointed out above is what I'm frustrated about. The hidden
eighth note generates, as would be expected, an empty staff symbol where the
note would be if it wasn't hidden. I'm trying to get that to go away so that
the incipit resembles those at the beginning of this piece
(http://www3.cpdl.org/wiki/images/3/37/TALL-SA1.pdf), but I can't figure out
how. Commenting out the line entirely results in both the incipit and the
instrument name (Discantus [Tenor]) not showing up at all. Changing the
hidden eighth note to a spacer rest (i.e. s8 instead of \hideNotes g'8) fixes
the spacing issue, but it also results in the staff symbol stopping
unexpectedly in the middle of the key signature, as in the attachment. How
can I fix this?
DR
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Hi Daniel,
some trickery:
adding a markup to the spacer-rest
readjusting space after TimeSignature
seems to do it.
\version 2.16.0
disIncip = \markup {
\score { \new Staff
{
\set Staff.instrumentName = \markup \right-column { Discantus [Tenor] }
\override Staff.InstrumentName #'padding = #1
\override Staff.InstrumentName #'self-alignment-X = #1
\override Staff.TimeSignature #'style = #'neomensural
\clef petrucci-c3
\time 2/2
\key g \minor
\once \override Score.TimeSignature #'space-alist =
#'((staff-bar extra-space . 1.1)
(cue-clef extra-space . 0.5)
(ambitus extra-space . 1.0)
(right-edge extra-space . 0.5)
(first-note fixed-space . -1)) % =
s8^ %
}
\layout {
indent = 0
line-width = 100
}
}
}
\new ChoirStaff \with { \override SystemStartBracket #'collapse-height = #0 } {
\new Staff \with {
instrumentName = \disIncip
\override InstrumentName #'padding = #2
\override InstrumentName #'self-alignment-X = #1
} { c''1 }
}
\layout {
indent = 5\cm
}
HTH,
Harm
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Re: Incipit issues
2012/11/6 Thomas Morley thomasmorle...@googlemail.com:
2012/11/6 Daniel Rosen drose...@gmail.com:
I've created an incipit for a piece I'm working on, but there's a minor
issue with it. Here's the code.
%%% Example begins
\version 2.16.0
disIncip = \markup {
\score {
{
\set Staff.instrumentName = \markup \right-column { Discantus [Tenor] }
\override Staff.InstrumentName #'padding = #1
\override Staff.InstrumentName #'self-alignment-X = #1
\override Staff.TimeSignature #'style = #'neomensural
\clef petrucci-c3
\time 2/2
\key g \minor
\hideNotes g'8% -- This is the line at issue
}
\layout {
indent = 0
}
}
}
\new ChoirStaff \with { \override SystemStartBracket #'collapse-height = #0
} {
\new Staff \with {
instrumentName = \disIncip
\override InstrumentName #'padding = #2
\override InstrumentName #'self-alignment-X = #1
} { c''1 }
}
\layout {
indent = 5\cm
}
%%% Example ends
The line I've pointed out above is what I'm frustrated about. The hidden
eighth note generates, as would be expected, an empty staff symbol where the
note would be if it wasn't hidden. I'm trying to get that to go away so that
the incipit resembles those at the beginning of this piece
(http://www3.cpdl.org/wiki/images/3/37/TALL-SA1.pdf), but I can't figure out
how. Commenting out the line entirely results in both the incipit and the
instrument name (Discantus [Tenor]) not showing up at all. Changing the
hidden eighth note to a spacer rest (i.e. s8 instead of \hideNotes g'8)
fixes the spacing issue, but it also results in the staff symbol stopping
unexpectedly in the middle of the key signature, as in the attachment. How
can I fix this?
DR
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Hi Daniel,
some trickery:
adding a markup to the spacer-rest
readjusting space after TimeSignature
seems to do it.
\version 2.16.0
disIncip = \markup {
\score { \new Staff
{
\set Staff.instrumentName = \markup \right-column { Discantus [Tenor] }
\override Staff.InstrumentName #'padding = #1
\override Staff.InstrumentName #'self-alignment-X = #1
\override Staff.TimeSignature #'style = #'neomensural
\clef petrucci-c3
\time 2/2
\key g \minor
\once \override Score.TimeSignature #'space-alist =
#'((staff-bar extra-space . 1.1)
(cue-clef extra-space . 0.5)
(ambitus extra-space . 1.0)
(right-edge extra-space . 0.5)
(first-note fixed-space . -1)) % =
s8^ %
}
\layout {
indent = 0
line-width = 100
}
}
}
\new ChoirStaff \with { \override SystemStartBracket #'collapse-height = #0 }
{
\new Staff \with {
instrumentName = \disIncip
\override InstrumentName #'padding = #2
\override InstrumentName #'self-alignment-X = #1
} { c''1 }
}
\layout {
indent = 5\cm
}
HTH,
Harm
Hi again,
please delete
line-width = 100
in \layout of disIncip.
It's a hangover of some testing.
Cheers,
Harm
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Re: Incipit issues
Thomas Morley thomasmorle...@googlemail.com writes: some trickery: adding a markup to the spacer-rest readjusting space after TimeSignature seems to do it. Huh. What is the most prominent problem of LilyPond here that requires us to revert to trickery? Which parts of its default behavior are tripping up users' intentions here? What could have been reasonably expected to work, and what made it fail? Is the behavior making it fail here useful in other circumstances? -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
\RemoveEmptyStaves
Hi, I have a score with a system where some staves have measures which are filled with rests and others with spacer rests (I need these to enable \change Staff elements). I would like to remove the staves with have rests only but as far as I can see \RemoveEmptyStaves will remove those with spacers rests as well. Is there a way round this? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Bass and chords
Hi David, Thanks for your quick answer. The good news is that it's clear, I understand it and the issue 559 you mentioned would perfectly answer to my needs (much more than that in fact). The bad news is that it is not implemented yet, so I would probably need to do something (probably simpler) myself if I want it. Is it possible to participate to the Lilypond project? What are the technical requirements? A small detail: Sounds more like chromatic/unisonoric accordion to me. For diatonic, I have rarely seem anything but Griffschrift: There also beautiful scores for diatonic accordion (or whatever instrument able to play this type of music actually) not only Griffschrift. Regards, Fred ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Bass and chords
Frédéric Fanchamps frederic.fancha...@gmail.com writes: Hi David, Thanks for your quick answer. The good news is that it's clear, I understand it and the issue 559 you mentioned would perfectly answer to my needs (much more than that in fact). The bad news is that it is not implemented yet, so I would probably need to do something (probably simpler) myself if I want it. Is it possible to participate to the Lilypond project? What are the technical requirements? Solid nerves and an open mind. And then reading the LilyPond -- Extending guide. Most of what you want to do does not require recompiling LilyPond. The main programming language with which you would be working would be Scheme. Everything else would get much uglier. You need to get a good idea of what kind of syntax you want to be writing, and how this fits with the existing syntax of LilyPond. Normally, you would not want to mess with syntax, so you need to figure out what existing syntax/music expression would best express your intent, and then see how you get from that expression to those you actually want to see in the score. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \RemoveEmptyStaves
- Original Message - From: Peter O'Doherty m...@peterodoherty.net To: lilypond-user lilypond-user@gnu.org Sent: Tuesday, November 06, 2012 1:46 PM Subject: \RemoveEmptyStaves Hi, I have a score with a system where some staves have measures which are filled with rests and others with spacer rests (I need these to enable \change Staff elements). I would like to remove the staves with have rests only but as far as I can see \RemoveEmptyStaves will remove those with spacers rests as well. Is there a way round this? Many thanks, Peter A solution (there may be others) would be to use some hidden notes as well as spacer rests. -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Laborejo 0.4 release
A wild crosspost appears! Laborejo, Esperanto for Workshop, is used to craft music through notation. It is a Lilypond GUI frontend, a MIDI creator and finally a tool collection to inspire and help you compose. It works by reducing music-redundancy and by seperating layout and data. Before you read the details make sure to connect to Laborejos Facebook, Twitter or Google Plus! https://www.facebook.com/Laborejo https://twitter.com/#!/Laborejo https://plus.google.com/b/116744898976321238325/ Screenshot: http://www.laborejo.org/images/screenshots/latestscreenshot.png This is the release of version 0.4 Download: https://github.com/nilsgey/Laborejo/tarball/0.4 Dependencies: http://www.laborejo.org/documentation Linux Instructions: Unpack, cd into the created directoy, execute: ./laborejo-qt Then use the number- and cursor keys for immediate success! Check Help-Manual for navigational and note/rest entry keys. Everything else is in the menus. New since version 0.3 (highlights): * Lyrics are visible under the tracks directly and aligned to their notes * Nicer cursor :) * New dynamics like fp and sfz. * New commandset for note speed entry with the numblock. * Colored always-visible Marker in the GUI to indicate track groups. Also displays small instrument name for better orientation * Lilypond binary and pdf viewer are now a config variable * More Subsitutions (assign a pre-defined group to host notes. Group gets transposed and scaled accordingly). Final Fantasy arpeggio, common melody figures etc. * Many bugfixes and small improvements that make the program work like you expected it to do anyway Most important known problems: * This is Alpha Grade Software. Don't use for long-term work. However, the produced midis and PDFs will last forever. * There is no built-in jack midi output yet. You have to export midi files. * Documentation is nearly non-existent. * Deleting selected objects may result in strange gui behaviour. Nothing a save/reload can't fix for now. Have fun, it would be nice to hear from you! Nils http://www.laborejo.org ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Bass and chords
dak wrote
Finally, if it would be possible to note no chord as a normal rest
of the correct duration instead of N.C. it would be great.
Maybe someone else can make a suggestion for this item?
--
David Kastrup
here is a suggestion:
define a command for the rests like
restFull = {
\once \set chordChanges = ##f
\once \set noChordSymbol = \markup { \musicglyph #rests.1 }
r1
}
restHalf = {
\once \set chordChanges = ##f
\once \set noChordSymbol = \markup { \musicglyph #rests.2 }
r2
}
% …
and use them in a score:
harmonies = \chordmode {
\restHalf \restHalf
c2:m c:m
\break
c1:m c:m d \restFull
}
to be sure use that /\once \set …/ works as expected you should use a recent
version of LP.
maybe even that somebody will take care of putting this in a function so
that you can use it with normal code!
Eluze
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Re: Bass and chords
of course that was rubbish - you have to use rests.0 for a full rest, rests.1 for a half, rests.2 for a quarter and so on... Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/Bass-and-chords-tp135858p135902.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Allow printing double barline intermediately after repetition barline
Hi. I'm typesetting in Lilypond v2.16 a piece where a spanned double barline appear immediately after a non-spanned barline. Is there a way to replicate this kind of notation in Lilypond? I tried with a bar with very short skip (s32), then adding the double barline, but the gap between two barlines is too large for my needs. Here is a example of the result i want to achieve (made with other notation tool and a image editor) https://dl.dropbox.com/u/47673640/barlines%20-%20example.png Thanks in advance. A. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond cheat sheat
Dear Lilypond users and developers, many years ago I made a cheat sheet for Lilypond, because I couldn't remember all the syntax by heart. Now, after having used Lilypond for some years and after reading the notation reference again, I've made an updated version, which might be helpful for other users, too. It requires a basic knowledge of Lilypond and aims at putting as much information as possible on one page. http://arsantiqua-karlsruhe.de/images/pdf/LilypondCheatsheet.pdf It is in German for now, but I would like to translate it into English and French, if anyone is interested. Please contact me in that case, it would be good if a native speaker could proofread it, too. Any comments, suggestions welcome. If you spot errors or shortcomings, please tell me! It is published under a CC BY-SA licence, so feel free to use it. (This is the very first version and I would recommend to look at more mature ones, though, later.) Thanks for the beauty of Lilypond scores and thanks for the svg backend that made this cheat sheet possible! Cheers, Joram ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Incipit issues
2012/11/6 David Kastrup d...@gnu.org: Thomas Morley thomasmorle...@googlemail.com writes: some trickery: adding a markup to the spacer-rest readjusting space after TimeSignature seems to do it. Huh. What is the most prominent problem of LilyPond here that requires us to revert to trickery? Which parts of its default behavior are tripping up users' intentions here? What could have been reasonably expected to work, and what made it fail? Is the behavior making it fail here useful in other circumstances? -- David Kastrup Hi David, was at work, so I couldn't reply. Meanwhile you've raised http://code.google.com/p/lilypond/issues/detail?id=2951 Should solve the problem. Sorry, that I can't work on it. As soon as C++ is in the game, I'm not able to play it. Thanks, Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Bass and chords
2012/11/6 Eluze elu...@gmail.com:
dak wrote
Finally, if it would be possible to note no chord as a normal rest
of the correct duration instead of N.C. it would be great.
Maybe someone else can make a suggestion for this item?
--
David Kastrup
here is a suggestion:
define a command for the rests like
restFull = {
\once \set chordChanges = ##f
\once \set noChordSymbol = \markup { \musicglyph #rests.1 }
r1
}
restHalf = {
\once \set chordChanges = ##f
\once \set noChordSymbol = \markup { \musicglyph #rests.2 }
r2
}
% …
and use them in a score:
harmonies = \chordmode {
\restHalf \restHalf
c2:m c:m
\break
c1:m c:m d \restFull
}
to be sure use that /\once \set …/ works as expected you should use a recent
version of LP.
maybe even that somebody will take care of putting this in a function so
that you can use it with normal code!
Eluze
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More automated:
\version 2.16.0
chordNamesWithRestsLayout =
\with {
noChordSymbol = #(make-simple-markup )
\consists Rest_engraver
\consists Multi_measure_rest_engraver
\override Rest #'font-size = #-4
\override MultiMeasureRest #'font-size = #-4
% No idea, why r1 needs to be special-cased:
\override Rest #'after-line-breaking =
#(lambda (grob)
(let* ((dur-log (ly:grob-property grob 'duration-log))
(staff-pos (if (= dur-log 0) 0 2)))
(ly:grob-set-property! grob 'staff-position staff-pos)))
\override MultiMeasureRest #'staff-position = #2
}
\new ChordNames \with { \chordNamesWithRestsLayout }
\chordmode { c1 R1 d e }
\new Staff { c1 R1 d e }
\score {
\new ChordNames
\chordmode { c1 R1 d e }
\new Staff { c1 R1 d e }
\layout {
\context {
\ChordNames
\chordNamesWithRestsLayout
}
}
}
HTH,
Harm
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Re: \RemoveEmptyStaves
Hi Peter, Have you looked at this hint? http://lsr.dsi.unimi.it/LSR/Item?id=312 Hope this helps! Kieren. On 2012-Nov-6, at 10:36, Phil Holmes m...@philholmes.net wrote: - Original Message - From: Peter O'Doherty m...@peterodoherty.net To: lilypond-user lilypond-user@gnu.org Sent: Tuesday, November 06, 2012 1:46 PM Subject: \RemoveEmptyStaves Hi, I have a score with a system where some staves have measures which are filled with rests and others with spacer rests (I need these to enable \change Staff elements). I would like to remove the staves with have rests only but as far as I can see \RemoveEmptyStaves will remove those with spacers rests as well. Is there a way round this? Many thanks, Peter A solution (there may be others) would be to use some hidden notes as well as spacer rests. -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \RemoveEmptyStaves
2012/11/6 Phil Holmes m...@philholmes.net:
- Original Message - From: Peter O'Doherty
m...@peterodoherty.net
To: lilypond-user lilypond-user@gnu.org
Sent: Tuesday, November 06, 2012 1:46 PM
Subject: \RemoveEmptyStaves
Hi,
I have a score with a system where some staves have measures which are
filled with rests and others with spacer rests (I need these to enable
\change Staff elements). I would like to remove the staves with have rests
only but as far as I can see \RemoveEmptyStaves will remove those with
spacers rests as well. Is there a way round this?
Many thanks,
Peter
A solution (there may be others) would be to use some hidden notes as well
as spacer rests.
--
Phil Holmes
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Hi Peter,
the `normal´ way to do what you want is to trim keepAliveInterfaces as
shown in LSR
http://lsr.dsi.unimi.it/LSR/Item?id=312
But { s1 } seems not to result in a Grob. And I found no interface for
it to distinguish from { r1 }.
Is there any?
So Phil's suggestion (or some similiar) seems to be the way.
Sorry,
Harm
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Re: Lilypond cheat sheat
*Sehr* schön *gemacht* Pierre 2012/11/6 Alberto Simões al...@alfarrabio.di.uminho.pt Hey It seems interesting/useful, but I can't understand a word :-) Cheers ambs On 06/11/12 22:14, Noeck wrote: Dear Lilypond users and developers, many years ago I made a cheat sheet for Lilypond, because I couldn't remember all the syntax by heart. Now, after having used Lilypond for some years and after reading the notation reference again, I've made an updated version, which might be helpful for other users, too. It requires a basic knowledge of Lilypond and aims at putting as much information as possible on one page. http://arsantiqua-karlsruhe.**de/images/pdf/**LilypondCheatsheet.pdfhttp://arsantiqua-karlsruhe.de/images/pdf/LilypondCheatsheet.pdf It is in German for now, but I would like to translate it into English and French, if anyone is interested. Please contact me in that case, it would be good if a native speaker could proofread it, too. Any comments, suggestions welcome. If you spot errors or shortcomings, please tell me! It is published under a CC BY-SA licence, so feel free to use it. (This is the very first version and I would recommend to look at more mature ones, though, later.) Thanks for the beauty of Lilypond scores and thanks for the svg backend that made this cheat sheet possible! Cheers, Joram __**_ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/**listinfo/lilypond-userhttps://lists.gnu.org/mailman/listinfo/lilypond-user __**_ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/**listinfo/lilypond-userhttps://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Allow printing double barline intermediately after repetition barline
2012/11/6 Antonio Soler solem.tempe...@gmail.com:
Hi.
I'm typesetting in Lilypond v2.16 a piece where a spanned double barline
appear immediately after a non-spanned barline. Is there a way to replicate
this kind of notation in Lilypond? I tried with a bar with very short skip
(s32), then adding the double barline, but the gap between two barlines is
too large for my needs.
Here is a example of the result i want to achieve (made with other notation
tool and a image editor)
https://dl.dropbox.com/u/47673640/barlines%20-%20example.png
Thanks in advance.
A.
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Hi Antonio,
a good reason to use 2.17.6.
I see no chance to do what you want with 2.16.0 (with reasonable
effort), but it's very easy using 2.17.6:
\version 2.17.6
\defineBarLine :|.|| #'(:|.|| #f||)
m = \relative c'' {
g4 a b c
\bar :|.||
c1
\bar |.
}
\new StaffGroup
\new Staff \m
\new Staff \m
HTH,
Harm
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Re: Incipit issues
Thomas Morley thomasmorle...@googlemail.com writes: 2012/11/6 David Kastrup d...@gnu.org: Thomas Morley thomasmorle...@googlemail.com writes: some trickery: adding a markup to the spacer-rest readjusting space after TimeSignature seems to do it. Huh. What is the most prominent problem of LilyPond here that requires us to revert to trickery? Which parts of its default behavior are tripping up users' intentions here? What could have been reasonably expected to work, and what made it fail? Is the behavior making it fail here useful in other circumstances? -- David Kastrup Hi David, was at work, so I couldn't reply. Meanwhile you've raised http://code.google.com/p/lilypond/issues/detail?id=2951 Should solve the problem. I am not sure it will. It addresses one thing that has frequently annoyed me, but in this particular case, the staff lines turn out as minuscule stubs not reaching across key and meter. In fact, I think that one of the original attempts had white space under the meter, likely caused by the same problem. So it is seemingly more than just the no time, no bar, no service thing. But that's certainly _one_ aspect of the nuisance. Sorry, that I can't work on it. As soon as C++ is in the game, I'm not able to play it. We still have the whitespace under meter thing. One can manually set a length for the staff lines, but that seems like cheating. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: 2.16.0 Open string fingering marks have _ and ^ behave as ^
On Tue, Nov 6, 2012 at 12:01 AM, Thomas Morley thomasmorle...@googlemail.com wrote: 2012/11/5 Olivier Biot olivier.b...@gmail.com: Dear all, I think I just found a Lilypond bug. The following snippet with fingerings does only show one open string fingering while TWO have been written. The order of _ and ^ play no role in this bug. Expected behavior: both \open fingerings are displayed, one above and one below selected note. [ ...] Hi Olivier, I'm not sure that it is a bug. script-init.ly shows: open = #(make-articulation open) So \open is an articulation (not a fingering). I think a note can be articulated only once in the same manner, so I'd _expect_ that one setting is skipped. BTW, \open is printed different compared to fingerings. I'd prefer to use d8_0^0 Thank you for this input Thomas. For a cellist I see no distinction between using finger 0 and using an open string (\open). Technically the \open macro is an articulation, but I do not know if it should be seen as an articulation rather than as a fingering. Same with \flageolet and \thumb... Right now I replaced \open with 0 in that score snippet so I could render both fingerings on the score. This of course raises the question whether there should be a specific subset of articulations that should behave more like fingerings (I'm thinking \open, \flageolet and \thumb here). Unless I'm completely wrong. P.S. If you think you've detected a bug, you should send it to the bug-list: http://lilypond.org/doc/v2.17/Documentation/web/bug-reports.html On the user-list it might get lost. Thank you for pointing me to the bug list! Best regards, Olivier ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond cheat sheat
On Tue, Nov 6, 2012 at 11:14 PM, Noeck noeck.marb...@gmx.de wrote: Dear Lilypond users and developers, many years ago I made a cheat sheet for Lilypond, [...] http://arsantiqua-karlsruhe.de/images/pdf/LilypondCheatsheet.pdf WOW!! It's great! The way you use color and present alternatives and variants... awesome! It is in German for now, but I would like to translate it into English and French, if anyone is interested. Definitely! Actually, this cheat sheet is so incredible that i want to donate some money to you as a sign of my appreciation. Can you send me your bank account number for a SEPA transfer? cheers, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond cheat sheat
Am 06.11.2012 23:24, schrieb Alberto Simões: Hey It seems interesting/useful, but I can't understand a word :-) Cheers ambs Sorry, I don't speak Portuguese, but I added an *English version*, which should make it readable for a wider community. Most of the text consists of Lilypond commands, though. There are some places where I am not sure if I found the correct translation. http://arsantiqua-karlsruhe.de/images/pdf/LilypondCheatsheet_en.pdf Cheers, Joram ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Bass and chords
Am 06.11.2012 23:33, schrieb Thomas Morley:
More automated:
\version 2.16.0
chordNamesWithRestsLayout =
\with {
noChordSymbol = #(make-simple-markup )
\consists Rest_engraver
\consists Multi_measure_rest_engraver
\override Rest #'font-size = #-4
\override MultiMeasureRest #'font-size = #-4
% No idea, why r1 needs to be special-cased:
\override Rest #'after-line-breaking =
#(lambda (grob)
(let* ((dur-log (ly:grob-property grob 'duration-log))
(staff-pos (if (= dur-log 0) 0 2)))
(ly:grob-set-property! grob 'staff-position staff-pos)))
\override MultiMeasureRest #'staff-position = #2
}
\new ChordNames \with { \chordNamesWithRestsLayout }
\chordmode { c1 R1 d e }
\new Staff { c1 R1 d e }
\score {
\new ChordNames
\chordmode { c1 R1 d e }
\new Staff { c1 R1 d e }
\layout {
\context {
\ChordNames
\chordNamesWithRestsLayout
}
}
}
thanks Harm - I think that's a superb solution with a fantastical short
code - something for the LSR!?
'/if you want to replace the N.C. symbol in a \chordname context by
the latent rest you can use … … … …/ '
Eluze
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Re: Bass and chords
2012/11/7 Eluze elu...@gmail.com:
Am 06.11.2012 23:33, schrieb Thomas Morley:
More automated:
\version 2.16.0
chordNamesWithRestsLayout =
\with {
noChordSymbol = #(make-simple-markup )
\consists Rest_engraver
\consists Multi_measure_rest_engraver
\override Rest #'font-size = #-4
\override MultiMeasureRest #'font-size = #-4
% No idea, why r1 needs to be special-cased:
\override Rest #'after-line-breaking =
#(lambda (grob)
(let* ((dur-log (ly:grob-property grob 'duration-log))
(staff-pos (if (= dur-log 0) 0 2)))
(ly:grob-set-property! grob 'staff-position staff-pos)))
\override MultiMeasureRest #'staff-position = #2
}
\new ChordNames \with { \chordNamesWithRestsLayout }
\chordmode { c1 R1 d e }
\new Staff { c1 R1 d e }
\score {
\new ChordNames
\chordmode { c1 R1 d e }
\new Staff { c1 R1 d e }
\layout {
\context {
\ChordNames
\chordNamesWithRestsLayout
}
}
}
thanks Harm - I think that's a superb solution with a fantastical short code
- something for the LSR!?
' if you want to replace the N.C. symbol in a \chordname context by the
latent rest you can use … … … … '
Eluze
Will do, if noone comes up with a better solution or finds a drawback.
Regards,
Harm
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Re: Lilypond cheat sheat
On 2012-11-06 23:14, Noeck wrote: many years ago I made a cheat sheet for Lilypond, because I couldn't remember all the syntax by heart. Now, after having used Lilypond for some years and after reading the notation reference again, I've made an updated version, which might be helpful for other users, too. It requires a basic knowledge of Lilypond and aims at putting as much information as possible on one page. Wow, amazing. And incredible how much information you can cram onto one single page! And thanks for sharing it with us. BTW, I wrote a similar cheat sheet a while ago, but aiming at new users, so I didn't try to get everything on the page. The code (latex and lilypond) is under a CC license, too: http://www.edition-kainhofer.com/en/lilypond/details/2111/ https://gitorious.org/lilypond-cheatsheet http://article.gmane.org/gmane.comp.gnu.lilypond.devel/44506/ I think both cheat sheets nicely complement each other. Mine tries to be easy to understand to new users and show them the most important things, while yours is for advanced users and tries to give as much information as possible. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhofer, Music Publisher, http://www.edition-kainhofer.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Allow printing double barline intermediately after repetition barline
Many thanks!. This solution worked perfectly! :)
A.
2012/11/6 Thomas Morley thomasmorle...@googlemail.com
2012/11/6 Antonio Soler solem.tempe...@gmail.com:
Hi.
I'm typesetting in Lilypond v2.16 a piece where a spanned double barline
appear immediately after a non-spanned barline. Is there a way to
replicate
this kind of notation in Lilypond? I tried with a bar with very short
skip
(s32), then adding the double barline, but the gap between two barlines
is
too large for my needs.
Here is a example of the result i want to achieve (made with other
notation
tool and a image editor)
https://dl.dropbox.com/u/47673640/barlines%20-%20example.png
Thanks in advance.
A.
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Hi Antonio,
a good reason to use 2.17.6.
I see no chance to do what you want with 2.16.0 (with reasonable
effort), but it's very easy using 2.17.6:
\version 2.17.6
\defineBarLine :|.|| #'(:|.|| #f||)
m = \relative c'' {
g4 a b c
\bar :|.||
c1
\bar |.
}
\new StaffGroup
\new Staff \m
\new Staff \m
HTH,
Harm
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tied chords with articulate.ly
Hi, if I do c~ e~ g~ c e g when creating a midi file normally no problems. But if I use articulate.ly, the chord is not tied in the midi output. I can hear it played twice. If I do c e g~ c e g The tie is played correctly both with and without using articulate. Bug, in my first example? -- MT ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Editing slur markings in LilyPond
Hello, A friend of mine was talking to me about SCORE earlier today and it got me thinking about LilyPond. I haven't had too many situations where I've needed this amount of control but, nonetheless, my question is: I'm familiar enough with SCORE to know that the program offers 19 slur parameters to edit, for maximum control in the score, but I'm curious: how much control do users have over these expression marks in LilyPond? I've consulted these two pages below and haven't found what I am looking for so far. Can someone weigh in and let me know if LilyPond offers similar slur parameters that can be controlled by the user? Or is this editing slightly limited? Thank you! Slurs/Curves http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Curves In particular, this section on Phrasings http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Curves#Phrasing-slurs Ben - composer | sound designer -- View this message in context: http://lilypond.1069038.n5.nabble.com/Editing-slur-markings-in-LilyPond-tp135933.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Editing slur markings in LilyPond
Sorry, I pasted the wrong link. Here is what I was looking at: Editing Slurs http://lilypond.org/doc/v2.14/Documentation/internals/phrasingslur - composer | sound designer -- View this message in context: http://lilypond.1069038.n5.nabble.com/Editing-slur-markings-in-LilyPond-tp135933p135934.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Editing slur markings in LilyPond
Hi! Editing Slurs http://lilypond.org/doc/v2.14/Documentation/internals/phrasingslur Don't forget all of the settings in the interfaces that Slur inherits: http://lilypond.org/doc/v2.14/Documentation/internals/slur_002dinterface http://lilypond.org/doc/v2.14/Documentation/internals/grob_002dinterface http://lilypond.org/doc/v2.14/Documentation/internals/spanner_002dinterface Hope that's enough to satisfy! =) Cheers, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Bass and chords
Thomas Morley thomasmorle...@googlemail.com writes: Will do, if noone comes up with a better solution or finds a drawback. We have markup commands \note and \note-by-number. It seems to me that it would likely be most straightforward to provide the same for \rest and possibly \rest-by-number and use that as part of the solution. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Editing slur markings in LilyPond
Excellent, thank you for those links! I guess I haven't ever needed to dig that deep about these markings until now - but it seems that LilyPond is even more powerful than I had originally thought! Ben - composer | sound designer -- View this message in context: http://lilypond.1069038.n5.nabble.com/Editing-slur-markings-in-LilyPond-tp135933p135939.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond cheat sheat
I think both cheat sheets nicely complement each other. What about adding both of them to the lilypond distribution? Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Editing slur markings in LilyPond
On Tue, Nov 06, 2012 at 09:39:09PM -0800, soundsfromsound wrote: but it seems that LilyPond is even more powerful than I had originally thought! Keep a tally of how many times you experience that realization over the next 6-8 months as you learn more about using the software. I've been working with LP only a little more than a year, and I think I'm around 30 or so. Also, you originally cited the 2.12 docs, or 2.14. If my fleeting memory of the last few months of list traffic is accurate, there's been a lot of slur-shaping work done recently. Check the current docs for the latest and greatest. http://lilypond.org/doc/v2.16/Documentation/internals/phrasingslur ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Editing slur markings in LilyPond
Oops, thanks for that! I bookmarked the newest documentation now. Ben - composer | sound designer -- View this message in context: http://lilypond.1069038.n5.nabble.com/Editing-slur-markings-in-LilyPond-tp135933p135943.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Adding a clef mid-measure
Hello, One last question for tonight please. I'm having trouble figuring out how to insert a treble clef mid-measure. I keep getting an error message when I try to insert the \clef treble, but it works when I put it at the start of the measure (though that's not what I'm after). Please see attached for the location of the clef and to see what I am trying to accomplish. If you're curious what the code is that I'm using it's: a' e'2. ~ ~ 8. [ fis''32 c' d32 ~ ] ~ \break | % 27 Can someone tell me the code I need to insert a clef change mid-measure, where that arrow is in the image - so it can tie over and look a lot prettier? :) Thanks everyone! Ben clef_issue.jpg http://lilypond.1069038.n5.nabble.com/file/n135945/clef_issue.jpg - composer | sound designer -- View this message in context: http://lilypond.1069038.n5.nabble.com/Adding-a-clef-mid-measure-tp135945.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
