Installing Denemo
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Having seen recommendations for Denemo I though I'd try to install it on my CentOS 7 (basically RHEL 7) system. I'm currently running Frescobaldi 2.18 and Lilypond 2.18.2-1. I downloaded both the f20 f21 rpms as well as the tarball. Using yum (the standard RHEL/CentOS package manager) the rpms refuse to load because Lilypond is unknown to the rpm system. The tarball fails with a /lib/ld-linux.so problem, on 64-bit systems ld-linux is in /lib64/ld-linux-x86-64.so.2. So, before I start hacking the system and re-inventing the wheel: 1) Has anyone got a _quick_ fix for the rpm issue? 2) Ditto the libraries. I did note the compatibility comment on the Denemo download page, presumably that will just be links from lib to lib64. I can't see a specific package using # yum search compatibility | grep 32, can anyone point me in the right direction there? Thanks, and as a final passing point: how is denemo pronounced, de'nemo, den'emo or dene'mo? Martin -BEGIN PGP SIGNATURE- Version: GnuPG v2.0.22 (GNU/Linux) iQIcBAEBAgAGBQJVT9qQAAoJEAF3yXsqtyBl6OEP+gKULH+rnawH+/P79wxddGcP UrTc6ImnBZWwAfhBlHqgt19op+HoFwM+um+RxMVLi9mqxzMKUvo4kVpZ6BeJ8xXi ncNJnmo8m2BPVWceuS7iQ4oz/Ggrqu24Pk/dDPBAPllhhn4lLz6DpvGF/K9Cf4W7 awHNFV54821ALZyu90Zw33T6SzuspdB68znsu5Mwqy4FISfSJToMNqYWF86GVlNS 2E2wFZ4ricm3SH6E3uXFHSQlDYI7+NVjckOSkksLp/lAO1isop74jOp4zcBrDU4v K96RoxY8L/7bNsDXbQxa77ttNjruvmL4Idejmn2EIgmp3xt0F61pwEszfGqByu2m YqE2mLaFLswNbJn29PnwK9l60BmbHtLhCgVGvV0Z+sRhfarpfk7zK654fyOndM7Q RBXTCfelGW2qJd9ECUFLjC79D4xANjijLwKj1Y9LipEx0T4q7ucVUqoEk19F8NOH jtnRH1IXuR/99xY+2wCu7ZDSwmeQHGTIXy70MNQnbLwAU0V7RFYRXdKEEQbPEfYH nQ/j2/6iOOupxjLPUVxLJOgE9FNHrlB06RxHxp3KoRqRLgcnk3F6Lw4MRy1DsWtb rQW4ucPiGSLQZL8yAGt1XZ4/s7rnHfd8uIhBxtWMAi5zfVXv4tdXRC7ha3k2UIPA CoF8/mxs8SPEz2hlwN3j =Dcfm -END PGP SIGNATURE- ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
AW: AW: AW: New verses
It works. Thank you very much.
Bernhard
-Ursprüngliche Nachricht-
Von: lilypond-user-bounces+bernhard.kleine=gmx@gnu.org
[mailto:lilypond-user-bounces+bernhard.kleine=gmx@gnu.org] Im Auftrag
von Klaus Blum
Gesendet: Sonntag, 10. Mai 2015 18:03
An: lilypond-user@gnu.org
Betreff: Re: AW: AW: New verses
Aaaah, that's because the \header part was *inside* the \score part:
\score {
\header {
% title, composer, tagline
}
\choirPart
% etc.
}
If you change the structure like this...
\header {
% title, composer, tagline
}
\score {
\choirPart
% etc.
}
...everything should be back again.
Cheers,
Klaus
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/New-verses-tp176383p176409.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Strange harp problem
Thank you. Does this mean it's a bug of Lilypond? Regards Haipeng ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Strange harp problem
Probably: but given the use of a kneed beam here, I don't think it would be possible to use the follower in any sensible fashion. It would be far better to use a non-kneed beam, or just keep the triplet on one staff, as I suggested. -- Phil Holmes - Original Message - From: Haipeng Hu hhpcompo...@gmail.com To: Phil Holmes m...@philholmes.net Cc: lilypond-user@gnu.org Sent: Sunday, May 10, 2015 12:26 PM Subject: Re: Strange harp problem Thank you. Does this mean it's a bug of Lilypond? Regards Haipeng ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
AW: New verses
Dear Klaus,
Thank you very much. The example is very instructive. However I lost the
information in the header, it is still written, but not used.
I am lost.
Bernhard
-Ursprüngliche Nachricht-
Von: lilypond-user-bounces+bernhard.kleine=gmx@gnu.org
[mailto:lilypond-user-bounces+bernhard.kleine=gmx@gnu.org] Im Auftrag von
Klaus Blum
Gesendet: Sonntag, 10. Mai 2015 11:25
An: lilypond-user@gnu.org
Betreff: Re: New verses
Hallo Bernhard,
Dr. Bernhard Kleine wrote
I failed to add a second (and third to fifth) verse to the following
example.
there should be no problem if you add the following verses in the same way
you added the first one.
Verses below the score can be added with a separate \markup block.
One last remark: I took the \header section out of the \score block because
the title etc. didn't show up.
I hope this helps.
Cheers,
Klaus
% --
\version 2.19.5
\language deutsch
global = {
\key d \major
\time 2/4
}
soprano = \relative c' {
\global
% Die Noten folgen hier.
\dynamicUp
\partial 8 a'8 | a8. d16 d8 d8|
}
alto = \relative c' {
\global
\dynamicUp
\partial 8 a'8 | a8. d16 d8 d8|
}
tenor = \relative c' {
\global
% Die Noten folgen hier.
\partial 8 a8| a8. fis16 fis8 fis |
}
versetenor = \lyricmode {
% Liedtext folgt hier.
\set stanza = #1.
Lueg Mue -- ter -- li wa isch im Mond?
hä s'isch denn it en Ma.
jo, wä -- ger -- li i sin än scho er hät e Tschö -- bli a, er hät e Tschö
-- bli a.
}
versetenorII = \lyricmode {
% Liedtext folgt hier.
\set stanza = #2.
Ein zwei -- ter Vers folgt hier so -- gleich
}
choirPart = \new ChoirStaff
\new Staff \with {
instrumentName = \markup \center-column { Sopran Alt }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Staff = men \with {
instrumentName = \markup \center-column { Tenor/Bass }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Lyrics \with {
alignAboveContext = men
\override VerticalAxisGroup #'staff-affinity = #up
} \lyricsto tenor \versetenor
\new Lyrics \with {
alignAboveContext = men
\override VerticalAxisGroup #'staff-affinity = #up
} \lyricsto tenor \versetenorII
\header {
title = Der Mann im Mond
composer = J.P. Hebel
tagline = \markup {
gesetzt durch Bernhard Kleine 2015
}
}
\score {
\choirPart
\layout { }
\midi {
\tempo 4=100
}
}
\markup \vspace #3
\markup {
\fill-line {
\null
\left-column {
\line{
\bold 3.
\left-column {
Ein dritter Vers
folgt hier sogleich
}
}
\line{
\bold 4.
\left-column {
Ein vierter Vers
folgt hier sogleich
}
}
}
\null
}
}
% --
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/New-verses-tp176383p176384.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
LilyPond editing environments
I know I could collect this information myself, but I prefer having it 1st-hand and current this way. I will be presenting LilyPond to the MEI community at the Music Encoding Conference in Florence in a week. As one (small) part of the presentation I want to present a list of interesting editing environments that are available for LilyPond, to show a little bit of the versatility, but also the direction things have been taking in recent years (my assumption is that basically everyone involved in music encoding/MEI knows about LilyPond but that only a very small share is actually following what happens around it). So I'd be happy if anyone who is involved in the development of a LilyPond editing environment could send me (privately or on this list) a very short report about it, with - name - tooltip-like short description about the fundamental character - comment on the development state (and activity) - link to homepage or other source of reference Probably I won't have the time in the presentation to read out all this for all projects, but I intend to have at least a page in the handout with such a list. Thanks Urs -- Urs Liska www.openlilylib.org ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Strange harp problem
Hello,
I'm composing a piece. The attached harp part is ok until the last
two lines of each part. When I comment out them, there is no error.
When I leave them to be compiled, the following error appears, and I
can't figure out what's wrong at all:
programming error: no note heads for the line spanner on neighbor
line? Confused.
continuing, cross fingers
What's wrong on earth?
Regards
Haipeng
\version 2.18.2
str = \change Staff = rh
stl = \change Staff = lh
#(set-global-staff-size 17)
harprh = \relative c' {
\clef treble \key f \minor \numericTimeSignature \time 4/4
\showStaffSwitch
% intro
r2 f ees c bes\arpeggio\laissezVibrer | R1 |
r2 f ees c aes\arpeggio\laissezVibrer | R1 |
r2 g c, bes g\arpeggio | R1^\markup { C \smaller \flat , G \smaller \flat } |
r2 aes ges ees aes,\arpeggio\laissezVibrer |
R1^\markup { C \smaller \natural }^colla parte |
r2 f ees c bes\arpeggio\laissezVibrer |
R1^\markup { G \smaller \natural } |
r2 g f d c\arpeggio\laissezVibrer\fermata | R1 | R1 |
% rehearsal 1
R1^\markup { D \smaller \sharp , G \smaller \sharp } | R1 |
\tuplet 3/2 2 { r4 c'4\p f, r2 c'4 } |
\tuplet 3/2 2 { f, r c' f, r c' } |
f,4 c'8( f, c' f, c' f,) |
c' f,4 q q q |
q\mf f c f,\arpeggio c f, c\arpeggio f, c f,\arpeggio |
c f, c\arpeggio f, c f, r2 |
s1 |
% rehearsal 2
R1^\markup { D \smaller \flat , G \smaller \natural } |
c' f, c1\arpeggio |
\stl \tuplet 3/2 4 { aes,,8( ees' g \str c ees g } c4) r |
\str R1^\markup { G \smaller \flat } |
\stl \tuplet 3/2 4 { aes,,8( ees' f \str c' ees f } c'4) r |
s2. r4 | s2.^\markup { G \smaller \natural } r4 |
s2. r4 | s2. r4 |
% rehearsal 3
R1 | R1 | R1 | R1 |
\time 3/4 R2.*4 |
\time 4/4 R1 | R1 | R1 |
% rehearsal 4
s1*10 | s1*2^\markup { G \smaller \flat } |
s1*2^\markup { G \smaller \natural } |
\stl \tuplet 3/2 4 { c,,,8( c' \str g' bes c ees f c ees f g c } |
ees4) r r2 | R1*3 |
}
harplh = \relative c, {
\clef bass \key f \minor \numericTimeSignature
% intro
r2 f c' f\arpeggio\laissezVibrer | R1 |
r2 f c' f\arpeggio\laissezVibrer | R1 |
r2 ees c' ees\arpeggio | R1 |
r2 ces ces' ees\arpeggio\laissezVibrer | R1 |
r2 bes' f'\arpeggio\laissezVibrer |
R1 | r2 c g'\arpeggio\laissezVibrer\fermata |
R1 | R1 |
% rehearsal 1
R1*4 | R1 | R1 | R1 |
r2 c f c'4\arpeggio c, f c'\arpeggio |
\tag #'score { f32 gis aes bes c dis ees32*18\glissando \str f''4 | }
\tag #'midi { \tuplet 9/8 4 { f,,,32 gis aes bes c dis ees f gis aes bes c dis ees f gis aes bes } \tuplet 10/8 { c dis ees f gis aes bes c dis ees } f4 | }
% rehearsal 2
\stl R1 |
des aes' f'1\arpeggio |
s2 r | R1 | s2 r |
ges8( des'16 ges \str \tuplet 5/4 { bes des ees ges aes } bes4) \stl r |
f,,16( c' ees f \str \tuplet 5/4 { aes bes c ees aes } f4) \stl r |
\tuplet 3/2 4 { des,,8( aes' f' \str aes bes des } f4) \stl r |
\tuplet 3/2 4 { f,,8( c' f \str aes c aes' } f4) \stl r |
% rehearsal 3
R1 | R1 | R1 | R1 |
R2.*4 | R1 | R1 | R1 |
% rehearsal 4
\tuplet 3/2 4 { f,,8( c' f \str bes c ees f bes, c ees f bes |
c bes f ees c bes f' ees c bes \stl f c) |
f,( c' f \str aes bes c f c ees f aes bes |
c bes aes f ees c f ees c aes \stl f c) |
ees,( c' g' \str bes c ees f c ees f g bes |
ees c bes g f ees g f ees c \stl g c,) |
des,( aes' f' \str aes bes des aes' f des bes aes f) |
\stl c,( g' ees' \str g bes c g' f ees c bes g) |
\stl aes,( c f \str aes bes c aes' f ees c bes aes) |
\stl des,,( aes' f' \str aes bes des aes' f ees des bes aes) |
\stl bes,( f' bes \str des ees f des' bes f ees des bes) |
\stl ges,( des' ges \str bes des ees bes' ges ees des bes ges) |
\stl f,( c' f \str aes c f aes f c aes \stl f c) |
des,( aes' f' \str aes bes des aes' f des aes \stl f aes,) } |
s2 r | R1 | R1*3 |
}
dynamics = \relative c' {
% intro
s1*13\mp |
% rehearsal 1
s1*3 | s1*3\cresc |
s2\mf s\ | s1 | s2.\mp\ s4\mf |
% rehearsal 2
s1 |
s1*7\mf | s2.\ s4\mp |
% rehearsal 3
s1*4 | s2.*4 | s1*3 |
% rehearsal 4
s1*7\f | s1\ |
s1\mf | s1*3\cresc |
s1*2\f | s1\ | s1*4\mf |
}
\score {
\new PianoStaff = harp \with {
instrumentName = Arpa
shortInstrumentName = Arp. }
\set PianoStaff.connectArpeggios = ##t
\new Staff = rh { \keepWithTag #'score \harprh }
\new Dynamics { \dynamics }
\new Staff = lh { \keepWithTag #'score \harplh }
\layout {}
\midi {}
}
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
New verses
Good morning,
I failed to add a second (and third to fifth) verse to the following
example.
Can you please advice.
Answer only to the group please.
Bernhard
\version 2.19.5
\language deutsch
global = {
\key d \major
\time 2/4
}
soprano = \relative c' {
\global
% Die Noten folgen hier.
\dynamicUp
\partial 8 a'8 | a8. d16 d8 d8|
}
alto = \relative c' {
\global
\dynamicUp
\partial 8 a'8 | a8. d16 d8 d8|
}
tenor = \relative c' {
\global
% Die Noten folgen hier.
\partial 8 a8| a8. fis16 fis8 fis |
}
versetenor = \lyricmode {
% Liedtext folgt hier.
\set stanza = #1.
Lueg Mue -- ter -- li wa isch im Mond?
hä s'isch denn it en Ma.
jo, wä -- ger -- li i sin än scho er hät e Tschö -- bli a, er hät e Tschö
-- bli a.
}
choirPart = \new ChoirStaff
\new Staff \with {
instrumentName = \markup \center-column { Sopran Alt }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Staff = men \with {
instrumentName = \markup \center-column { Tenor/Bass }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Lyrics \with {
alignAboveContext = men
\override VerticalAxisGroup #'staff-affinity = #up
} \lyricsto tenor \versetenor
\score {
\header {
title = Der Mann im Mond
composer = J.P. Hebel
tagline = \markup {
gesetzt durch Bernhard Kleine 2015
}
}
\choirPart
\layout { }
\midi {
\tempo 4=100
}
}
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond editing environments
On Sun, 2015-05-10 at 10:07 +0200, Urs Liska wrote: [...] So I'd be happy if anyone who is involved in the development of a LilyPond editing environment could send me (privately or on this list) a very short report about it, with - name - tooltip-like short description about the fundamental character - comment on the development state (and activity) - link to homepage or other source of reference Denemo WYSIWYM editor for LilyPond, displays the LilyPond music as simple typeset notation as the music is entered into the score. Outputs the LilyPond music text either with a selection of default layouts (full-score, parts, etc) or hand-written LilyPond to describe the layout. WYSIWYG editing on the LilyPond PDF of slurs and positioning marks. Very active: 33 releases is six years, five in the past year, very small team of developers. http://www.denemo.org HTH Richard ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond editing environments
Am 10.05.2015 um 12:02 schrieb Richard Shann: On Sun, 2015-05-10 at 10:07 +0200, Urs Liska wrote: [...] So I'd be happy if anyone who is involved in the development of a LilyPond editing environment could send me (privately or on this list) a very short report about it, with - name - tooltip-like short description about the fundamental character - comment on the development state (and activity) - link to homepage or other source of reference Denemo WYSIWYM editor for LilyPond, displays the LilyPond music as simple typeset notation as the music is entered into the score. Outputs the LilyPond music text either with a selection of default layouts (full-score, parts, etc) or hand-written LilyPond to describe the layout. WYSIWYG editing on the LilyPond PDF of slurs and positioning marks. Very active: 33 releases is six years, five in the past year, very small team of developers. http://www.denemo.org HTH It does. This is what I was asking for. Of course I know about Denemo but this is the kind of information you can provide better than I could retrieve it on my own. Urs Richard -- Urs Liska www.openlilylib.org ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: New verses
Hallo Bernhard,
Dr. Bernhard Kleine wrote
I failed to add a second (and third to fifth) verse to the following
example.
there should be no problem if you add the following verses in the same way
you added the first one.
Verses below the score can be added with a separate \markup block.
One last remark: I took the \header section out of the \score block because
the title etc. didn't show up.
I hope this helps.
Cheers,
Klaus
% --
\version 2.19.5
\language deutsch
global = {
\key d \major
\time 2/4
}
soprano = \relative c' {
\global
% Die Noten folgen hier.
\dynamicUp
\partial 8 a'8 | a8. d16 d8 d8|
}
alto = \relative c' {
\global
\dynamicUp
\partial 8 a'8 | a8. d16 d8 d8|
}
tenor = \relative c' {
\global
% Die Noten folgen hier.
\partial 8 a8| a8. fis16 fis8 fis |
}
versetenor = \lyricmode {
% Liedtext folgt hier.
\set stanza = #1.
Lueg Mue -- ter -- li wa isch im Mond?
hä s'isch denn it en Ma.
jo, wä -- ger -- li i sin än scho er hät e Tschö -- bli a, er hät e Tschö
-- bli a.
}
versetenorII = \lyricmode {
% Liedtext folgt hier.
\set stanza = #2.
Ein zwei -- ter Vers folgt hier so -- gleich
}
choirPart = \new ChoirStaff
\new Staff \with {
instrumentName = \markup \center-column { Sopran Alt }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Staff = men \with {
instrumentName = \markup \center-column { Tenor/Bass }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Lyrics \with {
alignAboveContext = men
\override VerticalAxisGroup #'staff-affinity = #up
} \lyricsto tenor \versetenor
\new Lyrics \with {
alignAboveContext = men
\override VerticalAxisGroup #'staff-affinity = #up
} \lyricsto tenor \versetenorII
\header {
title = Der Mann im Mond
composer = J.P. Hebel
tagline = \markup {
gesetzt durch Bernhard Kleine 2015
}
}
\score {
\choirPart
\layout { }
\midi {
\tempo 4=100
}
}
\markup \vspace #3
\markup {
\fill-line {
\null
\left-column {
\line{
\bold 3.
\left-column {
Ein dritter Vers
folgt hier sogleich
}
}
\line{
\bold 4.
\left-column {
Ein vierter Vers
folgt hier sogleich
}
}
}
\null
}
}
% --
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/New-verses-tp176383p176384.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: manuals page [WAS Re: teaching a university module on engraving with lilypond]
Added https://code.google.com/p/lilypond/issues/detail?id=4382 2015-04-27 20:44 GMT+02:00 Carl Sorensen c_soren...@byu.edu: On 4/27/15 10:47 AM, Federico Bruni fedel...@gmail.com wrote: 2015-04-27 17:25 GMT+02:00 Kevin Barry barr...@gmail.com: - I'd rather use a conversational approach instead of unordered lists: Please be aware that LilyPond is a text-based(link) music engraver and read the FAQ(link) before You can see LilyPond in action in the following video tutorials made by Ben Lemon... (a small iframe of youtube video would be great). Then explain that the first manual to be read should be Learning and Usage, followed by Notation. I think that such an approach could be helpful. But Notation shouldn't be read. It should only be referenced. And I think we should make that clear whenever we talk about it. Thanks, Carl ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Global Color Changes
One last idea:
If you don't want to change the settings for the entire page, you could also
try like this:
%
\version 2.18.2
% Taken from:
% http://lsr.di.unimi.it/LSR/Item?id=969
#(define-markup-command (on-color layout props color arg) (color? markup?)
(let* ((stencil (interpret-markup layout props arg))
(X-ext (ly:stencil-extent stencil X))
(Y-ext (ly:stencil-extent stencil Y)))
(ly:stencil-add (ly:make-stencil
(list 'color color
(ly:stencil-expr (ly:round-filled-box X-ext Y-ext
0))
X-ext Y-ext)) stencil)))
\markup First example:
\markup {
\on-color #blue
\pad-markup #2
\with-color #yellow
\score{
\layout {indent = 0}
\relative c' {
c4 d c2
}
}
}
\markup Second example:
\markup {
\rotate #10 % :-)
\on-color #red
\pad-markup #2
\with-color #green
\score{
\layout {indent = 0}
\relative c' {
c4 d c2
}
}
}
%
Cheers,
Klaus
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Global-Color-Changes-tp176355p176385.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: New verses
Am 10.05.2015 um 18:03 schrieb Klaus Blum:
Aaaah, that's because the \header part was *inside* the \score part:
\score {
\header {
% title, composer, tagline
}
\choirPart
% etc.
}
If you change the structure like this...
or use \paper { print-all-headers = ##t } …
...everything should be back again.
HTH, Simon
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
AW: AW: New verses
The header info ( title, composer, tagline) is no longer displayed. -Ursprüngliche Nachricht- Von: lilypond-user-bounces+bernhard.kleine=gmx@gnu.org [mailto:lilypond-user-bounces+bernhard.kleine=gmx@gnu.org] Im Auftrag von Klaus Blum Gesendet: Sonntag, 10. Mai 2015 16:15 An: lilypond-user@gnu.org Betreff: Re: AW: New verses Hi Bernhard, Dr. Bernhard Kleine wrote I lost the information in the header, it is still written, but not used. I am lost. Sorry, but I don't understand what you mean by that sentence... maybe in German? Cheers, Klaus -- View this message in context: http://lilypond.1069038.n5.nabble.com/New-verses-tp176383p176398.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond editing environments
On Sun, 2015-05-10 at 07:42 -0700, Paul Scott wrote: On Sun, May 10, 2015 at 11:02:12AM +0100, Richard Shann wrote: On Sun, 2015-05-10 at 10:07 +0200, Urs Liska wrote: [...] So I'd be happy if anyone who is involved in the development of a LilyPond editing environment could send me (privately or on this list) a very short report about it, with - name - tooltip-like short description about the fundamental character - comment on the development state (and activity) - link to homepage or other source of reference Denemo WYSIWYM editor for LilyPond, displays the LilyPond music as simple typeset notation as the music is entered into the score. Outputs the LilyPond music text either with a selection of default layouts (full-score, parts, etc) or hand-written LilyPond to describe the layout. WYSIWYG editing on the LilyPond PDF of slurs and positioning marks. Very active: 33 releases is six years, five in the past year, very small team of developers. http://www.denemo.org I'm installing it on my Debian system to check it out. If you install the package from Debian it will be several years out of date. Can I use it with the development versions? (2.19.19) Yes, Edit-Change Preferences-Externals-Path to LilyPond Richard ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: AW: AW: New verses
Aaaah, that's because the \header part was *inside* the \score part:
\score {
\header {
% title, composer, tagline
}
\choirPart
% etc.
}
If you change the structure like this...
\header {
% title, composer, tagline
}
\score {
\choirPart
% etc.
}
...everything should be back again.
Cheers,
Klaus
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/New-verses-tp176383p176409.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: AW: New verses
Hi Bernhard, Dr. Bernhard Kleine wrote I lost the information in the header, it is still written, but not used. I am lost. Sorry, but I don't understand what you mean by that sentence... maybe in German? Cheers, Klaus -- View this message in context: http://lilypond.1069038.n5.nabble.com/New-verses-tp176383p176398.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond editing environments
On Sun, May 10, 2015 at 11:02:12AM +0100, Richard Shann wrote: On Sun, 2015-05-10 at 10:07 +0200, Urs Liska wrote: [...] So I'd be happy if anyone who is involved in the development of a LilyPond editing environment could send me (privately or on this list) a very short report about it, with - name - tooltip-like short description about the fundamental character - comment on the development state (and activity) - link to homepage or other source of reference Denemo WYSIWYM editor for LilyPond, displays the LilyPond music as simple typeset notation as the music is entered into the score. Outputs the LilyPond music text either with a selection of default layouts (full-score, parts, etc) or hand-written LilyPond to describe the layout. WYSIWYG editing on the LilyPond PDF of slurs and positioning marks. Very active: 33 releases is six years, five in the past year, very small team of developers. http://www.denemo.org I'm installing it on my Debian system to check it out. Can I use it with the development versions? (2.19.19) Paul Scott HTH Richard ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
line in png
I was wondering why when I have a line attached to a stencil - Maybe others
(only tried this so far) - the png does not show the line but the pdf does.
Further if i convert the pdf to png i can see the line.
the following two examples illustrate this behavior.
my command for the png is
lilypond -dbackend=eps --png -dpoint-and-click=#f file.ly
line = #(define-music-function (parser location str) (number?)
#{
\once \override Voice.NoteHead.stencil = #(lambda (grob)
(grob-interpret-markup grob #{
\markup {
\halign #-1
\raise #6.5
\path #0.1 #`((moveto 0 0)
(curveto ,str 0 0 0 0 0))
}
#}))
#})
\markup {\vspace #2 }
{\line #11 c'}
line = #(define-music-function (parser location str) (number?)
#{
\once \override Voice.Stem.stencil = #(lambda (grob)
(grob-interpret-markup grob #{
\markup {
\halign #-1
\raise #6.5
\path #0.1 #`((moveto 0 0)
(curveto ,str 0 0 0 0 0))
}
#}))
#})
\markup {\vspace #2 }
{\line #11 c'}
%
Thanks
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond editing environments
I'm not involved in the development end of this, but I know there's an Emacs major mode, lilypond-mode, for entering Lilypond files. I've used it only a little bit. I don't believe it is very actively developed, but I could be wrong. http://www.lilypond.org/doc/v2.19/Documentation/usage/text-editor-support#emacs-mode -steven arntson Urs Liska u...@openlilylib.org writes: I know I could collect this information myself, but I prefer having it 1st-hand and current this way. I will be presenting LilyPond to the MEI community at the Music Encoding Conference in Florence in a week. As one (small) part of the presentation I want to present a list of interesting editing environments that are available for LilyPond, to show a little bit of the versatility, but also the direction things have been taking in recent years (my assumption is that basically everyone involved in music encoding/MEI knows about LilyPond but that only a very small share is actually following what happens around it). So I'd be happy if anyone who is involved in the development of a LilyPond editing environment could send me (privately or on this list) a very short report about it, with - name - tooltip-like short description about the fundamental character - comment on the development state (and activity) - link to homepage or other source of reference Probably I won't have the time in the presentation to read out all this for all projects, but I intend to have at least a page in the handout with such a list. Thanks Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
