Midi issue
Greetings Lilyponders --
Can't figure out why the midi output from this file does not include all
the piano voices. Any help would be appreciated.
By the way, the new point-and-click method using URI tags is brilliant.
One observation: the manual sez the EDITOR variable should be set to
vim. It actually should be set to gvim. Additionally, an instance of
the browser needs to be running already for the call to gvim to work, at
least the way I have things set up. Just thought I'd offer these
comments to help non-supergeeky users such as myself.
Thanks a lot,
Carter
\header {
title = Margaritki (Daisies)
subtitle =
composer = Sergei Rachmaninov
poet = Arr. William `Skip' Doppman
opus = Op. 38 No. 3
tagline =
instrument =
copyright = Copyright by William Doppman
}
\version 2.5.13
u = { \change Staff = up \stemDown }
w = { \change Staff = down \stemUp }
melody =\context Voice = Violoncello {
#(set-global-staff-size 20)
\time 3/4
\key f \major
\clef treble
\override Hairpin #'extra-offset = #'(0 . -1)
\override DynamicText #'extra-offset = #'(0 . -1)
r8^\markup { \bold \large\bigger {\hspace #-5.0 \raise #2.0
Lento}}\p\ bes^^\markup{\italic cantabile} b c' ees'4\!\mp( ~
\override Hairpin #'extra-offset = #'(0 . -2)
\override DynamicText #'extra-offset = #'(0 . -1)
ees'\ d' des')\!
\override Hairpin #'extra-offset = #'(0 . -0.5)
% \revert DynamicText #'extra-offset
r r8 c'\ f'4 ~
f'2\! bes'8--(a' ~
a' f') c'4.(\ bes8)
a2\! r4
\override Hairpin #'extra-offset = #'(0 . -0.75) c'8\p\ c'
d'4.\!\( c'8\!)
r8 g'( f'4.\ c'8)\! \revert Hairpin #'extra-offset
\override DynamicText #'extra-offset = #'(0 . -1.5)
r4. a'8\pp bes'8.[( c''16)]
\revert DynamicText #'extra-offset
a'2 d'4
\override TextScript #'extra-offset = #'(0 . -1.5)
ees'( _\markup \italic cresc. e') f'
\revert TextScript #'extra-offset
ges'8[( aes')] bes'[( c'')] d''[\mf c'']
\override Hairpin #'extra-offset = #'(0 . 0.25)
c''(\ g') r4\! \clef tenor \override Hairpin #'extra-offset =
#'(0 . -1) \times 2/3 {bes8[\( b c')]}
\override DynamicText #'extra-offset = #'(0 . -1)
ees'[\mp\! des'] ges4 \times 2/3 {bes8[( c' ges')]}
\revert Hairpin #'extra-offset
\times 2/3 {ees'[( des') bes]( ~ } \times 2/3 {bes[ ges aes)]}
\grace {aes16[( bes]} \times 2/3 {aes8[ ges aes)]}
bes4._\markup \italic cresc. f'8( ~ f' bes' ~
bes') f' ~ f'4. \clef bass f,8(
\grace {g,)-0} \override DynamicText #'extra-offset = #'(0 .
0)aes\f( g) f4.( ees8)
f4.( ees8) f4\
\revert DynamicText #'extra-offset
r\! des, aes,\mf^\markup pizz. r
r8 des,16[\ aes,] f[ aes8 bes16] ~ bes[ des' f'8]\!\p
R2.
\override TextScript #'extra-offset = #'(0 . 2)
\override Hairpin #'extra-offset = #'(0 . -1.1)
r2 r8 b\p^\markup arco(
\revert TextScript #'extra-offset
c' f) f4.( \override Hairpin #'extra-offset = #'(0 .
-0.5)c'8)\ \clef treble
f'4.\!\( ees'8) c'( bes)\!
c'2.
r8 c''\pp^\markup \italic dolciss. bes'4.( a'8)
\override DynamicText #'extra-offset = #'(0 . -0.5)
a'4\ a'2\!\\trill\mp(
\override Hairpin #'extra-offset = #'(0 . -1.25)
\grace {gis'16[ a']} f'4\!) a'4\trill(\mp \times 8/9 {\small
a'32\ gis' bes' a' gis' g' gis' bes' a')}
\override Hairpin #'extra-offset = #'(0 . -1)
\normalsize f'4\! f'4.\trill \p \times 2/3 {e'16\( gis'
a'\!-0)}
\override TextScript #'extra-offset = #'(0 . -2)
f'4 f'8\trill (\p ~ f'32 e' g' f') \small \times 8/10
{e'_\markup \italic \large cresc.( dis' e' f' fis' g' gis' b' bes' a')}
\normalsize f'4 f''4.\mf( c''8)
a'( f') b2
\override DynamicText #'extra-offset = #'(0 . -1.5)
f'8\mp( c') a2
\revert DynamicText #'extra-offset
\clef bass a8\p( f) bes,2
\override TupletBracket #'number-visibility = ##f
\override TextScript #'extra-offset = #'(0 . -1.25)
r16 c,[( a, c)] d[( b, d c)] \times 16/20 {\tiny e64\( g f gis
bes a) b( d' c' e' g'\! f'_\markup \italic \large poco) \clef treble a'(
Re: xdvi font troubles
Many thanks to both Han Wen and Mats. I guess I just like being a source
compilation sort of guy. When I have time, I'll follow that advice and
fiddle with the TEXMF variable. In the meantime, I devised a ridiculous
kludge and made a symbolic link from my music compilation directory to
one of the music-drawing-routines.ps files in
/usr/local/share/lilypond/2.x/ps. It works fine.
Ciao,
Carter
Mats Bengtsson wrote:
I guess the main problem is that you tried to install your
own version of xvi. In a normal teTeX installation, all paths
are found by looking at /usr/share/texmf/web2c/texmf.cnf
(or wherever teTeX is installed). The settings in lilypond-profile
rely on this, which makes it possible to all the LilyPond-related
paths by just adding an extra texmf-like tree. This is done by
setting the TEXMF variable. The music-drawing-routines.ps is
normally found in usr/local/share/lilypond/2.*.*/tex/
(make install gives you two copies of the file, as Ferenc has
pointed out).
It seems that you followed the instructions in the reference manual
to install a newer xdvi. However, this requires some care to make
sure that the new xdvi works well together with your existing teTeX.
It's probably easier to install the full teTeX version 2.x, which
contains xdvik version 22.40v, that is fully capable of the
point-and-click feature that probably is the reason you installed
a newer xdvi.
In the texmf.cnf file for teTeX 2.0, I found the following lines
that may explain why your xdvi doesn't find the correct paths:
% support nonk-xdvi:
PKFONTS.XDvi= .;$TEXMF/%s;$VARTEXFONTS/pk/{%m,modeless}//
VFFONTS.XDvi= .;$TEXMF/%s
PSHEADERS.XDvi = .;$TEXMF/%q{dvips,fonts/type1}//
TEXPICTS.XDvi = .;$TEXMF/%q{dvips,tex}//
If this still doesn't work and you insist on keeping your xdvi 22.81,
you probably want to fiddle with the PSHEADERS or TEXPICTS variables
instead of XDVIINPUTS.
/Mats
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xdvi font troubles
Forgive me for asking what is probably the most common sort of question,
but after successfully compiling and installing LilyPond 2.0.2, as well
as xdvi 22.81, I get this message from xdvi when trying to open a dvi
file generated by lilypond:
Cannot find PostScript file for inclusion in document:
music-drawing-routines.ps
The xdvi output has gibberish for noteheads, as well as other problems.
I ran buildscripts/clean-fonts.sh as root after compiling lilypond,
added lilypond-profile to my ~/bin directory and sourced it, and added
this as well to my .bash_profile:
XDVIINPUTS='/usr/share/texmf/{xdvi,dvips//}'
Ggv reads the corresponding ps file perfectly, yet I cannot get usable
output with xdvi. What have I neglected to do?
Many thanks in advance,
Carter Brey
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re: Test file
My thanks to both Paul and Thorkil for their kind replies. I apologize to the for the [spam] header in my last post; my antispam utility (PopFile) is still learning, and I forgot to alter the header before replying. Sic transit cloaca mundi. CB ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: [lilypond] Re: [inbox] Re: Runtime problem with 2.0.1
Jan Nieuwenhuizen wrote: Carter Brey writes: convert-ly only goes up to 1.9.8. Looks like I'll have to aquaint myself with what is obviously new syntax since I last used the program. There have not been any syntax changes since 1.9.8. Most changes should be converted by convert-ly. Note that we had some bugreports on convert-ly, and experimental modifications are in CVS. Jan. Strange to say, I ran convert-ly on my old files (which had the correct version syntax, as in /version 1.6.5 but 2.0.1 choked on the resulting .ly files anyway. So I'll just bone up on the manual and see what's what. As you say, it may be that convert-ly is buggy. Best, Carter ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Runtime problem with 2.0.1
Hi there--
Managed to compile 2.0.1 on RH 9 and its stock guile 1.6.0 with no
obvious problems, but here is the verbose output when attempting to run
it on a test file. What is this missing file
(libguile-srfi-srfi-13-14-v-1)? Did I screw up the $LILYINCLUDE and
$LILYPONDPREFIX environmental variables?
Thanks-- Carter
[EMAIL PROTECTED] Music]$ lilypond --verbose example-.ly
lilypond (GNU LilyPond) 2.0.1
Opening pipe `/usr/local/bin/lilypond-bin --version '
Opening pipe `kpsexpand \$TEXMF'
Opening pipe `kpsewhich -expand-path=\$T1FONTS'
Invoking `/usr/local/bin/lilypond-bin -I /home/cbrey/Music -I
/home/cbrey/Music -I /home/cbrey/Music -H dedication -H title -H
subtitle -H subsubtitle -H footer -H head -H composer -H arranger -H
instrument -H opus -H piece -H metre -H meter -H poet -H texttranslator
-H papersize -H textheight -H pagenumber -H language -H latexheaders -H
latexoptions -H linewidth -H latexpackages -H unit -H orientation
--verbose example-'
lilypond_datadir: `/usr/local/share/lilypond'
local_lilypond_datadir: `/usr/local/share/lilypond/2.0.1'
localedir: `/usr/local/share/locale'
LILYPONDPREFIX: `'
ERROR: In procedure dynamic-link:
ERROR: file: libguile-srfi-srfi-13-14-v-1, message: file not found
lilypond: warning: `usr' failed (status 2) (ignored)
lilypond: error: LilyPond failed on input file example- (exit status 2)
Traceback (most recent call last):
File /usr/local/bin/lilypond, line 845, in ?
run_lilypond (files, dep_prefix)
File /usr/local/bin/lilypond, line 287, in run_lilypond
ly.exit (status)
File /usr/local/share/lilypond/2.0.1/python/lilylib.py, line 130,
in exit
raise _ ('Exiting (%d)...') % i
Exiting (512)...
Cleaning [EMAIL PROTECTED]
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Re: guile for lilypond on Red Hat 9
i was using the GUI rpm installer, and the window would simply dissappear before running to completion, without the final message window which usually tells you either that the package has installed successfully or that some dependencies have not been met, etc. since my last message, i have finally been successful in getting lilypond 1.8.0-1 running on RedHat 9, as follows: 1. installed guile-1.6.4-7.1.i386.rpm using command-line rpm (no problems there) 2. installed lilypond-1.8.0-1.i386.rpm using command-line rpm (no problems) 3. installed lilypond-documentation-1.8.0-1.i386.rpm using command-line rpm (no problems) 4. when running ly2dvi, got dynamic link error message (can't find libguile-srfi-srfi-13-14-v-1.so) 5. installed guile-devel-1.6.4-7.1.i386.rpm to provide the .so file 6. ly2dvi runs fine it looks like lilypond is dynamically linked and requires guile-devel, but that dependency is not required by the lilypond rpm. perhaps that needs to be fixed. is this a correct diagnosis, or is something else going on here? anyway, i am DELIGHTED to finally have it running! best, -p What about other applications that depend on the out-of-the-box guile that Red Hat 9 provides? I'm screwed if I can't use Gnucash, which I use for all my tax reporting. Will it run linked to guile-1.6.4-7.1? Thanks, Carter -- Carter Brey ([EMAIL PROTECTED]) http://www.nyphil.org/music/orchestra/index.cfm?page=profilepersonNum=7 There is nothing so deadly as not to hold up to people the opportunity to do great and wonderful things, if we wish to stimulate them in an active way. - Dr. Harold Urey, Nobel Laureate in chemistry ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Making nice fonts for pdf
Every time I use ps2pdf to create a Portable Document File version of a score, the output viewed through Acrobat Reader is rather choppy looking. The printout is fine; it's just the onscreen image that leaves something to be desired. I seem to remember a post here a while back that referred to a use of something like mftrace to create pdf fonts that look good onscreen. Could someone remind me about that, and exactly what the implementation is? Thanks so much, Carter -- Carter Brey ([EMAIL PROTECTED]) Homepage: http://www.newyorkphilharmonic.org/music/orchestra/index.cfm?page=profilepersonNum=7 divide-by-zero error ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: How to add text?
Stanislav Kogan wrote: Hi I have a question: What is the best way to add text above the notes? Right now I'm using the ^# command like this for example: mi4^#`(Large Allegro non troppo) But this comes out messed up very frequently, especially if there are slurs under the text - the text goes over the slurs. Can I control the vertical location of the text somehow? Best regards, I use two ways to do this, depending on my mood or level of impatience. Method 1: \property Voice.TextScript \override #'extra-offset = #'(x . y) The variable x represents the horizontal axis (shifting the text left or right) and the variable y represents the vertical, or up-down axis. They can be positive or negative numbers, and can also be fractions (0.5, 1, 1.5, 2, 2.5, etc). Positive x values move the text right; positive y values move the text up. Experiment to see what works best. The one you don't need to change should be set at 0. Remember to reset the values afterward with \property Voice.TextScript \revert #'extra-offset. Method 2: Just add as many blank placeholders as you need: mi4^^^#'(Large Allegro con cattivo gusto e tanti urli bestiali) Hope this helps, Cheers, Carter ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: two problems
Dear David,
Use this code:
_#'(columns ((italic bold) sub ) ((dynamic) pp))
Regards,
Carter
David Bobroff wrote:
What started out as a single question has become two. In the following
short excerpt I want to place pp sub. below d16 a'. Specifically, I
want a regular dynamic pp and an italic sub..
%%
\score{
\notes \relative c{
\clef F
\time 2/4
d4.. a' d16 a' ~ | d2 a' |
}
}
%%
I have tried:
d15 a'_(dynamic pp (italic sub.))
and
d15 a'_((dynamic pp) (italic sub.))
Both of them leave me with strange errors in the console;
Calculating column positions... warning: Too many clashing notecolumns.
Ignoring them.
warning: Too many clashing notecolumns. Ignoring them.
paper output to `testing.tex'...
warning: can't find ascii character: 117
warning: can't find ascii character: 120
warning: can't find ascii character: 98
warning: can't find ascii character: 120
warning: can't find ascii character: 46
warning: can't find ascii character: 120
...and I was left with only an italic 's' under the staff.
Placing the scheme code outside the gives me a nasty parse error
(unexpected _).
Using a combination of \pp and _#'(italic sub.) left me with the two
things overlapping each other. Chaining them like:
_#'(dynamic pp)_#'(italic sub.) stacked them one on top of the other.
--
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Homepage:
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Christoph, please remember that irony is not available between the Canadian
and Mexican border you are confusing them again 8)
- Alan Cox on linux-kernel
9:32am up 1 day, 9:20, 1 user, load average: 2.25, 2.15, 2.05
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Re: PS failure with 1.6.6
Mark Hindley wrote: Hi, I have exactly the same problem. Just upgraded to 1.6.6 from 1.4 12 on top of Debian woody. Installed from .deb. In fact it is even stranger: xdvi (22.29) fails to find the file, whereas oxdvik (22.40f) succeeds (but the PS specials don't look good -- ledger-lines are too high by about 1/4 notehead, braces too small) Looks as though xdvi doesn't even look for music-drawing-routines.ps with kpathsea!! Yeah, I also tried making symlinks to dvips from ps and tex in /usr/local/share/lilypond. Still no go. I'll just wait for 1.6.7 and hope the problem goes away as my passive-aggressive contribution to LilyPond development. -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 Any dramatic series the producers want us to take seriously as a representation of contemporary reality cannot be taken seriously as a representation of anything -- except a show to be ignored by anyone capable of sitting upright in a chair and chewing gum simultaneously. -- Richard Schickel 9:52am up 12 days, 11:21, 1 user, load average: 0.16, 0.11, 0.04 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: More 1.6 install problems (uni)
This is my problem, too. Seems to be spoecific to 1.6.6? CB Rune Zedeler wrote: I solved the guile problems, and managed to build and install lily 1.6 at the uni. Lilypond also compiles files with no problems (apart from problem with determining size of tex-fonts. Perhaps more on that later). Problem is that dvips and xdvi cannot find the music-drawing-routines.ps even though GS_LIB points to the correct dir: [rz@dapsang:~/lilypond/ly]$ dvips -o test.ps test.dvi This is dvips(k) 5.86e Copyright 2001 Radical Eye Software (www.radicaleye.com) ' TeX output 2002.11.01:0606' - test.ps dvips: ! Couldn't find header file music-drawing-routines.ps [rz@dapsang:~/lilypond/ly]$ echo $GS_LIB /users/rz/usr/lily-current/share/lilypond//ps/ [rz@dapsang:~/lilypond/ly]$ ls $GS_LIB lilyponddefs.ps music-drawing-routines.ps [rz@dapsang:~/lilypond/ly]$ The docu doesn't mention anything about this - perhaps an update would be nice (Werner?)... What can I do...? Linking from . to $GS_LIB is not nice... -Rune -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: PS failure with 1.6.6
Hi, Yes, I did a make install, and music-drawing-routines.ps appears not only in /usr/local/share/lilypond/tex but also in /usr/local/share/lilypond/ps. I ran texhash just to be on the safe side (which actually I never did with previous version installs, and never had problems) but still get the same error message. As with other version installs, I placed lilypond-profile in my $PATH and sourced it to set the tree. Could it possibly be my version of xdvi? It's 22.58. Mats Bengtsson wrote: You say that you compiled the program yourself but you didn't say how you installed it. If you did a make install, the file should be placed below share/lilypond/tex/, where teTeX will find it unless you've fiddled a lot with your texmf.cnf or forgot to run texhash after the installation. /Mats Hello-- Having just downloaded and compiled the 1.6.6 sourcecode, I ran ly2dvi -P on an .ly sourcefile without error messages and got a surprise when I tried to view the results with xdvi. It loaded with this error message: Cannot find PostScript file for inclusion in document: music-drawing-routines.ps The .ps file produced by the same ly2dvi run loaded perfectly with gv. The same thing happens with all my .ly sourcefiles. Is there a diagnostic I can run to track down the problem? This did not happen with 1.6.5, and I was careful to run the font cleaning script after installation. Thank you, my friends. Carter ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 A student who changes the course of history is probably taking an exam. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: PS failure with 1.6.6
Mats Bengtsson wrote:
What do the following commands return?
kpsexpand '$TEXPSHEADERS'
[cbrey@Betty cbrey]$ kpsexpand '$TEXPSHEADERS'
.:{/usr/local/share/lilypond/,!!/usr/share/texmf}/{dvips,pdftex,tex,fonts/type1}//
kpsewhich -format 'PostScript header' music-drawing-routines.ps
[cbrey@Betty cbrey]$ kpsewhich -format 'PostScript header'
music-drawing-routines.ps
/usr/local/share/lilypond/tex/music-drawing-routines.ps
Thanks for any help...
Carter
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PS failure with 1.6.6
Hello-- Having just downloaded and compiled the 1.6.6 sourcecode, I ran ly2dvi -P on an .ly sourcefile without error messages and got a surprise when I tried to view the results with xdvi. It loaded with this error message: Cannot find PostScript file for inclusion in document: music-drawing-routines.ps The .ps file produced by the same ly2dvi run loaded perfectly with gv. The same thing happens with all my .ly sourcefiles. Is there a diagnostic I can run to track down the problem? This did not happen with 1.6.5, and I was careful to run the font cleaning script after installation. Thank you, my friends. Carter -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 All I can think of is a platter of organic PRUNE CRISPS being trampled by an army of swarthy, Italian LOUNGE SINGERS ... 9:44am up 3 days, 23:57, 5 users, load average: 0.06, 0.01, 0.00 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Slur placement problem
Hello, friends--
I finished my Tchaikovsky score last month, but have been struggling
with one nagging problem for weeks. In a certain passage with the two
flutes, no matter what I do with /slurUp or /slurDown switches and
attachment overrides, I cannot for the life of me get the slurs to come
out right. I don't know whether it's a part combiner bug, or if I'm
simply doing something dumb, but I can't make it so that the slurs for
Flute I are above the beams and the slurs for Flute II are below the beam.
I'm attaching an abbreviated pair of source files that give just the
flute parts and just the variation in question. One runs ly2dvi -P on
short-score.ly
Many thanks,
Carter
--
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Homepage:
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#(set! point-and-click line-location)
\version 1.6.4
\header{
title = Variations on a Rococo Theme
subtitle = For Cello and Orchestra
subsubtitle = (Original Version)
composer = Piotr Tchaikovsky
opus = Opus 33
dedication = To Wilhelm Fitzenhagen
tagline =
}
global = \notes{
\time 2/4
\partial 8
% careful, skips are cumulative-- each one goes on from the previous skip, not
from the beginning!
% The following means skip an eighth note 85 times.
\skip 8 * 85 \bar ||
% THEME
\property Score.skipTypesetting = ##t
\skip 8 * 96 \bar ||
% VARIATION 1
\skip 8 * 96 \bar ||
% VARIATION 2
\skip 2 * 36
%% CADENZA %
\skip 2 * 23 \time 2/4 \bar ||
%% VARIATION 3
\skip 2 * 34 \bar ||
%% VARIATION 4 %%
\skip 2 *46 \bar ||
\property Score.skipTypesetting = ##f
%% VARIATION 5 %%
\skip 2 *58 \bar ||
\property Score.skipTypesetting = ##t
%% VARIATION 6
\skip 2 *46 \time 3/4 \bar ||
%% VARIATION 7
\skip 2. * 70 \bar || \time 2/4
% VARIATION 8 AND CODA
\skip 2 *67 \bar |.
}
tempi = \notes{
\property Staff.TextScript
\override #'extra-offset = #'( -2 . 0 )
s1^^#'((large bold) Moderato assai quasi andante)
\property Staff.TextScript \revert #'extra-offset
\skip 8 * 77 s1^^#'(lines ((large italic)Tema:) ((large bold)
Moderato semplice))
\skip 8 * 88 s1#'(lines ((large italic)Variazione I:)
((large bold) Tempo della tema))
\skip 8 * 88 s1^^^#'(lines ((large italic)Variazione II:)
((large bold) Tempo della tema))
\skip 2 * 34 s1^^^#'(italic large Cadenza)
\skip 2 * 21 s1^^#'(lines ((large italic)Variazione III:)
((large bold) Andante))
\skip 2 * 32 s1^#'(lines ((large italic)Variazione IV:) ((large
bold) Allegro vivo))
\skip 2 *44 s1^#'(lines ((large italic) Variazione
V:) ((large bold) Andante grazioso))
\skip 2 *7
\skip 4 *1 s1^#'((large bold) un poco animato)
\skip 4*17 \property Voice.TextScript \override #'padding = #3 s1^#'((large
bold) a tempo)
\skip 2 *5 \property Voice.TextScript \revert #'padding
\skip 4 \property Voice.TextScript \override #'padding = #6 s1^#'((large bold)
un poco animato)
\skip 4
\skip 2 *8 \property Voice.TextScript \override #'padding = #4 s1^#'((large
bold) a tempo)
\skip 2 *3 s1^#'((large) a tempo)
\skip 2
\skip 4 \property Voice.TextScript \override #'padding = #5 s1^#'((large bold)
un poco animato)
\skip 2 * 9 \property Voice.TextScript \revert #'padding
\skip 4 \property Voice.TextScript \override #'padding = #6 s1^#'(lines
((large italic)Variazione VI:) ((large bold) Allegro moderato))
\property Voice.TextScript \revert #'padding
\property Voice.TextScript \override #'padding = #2
\skip 2 *44 s4^#'(lines ((large italic) Variazione VII:) ((large bold)
Andante sostenuto))
\skip 2. *23
\skip 2 *1 s4^#'((large bold) un poco stringendo)
\skip 2. *9
\property Voice.TextScript \revert #'padding
\property Voice.TextScript \override #'padding = #6
\skip 2 *1s4^#'((large bold) riten.)
\skip 2. *3
\property Voice.TextScript \revert #'padding
\skip 2 s4^#'((large bold) a tempo)
\skip 2. *24
\property Voice.TextScript \override #'padding = #2
\skip 2 s4^#'((large bold) un poco tranquillo)
\property Voice.TextScript \revert #'padding
\property Voice.TextScript \override #'padding = #7
\skip 2. *4
\skip 2 s4^#'((large bold) molto riten.)
\skip 2
Re: Staves/Voices question
Jule Slootbeek wrote: aah, so HariKiri does remove the staves that are not in use at that time?? the image in the documentation is a little vague... so basically what it does, is remove the measures with a full rest?? Only if there is an entire line of rests. That's why Mats suggests inserting a manual break before the line where you want the new staves to appear. If you have, for example, a Hinckelhorn part in your score, and the Hinckelhorn only has one note at the beginning of a line, LilyPond will print the Hinckelhorn staff, rests and all, for the entire width of that system. This is conventional score typesetting practice. Cheers, CB -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 Historians have now definitely established that Juan Cabrillo, discoverer of California, was not looking for Kansas, thus setting a precedent that continues to this day. -- Wayne Shannon 5:34pm up 13 days, 2:59, 4 users, load average: 0.18, 0.11, 0.04 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Can't achieve to compile lilypond 1.6.2 with gcc-3.2 and flex2.5.4a
Alexandre Beneteau wrote: Hello, I know it's pretty bleeding-edge, but I have recently upgraded my system to gcc-3.2 and encounter problems when trying to compile lilypond 1.6.2 (as expected after the reading of INSTALL.txt)... For what it's worth, after struggling not only with LilyPond source but with other program source compilations as well (e.g. MPlayer)I downgraded my compiler to GCC 2.95.3. *Everything* compiles better now. I'm happy I went to the trouble; I certainly don't miss any features or bugfixes of the 3.x series. Carter -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: *single* tie in chord
Did you try setting
\property Voice.sparseTies = ##t
?
Carter
Atte Andre Jensen wrote:
Hi
I cannot figure out how to get a tie between only one of the notes in a
chord, like this: (excuse my poor ascii art)
-|-|-
-|-|-
-|--|---|--|-
-|--|---|--|-
-|--o---o--|-
-o- -o-
\_/
This is what I tried (including the obvious c~ ec e, that really is
the way it should be done IMHO), lily 1.5.63:
\include paper20.ly
%\version 1.5.63
\header {
title = Single tie in chord
composer = Atte André Jensen
tagline =
footer =
}
tHide = \property Voice.Tie \override #'transparent = ##t
tShow = \property Voice.Tie \override #'transparent = ##f
melody = \notes \relative c' \context Voice = LHa {
| c e~ c e ~c e c e
| {c ~ c\tHide ~ c ~ c}{e e e e}
| c e\tShow c~ e c e ~ c e
| {c ~ c c c}{e e e ~ e}
}
\score {
\context Staff = melody {
\time 4/4
\melody
}
\paper {
}
}
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Re: \mark on the last \bar |.
Simon Bailey wrote: hi, at the moment it is not possible to place a rehearsal mark on a bar line that is not followed by another bar. this makes it rather hard to place any playing directions (like d.s. al fine or opt. repeat) on the last bar line. is there any way to resolve this? thanks, simon I suppose a kludge workaround might be to place it on the penultimate barline and shift it so far over to the right that it appears to be over the last barline, e.g. \property Voice.RehearsalMark \override #'extra-offset = #'(6 . 0) c1\segno \bar |. or whatever value works for the x coordinate instead of 6. Of course in the case of written directions you would use \property Voice.TextScript. Carter -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 Bad men live that they may eat and drink, whereas good men eat and drink that they may live. -- Socrates 7:46am up 6 days, 14:22, 3 users, load average: 0.10, 0.05, 0.02 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Lily error
Dear Han Wen,
Of course you were right; I had to debug specifically using #'( as
the search criterion before locating the typo.
All's well. Thanks again for pointing me in the right direction.
Carter
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
Hello,
I'm having a very perplexing problem compiling my big score, and I can't
trace the root of the trouble.
I've got some work to do, so I can't trace the exact problem, but I
think you forgot a close ) for a markup text somewhere, causing all
your notes to be read as Scheme expressions. It barfs on the ## in
line 2240 (or thereabout) since that is not valid Scheme. If you want
to debug this, try nailing down the problem by commenting out pieces,
starting from the beginning with %{ %}. I'll look into providing a
better error message (like, eg. the start of the #'( ) that got
botched.)
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Re: hold on a minute...
{c1\fermata}
to ensure it appears below the note:
{c1_\fermata}
or above:
{c1^\fermata}
[EMAIL PROTECTED] wrote:
I've searched the lilypond.ps file for how to code a
fermata, but I don't see it. I suppose if it were me,
I'd put it in the section Expressive marks.
Where did I miss it?
Thanks as always,
--Mark
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(1) Be content with what you've got.
(2) Be sure you've got plenty.
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Re: part combiner questions
editors may invoke xdvi in ``client mode'' to jump to a specific place in the dvi file corresponding to the current cursor position in the .tex file, and the user can continue editing without having to close the xdvi window first. The argument for filename should match the file name used for the source specials in the dvi file. The space before the filename is optional; it is only needed to avoid ambi guity if filename starts with a digit or a colon. Note that the argument needs to be enclosed in quotes if a space is used, to prevent the shell from misinterpreting the space as argument separator. Source specials in the dvi file must have one of the fol lowing formats: src:line[ ]filename src:line:col[ ]filename src:line src:line:col src::col If filename or line are omitted, the most recent values are used. The first source special on each page must be in one of the first two forms, so that defaults are not inherited across pages. -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 All that glitters is not gold; all that wander are not lost. 12:21am up 4 days, 19:15, 3 users, load average: 0.23, 0.05, 0.02 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: latex failure problem
Hi, Yes, Lily 1.5.58 won't compile past a certain file size. Per your advice, I've been struggling for the past week to get 1.5.63 to compile from source, wothout success. I run gcc 3.0.4 on Linux kernel 2.4.17, and for the first time am running into this Flex problem with this version of gcc. The patch fails every time (no clue why), and I've even tried replacing lines 21 through 28 in lexer.cc by hand after the intial flex run (perhaps I'm doing something wrong here?), and still my compile grinds to a halt after 10 minutes or so. It's a bummer but not enough of one to make me downgrade my gcc version with a dialup connection from a hotel room! If anyone has an insight, I's be so grateful. In the meantime I can compile my score piecemeal and will patiently wait for a) a binary release of 1.5.63 or b) 1.6. Thanks, Carter Han-Wen wrote: [EMAIL PROTECTED] writes: In this case it's actually not LaTeX but Lilypond that breaks as can be seen from the line warning: lilypond: command exited with value 139 (ignored) in your output. I tried your file with version 1.5.63 without any problem, but 1.4.14 broke with a segmentation fault, so it may be that you hit one of the intricate memory handling bugs that were fixed in version 1.5.63. I recommend to upgrade. Impressive piece (I also see interesting spacing issues with 1.5.64 :-). I processed it ok with 1.5.64, but your description matches the problem that we fixed in 1.4 this weekend. In case you didn't try 1.5, can you try 1.4.15 (or if you run windows, 1.4.14.jcn4) and tell us whether that solves your problem? -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.cs.uu.nl/~hanwen -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 I watch television because you don't know what it will do if you leave it in the room alone. 9:02am up 2 days, 6:04, 3 users, load average: 0.17, 0.10, 0.11 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
latex failure problem
Hello-- I've been working on a full orchestral score for a while and have begun running into a perplexing problem. To save compiling time I usually use the \property Score.skipTypesetting = ##t feature, just typesetting the part I'm currently working on and every once in a great while commenting the skip typesetting instruction so that I can see how the whole thing looks so far. Until yesterday I never had a problem with this, but after the score reached a certain length I started to get this error message at the very end of the compile: paper output to `rococo-score.tex'... writing header field `dedication' to `rococo-score.dedication'... writing header field `title' to `rococo-score.title'... writing header field `subtitle' to `rococo-score.subtitle'... writing header field `subsubtitle' to `rococo-score.subsubtitle'... writing header field `composer' to `rococo-score.composer'... writing header field `opus' to `rococo-score.opus'... warning: lilypond: command exited with value 139 (ignored) Analyzing rococo-score.tex... Running LaTeX... error: latex: command exited with value 256 Traceback (innermost last): File /usr/bin/ly2dvi, line 928, in ? run_latex (files, outbase, extra_init) File /usr/bin/ly2dvi, line 670, in run_latex quiet_system (cmd, 'LaTeX') File /usr/bin/ly2dvi, line 442, in quiet_system return system (cmd) File /usr/bin/ly2dvi, line 247, in system error (msg) File /usr/bin/ly2dvi, line 144, in error raise _ (Exiting ... ) Exiting ... LATEX output to `rococo-score.latex'... MIDI output to `rococo-score.midi'... TEX output to `rococo-score.tex'... I can skip all but the very end or very beginning of the score and get a good compile with normal postscript output, but doing the entire thing makes latex choke. Any help gratefully appreciated. I'm attaching the two files zipped together, in case that helps. Carter -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 A pushy romeo asked a gorgeous elevator operator, Don't all these stops and starts get you pretty worn out? It isn't the stops and starts that get on my nerves, it's the jerks. rococo.zip Description: Zip compressed data
Manipulating text markup in soloAdue mode
Hi, It seems inevitable that, when using soloAdue with part combining, words such as solo and a2 clash with slurs or other markings. Is it possible to change their spacing? I know I can turn off soloAdue with \property Staff.soloADue = ##f but in some cases (I've no idea why!), in addition to eliminating the labels, this causes very strange and ugly beam behavior. Using Lilypond 1.5.58 with Ghostscript 6.51 and Tex 3.14159. Thanks, Carter -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 Two cars in every pot and a chicken in every garage. 9:38pm up 23 days, 23:05, 4 users, load average: 1.04, 0.49, 0.29 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Attaching slurs to stem ends
Hello,
Could you take pity and tell me why the bottom voice slur in this
extract does not respond to my request to attach itself to the stem ends
rather than to the note heads?
\context Staff
\context Voice = VA { \stemUp [a'8.] a16\p}
\context Voice = VB { \stemDown \property Voice.Slur \set
#'attachment = #'(stem . stem) [fis'16( gis' )a']}
Thank you so much,
Carter
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Re: Attaching slurs to stem ends
Yay. Got it, thanks a million.
CB
Jan Nieuwenhuizen wrote:
Carter Brey [EMAIL PROTECTED] writes:
Could you take pity and tell me why the bottom voice slur in this
extract does not respond to my request to attach itself to the stem
ends rather than to the note heads?
\context Staff
\context Voice = VA { \stemUp [a'8.] a16\p}
\context Voice = VB { \stemDown \property Voice.Slur \set
#'attachment = #'(stem . stem) [fis'16( gis' )a']}
That's because the slur direction will be UP, and there are no stems
available there, stems are down. The attachment override will not
change the slur's direction.
Change \stemUp to \voiceOne, stemDown to \voiceTwo, and you'll be
fine.
Jan.
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Tuplet bracket numbering problem
Dear colleagues,
I'm running Lily version 1.5.58. I cannot seem to get rid of the little
3's under each triplet beam in this excerpt:
\property Voice.tupletSpannerDuration = #(make-moment 1 8)
\property Voice.TupletBracket \set #'tuplet-number-visibility = ##f
\times 2/3{[d'( )cis'' b'-.] [cis'( )b' a'-.] [b( )a' gis'-.] [bis(
)gis' fis'-.]
[cis'\( d'\!dis'] [fis'\ e' ) \!cis'] [gis-.( a-. b-.] [cis'-.
d'-. )e'-.] }
Did I mistype the tuplet bracket property somehow? Or has the
nomenclature changed since 1.4?
Thanks very much.
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Re: Tuplet bracket numbering problem
Dear Gentlemen,
Alas, a correction using number-visibility elicits this error message:
warning: Not a grob name, 'tupletBracket'.
Has the grob also been renamed?
Carter (still swimming in little 3's)
Mats Bengtsson wrote:
It seems that some benign developer has renamed the property
to number-visibility without even documenting the change in
the ChangeLog and without including the change in convert-ly
or the example file input/regression/triplets.ly.
Likewise, the tuplet-bracket-visibility property has been renamed
to bracket-visibility.
/Mats
Dear colleagues,
I'm running Lily version 1.5.58. I cannot seem to get rid of the little
3's under each triplet beam in this excerpt:
\property Voice.tupletSpannerDuration = #(make-moment 1 8)
\property Voice.TupletBracket \set #'tuplet-number-visibility = ##f
\times 2/3{[d'( )cis'' b'-.] [cis'( )b' a'-.] [b( )a' gis'-.] [bis(
)gis' fis'-.]
[cis'\( d'\!dis'] [fis'\ e' ) \!cis'] [gis-.( a-. b-.] [cis'-.
d'-. )e'-.] }
Did I mistype the tuplet bracket property somehow? Or has the
nomenclature changed since 1.4?
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Re: Tuplet bracket numbering problem
Thanks, that fixed everything. How weird; I know the case was correct
when I sent the initial email. Can't figure out how the capital T got
changed. Anyway... thanks for your patient assistance.
CB (on tour in Cologne)
Mats Bengtsson wrote:
Dear Gentlemen,
Alas, a correction using number-visibility elicits this error message:
warning: Not a grob name, 'tupletBracket'.
Has the grob also been renamed?
No, but maybe you have done it, it should be called TupletBracket
and the name is case sensitive. A complete version of your example
can be found below.
/Mats
\score{\notes{
\property Voice.tupletSpannerDuration = #(make-moment 1 8)
\property Voice.TupletBracket \set #'number-visibility = ##f
\times 2/3{[d'16( )cis'' b'-.] [cis'( )b' a'-.] [b( )a' gis'-.] [bis(
)gis' fis'-.]
[cis'\( d'\!dis'] [fis'\ e' ) \!cis'] [gis-.( a-. b-.] [cis'-.
d'-. )e'-.] }
}}
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I have discovered that all human evil comes from this, man's being unable
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-- Blaise Pascal
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Performance indications
Hello-- Here's a question that refers specifically to multi-voice scores. I'm running Lilypond 1.4.13 on a modified RH 7.2 distro. I wrote a quartet score using the two-file technique detailed in the manual (os-music.ly, os-score.ly), using a little additional help from the opus-130 example included with the source. Everything works fine, including part extraction, but there's one thing that I cannot seem to do. I'd like to put the usual sort of performance indication at the beginning (Allegro, for example), but have it appear only above the orchestra staff in the full score while appearing in each extracted part. If one puts it in the\notes for each voice as a text grob attached to a note or rest, it of course appears above every voice in the score, which looks silly. On the other hand, this is the only way I know of to have it appear in an extracted part. Is there a way to put such an indication in the global settings along with key and meter? I notice that there is an attempt to do something this in the opus-130.ly, but it does not appear in the printout at all. It reads: \property Voice.TextScript \set #'font-style = #'large s8^Allegro assai As I said, this has absolutely no effect on the Postscript result at all; it's as if it never existed, at least on my setup. Such a capability should also include the potential for changes, such as a section in a new tempo. In the global list I guess it would appear as a \skip. Thanks so much. Carter -- +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 The master programmer moves from program to program without fear. No change in management can harm him. He will not be fired, even if the project is canceled. Why is this? He is filled with the Tao. -- Geoffrey James, The Tao of Programming ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Numbering of repeated bars
Hi, all--
I'd be grateful if you could have a look at the attached and help me
solve a very minor problem. There are fifteen or so bars at the end
which repeat, and I put numbers over them to help keep the player from
getting lost if he starts to think about his taxes or the last episode
of ER. Once the numerals become two-digit starting at 10, Lilypond
refuses to compile unless I enclosed them in quotes. That's fine, but
they appear in a larger, less attractive font than the single digits.
Any workaround? I know there's a technique for repeated bars in which
the numbers appear over the barlines, but I really want them over the
notes.
I'm using Lilypond 1.4.13 and Linux kernel 2.4.17.
Thanks,
Carter
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Yinkel, n.:
A person who combs his hair over his bald spot, hoping no one
will notice.
-- Rich Hall, Sniglets
\header{
instrument = Violoncello
subsubtitle = (Tune C string down to B-flat)
tagline = Robert Schumann: Piano Quartet Opus 47, scordatura version
copyright = Robert Schumann: Piano Quartet Opus 47, scordatura
version
}
\score{
\notes{
\time 3/4
\clef bass
\key bes \major
\property Staff.midiInstrument = cello
r4^#'((bold large) Andante cantabile) e2\f\
\!f4\p r4 r4
r4 f\mf( ees
d c'4. )bes8
bes4( c' )d'
d'( )ees ees
ees ees( d
c bes4. )a8
a4( bes )c'
c'( )d d
d d( c
bes, a4. )g8
g4( a )bes
bes( )c c
c4. c8( d )bes,
a,4( g4. )ges8
f\( e ees c g, \!a,
c )bes, r4 r4
r4 bes_#'((italic) poco a poco cresc.)( a
g f'4. )ees'8
ees'4( f' g'
)a' r r
r a( g
fis ees'4. )d'8
d'4( e' fis'
)g' r r
r g( f
ees d'4. )c'8
c'4( d' )ees'
ees( )f f
f( f' ees'
)d' r r
bes,2 r4
ees2 r4
c2 r4
ees2 r4
c2 r4
d2 r4
d2 r4
g,2-o r4
g2 r4
ees2 r4
c2 r4
g,2__IV r4
f2 r4
bes2 r4
r c__IV( bes,
\bar ||
\key ges \major
\time 4/4
)aes,\p\ aes,2 des \!bes,8\( )c
\!c4( des2 c4
bes, aes, f, g,\ ~
\!g,8\ )aes,4 \!aes,8( ges4__III f ~
f )ees2 ges4( ~
ges )f2 aes4( ~
aes )ges2 aes4 ~
aes aes,( des )ees,_IV
r4 aes,__IV^pizzicato r bes,8 c
r4 des r c
r8 g, r aes, r f, r g,
r aes, r aes, r ges__III r f
r4 ees r ges
r f r aes
r ges r8 ges r aes
r aes r aes des4 r
\repeat volta 2 {r2 r4^arco ees( ~
ees8 )aes, aes,4 r 2
r2 r4 ges4\( ~
ges8 )c \!c2(\f\ des8 )ees
\!ees4( des2 )c4}
\alternative { {r des2 des4
r aes,2__IV r4}
{r4 des2 des4
r aes,2__IV aes,4 ~ \bar ||} }
\time 3/4
aes, g,2__#'((italic) diminuendo) ~
g, r4
\bar ||
\key bes \major
bes,8_pizz__III^#'((bold large) Tempo I) r8 r4 r4
\property Score.skipBars = ##t R2.*15
c4^pizz r r
c r r
f r r
f r r
bes, r r
Re: Numbering of repeated bars
Rune Zedeler wrote: Carter Brey wrote: refuses to compile unless I enclosed them in quotes. That's fine, but they appear in a larger, less attractive font than the single digits. Any workaround? bes,^#'(finger 10) - Thanks; that did the trick nicely. Carter +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profilepersonNum=7 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
