Curly brackets in \markup
Hi all,
Does anyone know if it is possible to put curly brackets {} in a \markup?
Can they be escaped or something like that?
thanks,
Hans.
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Re: Curly brackets in \markup
Thanks Nicolas, should have thought of this myself..
regards,
Hans.
Hans de Rijck [EMAIL PROTECTED] writes:
Hi all,
Does anyone know if it is possible to put curly brackets {} in a
\markup?
Can they be escaped or something like that?
Use double-quotes: \markup {
nicolas
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Re: Cryptical errormessage
Han-Wen,
I've found the culprit.
The errormessage is caused by a fermata over a full measure rest:
\new Voice \relative c
{
\clef treble
\time 4/4
R1*4/4 \fermata
}
Removing the fermata clears the error, changing the rest to r1 too.
regards,
Hans.
Lilypond version: 2.6.3
Message:
programming error: not a markup:
continuing, cross fingers
Assertion failed: false, file text-interface.cc, line 61
- Original Message -
From: Han-Wen Nienhuys [EMAIL PROTECTED]
To: Hans de Rijck [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Monday, September 05, 2005 12:20 AM
Subject: Re: Cryptical errormessage
Hans de Rijck wrote:
The assertion message isn't very meaningful too, its logical the result
is
'false', otherwise the assertion wouldn't have failed. It would be more
helpful to print what the assertion was.
Any ideas how to find the meaning of the above or how to debug this?
Yes, run LilyPond inside GDB to see what is going wrong. Alternatively,
you could post the problematic file here.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
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Re: Cryptical errormessage
Right,
Thanks Daniel. I didn't need multi-measure rests in the first place, I
needed full measure rests.
I discovered that for a full measure rest a lowercase 'r' works equally
well.
\time 5/4
r1*5/4
gives a neat full measure rest in 5/4 time.
Graham, could you please add this to the manual, so we don't need to fiddle
with
capital R rests when it is not necessary?
Apart from this, the errormessage stays cryptical. It took me more than an
hour to pinpoint the actual problem.
regards,
Hans.
If you look here:
http://lilypond.org/doc/v2.6/Documentation/user/out-www/lilypond/Multi-measu
re-rests.html
you'll see that adding a fermata to a multi-measure rest (R1 rather than
r1) is done with \fermataMarkup instead of \fermata.
--Daniel
Hans de Rijck wrote:
Han-Wen,
I've found the culprit.
The errormessage is caused by a fermata over a full measure rest:
\new Voice \relative c
{
\clef treble
\time 4/4
R1*4/4 \fermata
}
Removing the fermata clears the error, changing the rest to r1 too.
regards,
Hans.
Lilypond version: 2.6.3
Message:
programming error: not a markup:
continuing, cross fingers
Assertion failed: false, file text-interface.cc, line 61
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[OT] NoteWorthy Composer to LilyPond converter
Hi all, I've spent the greater part of my holiday completely rewriting the program that converts NoteWorthy Composer files to LilyPond. It's now completely written in C++ and adding a separate MusicXML frontend should be relatively easy. But that has to wait for a next holiday (if there is any interest for this). For those of you who are interested, more information can be found on: http://musiccvt.octet.nl Kind regards, Hans de Rijck. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Cryptical errormessage
Hi, I get an errormessage that I don't understand, the last lines of lilypond --verbose are: 819][822][825][828][831][834][837][840][843][846][849][852][855][858][861][8 64][ 867][870][873][876][879][882][885][888][891][894][897][900][903][906][909][9 12][ 915][918][921][924][927][930][933][936][939][942][945][946] Optimal demerits: 3.725138 Element count 37348.[0][1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][1 7][18][19][20][21][ programming error: not a markup: continuing, cross fingers ()Assertion failed: false, file text-interface.cc, line 61 abnormal program termination Are the numbers in square brackets after 'Element count' barnumbers? In the lines above they are. But measures 1 to 30 are only full measure rests with no markups. The assertion message isn't very meaningful too, its logical the result is 'false', otherwise the assertion wouldn't have failed. It would be more helpful to print what the assertion was. Any ideas how to find the meaning of the above or how to debug this? Apart from the message above there are no warnings or errors. regards, Hans. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Cryptical errormessage
Done. h. - Original Message - From: Erik Sandberg [EMAIL PROTECTED] To: lilypond-user@gnu.org; Hans de Rijck [EMAIL PROTECTED] Sent: Sunday, September 04, 2005 7:35 PM Subject: Re: Cryptical errormessage On Sunday 04 September 2005 17.21, Hans de Rijck wrote: Hi, I get an errormessage that I don't understand, the last lines of lilypond --verbose are: 819][822][825][828][831][834][837][840][843][846][849][852][855][858][861][ 8 64][ 867][870][873][876][879][882][885][888][891][894][897][900][903][906][909][ 9 12][ 915][918][921][924][927][930][933][936][939][942][945][946] Optimal demerits: 3.725138 Element count 37348.[0][1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][1 7][18][19][20][21][ programming error: not a markup: continuing, cross fingers ()Assertion failed: false, file text-interface.cc, line 61 abnormal program termination Are the numbers in square brackets after 'Element count' barnumbers? In the lines above they are. But measures 1 to 30 are only full measure rests with no markups. The assertion message isn't very meaningful too, its logical the result is 'false', otherwise the assertion wouldn't have failed. It would be more helpful to print what the assertion was. Any ideas how to find the meaning of the above or how to debug this? Apart from the message above there are no warnings or errors. This is a clear bug, please send a bugreport. The error message is only meant to be understood by developers, but we need to be able to reproduce it. -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How can I avoid unicode and use Latin1? (Was: Wrong characterswith jEdit)
Or, for someone with a C compiler, the poor-man's algorithm is:
for ( unsigned int i = 0; i length; i++ )
{
if ( (unsigned char)line1[i] 127 )
{
*line2++ = (char)(192 + (((unsigned char)line1[ i ]) / 64));
*line2++ = (char)(128 + (((unsigned char)line1[ i ]) % 64));
}
else
{
*line2++ = line[ i ];
}
}
But in general, the quickest solution is to load the file in Notepad, and
save as UTF-8.
regards,
Hans.
- Original Message -
From: Daniel Johnson [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Cc: [EMAIL PROTECTED]; Mats Bengtsson [EMAIL PROTECTED]
Sent: Friday, September 02, 2005 7:42 PM
Subject: Re: How can I avoid unicode and use Latin1? (Was: Wrong
characterswith jEdit)
Mats Bengtsson wrote:
If you find this added flexibility in LilyPond 2.6 so annoying, then
you could use some program that converts a Latin1 coded file into
UTF-8 coding and even make a script file that first does the
conversion and then calls LilyPond. Unfortunately, I don't know
Windows well enough to provide any specific hints but there should
be several possibilities available.
/Mats
This sounds like a job for a sed script, but...
I offer the following with NO WARRANTY. I haven't used Windows in about
a year so this is all from memory, but I am enclosing a VBScript file
that should perform conversion from Latin-1 to UTF-8. I haven't tested
this. Also, I never did figure out how to use command-line args with
VBS, so you'll have to hardcode the input and output filenames each time
(unless you have on-hand a guru who can improve this thing). Anyhow,
here goes. You'll want to save this with a .vbs extension.
' begin VBScript code
Option Explicit
Dim sInFileName, sOutFileName
sInFileName = ' Filename you wish to convert (with full path)
sOutFileName = ' Filename you want for the output
Dim oFSO
Dim oInFile, sInString
Dim oOutFile, sOutString
Dim i, s
Dim sTransArray(255)
'Populate the translation table
For i = 128 To 191
sTransArray(i) = chr(HC2) chr(i)
Next
For i = 192 To 255
sTransArray(i) = chr(HC3) chr(i - 64)
Next
'Read the input file as a single string
Set oFSO = CreateObject(Scripting.FileSystemObject)
Set oInFile = oFSO.OpenTextFile(sInFileName, 1, False, 0)
sInString = oInFile.ReadAll
oInFile.Close
Set oInFile = Nothing
'Perform char-by-char translation
sOutString =
For i = 0 To Len(sInString)
s = Mid(sInString, i, 1)
If Asc(s) 128 Then
sOutString = sOutString s
Else
sOutString = sOutString sTransArray(Asc(s))
End If
Next
'Write the resulting file to the output file
Set oOutFile = oFSO.OpenTextFile(sOutFileName, 2, True, 0)
oOutFile.Write(sOutString)
oOutFile.Close
'Perform final housekeeping
Set oOutFile = Nothing
Set oFSO = Nothing
End
' end VBScript code
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Re: Guile
Add LYEDITOR to your environment, something like: LYEDITOR=e:\progra~1\vslick\win\vs.exe -#%(line)s %(file)s regards, Hans. - Original Message - From: Mehmet Okonsar [EMAIL PROTECTED] To: lilypond-user@gnu.org Sent: Thursday, September 01, 2005 8:08 AM Subject: Guile how can I easily, and without having to learn Guile, set the point and click editor to C:\Program Files\Editors\Winedit\WinEdt.exe instead of Lilypad ? Thanks Best Regards, Mehmet Okonsar, pianist-composer www.okonsar.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond resource usage
Yes, I suspect a bug in the way you measure the resource usage. Or do you have an extreme number of fonts installed? I don't think so. It's the windows taskmanager, AFAIK its above suspicion. I sent you an attached .png but it was bounced by the group. total number of fonts installed: 129 (no, that's not extreme). regards, Hans. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond resource usage
The suspicious number is actually 18,601,020 - it's doing a lot of small
reads.
Agreed, figures are consistent with blocked I/O and 512 bytes/block
What happens if you run with --verbose? What does lily do when
the increase happens.
Here is the verbose output:
First part: no spectacular increase**
G:\MusicCvtE:\Program Files\LilyPond\usr\bin\lilypond --verbose kv299.ly
GNU LilyPond 2.6.3
LILYPOND_DATADIR=/usr/share/lilypond/2.6.3
LOCALEDIR=/usr/share/locale
Effective prefix: E:/Program Files/LilyPond/usr/share/lilypond/2.6.3
FONTCONFIG_FILE=E:/Program Files/LilyPond/usr/etc/fonts/fonts.conf
GS_FONTPATH=E:/Program Files/LilyPond/usr/share/gs/fonts;E:\WINNT/fonts
GS_LIB=E:/Program Files/LilyPond/usr/share/gs/lib
GUILE_LOAD_PATH=E:/Program Files/LilyPond/usr/share/guile/1.7
PANGO_RC_FILE=E:/Program Files/LilyPond/usr/etc/pango/pangorc
PATH=E:/Program Files/LilyPond/usr/bin;E:\Program
Files\Borland\Delphi7\Bin;E:\
Program
Files\Borland\Delphi7\Projects\Bpl\;E:\WINNT\system32;E:\WINNT;E:\WINNT\
System32\Wbem;E:\DLL;E:\tools;E:\Program Files\Common Files\Ulead
Systems\MPEG;E
:\Perl\bin\;D:\BITWARE\;C:\WINDOWS;C:\UTILITY\DOS;D:\LANTASTI;C:\;D:\;C:\UTI
LITY
\UTILS;C:\UTILITY\PCTOOLS;C:\UTILITY\SCS;;C:\TOEPAS\WP60;C:\IEXPLORE
Initializing FontConfig...
adding font directory: E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/fonts/
otf/
adding font directory: E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/fonts/
type1/
adding font directory: E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/fonts/
svg/
Processing `kv299.ly'
Parsing...[E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/ly/init.ly[E:/Prog
ram
Files/LilyPond/usr/share/lilypond/2.6.3/ly/declarations-init.ly[E:/Program F
iles/LilyPond/usr/share/lilypond/2.6.3/ly/music-functions-init.ly][E:/Progra
m Fi
les/LilyPond/usr/share/lilypond/2.6.3/ly/nederlands.ly][E:/Program
Files/LilyPon
d/usr/share/lilypond/2.6.3/ly/drumpitch-init.ly][E:/Program
Files/LilyPond/usr/s
hare/lilypond/2.6.3/ly/chord-modifiers-init.ly][E:/Program
Files/LilyPond/usr/sh
are/lilypond/2.6.3/ly/script-init.ly][E:/Program
Files/LilyPond/usr/share/lilypo
nd/2.6.3/ly/scale-definitions-init.ly][E:/Program
Files/LilyPond/usr/share/lilyp
ond/2.6.3/ly/grace-init.ly][E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/l
y/midi-init.ly[E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/ly/performer-i
nit.ly]][E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/ly/paper-defaults.ly
[E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/ly/titling-init.ly]][E:/Prog
ram Files/LilyPond/usr/share/lilypond/2.6.3/ly/engraver-init.ly][E:/Program
File
s/LilyPond/usr/share/lilypond/2.6.3/ly/dynamic-scripts-init.ly][E:/Program
Files
/LilyPond/usr/share/lilypond/2.6.3/ly/spanners-init.ly][E:/Program
Files/LilyPon
d/usr/share/lilypond/2.6.3/ly/property-init.ly]][kv299.ly]
Interpreting music... [E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/fonts/
otf/emmentaler-20.otf]
E:/Program Files/LilyPond/usr/share/lilypond/2.6.3/ly/grace-init.ly:16:8:
warnin
g: can't end slur
s1*0
)
kv299.ly:4129:39: warning: adding note head to incompatible stem (type = 32)
\appoggiatura { c'32\f e g }
c4. g8 e c e g |
kv299.ly:4129:39: warning: maybe input should specify polyphonic voices
\appoggiatura { c'32\f e g }
[8][16][24][32][40][48][56][64][72][80][88][96][104][112][120]
kv299.ly:426:26: warning: barcheck failed at: 1/2
g g' 1 e'2
|
kv299.ly:1226:26: warning: barcheck failed at: 1/2
g g' 1 e'2
[128][136][144][152][160] |
E:/Program Files/LilyPond/usr/share/lilypond/2.6.3/ly/grace-init.ly:16:8:
warnin
g: can't end slur
s1*0
)
E:/Program Files/LilyPond/usr/share/lilypond/2.6.3/ly/grace-init.ly:16:8:
warnin
g: can't end slur
s1*0
)
E:/Program Files/LilyPond/usr/share/lilypond/2.6.3/ly/grace-init.ly:16:8:
warnin
g: can't end slur
s1*0
)
E:/Program Files/LilyPond/usr/share/lilypond/2.6.3/ly/grace-init.ly:16:8:
warnin
g: can't end slur
s1*0
)
E:/Program Files/LilyPond/usr/share/lilypond/2.6.3/ly/grace-init.ly:16:8:
warnin
g: can't end slur
s1*0
)
E:/Program Files/LilyPond/usr/share/lilypond/2.6.3/ly/grace-init.ly:16:8:
warnin
g: can't end slur
s1*0
[168][176][184][192][200][208][216][224][232][240][248][256]
elapsed time: 222.26 seconds
Element count 92563 (spanners 6362)
Preprocessing graphical objects...
Here it starts doing lots of I/O**
Grob count 116667[E:/Program
Files/LilyPond/usr/share/lilypond/2.6.3/fonts/otf/e
mmentaler-11.otf]
Calculating line breaks...
[century_schoolbook_l__1.6865234375][feta-alphabet11_
3.865234375]
Global shortest duration is 1/16
[century_schoolbook_l__2.125][3][6][9][12][15][18][21][24][27][30][33][36][3
9][4
2][45][48][51][54][57][60][63][66][69][72][75][78][81][84][87][90][93][96][9
9][1
02][105][108][111][114][117][120][123][126][129][132][135][138][141][144][14
7][1
LilyPond resource usage
Hi developers, Some information that may help when looking for LilyPond performance optimisation. When I converted a (rather large) score I noticed that Lily's resource usage is somewhat strange. Total conversion time: about 10 minutes. During first 8 minutes memory usage slowly increases to 190 Mb. This is not spectacular. During first 8 minutes, total bytes read (that is, read from disk) increases rapidly to 9.6 Gb. This is bizar! Last 2 minutes, reading from disk stops, memory usage increases to 413 Mb, a little high. end result: PDF of 24 pages, 560 kb. Especially the 9.6 Gbytes of disk-io is a major concern when it comes to performance. Luckily most of it is cached (no disk light activity) but nonetheless. If someone is looking for possible optimisations, I would look in this direction too. regards, Hans. ps. version 2.6.3 Native windows, running Win2k ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Preferred way for text
Hi gurus,
What is the preferred way to add general texts?
So far I've found two ways that are reasonably 'universal':
\mark \markup { MyText }
or
s1*0 ^\markup { MyText }
where the latter has the possibility to position the text above the staff.
or is there another way that should be used for general purpose?
regards,
Hans.
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Re: Preferred way for text
Hi Mats, or is there another way that should be used for general purpose? Too general question to answer! Well, in fact it's a clear answer. Apparently there is no general way. thanks, Hans. ps. I agree with Trevor that adding the different ways to the manual would help. h. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond dies on hairpin override
Tom, Thanks for the explanation, could you please check your list if: \override SpacingSpanner #'shortest-duration-space = #3.0 is on it? It doesn't seem to do anything. thanks, Hans - Original Message - From: [EMAIL PROTECTED] To: Hans de Rijck [EMAIL PROTECTED] Cc: lilypond-user@gnu.org Sent: Thursday, August 25, 2005 7:05 AM Subject: Re: LilyPond dies on hairpin override Trevor Baca wrote: Change ... \override Voice.Hairpin #'extra-offset = #( 0 . -1.8 ) to \override Voice.Hairpin #'extra-offset = #'(0 . -1.8) So you committed a Scheme error. Side remark: a Scheme error always seems to result in a log file ending in a wistful Parsing... with no further information, like a message scratched on a wall by the last human at the world's end. But at least you can be pretty sure that a Scheme error is the problem, so you can use a fine-tooth comb on your Scheme expressions looking for the error. I've taken to keeping a separate file with a handwritten list of all the Scheme expressions that *do* work, as a help in finding my coding faults. -- Tom ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
LilyPond dies on hairpin override
Hello.
When I use a \override Voice.Hairpin #'extra-offset LilyPond dies in
compilation. No errors or warnings. Log says:
# -*-compilation-*-
Changing working directory to `G:/MusicCvt'
Processing `G:/MusicCvt/test.ly'
Parsing...
thats all.
Using Win2k, version 2.6.3. Example file is attached.
regards,
Hans.
#(set-global-staff-size 18)
\paper
{
#(set-paper-size a4)
}
\version 2.6.3
\header
{
title = Test
}
\score
{
\new Staff
{
\new Voice \relative c
{
% Staff 1 (Flute)
\clef treble
\key c \major
\time 4/4
% this causes LilyPond to die:
\override Voice.Hairpin #'extra-offset = #( 0 . -1.8 )
c'\p\ d e \mf f \ |
g a \p b c |
}
}
}
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Re: LilyPond dies on hairpin override
Thanks Trevor, I just found it myself too. regards, Hans. - Original Message - From: Trevor Baca [EMAIL PROTECTED] To: Hans de Rijck [EMAIL PROTECTED] Cc: lilypond-user@gnu.org Sent: Wednesday, August 24, 2005 3:04 PM Subject: Re: LilyPond dies on hairpin override On 8/24/05, Hans de Rijck [EMAIL PROTECTED] wrote: Hello. When I use a \override Voice.Hairpin #'extra-offset LilyPond dies in compilation. No errors or warnings. Log says: # -*-compilation-*- Changing working directory to `G:/MusicCvt' Processing `G:/MusicCvt/test.ly' Parsing... Hi Hans, Change ... \override Voice.Hairpin #'extra-offset = #( 0 . -1.8 ) to \override Voice.Hairpin #'extra-offset = #'(0 . -1.8) ... making sure to insert the apostrophe between the octothorpe and (0 . -1.8) (just as you include the apostrophe between the octothorpe and extra-offset). Trevor Bača [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: offset not working
Kris and Mats,
thanks for your answers, I think I understand now.
Mats, is there a list somewhere of objects that can be overridden? In the
manual some (but I'm sure not all) are mentioned but only in examples. It
certainly would be helpfull to have such a list (eg. Staff.TimeSignature,
Score.skipBars, TextScript, Score.BarNumber).
thanks,
Hans.
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Kris Shaffer [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Monday, August 22, 2005 9:32 AM
Subject: Re: offset not working
I don't think you understood Han-Wen's answer. Everything will work
fine if you do
\override MultiMeasureRestText #'extra-offset = #'(0 . 2.0)
or (preferably)
\override MultiMeasureRestText #'padding = #2.0
As you can read in section 8.2.1, texts attached to multi
measure rests are handled by MultiMeasureRestText layout
objects in contrast to texts attached to normal notes, which
are handled by TextScript layout objects.
The comment on using a skip note are only relevant if you want
to place something at the beginning of the bar instead of in
the middle (which is where the multimeasure rest is placed).
/Mats
Kris Shaffer wrote:
Since the manual (section 8.2.1, page 173) mentions the need to use
s1*0^\markup {whatever }
R1*4
instead of
R1*4^\markup
to control markup alignment on a multirest, I figured it was not an
unknown bug. But it sounds like something I should submit, though, so
I'll send it. Sorry about any confusion.
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: offset not working
Mats,
I've read that. It describes how it works, but not on what objects.
From examples all over the manual one can extract some objects (Staff, Stem,
Voice) and some properties (skipBars, MetronomeMark, Stem etc) but there is
no list of all these. At least, I can't find one. It would be handy to have
such a list, so its easier to see what can be overridden.
thanks,
Hans.
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Hans de Rijck [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Monday, August 22, 2005 5:12 PM
Subject: Re: offset not working
Read 9.2 The \override command in the manual with all subsections
to learn how to find the relevant information.
/Mats
Hans de Rijck wrote:
Kris and Mats,
thanks for your answers, I think I understand now.
Mats, is there a list somewhere of objects that can be overridden? In
the
manual some (but I'm sure not all) are mentioned but only in examples.
It
certainly would be helpfull to have such a list (eg.
Staff.TimeSignature,
Score.skipBars, TextScript, Score.BarNumber).
thanks,
Hans.
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Kris Shaffer [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Monday, August 22, 2005 9:32 AM
Subject: Re: offset not working
I don't think you understood Han-Wen's answer. Everything will work
fine if you do
\override MultiMeasureRestText #'extra-offset = #'(0 . 2.0)
or (preferably)
\override MultiMeasureRestText #'padding = #2.0
As you can read in section 8.2.1, texts attached to multi
measure rests are handled by MultiMeasureRestText layout
objects in contrast to texts attached to normal notes, which
are handled by TextScript layout objects.
The comment on using a skip note are only relevant if you want
to place something at the beginning of the bar instead of in
the middle (which is where the multimeasure rest is placed).
/Mats
Kris Shaffer wrote:
Since the manual (section 8.2.1, page 173) mentions the need to use
s1*0^\markup {whatever }
R1*4
instead of
R1*4^\markup
to control markup alignment on a multirest, I figured it was not an
unknown bug. But it sounds like something I should submit, though, so
I'll send it. Sorry about any confusion.
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offset not working
Hi group,
I've tried all afternoon to get a text moved a little higher. I tried '\once
\override' with extra-offset and padding in at least five different syntaxes
but nothing works. I also tried a separate \mark \markup for the text but
with no effect. I get no errors or warnings from LilyPond, the text just
seems to be glued firmly to the staff.
See bar 2, text 'No.1 Lent et douloureux'.
If anyone could help, I'd be much obliged.
kind regards,
Hans de Rijck.
%File generated by MusicCVT, a music converter by Hans de Rijck.
%(original file: satiegy1_3.nwc, size: 24581 bytes.
% produced by [NoteWorthy Composer], version 1.75)
#(set-global-staff-size 18)
\paper
{
#(set-paper-size a4)
topmargin = 1.0\cm
leftmargin = 1.0\cm
rightmargin = 1.0\cm
bottommargin = 1.0\cm
raggedlastbottom = ##f
}
\version 2.6.3
\header
{
title = Trois Gymnopédies
composer = Erik Satie
copyright = \markup \teeny Made with NoteWorthy Composer ®
tagline = \markup \teeny Typesetting by Hans de Rijck and LilyPond
footer =
%{ Tempo and expression inspired by Reinbert de Leeuw. The score is public domain. %}
}
\score
{
\new Staff
{
#(set-accidental-style 'default)
\new Voice \relative c
{
% Staff 1 (Flute)
\set Staff.instrument = #Flute
\set Score.skipBars = ##t
%MPC instruction ignored
%\tempo 4=60
\clef treble
\key d \major % or b \minor
\time 3/4
R1*3/4 _\markup {\small \italic \bold {legato}} |
% Bar 2
\once \override TextScript #'extra-offset = #'(0 . 2.0)
R1*3/4 ^\markup {\override #'(padding . 2.0) No.1 Lent et douloureux}|
% Bar 3
R1*3/4 |
% Bar 4
R1*3/4 |
% Bar 5
r4 fis''(\pp a\ |
% Bar 6
g fis cis |
% Bar 7
b cis\mp d\ |
% Bar 8
a2. |
% Bar 9
fis)~\pp |
% Bar 10
fis~ |
% Bar 11
fis~ |
% Bar 12
fis |
% Bar 13
r4 fis'( a\ |
% Bar 14
g fis cis |
% Bar 15
b cis d\mp |
% Bar 16
a2. |
% Bar 17
cis\ |
% Bar 18
fis |
% Bar 19
e,)~\pp |
% Bar 20
e~ |
% Bar 21
e |
% Bar 22
a4( b\ c! |
% Bar 23
e d b |
% Bar 24
d\mp c! b |
% Bar 25
d2.~ |
% Bar 26
d2)\pp d4( |
% Bar 27
e\ f! g |
% Bar 28
a c,! d\mp |
% Bar 29
e\ d b |
% Bar 30
d2.~ |
% Bar 31
d2)\pp d4 |
% Bar 32
g2.( |
% Bar 33
fis\ |
% Bar 34
b,4 a b |
% Bar 35
cis\mp d\ e |
% Bar 36
cis d e |
% Bar 37
fis,2. |
% Bar 38
a c ) |
% Bar 39
a d |
% Bar 40
R1*3/4 |
% Bar 41
R1*3/4 |
% Bar 42
R1*3/4 |
% Bar 43
R1*3/4 |
% Bar 44
r4 \stemNeutral fis'(\pp a\ |
% Bar 45
g fis cis |
% Bar 46
b cis\mp d\ |
% Bar 47
a2. |
% Bar 48
fis)~\pp |
% Bar 49
fis~ |
% Bar 50
fis~ |
% Bar 51
fis |
% Bar 52
r4 fis'( a\ |
% Bar 53
g fis cis |
% Bar 54
b cis d\mp |
% Bar 55
a2. |
% Bar 56
cis\ |
% Bar 57
fis |
% Bar 58
e,)~\pp |
% Bar 59
e~ |
% Bar 60
e |
% Bar 61
a4( b\ c! |
% Bar 62
e d b |
% Bar 63
d\mp c! b |
% Bar 64
d2.~ |
% Bar 65
d2)\pp d4( |
% Bar 66
e\ f! g |
% Bar 67
a c,! d\mp |
% Bar 68
e\ d b |
% Bar 69
d2.~ |
% Bar 70
d2)\pp d4 |
% Bar 71
g2.( |
% Bar 72
f!\ |
% Bar 73
b,4 c! f! |
% Bar 74
e d c!\mp |
% Bar 75
e\ d c! |
% Bar 76
a!2. |
% Bar 77
a c |
% Bar 78
a d ) |
% Bar 79
r\fermata \bar |. \break
% Bar 80
\key c \major % or a \minor
r4 r2 ^\markup {\override #'(padding . 3.0) No.2 Lent et triste}|
% Bar 81
r4 r2 |
% Bar 82
r4 r2 |
% Bar 83
r4 r2 |
% Bar 84
\stemNeutral g'2.(\p |
% Bar 85
a4\ g f\mf |
% Bar 86
e\ f g\p |
% Bar 87
d2.) |
% Bar 88
g( |
% Bar 89
a4\ g f\mf |
% Bar 90
e\ f g\p |
% Bar 91
d c2) |
% Bar 92
r4 r2 |
% Bar 93
r4 r2 |
% Bar 94
c'2.(\mf |
% Bar 95
f,4\ g a |
% Bar 96
g2. |
% Bar 97
c,) |
% Bar 98
f(~ |
% Bar 99
f4\f e\ d |
% Bar 100
f2.~ |
% Bar 101
f4 g b |
% Bar 102
a g f\mf |
% Bar 103
g2. |
% Bar 104
f) |
% Bar 105
r4 r2 |
% Bar 106
r4 r2 |
% Bar 107
c'2. |
% Bar 108
a4\ g f |
% Bar 109
g2. |
% Bar 110
f~ |
% Bar 111
f4\f e\ d |
% Bar 112
f2. |
% Bar 113
d~ |
% Bar 114
d4\mf e a |
% Bar 115
b2. |
% Bar 116
f |
% Bar
Re: Full bar rest representation
Hello Paul, Thanks for your answer. This is what I was looking for. I understood from the manual that capitalization was only used for multi-measure rests, but apparently I was wrong. thanks, Hans de Rijck. - Original Message - From: Paul Scott [EMAIL PROTECTED] To: Hans de Rijck [EMAIL PROTECTED] Cc: lilypond-user@gnu.org Sent: Saturday, July 30, 2005 9:05 PM Subject: Re: Full bar rest representation Hans de Rijck wrote: Hi, Can anyone tell me how to represent a full bar rest when using 'odd' time signatures? e.g. in a 4/4 time a full rest is represented by r1 , in 2/4 time a full rest is r2 and in 3/4 it is r2. But, what is a full rest in times like 5/4 7/4 12/4 7/8 etc. Full bar rests should normally be capitalized - they are centered that way. There are many numerical possibilities but I do: R4*5 R4*7 R4*12 R8*7 and I do R4*3 instead of R2. Except for the reversal of the numbers these are closer to what they represent. Paul Scott ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Full bar rest representation
Hi, Can anyone tell me how to represent a full bar rest when using 'odd' time signatures? e.g. in a 4/4 time a full rest is represented by r1 , in 2/4 time a full rest is r2 and in 3/4 it is r2. But, what is a full rest in times like 5/4 7/4 12/4 7/8 etc. I'm trying some Carmina Burana parts and the 'barcheck fails' warnings are whizzing around my ears. Thanks, Hans de Rijck ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
[ANN] nwc2ly
Hello LilyPonders, For those of you who are using NoteWorthy composer and are interested in a conversion tool to LilyPond please see my website: http://hans.octet.nl/muziek/nwc2ly.html It's far from perfect, but can possibly save you a lot of time. Regards, Hans de Rijck. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Beams, slurs and Chords
Hi Paul,
Thanks for your answer. I see what you mean, and it certainly looks good,
but it will be almost impossible to generate this from the input. I'll keep
your solution in mind though, as it is probably the way it should have been
notated in the first place.
thanks,
Hans de Rijck
- Original Message -
From: Paul Scott [EMAIL PROTECTED]
To: Hans de Rijck [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Friday, July 22, 2005 7:10 PM
Subject: Re: Beams, slurs and Chords
Hans de Rijck wrote:
Dear Lilyponders.
I want to enter the following piece (see .GIF) from Dvorak symphony nr.
9,
bar 19, clarinetti B and I just can't get it right in Lilypond.
The closest I get is:
c''4.\p( \\ f8.[ { e16 ] f8[} f, c' 8] g e' 2)
but that results in an unterminated beam and unterminated slur error.
I read in the archives that all articulations should be outside
I hadn't read that and I don't do it that way. The following gives me
what I would want if I (I am a clarinetist) were playing it (actually I
would prefer it on separate staves). I didn't put the last stems the
way you did. That might require something trickier and would be less
correct in my opinion - I'm not saying it isn't done your way in an
actual part.
{ f''8.(\p e''16 f''8 c'' e''2) } \\ { c''4.( f'8 g'2) }
(I might put the dynamic somewhere else in the code but I don't think
that's what you were asking about.
Paul Scott
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