Re: Lilypond fails after system upgrade.
Peter Terpstra wrote: > On many documents (not all) i get now this error: > warning: > `(gs -q -dSAFER -dDEVICEWIDTHPOINTS=612.00 -dDEVICEHEIGHTPOINTS=792.00 > -dCompatibilityLevel=1.4 -dNOPAUSE -dBATCH -r1200 -sDEVICE=pdfwrite > -sOutputFile=./Etude-nr.8.pdf -c.setpdfwrite -fEtude-nr.8.ps)' failed > (256) Thank you all for the answers, the reason i got this error was that some fonts where missing. Have a nice day! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond fails after system upgrade.
Dear people, Upgraded my the pc to opensuse leap 15. On many documents (not all) i get now this error: warning: `(gs -q -dSAFER -dDEVICEWIDTHPOINTS=612.00 -dDEVICEHEIGHTPOINTS=792.00 -dCompatibilityLevel=1.4 -dNOPAUSE -dBATCH -r1200 -sDEVICE=pdfwrite -sOutputFile=./Etude-nr.8.pdf -c.setpdfwrite -fEtude-nr.8.ps)' failed (256) fatal error: failed files: "Etude-nr.8.ly" Any advice would be great, thanks in advance! Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Cut off glisando at barline without change of direction?
Thomas Morley wrote: > This was already discussed here: > http://lists.gnu.org/archive/html/bug-lilypond/2018-05/msg00098.html > ff Thank you, yes found a workaround there. Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Cut off glisando at barline without change of direction?
Dear people,
I would like to cut off the glissando at the barline.
When the Glissando.to-barline override is used the glissando's are
concentrated at the barline, i don't want them to change direction like
that.
Is there a way to prevent this or is the another a way to cut off the
glissando without changing direction?
Thank you so much in advance!
Peter
Example:
\score {
\relative c'' {
\time 1/4
\override Glissando.to-barline = ##t
-\tweak measure-length #2 \glissando |
}
}
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Re: How to split stem?
Peter Terpstra wrote:
>[...]
Answer:
fixA = {
\once \override Stem.length = #18
}
fixB = {
\once \override NoteHead.X-offset = #1.3
\once \override Stem.length = #7.5
\once \override Stem.rotation = #'(30 0 0)
\once \override Stem.extra-offset = #'(-0.4 . -0.2)
\once \override Flag.style = #'no-flag
\once \override Accidental.extra-offset = #'(3.75 . -0.25)
}
\relative c' {\stemUp
\time 3/4
<< { 16-> [q-> \fixA ] } \\
{ \voiceThree s8 \fixB bes'! } >>
}
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How to split stem?
Dear people,
Found one example on the internet and reworked to get it fixed for my
situation but not ready yet.
\version "2.18.2"
fixA = {
\once \override Stem.length = #18
}
fixB = {
\once \override NoteHead.X-offset = #1.3
\once \override Stem.length = #7.5
\once \override Stem.rotation = #'(30 0 0)
\once \override Stem.extra-offset = #'(-0.4 . -0.2)
\once \override Flag.style = #'no-flag
%\once \override Accidental.extra-offset = #'(4 . -.1)
}
\relative c' {\stemUp
\time 3/4 16-> [q->
<< { \fixA } \\ { \voiceThree \fixB bes' } >>
]
}
How do i get the beam joined?
Thank you kindly in advance!
Peter
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Solved (Re: How to set the beam positions manually?)
Andrew Bernard wrote: > Provide a minimal working example we can see. Thank you so much for your interest in this problem, finally i could solve it like this. \once\override Beam.positions = #'(-1 . -2.8) d16 [g,] \once\override Beam.positions = #'(1 . -1)\stemUp g8\stemDown d' | \once\override Beam.positions = #'(-1 . -2.8) e16 [g,] \once\override Beam.positions = #'(1 . -1)\stemUp g8\stemDown e' Kindly, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
(Solved) Re: Is it possible to do this without the warning?
Have solved it like this: \once\override Beam.positions = #'(-1 . -2.8) d16 [g,] \once\override Beam.positions = #'(1 . -1)\stemUp g8\stemDown d' | \once\override Beam.positions = #'(-1 . -2.8) e16 [g,] \once\override Beam.positions = #'(1 . -1)\stemUp g8\stemDown e' ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to set the beam positions manually?
tisimst wrote: > \override Beam.positions = #'(y1 . y2) If that is the case, than i still don't understand why i still get the beam slope warning. But its okay, you don't have to answer. The warnings till now do not seem to cause any fatal problems even if i get lots more of them. Most kind regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
How to set the beam positions manually?
Dear readers, To prevent the Beam slope warning i would like to set the beam positions manually. As it is suggested here: https://lists.gnu.org/archive/html/lilypond-user/2012-01/msg00435.html Anyone knows how to do this? Most kind regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Is it possible to do this without the warning?
imj-muz...@bluewin.ch wrote: > You can safely switch to 2.19.44 I guess. > Thank you but would be more interested in how to set set the beam positions manually as is several times online suggested . Like here: https://lists.gnu.org/archive/html/lilypond-user/2012-01/msg00435.html Kindly, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Is it possible to do this without the warning?
Jacques Menu Muzhic wrote: > Adding ‘\voicexxx’ and removing '\stem*', I get something that works > alright: > > > > \version "2.19.44" Thank you very much for your answer. It does not seem to work for version "2.18.2" as some voices become invisible. Kindly, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Is it possible to do this without the warning?
Dear people,
lilypond file is:
\version "2.18.2"
global = {
\time 3/8
}
% 1: highest
classicalGuitarVoiceOne = \relative c' {
\global
d4 d8 | e4 e8
}
% 2: lowest
classicalGuitarVoiceTwo = \relative c {
\global
b4. | b
}
% second highest
classicalGuitarVoiceThree = \relative c' {
\global
\stemNeutral \override NoteColumn.force-hshift = #0
d16 [g,]\stemUp g8\stemDown d' | e16 [g,]\stemUp g8\stemDown e'
}
% 4: second lowest
classicalGuitarVoiceFour = \relative c' {
\global
s8 g4 | s8 g4
}
\score {
\new Staff \with {
midiInstrument = "acoustic guitar (nylon)"
} { \clef "treble_8" << \classicalGuitarVoiceOne
\\ \classicalGuitarVoiceTwo
\\ \classicalGuitarVoiceThree
\\ \classicalGuitarVoiceFour >>
}
}
Looks good but i get the warning:
/tmp/frescobaldi-NzCKcy/tmpVlGktT/document.ly:24:20: warning: no viable initial
configuration found: may not find
good beam slope
d16 [g,]\stemUp
g8\stemDown d' | e16 [g,]\stemUp g8\stemDown e'
/tmp/frescobaldi-NzCKcy/tmpVlGktT/document.ly:24:53: warning: no viable initial
configuration found: may not find
good beam slope
d16 [g,]\stemUp g8\stemDown d' | e16 [g,]\stemUp
g8\stemDown e'
Thanks in advantage!
Peter
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Re: Position title
tisimst wrote:
> Can you post your (compilable) source file and resulting PDF so we can see
> exactly what's going on?
Thank you kindly.
The pdf looks okay, extra top-margin is added after printing, i see it clearly
now here.
example sourcefile:
\version "2.18.2"
date = #(strftime "%A %d %B %Y, %M minute(s) past %H," (localtime
(current-time)))
\paper {
#(set-paper-size "letter")
#(layout-set-absolute-staff-size (* 22 pt))
indent = #0
top-margin = 0.5\in
bottom-margin = 0.5\in
top-markup-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding
. 0) (stretchability . 0))
%paper-height = 11\in
%paper-width = 8.5\in
%% prevents the title and composer name from being too close
%markup-system-spacing #'padding = #0.5
%% prevents the music from being too close to the page number (after the
first page)
%top-system-spacing #'padding = #0.5
%system-system-spacing = #'((basic-distance . 16) (padding . 1))
ragged-bottom = ##f
ragged-last-bottom = ##t
ragged-last = ##t
%ragged-last = ##t
%oddHeaderMarkup = \markup \fill-line \with-color #darkblue {
% {\fontsize #-2 \on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string }}
evenHeaderMarkup = \markup \fill-line \with-color #darkblue {
{\fontsize #-2 \on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string }}
}
\header {
title = \markup \with-color #grey \fontsize #7.0 { \override #'(font-name .
"Respective") { "Nr 7" }}
subtitle = \markup \with-color #grey \fontsize #3 { \override #'(font-name .
"Respective") { "Opus 48, 24 etudes" }}
%subtitle = \markup \fontsize #5.0 { \override #'(font-name . "Respective") {
"Sonatine one" }}
%subtitle = \markup \fontsize #5.0 { \override #'(font-name . "Respective")
{ "Maestoso" }}
%instrument = \markup \fontsize #-2.0 { \override #'(font-name . "Tinos") {
"Solo Guitar" }}
%tagline = ##f
tagline = \markup {\bold\italic\with-color #blue \fontsize #-5.5 {\override
#'(box-padding . 2.5) \box \line {\with-color #darkred
\line
{Thank you \with-url #"http://lilypond.org/; Lilypond & \with-url
#"http://www.frescobaldi.org /" Frescobaldi for creating
the
software to produce this document!\line {\hspace #0.3 Processed:
\date Lilypond version: #(lilypond-version) }
%tagline = \markup \with-color #darkred \fontsize #-4.0 "Thanks to
www.lilypond.org & www.frescobaldi.org for creating the
software to produce this document."
composer = \markup \with-color #blue \fontsize #4.0 { \override #'(font-name
. "Respective") { "Mauro Giuliani (1781 - 1829)"
}}
}
global = {
\key f \major
\defaultTimeSignature
\time 4/4
\tempo \markup \fontsize #7.0 \with-color #darkred \override #'(font-name .
"Respective Slanted") "Allegretto"
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
}
RHp = \rightHandFinger #1
RHi = \rightHandFinger #2
RHm = \rightHandFinger #3
RHa = \rightHandFinger #4
RHx = \rightHandFinger #5
stringNumberSpanner = #(define-music-function (parser location StringNumber)
(string?)
#{
\override TextSpanner.style = #'solid
\override TextSpanner.font-size = #-5
\once \override TextSpanner.bound-details.right.text = \markup {
\draw-line #'(0 . 1) }
\override TextSpanner.bound-details.left.stencil-align-dir-y = #CENTER
\override TextSpanner.bound-details.left.text = \markup {\circle\number
$StringNumber }
#})
barre = #(define-music-function (parser location text) (string?)
#{
\once \override TextSpanner.dash-fraction = #'()
\once \override TextSpanner.font-shape = #'italic
\once \override TextSpanner.bound-details.right.text = \markup {
\draw-line #'(0 . -1) }
\once \override TextSpanner.style = #'line
\once \override TextSpanner.padding = #0
\once \override TextSpanner.bound-details #'left #'text = $text
\once \override TextSpanner.font-size = #-4
#})
% 1: highest
classicalGuitarVoiceOne = \relative c' {
\global
\set fingeringOrientations = #'(left)
\set stringNumberOrientations = #'(down)
\set strokeFingerOrientations = #'(down)
r1 | r1 | r16 () r16 () r16 bes g' (e)
r16 bes b (c) | r
()\(\)\slurDown
\(\) | %5
f4 r r2 | r1 | r16 f, r f \(\) r f d' f, r f as\( g\)
| r \( e\) d c c d c b a\( g\) f
| %9
816 des e e bes e des e c e bes e | r f,
f c' f, r f c' f, f' f, e' f, |
f, f, d' f, r g d' g, g' g, f' g, | %12
g, g, dis' g, e' g, r a, a, a, |
a, a, f' a, r c,
c g' c, |\barre "III " r\startTextSpan c,\stopTextSpan c,
a' c,\barre "V " r\startTextSpan c c, r
c, | %14
r c, r c a' c, r c c, r c, |
4\stopTextSpan r16 c16 f8 r16 d g8 r16 e a8 | r16 f bes8 r16 g
c c r a c c r g c c | %18
4 r16 8 r16 8 r16 8 | r16 8
r16
Re: Position title
David Wright wrote: > run it through TeX to produce a PDF file and print it. I don't have. > This will give you some idea of where the printer/printer driver is > placing what. > > (If you don't have TeX, I can send you the letter size PDF.) Yes, thank you so much. > If you're unhappy with the margins printed, you might play with > /etc/cups/ppd/... (for the brave CUPS user); I did add: Default HL-2040-series Page-bottom=0 page-left=36 page-right=36 page-top=0 to /etc/cups/lpoptions But nothing changed. Thank you. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Position title
Kieren MacMillan wrote: >> Does this also work in version version "2.18.2”? > > I believe so. (I don’t have that version to check against.) Apologies, than my guess is a hard to find printer setting that adds top-margin above the one of lilyponds. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Position title
Kieren MacMillan wrote:
> Hope that helps!
> Kieren.
Thank you Kieren.
Does this also work in version version "2.18.2"?
Where do i place the " \new Devnull s1" in this score?:
\score {
\new Staff \with {
midiInstrument = "acoustic guitar (nylon)"
} { \clef "treble_8" << \classicalGuitarVoiceOne
\\ \classicalGuitarVoiceTwo
\\ \classicalGuitarVoiceThree
\\ \classicalGuitarVoiceFour >>
}
If i add this one before the \clef than space is added between the key and the
time and it also does not change the space above
the title.
Kind Regards,
Peter
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Position title
Dear Lilypond users,
Have quite some space left above the title.
\paper {
#(set-paper-size "letter")
#(layout-set-absolute-staff-size (* 22 pt))
indent = 0
bottom-margin = 0.5\in
top-margin = 0.5\in
}
When I'll make the top-margin shorter the title gets chopped of.
Is there a way to solve this?
Most kind regards,
Peter
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Re: Ragged right on last 2 bars.
Thomas Morley wrote: > Use > ragged-last = ##t > instead Thank you kindly, so simple :) Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Ragged right on last 2 bars.
Dear People,
Is it possible to apply the ragged-right paper option in such a way that only
the last 2 bars will be effected?
Thanks in advantage!
Example:
\version "2.18.2"
\paper {
indent = 0
ragged-last-bottom = ##t
ragged-right = ##t
}
\score {
\relative c' {
\repeat unfold 12 {a'4 b c d}\break
r 2
\bar "|."
}
}
Peter
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lilypond fingeringOrientations spanner?
Dear People,
Don't know if this exists, could not find it on internet, guess that if it
exists people in this group would now about it.
Would like to draw a line between the numbers of the fingeorientations, a line
from finger 1 to 1, 2 to 2, 3 to 3.
Tried to do something with \draw-line but could not make a fit.
Example without lines here:
\version 2.18.2
\header {
tagline = ##f
}
\paper {
#(set-paper-size a4)
}
scoreAGlobal = {
\key d \major
\time 4/4
}
upper = \relative c' {
\scoreAGlobal
\set fingeringOrientations = #'(up)
cis-316e-0a,-2 bc-2-18 cis d dis e f | fis g gis-2-1 a-3-1 bes
b c-3-1 cis-2-4
}
lower = \relative c {
\scoreAGlobal
b4\rest a'16 a, ais' a, b' a, bis' a, cis' a, d' a, | dis' a, e'' a,, eis''
a,, fis'' a,, g'' a,, gis'' a,, a'' a,, g'' a,,
}
\score {
\new Staff { \clef treble_8 \upper \\ \lower }
\layout { }
}
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Re: lilypond fingeringOrientations spanner?
Pierre Perol-Schneider wrote: Re: lilypond fingeringOrientations spanner? [...] Waauw this is awesome, far beyond expectation. Thank you so much Pierre! Humble regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond fingeringOrientations spanner?
Marc Hohl wrote: http://comments.gmane.org/gmane.comp.gnu.lilypond.general/67470 Thank you Marc, for other examples very useful! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Arpeggio travels to the left and dot disappears with \harmonic (2 items).
Arpeggio travels to the left and dot disappears with \harmonic (2 items). Thank you both kindly for your answers, very useful! Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Arpeggio travels to the left and dot disappears with \harmonic (2 items).
Dear people,
In the next score i encountered two problems. The arpeggio travels to the left
when fingerorientations left or right is used.
Also the b4. appears as a b4 when using the \harmonic.
Thank you kindly in advantage.
Peter
Example:
\version 2.18.2
global = {
\key g \major
\time 6/8
}
upper = \relative c' {
\global
\repeat unfold 2 {
\set fingeringOrientations = #'(left)
\set stringNumberOrientations = #'(down)
d-28.\arpeggioe-0\1\harmonic16d-3\2\harmonic8b-4\3\harmonic
4.\fermata
}\bar ||
}
lower = \relative c {
\global
\repeat unfold 2 {
\set fingeringOrientations = #'(left)
g-1 d'-0 b'-32.\arpeggio |
}
}
\score {
\new Staff \with {
\consists Span_arpeggio_engraver
} { \clef treble_8 \upper \\ \lower }
\layout {
\set Staff.connectArpeggios = ##t
}
}
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Re: Arpeggio travels to the left and dot disappears with \harmonic (2 items).
Peter Terpstra wrote: Also the b4. appears as a b4 when using the \harmonic. \set harmonicDots = ##t resolves this issue. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Solved: (Was Re: Differently headed does not merge.)
Phil Burfitt wrote: If you want to achieve this there's also a quicker way [...] Very nice, thank you! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Differently headed does not merge.
Dear People,
Found a problem with merging differently headed in the next example:
\version 2.18.2
\relative c {
\key d \major
\clef treble_8
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
{ a''-22 ~ a8d-48cis-3a-4 }\\
{ d,,,8 a' fis'-2cis'-3 b2 }\\
{ d,,2 s }
}
Is there a solution to this?
Many thanks in advantage.
Peter
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Solved: (Was Re: Differently headed does not merge.)
Peter Terpstra wrote:
Differently headed does not merge.
Thank you so much for your answers, very useful!!
Have solved it a bit like this, as i had already defined the voice, just gave a
limited example.
Just looks wonderful now!
\version 2.18.2
% here's how I'd did:
{
\key d \major
\clef treble_8
\voiceOne { a'-22 ~ q8 d''-48 cis''-3 a'-4 }\\
\voiceFour {
% \set fingeringOrientations = #'(left)
\once \override NoteColumn.force-hshift = #0
\tweak NoteHead.stencil ##f
d,8 a, fis-1 cis'-3 s2
}\\
\voiceTwo { d,2 b }
}
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Re: Enhancing barre function
Thank you so much(!), this one with the vertical line is really nice, it works here after convert to 2.18.0 Found similar like yesterday but lost it, this one could enlarge and shorten the vertical line, which does not seem to work now. Is this your last version? Excuses for my broken English. Peter -- View this message in context: http://lilypond.1069038.n5.nabble.com/Enhancing-barre-function-tp43395p167090.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Enhancing barre function
Thank you so much(!), this one with the vertical line is really nice, it works here after convert to 2.18.0 Found similar like yesterday but lost it, this one could enlarge and shorten the vertical line, which does not seem to work now. Is this your last version? Excuses for my broken English. Peter -- View this message in context: http://lilypond.1069038.n5.nabble.com/Enhancing-barre-function-tp43395p167092.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
fingeringOrientations refuse to go left or right.
Dear People,
It works perfect in the example from Lilypond documentation but in my projects
they refuse to go left or right, only up or down.
What am doing wrong ?
Here my .ly file, (left on bar 5):
\version 2.18.2
\paper {
#(set-paper-size a4)
#(layout-set-absolute-staff-size (* 22.45 pt))
bottom-margin = 1.27\cm
top-margin = 0.32\cm
system-system-spacing #'basic-distance = #15
}
\header {
piece = \markup \fontsize #8.0 { \override #'(font-name . Respective
Slanted) { Maestoso }}
meter = \markup \bold \fill-line \fontsize #7.0 { \override #'(font-name .
Respective Slanted) { Nr. 1 }}
tagline = \markup {
\bold \italic \with-color #darkred \fontsize #-6.0
Thanks go to www.lilypond.org www.frescobaldi.org for creating the
software to produce this document!
}
}
global = {
\key c \major
\time 4/4
}
% 1: highest
classicalGuitarVoiceOne = \relative c' {
\global
\set fingeringOrientations = #'(up)
\partial 8*3 g8 a b | c2 c8. [g16 e'8. b16] | %2
c2 r8 g8 b c
d2 d8. [g,16 f'8. e16]
d2 r8 g,8 d' f
e4 e e e
e2 r8 c-1 b a-3
b d g, b a c fis, a
g4 r8 d'8 d4 r8 d8
d4 r8 d8 \acciaccatura d8 c b c e
d4 r8 d8 d4 r8 d8
d4 r8 d8 \acciaccatura d8 c b c a
g8. [d16 g8. b16] d4 d, a' c
d g b8. [d16 g8. b16] d4 a c fis
b g'4 s s b4
c cis-3\glissando d-3 e
f2 r4 b,
c! cis\glissando d e
f2 r4 e
f cis-2\glissando d-2 e
f8 e( g) f e d c b
a g fis g gis a ais b
c2 c8. [g16 e'8. d16]
c2 r8 g b c
d2 d8. [g,16 f'8. e16]
e8 c e c f c g' c,
r8 c a' c, r8 a cis g'
g a, f' a, r8 g d' f
f( e) d c b a e' d
r8 e, g c r8 d, g b
c, c' e, e' g, g' e, e'
c, c' g, g' e, e' g, g'
\set crescendoText = \markup { \italic \teeny III }
\set crescendoSpanner = #'text
\override DynamicTextSpanner.style = #'dotted-line
\override DynamicTextSpanner.dash-period = #0.01
c4 r4 g c e^\ r4\!
e g c2 s2
}
% 2: lowest
classicalGuitarVoiceTwo = \relative c {
\global
\partial 8*3 r4.\mf | c8 g' e g c,4 r | %2
c8 g' e g c,4 r
b8 g' d g b,4 r4
b8 g' d g b,4 r4
\set fingeringOrientations = #'(left)
c8-3\ g' e g b,-3 gis' d gis\!
\set fingeringOrientations = #'(down)
c,-4 a'-3 e-2 a a,4 b8-2 c-4
d4 r d r
g,8 d' b d fis, d' a d
g,8 d' b d fis, d' a d
g,8 d' b d fis, d' a d
g,8 d' b d fis, d' a d
g,4\f r2 fis4
g r2 d'4
g,4 r2 g8 g'
a, g' ais,-1 g' b, g' cis,-4 g'
d g^( a) g g g g, g'
a,! g' ais, g' b, g' cis, g'
d g^( a) g g g cis, g'
d g e-1 g f g cis, g'
\set crescendoText = \markup { \italic \teeny dolce }
\set crescendoSpanner = #'text
\override DynamicTextSpanner.style = #'dotted-line
\override DynamicTextSpanner.dash-period = #0.1
d2\ r2
r2 r2\!
c8\mf g' e g c,4 r4
c8 g' e g c,4 r
b8 g' d g b,4 r4
c bes' a e
f2 e
d b
c f,
g g
c4 e g e
c-4 g_\markup \teeny \italic Ritenuto e g
c r c r
c2 s2 \bar |.
}
% second highest
classicalGuitarVoiceThree = \relative c' {
\global
}
% 4: second lowest
classicalGuitarVoiceFour = \relative c' {
\global
\partial 4. s4. | %1
s1*13 | %14
\override NoteColumn #'force-hshift = #0 \override Stem #'length-fraction =
#0.5 g8 [g\p g g g g]
}
\score {
\new Staff \with {
midiInstrument = acoustic guitar (nylon)
} { \clef treble_8 \classicalGuitarVoiceOne
\\ \classicalGuitarVoiceTwo
\\ \classicalGuitarVoiceThree
\\ \classicalGuitarVoiceFour
}
\layout {
line-width = 190.000 \mm
%\override Score.BarNumber.break-visibility = #all-visible
}
\midi { }
}
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Re: fingeringOrientations refuse to go left or right.
Phil Holmes wrote: Posting a huge amount of music to illustrate a small point? Perhaps you could cut this down to a tiny example. Ah, ..so sorry Would like to cancel it. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: fingeringOrientations refuse to go left or right.
Federico Bruni wrote: You are not enclosing the note in a chord construct : The placement of fingering numbers can be controlled precisely. For fingering orientation to apply, you must use a chord construct even if it is a single note. Absolutely right, how silly of me to forget that. Thanks! Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Option to specify the name of Midi files for each \score block
Dear people, Was looking for this option on internet and found this interesting link. https://code.google.com/p/lilypond/issues/detail?id=3154 Tried it, but believe it is not yet implemented. (?) \version 2.18.2 here. Kind Regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Same distance staff in a book.
TaoCG wrote: I believe the ragged-bottom property is what you're looking for. Know too little about it but found a solution that looks better. system-system-spacing = #'((basic-distance . 14) (padding . 0)) ragged-bottom = ##t ragged-last-bottom = ##t Also added \bookpart What does padding? Kind Regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ly file (Re: Same distance staff in a book.)
Pierre Perol-Schneider wrote: Seperating scores into bookParts will solve your problem. system-system-spacing #'basic-distance is indeed the right function. See enclosed file Thank you so much, bookParts for the scores really was the solution. Have a wonderful day! Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Same distance staff in a book.
Dear People,
I'm very happy with lilypond!
Have a question about the staff distance in a \book
In pieces of music where there are less staffs, lilypond fills up the complete
page withe more white space between the staffs,
this has not my preference and would lke to see the same distance between all
staffs.
Trued to do that with
markup-system-spacing #'basic-distance = #10
system-system-spacing #'basic-distance = #10
...inside the \paper {} variable.
But there was no change...
How should this be done?
Thank you in advantage!
Peter
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Re: Same distance staff in a book.
TaoCG wrote: I believe the ragged-bottom property is what you're looking for. Thank you for your answer sir. The ragged-bottom option gives a lot of space within a piece at the bottom which is not what i want, wanna have the space outside the pieces at the bottom and also not extra space between the staffs. Tried also this one dragged-last-bottom = ##t in combination with \pageBreak but some how one of the pieces still has a lot of whitespace between the staffs while others look good. Kind Regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Ly file (Re: Same distance staff in a book.)
Menuetto and Trio are the problem makers here.
\version 2.18.2
\header {
title = \markup \fontsize #7.0 { \override #'(font-name . Respective) {
Trois Sonatines }}
composer = \markup \fontsize #4.0 { \override #'(font-name . Respective) {
Mauro Giuliani (1781 - 1829) }}
opus = \markup \fontsize #4.0 { \override #'(font-name . Respective) {
Opus 71 }}
tagline = \markup { \general-align #Y #-2 { \epsfile #X #11
#/home/peter/LLP/OM_MANI_PADME_HUM-bw.eps }}
copyright = \markup \bold \with-color #darkred \fontsize #-4.0 Thanks go to
www.lilypond.org www.frescobaldi.org for creating the software to produce
this
document!
}
\paper {
#(set-paper-size a4)
#(layout-set-absolute-staff-size (* 19.00 pt))
bottom-margin = 1.27\cm
top-margin = 0.32\cm
oddHeaderMarkup = \markup \fill-line { {
\bold \fontsize #-2 \on-the-fly #print-page-number-check-first
\fromproperty #'page:page-number-string } }
evenHeaderMarkup = \markup \fill-line { {
\bold \fontsize #-2 \on-the-fly #print-page-number-check-first
\fromproperty #'page:page-number-string } }
%ragged-bottom = ##t
ragged-last-bottom = ##t
%page-breaking = #ly:page-turn-breaking
%system-system-spacing =
% #'((basic-distance . 7)
% (minimum-distance . 6)
% (padding . 1)
% (stretchability . 8))
}
scoreAGlobal = {
\key c \major
\time 2/2
\tempo \markup \italic \fontsize #-3.0 4=76
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
}
atemp = \markup { \fontsize #-3.0 \bold \italic a tempo }
prit = \markup { \fontsize #-3.0 \bold \italic poco ritenuto }
ritard = \markup { \fontsize #-3.0 \bold \italic ritardando }
dim = \markup { \fontsize #-3.0 \bold \italic diminuendo }
%Maestoso - 1: highest
scoreAClassicalGuitarVoiceOne = \relative c' {
\scoreAGlobal
\partial 4 g4 | c c d d | %2
e c g'4. f8 | e4 c a d | %4
c2 b8. [g16 a8. b16] | c4 c d d | %6
e c g'4. f8 | e8. [c16 a8. d16] c4 b | %8
d2 c4 e8. f16 | g2 r8. a,16[ e'8. g16] | %10
f2 r8. g,16 [d'8. f16] | e4 c a8. [b16 c8. d16] | %12
c2 b8. [g16 a8. b16] | c4 c d d | %14
e c g'4. f8 | e8. [c16 a8. d16] c4 b | %16
d2 c8 g [a b]_\atemp | c4 c d d | %18
e c g'4. f8 | e4 c a8 b c d | %20
c2 b8 g a b | c4 c d d | %22
e c g'4. f8 | e8 c a d c4 b | %24
d2 c4 e8 f | g2 r8 a, e' g | %26
f2 r8 g, d' f | r e d c b-0 a-3 f'-2 d-4 | %28
c2 b8 g a b | c4 c d d | %30
e c g'4. f8 | e c a d c4 b | %32
d2 c4\fermata \tuplet 3/2 4 { g8 a b } | \tuplet 3/2 2 { r8\p g [c] r g [c]
r g [d'] r g, [d'] | %34
\omit TupletBracket \omit TupletNumber r g, [e'] r g, c r g [g'] r g, f' | r
g, e' r g, c r a [d] f [e d] | %36
r e, [g] c [g e] b' [g gis] a [ais b]
| r g [c] r g [c] r g [d'] r g, [d'] | %38
r g, e' r g, c r g g' r g, f' | r g,
e' r a, d r g, c r g [b ] | %40
r f [g] b [g f] ]} c'4 \tuplet 3/2 2
{ e8-0 [f-1 fis-3] | r g, [g'] r g, [f'!] r a, [e'] a [as g] | %42
r a,-3 f'-2 r a, e' r g, [d'] g [ges
f] | r g, e' r g, c r a d f [e d] | %44
r e, [g] c [g e ] b' [g gis] a [ais b]
| r g [c] r g [c] r g [d'] r g, [d'] | %46
r g, [e'] r g, [c] r g [g'] r g, [f']
| r g, [e'] r a, [d] r g, c r g b | %48
r f [g] b [g f] } e c'4 g16 (a) b g
| r g c g r g c g r g d' g, r g d' g, | %50
r g e' g, r g c g r g g' g, r g f' g, | r g e' g, r g c g r a [d a f' a, d
a] | %52
r g c g e g c g b8 fis16 g gis a ais b | r g c g r g c g r g d' g, r g d' g,
| %54
r g e' g, r g c g r g g' g, r g f' g, | r g c e r f, a d r e, g c r d, g b |
%56
\set strokeFingerOrientations = #'(down)
\override StrokeFinger.add-stem-support = ##t
r d,-\rightHandFinger #1 _\ritard g b f' b, g d c' e4 e8 f | r16 g, g' g, r
g f' g, r a [e' a, a'-4 a, g'-2 a,] | %58
r a f'-2 a, r a e' a, r g d'-3 g, g'-4 g, f'-1 g, | r g e' g, r g c g r a d a
f' a, d a | %60
r g c g e g c g b8 fis16 g gis a ais b | r g c g r g c g r g d' g, r g d' g,
| %62
r g e' g, r g c g r g g' g, r g f' g, | r g c e r f, a d r e, g c r d, g b |
%64
c g e g c g e' g, r g g' g, r g f' g, | e' g, e g c g e' g, r g g' g, r g f'
g, | %66
r g c e r f, a d r e, g c r d, g b | c g e g c g e' g, r g g' g, r g f' g, |
%68
e' g, e g c g e' g, r g g' g, r g f' g, | r g c e r f, a d r e, g c r d, g b
| %70
c g e g c g e' g, c g e g c g e' g, | c4 g c e g c eg c e | %72
g c2 r \bar ..
}
%2 - Maestoso: lowest
scoreAClassicalGuitarVoiceTwo = \relative c {
\scoreAGlobal
\set fingeringOrientations = #'(down) \override Fingering.add-stem-support =
##t
\partial 4 r4 | e c b g | %2
c e b g | c-4 e f2 | %4
e4 g d r | e c b g | %6
c e b g | c-4 f e d | %8
f g e r | e d cis r | %10
d c! b r | c4 e f2 | %12
e4 g d r | e c b g | %14
c e b g | c-4 f e d |
How to move text inside an empty bar?
Dear readers,
Have made this one.
s2.^\markup { \underline \fontsize #-2 D : C : Menuetto } _\markup {
\italic \fontsize #-2 sino al Fine } \bar |
Is there and \override command to move this inside the bar?
Thanks in advantage!
Peter
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Re: How to move text inside an empty bar?
Phil Holmes wrote: Please remember to replay-all to any answer, so that others may also help with suggestions Sorry again, only received and email this is the first post that appears in the newsreader and normally i do only follow-up to newsgroup. This would appear to do what you want: [] Thank you so much, would be very hard to find out by myself as i was already searing for days. This text appears the end of a music piece by Mauro Giuliani who writes this after the musicpiece itself inside the bar and would like to take it over in he same way. Peter Terpstra ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Changing font size
Dear People, Found a useful snippet on the internet, only the fonts are a bit to large, how can i change this? start snippet apoco = #(make-music 'CrescendoEvent 'span-direction START 'span-type 'text 'span-text a poco a poco) /end snippet Excuses for my limited knowledge of lilypond. Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing font size
David Kastrup wrote: Thank you so much David, very helpful. Sort of like I heard something interesting on the telephone network. :) Grapevine network :) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
strange barbehavior
Dear Readers,
In the Alto voice i only needed a g1 note and further only silent rest.
Why does this give a lot of empty bars after the closing bar and how do i
get rid if them?
TIA
%Snippet
staffClassicalGuitar = \new Staff {
\override Score.MetronomeMark #'padding = #7
% \set Staff.midiInstrument=acoustic guitar (nylon)
\set Staff.connectArpeggios = ##t
\override Staff.NoteCollision #'merge-differently-headed = ##t
\override Staff.NoteCollision #'merge-differently-dotted = ##t
\transposition c'
\timeAndKey
\relative c'
% Treble
{ \repeat volta 2 {
c g= e^\f c g e8.^\p c g e16 c g e4 c g e | c e,8.^\f g16
e8.^\p g16 c8.[ g16 e'8. c16] | % 3
g'4 g8. g16 g4-. g-. | e c-. d-.\p c-. a\rest | % 5
g'4 g8. g16 g4 g | g8.[ b,16 c8. d16] e8.[ fis16 g8. a16] | % 7
b g8.[ a fis16_\p b g8. c a 16] d b4 fis, | g b b, g b, a
\rest | } % 9
\repeat volta 2 { bes' d,4_\fbes d,8. bes d,16 bes d,4 bes
d,
a cis,2 a d,4 r | % 11
g4_\p a8. g16 fis4 e | d fis,e a,fis
a, r | % 13
a d,a d,8. a d,16 a d,4 as d, | g
d2 c g | % 15
a4 d,8. d16 d c4 d c | d b8. g,16 g8.
g16 \acciaccatura b16 a8.
g16 b8. g16 | % 17
c e,4^\f c e,8.^\p c e,16 c e,4 c
e, | c e,8.^\f g16
e8.^\p g16 c8. g16 e8. c16 | % 19
g''4 g d8. g d16 g d4 g d | e c d
c r | % 21
c' g bes, c g bes,8. c g bes,16 c g
bes,4 c g bes, |\break
c f, a,2 a dis, c | % 23
g e c4 e c8. e c16 fis d4 d8. b16 |
c4 e g,8. e g,16 c
e,4 r \bar |.
}
}
% Alto
\\ { s1*20 | g= | s1*3 |
}
% Bass
\\ {\voiceFour
c,=4 g e g | c e r r2 | % 3
r4 d' g, bd g, b,d g, b, | g, c, f g, e c s | % 5
e' ce c8. e c16 d b4 cis ais | d b8.[ g,16 a8. b16] c8.[ d16
e8. fis16] | % 7
d,4 r r c' a d, | b g g g, r | % 9
g' g g g | g2 f4 r | % 11
d' bes e g, d a cis g a, | d, cis d s | % 13
f_\f f f f c' | b f2 g e_\p | c f, fis,4 fis | % 15
g r fis f! | c g e g | % 17
c e4 r r2 | r4 g' d b_\f g d b g d b | % 19
g e cg f g, g e c r | e\ff e e e | % 21
a f2 fis | g4\p r g f g, | % 23
e c4 c e c s |
}
}
%%%End
Peter
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Re: Barré sign
Valentin Villenave in
[EMAIL PROTECTED] :
%%%snippet%%%
barr=
\markup {\postscript
#0.2 setlinewidth -0.5 -3 moveto -1 -3 lineto 0 10 rlineto stroke
}
{
f_\barr
}
%%%
Ah, thanks for your labour, now i need to find out how this postscipt
command works, to adept it to the different situations. The barrésign
indicates the first finger which is placed flat on two or more strings,
there can also be one or more open strings.
Tried this:
%%%snippet%%%
\version 2.10.29
barr=
\markup {\postscript
#0.2 setlinewidth -0.5 -3 moveto -1 -3 lineto 0 10 rlineto stroke
}
{ \relative c''
f,, f' a c f_\barr c'' f''_\barr a'' e'' c''_\barr d''' a''
f''_\barr
}
%%%End
For some strange reason the staff gets broken into two pieces.
Kind Regards,
Peter
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In case i forgot to say ...
Thanks for all the music i now can make with lilypond! I'm happy with it. Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Stem #'neutral-direction = #up versus \stemup
Peter Terpstra in [EMAIL PROTECTED] : \clef G_8 % The notation is one octave higher Found also something else. When the '\clef G_8' is removed, the errors disappear. But then the notation one octave to low (An i mis the G_8 clef). Putting the voices back to normal with a ' , the error comes back. Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Arpeggio and lefthandfingering
Valentin Villenave in [EMAIL PROTECTED] : Still have a qeustion. Since you put the Span_arpeggio_engraver in the Staff context, you have to specify it when entering your \override; otherwise LilyPond doesn't know how to handle it. The lilypondtool provides met the span context, you think this is not necessary? Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Arpeggio and lefthandfingering
Valentin Villenave in [EMAIL PROTECTED] : The lilypondtool provides met the span context, you think this is not necessary? I can't say I understand your question... Sorry, used the wrong word. I was referring to: Since you put the Span_arpeggio_engraver in the Staff context, you have to specify it when entering your \override; otherwise LilyPond doesn't know how to handle it. The document wizzard (lilypondtool) provided me a staff context which i used to create a template. Now the Staff context seems to give problems, so i thought maybe i don't need it. Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Arpeggio and lefthandfingering
Mats Bengtsson in [EMAIL PROTECTED] : If you want an arpeggio that spans two separate chords in the same stave, then you certainly need the trick to add Span_arpeggio_engraver in the Staff context. Okay, Thanks. P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Stem #'neutral-direction = #up versus \stemup
Neil Puttock in
[EMAIL PROTECTED] :
Sorry, gremlins seem to have crept in! There's a rogue space between the
minus sign and the number.
I had found that space, but there is something else, the error occurs only
when its embedded with, i did not know hat that made a difference:
\new Staff {
\clef G_8 % The notation is one octave higher
}
I tried to replace my last article with the errormessages but for some
reason this does not come trough your newsserver.
The errormessages are:
warning: weird stem size, check for narrow beams
And the beam falls down again.
Furthermore, I misunderstood why you were using #'length-fraction.
Sorry, i think i was not clear about that.
Kind regards and many thanks for your help!
Peter
~ Start
\new Staff {
\clef G_8
\relative c''
% Treble
{ \time 3/4 \repeat volta 2 {
g,= b 4 a c c e | b d 4. g b 8 a c b d |
% 3
c e 4 d fis e g | cis! d r | \break % 5
b d 4. b'8 a g | g-44 fis8 c d c d c d }
}
% Alt
\\ { \voiceThree
s2. s % 3
s s % 5
s4.
\override NoteColumn #'force-hshift = #0 %Force quavers back into
alignment with treble voice
\once \override Beam #'positions = #'(-1.5 . -2)
\override Stem #'length-fraction = #0.2
b=8 b b \revert NoteColumn #'force-hshift s4 c4. s }
% Bass
\\ { \voiceFour
g,=,2. r4 g' r % 3
r8 g4 g g8 ais! g b4 s % 5
g8 d g d g d s4 a'8 d, a' d, fis d }
}
~ End
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Re: Arpeggio and lefthandfingering
Valentin Villenave in [EMAIL PROTECTED] : For instance, \override Staff.Arpeggio #'extra-offset = #'(2.2 . 0.0 ) does the trick. Thank you very very much! This helps. Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Barré sign
Valentin Villenave in [EMAIL PROTECTED] : Is the a barrésign macro created for lilypond? Not to my knowledge, but if you post a picture, I'd be glad to write it using postscript code. I would be glad to, its often used. Kind Regards, Peter -- mailto:[EMAIL PROTECTED] attachment: barresign.png___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Stem #'neutral-direction = #up versus \stemup
Dear Readers,
I don't get this.
\stemup gives me a lot of errors but works, Stem #'neutral-direction = #up
does nothing. Its about the middle (Alt) voice.
This is the case:
~ Start snippet
\relative c''
% Treble
{ \repeat volta 2 {
g,= b 4 a c c e | b d 4. g b 8 a c b d | % 3
c e 4 d fis e g | cis! d r | \break % 5
b d 4. b'8 a g | g-44 fis8 c d c d c d }
}
% Alt
\\ { \override Stem #'neutral-direction = #up
\override Stem #'length-fraction = #0.2
s2. s % 3
s s % 5
s4. b=8 b b s4 c4. s }
% Bass
\\ { \stemDown
g,=,2. r4 g' r % 3
r8 g4 g g8 ais! g b4 s % 5
g8 d g d g d s4 a'8 d, a' d, fis d }
}
~ End ly snippet.
TIA,
Peter
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Re: Stem #'neutral-direction = #up versus \stemup
Peter Terpstra in [EMAIL PROTECTED] : Stem #'neutral-direction = #up versus \stemup Lilypond version is 2.10.29 P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Stem #'neutral-direction = #up versus \stemup
Neil Puttock in [EMAIL PROTECTED] : Thanks for your answer! \once \override Beam #'positions = #'(- 1.5 . -2) %This works better than #'length-fraction This gives me errors and the stem comes down, while #'length-fraction works without any complaint. Kind regads, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Stem #'neutral-direction = #up versus \stemup
Peter Terpstra in [EMAIL PROTECTED] : This gives me errors Sorry errors, but the stem does not get shorter. Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Barré sign
Dear readers, Is the a barrésign macro created for lilypond? The barré sign should go over the staff! Looks a bit like this: | |_ Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Arpeggio and lefthandfingering
Peter Terpstra in [EMAIL PROTECTED] : Arpeggio and lefthandfingering Nobody? I tried it with \override Arpeggio #'force-hshift and differt other objectnames but the arpeggio doe not want to come close to the notes when there is lefthandfingering. Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Soundfont and midi
Dear readers, Finally i found a great soundfont for classical guitar. But the \set Staff.midiInstrument=acoustic guitar (nylon) function had to be removed to get hear the great guitar sound. So my questions are, where is this function for and do i mis something now i have it removed? Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Arpeggio and lefthandfingering
Dear Readers,
How can i avoid that the arpeggio moves to the left when i also use
lefthandfingering?
P.e
~ Start .ly snippet
\version 2.10.25
staffClassicalGuitar = \new Staff {
\set Staff.connectArpeggios = ##t
{ \relative c''
\set fingeringOrientations = #'(right)
\override Fingering #'extra-offset = #'(1.2 . 0)
e'' c''-2 a'2.\arpeggio
}
\\
{ a2.\arpeggio }
}
\score {
\staffClassicalGuitar
\layout {
\context { \Staff
\consists Span_arpeggio_engraver
}
}
}
~ End .ly snippet.
Kind regards,
Peter
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stem doesn't fit in beam
~ .ly snippet:
\relative c'
% Treble
{ \LeftHandLeft
d='-44. e8 f-14 |
e4 \acciaccatura { cis[ d ] } cis a-2
}
% Bass
\\ { \LeftHandLeft
a,=-2 d,2 d, a' d4 |
a2.
}
~~ End .ly snippet
Its about the acciaccatura, there should be something wrong with the bracket
but i don' know what.
Kind Regards,
Peter
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Re: stem doesn't fit in beam
Kieren MacMillan in [EMAIL PROTECTED] : Since the last specified duration before the \acc is a quarter note (e4), the \acc consists of quarter notes as well. As a result, you're attempting to beam two quarter notes! =) How could i have missed that! Stupid of me :-) Thanks for your answer! Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: a modest proposal for input syntax
James Wilkinson in [EMAIL PROTECTED] : My biggest problem in typing input is getting notes in the correct octave. Relative mode doesn't help me that much because I have to stop and think which direction is within a fourth of the previous note. As a beginner a have the same problem, trying to study on the answers below. Typing in the good direction would save a lot off time. Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
merge-differently-headed does not always work.
Dear readers.
The quarter note a from measure 19 and 20 lowervoice does not get merged
with the 8th from midlevoice. Anybody knows why?
~~Start .ly snippet
timeAndKey = { \time 3/4 \tempo 4 = 112 \key g \major \clef G_8 }
Sup = { \once \override Stem #'neutral-direction = #up }
staffClassicalGuitar = \new Staff {
\override Score.MetronomeMark #'padding = #7
\set Staff.midiInstrument=acoustic guitar (nylon)
\override Staff.NoteCollision #'merge-differently-headed = ##t
\set Staff.connectArpeggios = ##t
\transposition c'
\timeAndKey
\relative c'
% Treble
{ r8 b cis! dis! e fis |
\repeat volta 2 {
a4.*2/3 b,8 g'^( fis)[ g ] | % 3
fis8( e) dis! e b e | % 4
d4.*2/3 e,8 c'( b ) a | \break % 5
gis!( a) c b ais( b ) | % 6
e( dis) d! dis g( fis) | % 7
f! fis! c'4 b,,8 b'' | % 8
a4.*2/3 b,8 g'^(fis) e |\break % 9
dis! c b a g fis | % 10
a'4.*2/3 b,8 g'^( fis)[ g ] | % 11
fis8( e) dis! e b e | % 12
d4.*2/3 e,8 c'( b) a |\break % 13
gis( a) c( b) d( c) | %14
b ais b cis dis e | % 15
fis g a b cis dis | % 16
e ais,( b) c!( b) g | % 17
}\alternative { { e b cis dis e fis|} { e
e'\harmonic b\harmonic
g\harmonic e b | }} % New repeat, measure nr 19
\repeat volta 2 { d4. e | % 20
d e | % 21
}
}
% Alt
\\
{ s2. | \repeat volta 2 {
s4 b g2 | % 3
s4 e,2 | s4 e2 | % 5
s2. | s4 a2 | % 7
s2. | s4 b2 | % 9
s2. | s4 b g2 | % 11
s4 e,2 | s4 e2 | % 13
s2. | s | % 15
s2. | s2. | } \alternative
{ {b' g4 s2 | } { b g4 s2 | } } % New repeat, measure
nr 19
\repeat volta 2 {
s4 c d,^\laissezVibrer4.*2/3 a,8\laissezVibrer
c'8 ~ | % 20
c c c d,^\laissezVibrer4.*2/3 a,8\laissezVibrer
c'8 | % 21
}
}
% Bass
\\
{ \stemDown
s2. |\repeat volta 2 { e,, | % 3
gis!2. | a | % 5
a | b | % 7
b4 s b | e2. | % 9
b4 s2 | e,2. | % 11
gis!2. | a2. | % 13
a | b2 s4 | % 15
b a' dis2 b4 | % 16
\tieDown e,2. ~ | }\alternative { {e | }
{e\repeatTie | } }
\repeat volta 2 { fis2 \Sup a4 | % 20
fis2 \Sup a4 |
}
}
}
~~ End .ly snippet.
http://dharma.dyndns.info/images/Vals_Venezolano-A.Lauro.png
Kind Regards,
Peter
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Re: merge-differently-headed does not always work.
Neil Puttock in [EMAIL PROTECTED] : LilyPond won't merge voices when the stems are facing the same direction. If you change the direction of the middlevoice 8th, it works: s4 c d,^\laissezVibrer4.*2/3 \stemUp a,8\laissezVibrer \stemDown c'8 ~ | % 20 c c c d,^\laissezVibrer4.*2/3 \stemUp a,8\laissezVibrer \stemDown c'8 | % 21 Yes, this works! The knee on the beams is a bit ugly, so you might want to override them manually. You mean something with Stem length-fraction ? Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How can i do this?
Neil Puttock in
[EMAIL PROTECTED] :
Yes, by scaling the dotted note:
a'4.*2/3
Thanks for your answer, but now i get an extra count.
Maybe this is a better example:
\version 2.10.25
\new Staff
\time 3/4
\relative c'' {\key g \major
\override Staff.NoteCollision #'merge-differently-headed = ##t
a'4.*2/3 b,8 g'^( fis)[ g ] % 2
fis8( e) dis! e b e
} \\ { s4 b g2 % 2
s4 e,2
}
\\ { d,2.
gis2.
}
~~ End
The fis8( e) should be on the next measure.
Kind Regards,
P.
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Re: How can i do this?
Damian leGassick in [EMAIL PROTECTED] : the extra count is because the \time 3/4 is ignored as it's not between the braces Indeed, indeed, your'e rigth. Never had this problem with it before, but I'm a beginner :-) Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: path set-up
Neil Thornock in [EMAIL PROTECTED] : Here's my path, something I don't fully understand but seems like it should work. #echo $PATH Should show the path to lilypond. if not put PATH=/usr/local/bin/:$PATH; export $PATH in your ~.profile or ~/.zprofile (if you use zsh). It wil also work in ~.bashrc or ~/.zshrc P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
How can i do this?
version 2.10.25
\new Staff
\time 3/4
\relative c'' {\key g \major
\override Staff.NoteCollision #'merge-differently-headed = ##t
a'4 b,8 g'^( fis)[ g ] |
} \\ { s4 b, g2 }
~ End snippet
I would like to have a dot for the a4 without shifting the other notes.
Is this possible?
Kind Regards,
Peter
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Re: Righthandfingering in lilypondtool
Bertalan Fodor in [EMAIL PROTECTED] : Actually LilyPondTool's parser is not completely smart. This could be fixed, i suggest reporting a bug on sf.net/projects/lily4jedit There more bugs in hat lilypondtool/ Thanks for your answer, but i hate maillists. If lilypond was not accessable via usenet i never had started with it. Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Righthandfingering in lilypondtool
Dear Readers,
Lilypondtool has prolems with the righthandfingering syntax, lilypond not.
case:
\version 2.10.25
#(define RH rightHandFinger)
{
\set strokeFingerOrientations = #'(up)
c-\RH #1 es-\RH #2 g-\RH #4 4
\set strokeFingerOrientations = #'(up)
c-\RH #1 es-\RH #2 g-\RH #4 4
}
Any solution for this?
Kind Regards,
Peter
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connecting a arpeggio
Dear readers,
How do i connect a arpeggio between 2 voices?
case:
staffClassicalGuitar = \new Staff {
\set Staff.connectArpeggios = ##t
\relative c' {
{ e' b gis!\arpeggio }
\\ { e,\arpeggio }
}
}
~ End
This does not work.
Kind Regards,
Peter
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Re: Stem length
Peter Terpstra in [EMAIL PROTECTED] : i tried: \once \override Stem #'length = #4 g8 [ a ] This does not have any effect. lilypond version is 2.10.25 -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Stem length
Mats Bengtsson in [EMAIL PROTECTED] : There's a separate property for beamed notes, see http://lists.gnu.org/archive/html/lilypond-user/2007-02/msg00266.html with followups. Thank you very much. I've been experimenting for a few hours. These \override Beam #'positions = #'($value . $value) in all cases output was ugly. Then i found something else: \once \override NoteColumn #'force-hshift = #0.5 \once \override Stem #'length-fraction = #0.3 These two options make it a lot prettier for me. Not too short and a bit out of the way. Thanks for yor help! Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Stem length
Dear readers, How can i change the stem length so that the voice two fits between voice one and three? i tried: \once \override Stem #'length = #4 g8 [ a ] This does not have any effect. Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
textSpanner again.
Dear Readers,
From the lilypond documentation i have this:
% Start
c1
\textSpannerDown
\override TextSpanner #'bound-details #'left #'text =
\markup { \upright rall }
c2\startTextSpan b c\stopTextSpan a
% End
I get this error:
GNU LilyPond 2.10.25
Processing `tmp.ly'
Parsing...
tmp.ly:2:0: error: syntax error, unexpected NOTENAME_PITCH
c1
tmp.ly:4:52: error: syntax error, unexpected '='
\override TextSpanner #'bound-details #'left #'text
=
tmp.ly:6:0: error: syntax error, unexpected NOTENAME_PITCH
c2\startTextSpan b c\stopTextSpan a
Layout output to `tmp.ps'...
Converting to `tmp.pdf'...
error: failed files: tmp.ly
~~End
Why???
And how do i solve this?
Kind Regards,
Peter
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Re: textSpanner again.
Martial in [EMAIL PROTECTED] : the syntaxe changed in 2.11.. Ah, and wher do i find the documentation for the stable 2.10. ? Or is there a stable version of 2.11 coming soon? Thanks you very much for your answer! P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
right align?
Dear Readers,
\header {
title = Old dance
subtitle = \markup \tiny \italic { \right-align { From \Jane Pickerings
lute book\ } }
}
But the tekst stays in the center, what could be a solution?
Kind Regards,
Peter
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Re: right align?
Tao Cumplido in [EMAIL PROTECTED] : you just have to add an empty string which will be on the left edge of the page. Thank you very much! P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
ps and pdf (was Re: Compatibillity lilypond - noteedit and other quetions.)
Valentin Villenave in [EMAIL PROTECTED] : There was a discussion about that a few months ago; maybe we should talk about it again... Thanks to an emailed answer i have the `-ddelete-intermediate-files' option. This option is now used by default. http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00284.html I absoluteley agree with graham, most people never need the .ps files. The .ps file is just a temporary file. P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Compatibillity lilypond - noteedit and other quetions.
Peter Terpstra in [EMAIL PROTECTED] : [ cut : errors ] *All* the errors are solved by copying the notes in a modern setup!! That was easy :-P Peter PS: does anyone know how to prevent lilypond from making a .ps file?, i only want the midi and the pdf. Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Two bars - 3 voices.
Valentin Villenave in [EMAIL PROTECTED] : That's because ... Okay, many thanks for all your answers! I'm getting used to the lilypondtool (it still has some errors), its a nice and very helpful tool. Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Compatibillity lilypond - noteedit and other quetions.
Peter Terpstra in [EMAIL PROTECTED] :
warning: can't find property type-check for `noAutoBeaming'
(translation-type?). perhaps a typing error?
\set Voice.noAutoBeaming = ##t should be \set Voice.noAutoBeaming = ##f
\set Staff.instrument = #Guitar 1 should be \set Staff.instrumentName =
#Guitar 1
warning: ignoring too many clashing note columns
\stemUp dis!4 e fis g | \grace { fis16 ~ g } fis4 e
Still don't know what noteedit does wrong here.
Hoping that noteedit wil come with a upgrade to better compatibillity with
lilypond.
Thanks for reading,
P.
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Re: Compatibillity lilypond - noteedit and other quetions.
Mats Bengtsson in [EMAIL PROTECTED] : Since NoteEdit generates LilyPond code corresponding to an old version of LilyPond, you have to upgrade the syntax using convert-ly (see the manual for details about using convert-ly). That does not help, but thanks for your answer. P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Compatibillity lilypond - noteedit and other quetions.
Valentin Villenave in [EMAIL PROTECTED] : https://canorus.berlios.de/ It's in active development and one of its goals is to be fully compatible with LilyPond. Interesting ... P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Compatibillity lilypond - noteedit and other quetions.
Mats Bengtsson in [EMAIL PROTECTED] :
\set Voice.noAutoBeaming = ##t
into
\set autoBeaming = ##f
and
\set Staff.instrument = #Guitar 1
into
\set Staff.instrumentName = #Guitar 1
But that was not the mainproblem, the mainproblems where the notecollisions.
This is what happens:
# convert-ly --from=1.5.48 test.ly
convert-ly (GNU LilyPond) 2.10.25
Processing `test.ly'...
Applying conversion: 1.5.49, 1.5.52, 1.5.56, 1.5.58, 1.5.59, 1.5.62, 1.5.67,
1.5.68, 1.5.71, 1.5.72, 1.6.5, 1.7.1, 1.7.2, 1.7.3, 1.7.4, 1.7.5, 1.7.6,
1.7.10, 1.7.11, 1.7.13, 1.7.15, 1.7.16, 1.7.17, 1.7.18, 1.7.19, 1.7.22,
1.7.23, 1.7.24, 1.7.28, 1.9.0, 1.9.1, 1.9.2, 1.9.3, 1.9.4, 1.9.5, 1.9.6,
1.9.7, 1.9.8, 2.1.1, 2.1.2, 2.1.3, 2.1.4, 2.1.7, 2.1.10, 2.1.11, 2.1.12,
2.1.13, 2.1.14, 2.1.15, 2.1.16, 2.1.17, 2.1.18, 2.1.19, 2.1.20, 2.1.21,
2.1.22, 2.1.23, 2.1.24, 2.1.25, 2.1.26, 2.1.27, 2.1.28, 2.1.29, 2.1.30,
2.1.31, 2.1.33, 2.1.34, 2.1.36, 2.2.0, 2.3.1, 2.3.2,
Not smart enough to convert textheight
Please refer to the manual for details, and update manually.
Page layout has been changed, using paper size and margins.
textheight is no longer used.
2.3.4, 2.3.6, 2.3.8, 2.3.9, 2.3.10, 2.3.11, 2.3.12, 2.3.16, 2.3.17, 2.3.18,
2.3.22, 2.3.23, 2.3.24, 2.4.0, 2.5.0, 2.5.1, 2.5.2, 2.5.3, 2.5.12, 2.5.13,
2.5.17, 2.5.18, 2.5.21, 2.5.25, 2.6.0, 2.7.0, 2.7.1, 2.7.2, 2.7.4, 2.7.6,
2.7.10, 2.7.11, 2.7.12, 2.7.13, 2.7.14, 2.7.15, 2.7.22, 2.7.24, 2.7.28,
2.7.29, 2.7.30, 2.7.31, 2.7.32, 2.7.32, 2.7.36, 2.7.40, 2.9.4, 2.9.6,
2.9.9, 2.9.11, 2.9.13, 2.9.16, 2.9.19, 2.10.0, 2.10.10
#(ly:set-option 'old-relative)
% %
% LilyPond output generated by %
% NoteEdit 2.8.1 %
% %
\version 2.10.10
ETC~~~End
#lilypond test.ly
GNU LilyPond 2.10.25
Processing `test.ly'
Parsing...
Interpreting music...
warning: can't find property type-check for `instrument'
(translation-type?). perhaps a typing error?
warning: doing assignment anyway
warning: can't find property type-check for `noAutoBeaming'
(translation-type?). perhaps a typing error?
warning: doing assignment anyway
warning: can't find property type-check for `noAutoBeaming'
(translation-type?). perhaps a typing error?
warning: doing assignment anyway
warning: can't find property type-check for `noAutoBeaming'
(translation-type?). perhaps a typing error?
warning: doing assignment anyway
warning: can't find property type-check for `instrument'
(translation-type?). perhaps a typing error?
warning: doing assignment anyway
warning: can't find property type-check for `noAutoBeaming'
(translation-type?). perhaps a typing error?
warning: doing assignment anyway
warning: can't find property type-check for `noAutoBeaming'
(translation-type?). perhaps a typing error?
warning: doing assignment anyway
warning: can't find property type-check for `noAutoBeaming'
(translation-type?). perhaps a typing error?
warning: doing assignment anyway
[8][16][24]
test.ly:85:10: warning: barcheck failed at: 1/2
s
R1 R1 % 31
[32][36]
Preprocessing graphical objects...
test.ly:61:29: warning: ignoring too many clashing note columns
fis ~ fis2 \stemDown
fis % 29
test.ly:37:53: warning: ignoring too many clashing note columns
\stemUp dis!4 e fis g | \grace { fis16 ~ g }
fis4 e dis! fis |
\break % 29
test.ly:37:16: warning: ignoring too many clashing note columns
\stemUp
dis!4 e fis g | \grace { fis16 ~ g } fis4 e dis! fis |
\break % 29
test.ly:36:17: warning: ignoring too many clashing note columns
fis4 e
b e dis! | \stemDown b e 1| % 27
test.ly:35:8: warning: ignoring too many clashing note columns
b e, c' fis a 2| b2. a8 [ g ] | \break % 25
test.ly:34:23: warning: ignoring too many clashing note columns
c b g' fis |
b, g' 2.b'4 ~ | % 23
test.ly:34:12: warning: ignoring too many clashing note columns
c b
g' fis | b, g' 2.b'4 ~ | % 23
test.ly:34:8: warning: ignoring too many clashing note columns
c b g' fis | b, g' 2.b'4 ~ | % 23
test.ly:33:56: warning: ignoring too many clashing note columns
dis!4 e fis g | \grace { fis16 [ ~ g ] } fis4 e
dis! fis |
\break % 21
test.ly:33:49: warning: ignoring too many clashing note columns
dis!4 e fis g | \grace { fis16 [ ~ g ] }
fis4 e dis! fis |
\break % 21
test.ly:33:8: warning: ignoring too many clashing note columns
dis!4 e fis g | \grace { fis16 [ ~ g ] } fis4 e dis! fis |
\break % 21
test.ly:31:37: warning: ignoring too many clashing note columns
s4 b e
Re: Compatibillity lilypond - noteedit and other quetions.
Mats Bengtsson in [EMAIL PROTECTED] :
These indicate that you didn't update your file, i.e. that you
forgot about the -e flag.
I'm Sorry.
This is with the -e flag:
GNU LilyPond 2.10.25
Processing `test.ly'
Parsing...
test.ly: 0: warning: old relative compatibility not used
Interpreting music... [8][16][24]
test.ly:98:10: warning: barcheck failed at: 1/2
s
R1 R1 % 31
[32][36]
Preprocessing graphical objects...
test.ly:74:29: warning: ignoring too many clashing note columns
fis ~ fis2 \stemDown
fis % 29
test.ly:50:1: warning: ignoring too many clashing note columns
fis4 e dis! fis | \break % 29
test.ly:46:16: warning: ignoring too many clashing note columns
\stemUp
dis!4 e fis g | \grace {
test.ly:45:17: warning: ignoring too many clashing note columns
fis4 e
b e dis! | \stemDown b e 1| % 27
test.ly:44:8: warning: ignoring too many clashing note columns
b e, c' fis a 2| b2. a8 g[ ] | \break % 25
test.ly:43:23: warning: ignoring too many clashing note columns
c b g' fis |
b, g' 2.b'4 ~ | % 23
test.ly:43:12: warning: ignoring too many clashing note columns
c b
g' fis | b, g' 2.b'4 ~ | % 23
test.ly:43:8: warning: ignoring too many clashing note columns
c b g' fis | b, g' 2.b'4 ~ | % 23
test.ly:42:8: warning: ignoring too many clashing note columns
fis4 e
dis! fis | \break % 21
test.ly:42:1: warning: ignoring too many clashing note columns
fis4 e dis! fis | \break % 21
test.ly:38:8: warning: ignoring too many clashing note columns
dis!4 e fis g | \grace {
test.ly:32:37: warning: ignoring too many clashing note columns
s4 b e 2s4 | \stemDown
b e 1| \break % 17
test.ly:32:13: warning: ignoring too many clashing note columns
s4
b e 2s4 | \stemDown b e 1| \break % 17
test.ly:67:10: warning: ignoring too many clashing note columns
s
b4 c r b2 \stemUp a4 % 15
test.ly:66:29: warning: ignoring too many clashing note columns
r4 s2. \stemDown d'2
b % 13
test.ly:66:25: warning: ignoring too many clashing note columns
r4 s2. \stemDown
d'2 b % 13
test.ly:29:8: warning: ignoring too many clashing note columns
e fis4 | g2 a | % 11
test.ly:28:45: warning: ignoring too many clashing note columns
e d!8 cis![ b a ] gis! fis[ ] | s4
e'2. | \break % 9
test.ly:169:24: warning: ignoring too many clashing note columns
s2 \stemUp fis,
gis!1
test.ly:145:17: warning: ignoring too many clashing note columns
fis4 e
b e dis! | \stemDown b e 1
test.ly:145:8: warning: ignoring too many clashing note columns
fis4 e b e dis! | \stemDown b e 1
test.ly:144:8: warning: ignoring too many clashing note columns
b e, c' fis a 2| b2. a8 g[ ] | % 35
test.ly:143:12: warning: ignoring too many clashing note columns
c b
g' fis | s b, g' 2b'4 ~ | \break % 33
test.ly:143:8: warning: ignoring too many clashing note columns
c b g' fis | s b, g' 2b'4 ~ | \break % 33
test.ly:166:30: warning: ignoring too many clashing note columns
fis1 ~ fis2 \stemDown
fis % 31
test.ly:142:24: warning: ignoring too many clashing note columns
dis!4 e fis g |
fis e dis! fis | % 31
test.ly:142:8: warning: ignoring too many clashing note columns
dis!4 e fis g | fis e dis! fis | % 31
test.ly:128:8: warning: ignoring too many clashing note columns
fis4 e
dis!2 | % 19
test.ly:128:1: warning: ignoring too many clashing note columns
fis4 e dis!2 | % 19
test.ly:124:8: warning: ignoring too many clashing note columns
dis'!4 e fis g | \grace {
test.ly:119:13: warning: ignoring too many clashing note columns
s4
b e 2.| gis!4 a8 b[ cis! d ] e fis[ ] | \break % 9
test.ly:118:15: warning: ignoring too many clashing note columns
fis4 e
e2 | s4 e dis!2 | % 7
test.ly:118:8: warning: ignoring too many clashing note columns
fis4 e e2 | s4 e dis!2 | % 7
test.ly:117:22: warning: ignoring too many clashing note columns
b a4 g | fis2
g | \break % 5
test.ly:117:17: warning: ignoring too many clashing note columns
b a4 g |
fis2 g | \break % 5
test.ly:117:10: warning: ignoring too many clashing note columns
b
a4 g | fis2 g | \break % 5
test.ly:116:16: warning: ignoring too many clashing note columns
\stemUp
e'2. fis4 | g2 a | % 3
Re: Two bars - 3 voices.
Valentin Villenave in [EMAIL PROTECTED] : I don't exactly know what you need, but here's my advice: install the jEdit editor on your computer, open it, go to plugin manager and install the LilyPondTool plugin. Once you've installed it, create a new (empty) .ly file, save it, and the LilyPondTool toolbar will appear. Click on the icon at the left (Document Wizard), and this way it'll become much, much easier to create your score, add instruments, etc. Th shipped jedit version was 4.2 (does not work for the lilypondtool) and no upgrade for rpm there. I converted a .deb package to .rpm but the tool has problems, it cannot run the lilypond command (gives java errors). Yesterday i've been working all day on that tool. The syntaxes i have already in .vimrc. Here's the template I get in 5 seconds: Thats very helpfull, you did that with the lilypondtool? Many thanks, P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Two bars - 3 voices.
Valentin Villenave in [EMAIL PROTECTED] : Yesterday i've been working all day on that tool. The syntaxes i have already in .vimrc. You have to configure LilyPondTool for better results: in jEdit, go to PluginPlugin OptionsLilyPondToolGeneral and change the path to LilyPond binary to /usr/local/bin (or something like that), and in external PDF viewer type evince or something like that. This was the real problem, the converted package was good. Only the convert function from the tool still gives only errors. P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Two bars - 3 voices.
Valentin Villenave in
[EMAIL PROTECTED] :
% Created on Tue Jul 17 11:40:46 CEST 2007
I used this one and get confused again.
~~ start snippit
staffClassicalGuitar = \new Staff {
\time 4/4
\set Staff.instrumentName=Guitar 1
\set Staff.midiInstrument=acoustic guitar (nylon)
\transposition c,
\key a \major
\clef treble
\relative c' {
% Type notes here; if you need three voices, here's the template:
a cis e cis e a' d' gis b |
\\cis d e fis |
\\fis gis a b |
\bar |.
}
}
staffClassicalGuitarII = \new Staff {
\set Staff.instrumentName=Guitar 2
\set Staff.midiInstrument=acoustic guitar (nylon)
\transposition c,
\key a \major
\clef treble
\relative c' {
% Type notes here
cis d e a
\\cis d e fis
\\fis gis a a
\bar |.
}
}
~~ end snippit
Now it works completely different!
All the notes show up as one big chord!
if i try to give a duration number, errors appear.
It looks like i can get only one beat.
Very confusing.
P.
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Two bars - 3 voices.
Dear readers, Tried already many things from the documantation from this, every time i run stuck. Then i start al over and try again. I want to have two bars for guitar 1 and guitar 2, each guitar has 3 voices. It must also produce an good simultanius midi. What is the best setup for this? Kind regards, P. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TextSpanner
Valentin Villenave in
[EMAIL PROTECTED] :
-first, apparently LilyPond is expecting a Scheme expression here: typing
#II
instead of
II
will correct your output error
-but anyway your snippet is incomplete; you have to make the
TextSpanner object exist by adding some \startTextSpan and
\stopTextSpan commands after your \override instruction, like in the
other guitar issues example.
Okay thank, but it still remains the same.
Snippit:
d\rest g-0 a,-02 |
\textSpannerUp
\override TextSpanner #'bound-details #'left 'text = #II
\startTextSpan
fis2''-1 g-3\stopTextSpan
Error:
GNU LilyPond 2.10.25
Processing `test.ly'
Parsing...
test.ly:57:53: error: syntax error, unexpected SCM_TOKEN, expecting '='
\override TextSpanner #'bound-details #'left
#'text = #II
test.ly:82:8: error: errors found, ignoring music expression
\relative
error: failed files: test.ly
Then I tried it with this:
\override TextScript #'outside-staff-priority = ##f
fis2-1^\markup{ \italic II } g-2
An this works!
P.
I still have a lot of problems with other things, trying find relief in
working with denemo but this software is crashing too often. And i don't
know if this would be of any help.
Kind regards,
Peter
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Re: TextSpanner
Valentin Villenave in [EMAIL PROTECTED] : -anyway, your snippet contains a (if you don't mind) stupid mistake :) fis2'' is incorrect: you have to put first the pitch, then the duration: fis''2 Not in the first place, i was trying to get over some problems and tried a hundred of things, then copied the wrong and rewrote it thing or something like that :-P I still have a lot of problems with other things, trying find relief in working with denemo but this software is crashing too often. And i don't know if this would be of any help. Your best option is, by far, to use jEdit text editor, and install Bert Fodor's wonderful LilyPondTool, which will incredibly help you not to make syntax mistakes. see http://lilypondtool.organum.hu/87.0.html Well I found the lilypond.vim file, which gave me al the syntaxes. I am an experiënced user with vim, working for more then seven years with this editor. The synatxes look okay. Many things i trie give problems or do not work at all. You will see this maybe my next postings :-) Thing i get out of the documentation work, but are very hard to use for my purpose. Kind Regards and many thanks for your advice! Peter PS: Exuses for my bad English. -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TesxtSpanner
Graham Percival in [EMAIL PROTECTED] : The LilyPond syntax changes, and the manual changes with it. Please upgrade to the latest stable version, and see the documentation for that version. NOW i understand some promlems i ran into with lilypond! Thanks, this helps. Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TesxtSpanner
Graham Percival in [EMAIL PROTECTED] : The LilyPond syntax changes, and the manual changes with it. Please upgrade to the latest stable version, and see the documentation for that version. Okay thats done, but the error remains: from the lilypond documentation i got this: \override NoteColumn #'force-hshift = #0.3 e,-04 e'-14 e,-02 | d'4\rest e-12 fis-34 % 3 d\rest g-0 a,-02 | \textSpannerUp \override TextSpanner #'bound-details #'left #'text = II And it gives me this error: Processing `test.ly' Parsing... test.ly:71:53: error: syntax error, unexpected SCM_TOKEN, expecting '=' \override TextSpanner #'bound-details #'left #'text = II test.ly:83:8: error: errors found, ignoring music expression \relative error: failed files: test.ly And now? Kind regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
TesxtSpanner
Dear readers, How does this work? I use this: \textSpannerUp \override TextSpanner #'bound-details #'left #'text = II \startTextSpan fis''-1 d-2 b,-1 2\stopTextSpan Ant I get this error: error: syntax error, unexpected SCM_T, expecting '=' \override TextSpanner #'bound-details #'left #'text = II error: errors found, ignoring music expression I got this from the lilypond.pdf documentation from the lilypond site, but is not okay?? I have lilypondversion 2.8.7. Thanks in advantage. Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
outlining fingerings
Dear readers,
Its about fingerings for guitar.
The first voice is okay, but the second and the third voice is a bit messy.
I tried something with \set fingeringOrientations but the effect gos only
to the first bar.
My .ly file:
\version 2.8.1
#(set-global-staff-size 22.45)
\header {
composer = Anonymous
crossRefNumber = 2
footnotes = still experimenting (P)
tagline = --- LilyPond (edited by Zero) ---
title = La Rossignol
metre = 96
enteredby = Zero
}
flat = \markup { \raise #0.4 \smaller \musicglyph #accidentals--2 }
sharp = \markup { \raise #0.6 \smaller \musicglyph #accidentals-2 }
textcodaysym = \markup { \hspace #1 \raise #1.1 \musicglyph #scripts-coda}
GuitarXBAVoiceA = \relative c' {
\set Staff.instrument = #Guitar 1
\voiceOne
\clef G
\key g \major
\time 4/4
g''8-2 fis-1 e-0 fis-1 g-2 fis-1 g-2 a-4 | %2
b4-4 a8-4 g-2 fis-1 e-0 d-3 cis!-2 | % 3
b-0 cis!-2 d4-3 c!8-1 d e4-0 | %4
d8-3 e-0 fis-2 d-3 b-0 c-1 d-3 b-0 | %5
}
GuitarXBAVoiceB = \relative c' {
\voiceTwo
s1 s % 3
s s %5
}
GuitarXBAVoiceC = \relative c' {
\voiceThree
c1\rest c1\rest % 3
c1\rest c1\rest % 5
}
GuitarXBA = \simultaneous {
\context Voice=GuitarXBAVoiceA \GuitarXBAVoiceA
\context Voice=GuitarXBAVoiceB \GuitarXBAVoiceB
\context Voice=GuitarXBAVoiceC \GuitarXBAVoiceC
}
GuitarXCBVoiceA = \relative c' {
\set Staff.instrument = #Guitar 2
\voiceOne
\clef G
\key g \major
\time 4/4
e'2.-0 fis4-2 | g2-2 a-4 | % 3
b-4 a4-4 g-2 | fis2-1 g-3 |% 5
}
GuitarXCBVoiceB = \relative c' {
\voiceTwo
\set fingeringOrientations = #'(left)
g'-0 b-0 1s % 3
\set fingeringOrientations = #'(left)
s d'2-2 b-0 % 5
}
GuitarXCBVoiceC = \relative c' {
\voiceThree
\set fingeringOrientations = #'(left)
\stemDown e,4-0 e'-1 e,2-0 d'4\rest e2-1 fis4-3 % 3
\set fingeringOrientations = #'(left)
d\rest g-0 a,2-0 b-1 g-2 % 5
}
GuitarXCB = \simultaneous {
\context Voice=GuitarXCBVoiceA \GuitarXCBVoiceA
\context Voice=GuitarXCBVoiceB \GuitarXCBVoiceB
\context Voice=GuitarXCBVoiceC \GuitarXCBVoiceC
}
\score {
\relative
\context Staff = cGuitarXBAA
\context Voice = cGuitarXBAVoiceA \GuitarXBAVoiceA
\context Voice = cGuitarXBAVoiceB \GuitarXBAVoiceB
\context Voice = cGuitarXBAVoiceC \GuitarXBAVoiceC
\context Staff = cGuitarXCBA
\context Voice = cGuitarXCBVoiceA \GuitarXCBVoiceA
\context Voice = cGuitarXCBVoiceB \GuitarXCBVoiceB
\context Voice = cGuitarXCBVoiceC \GuitarXCBVoiceC
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
}
%%\layout { ragged-right= ##t }
\paper {
linewidth = 170.000 \mm
textheight = 250.000 \mm
}
~End
The pdf file:
http://dharma.dyndns.info/music/test.pdf
With kind regards,
Peter
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Re: outlining fingerings
Stan Sanderson in [EMAIL PROTECTED] : I looked at your file using 2.11.27 (after applying the updates). I found that the first e in voice three shows the correct fingering if e,-04 is used in place of e,4-0 . I don't recall if there were changes to fingering between 2.8.x and 2.10, but I have been using this for guitar pieces which I have set. Yes this works! Wel I have have here te lilypond.pdf documenteation from the lylipondsite, which is about version 2.11.26. I did nit found newer documentation. Thanks a lot! Kind Regards, Peter -- mailto:[EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
